Relevant bibliographies by topics / Imagismo

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Imagismo'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Imagismo"

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Motta, Roberto. "Élide, Gilberto, imagismo e língua de universidade." Revista Brasileira de Ciências Sociais 24, no. 69 (2009): 149–62. http://dx.doi.org/10.1590/s0102-69092009000100011.

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Ribeiro de Oliveira, Marcelo Fonseca. "The Seafarer." Em Tese 21, no. 3 (2016): 141. http://dx.doi.org/10.17851/1982-0739.21.3.141-145.

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Ezra Pound nasceu em Idaho em 1885 e estudou línguas românicas na Universidade da Pensilvania. Funda a corrente do Imagismo, editando uma antologia em 1914. Antes, havia angariado o reconhecimento de nomes como Elliot, Henry James, Frost, Joyce e outros. O poema 'The Seafarer', tradução de Pound do anglo-saxão original, reflete suas preocupações filológicas e estilísticas com a Idade Média, e é reconhecidamente a versão moderna mais aceita.
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Lucarezi, Anderson, and Lucas Zaparolli De Agustini. "As Gravuras Japonesas, de John G. Fletcher." Cadernos de Literatura em Tradução, no. 18 (September 30, 2017): 127–37. http://dx.doi.org/10.11606/issn.2359-5388.v0i18p127-137.

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John Gould Fletcher (1886-1950) nasceu em Little Rock, Arkansas, no seio de uma família abastada, o que lhe possibilitou estudar em Harvard. Com a morte do pai, em 1906, deixou a universidade para viver de herança e empreendeu uma longa viagem para a Europa, acabando por estabelecer-se em Londres, onde publicou, em 1913, cinco livros às próprias custas. Nessa época, tendo conhecido Ezra Pound, tornou-se ativo difusor da corrente estética do Imagismo.
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Lira, José. "Emily Dickinson e a poética da brevidade: do haicai ao imagismo." Revista Leitura 2, no. 34 (2004): 175–93. http://dx.doi.org/10.28998/0103-6858.2004v2n34p175-193.

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Sharma, Manisha. "COLOURIMAGERY IN THE HAIKU POEMS OF IMAGISTS POETS." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–4. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3541.

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Imagism was a movement in early 20th century Anglo-American poetry that favoured precision of imagery and clear, sharp language. Imagists stressed on the direct treatment of the subject matter and strictly adhered to the rule that even a single word was not used unnecessarily. Imagists used the exact word instead of decorative words and rejected most 19th century poetry as cloudy verbosity. Imagist poets were influenced by Japanese Haiku, poems of 17 syllables which usually present only two juxtaposed images. Ezra Pound has made a conscious study of the Japanese Haiku. According to Pound, Japa
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Macedo, Sebastião Edson. "Na pele de seda da criação - reescritura como tradução em Cobra Norato, de Raul Bopp." MOARA – Revista Eletrônica do Programa de Pós-Graduação em Letras ISSN: 0104-0944, no. 49 (November 29, 2018): 128. http://dx.doi.org/10.18542/moara.v0i49.6368.

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Apresento uma leitura do continuado trabalho de reescritura que Raul Bopp conferiu à Cobra Norato, no qual faz a criação do poema mimetizar uma imagem do poema-rapisódico (“a pele de seda elástica”) como procedimento de auto-tradução lírica. Exploro o imagismo do poema, percorrendo possibilidades interpretativas sobre uma ética do olhar levada a cabo por um discurso poético que se anuncia “de olhos vendados” e “de corpo aberto”. Assim, a reescritura de Bopp permite conceber um trabalho de tradução de uma sensibilidade à materialidade discursiva que lhe serve de substrato, redundando, por sua v
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Dikun, M. M. "Features of Recreating the Poetics of Imagism in Translation into Russian (Based on the Material of an Independent Translation of the Poem by E. Pound «Salutation»)." Язык и текст 8, no. 1 (2021): 41–47. http://dx.doi.org/10.17759/langt.2021080105.

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Imagism is a current in Anglo-American poetry of the 1910s. The key program text of imagism is considered to be Ezra Pound's essay "A Few Don'ts", in which he briefly describes the state of poetry at the beginning of the XX century and makes a list of "several prohibitions" for contemporary poets. He notes that it is necessary to avoid redundant words and expressions, abstract vocabulary and generalizing concepts that do not contribute to the creation of images. Working on the translation, we came to the conclusion that the main difficulties encountered in the translation were related to the t
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Hama, Bakhtiar S. "Imagism and Imagery in the Selected Poems of Major Imagist Poets." Koya University Journal of Humanities and Social Sciences 3, no. 1 (2020): 88–93. http://dx.doi.org/10.14500/kujhss.v3n1y2020.pp88-93.

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This paper explores imagism and studies the intrinsic literary features of some poems to show how the authors combine all the elements such as style, sentence structure, figures of speech and poetic diction to paint concrete and abstract images in the mind of the readers. Imagism was an early 20th century literary movement and a reaction against the Romantic and Victorian mainstreams. Imagism is known as an Anglo-American literary movement since it borrows from the English and American verse style of modern poetry. The leaders of the movement set some rules for writing imagist poems. The autho
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Domingues, Mario Henrique. "A Natureza das Coisas." Belas Infiéis 9, no. 2 (2020): 115–17. http://dx.doi.org/10.26512/belasinfieis.v9.n2.2020.27043.

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O poema épico-didático A Natureza das Coisas (De rerum natura), de Lucrécio (Titus Lucretius Carus ”“ séc. I a.C) é uma das grandes obras literatura universal. Fundindo poesia e filosofia, trata-se da divulgação da doutrina do filósofo grego Epicuro (300 a.C), a um tempo formado nos ensinamentos de Sócrates e reformista do atomismo de filósofos pré-socráticos, principalmente de Demócrito. No âmbito da poesia, Lucrécio influenciou grandes poetas latinos que o sucederam, tais como Virgílio, Horácio e Ovídio. O poema trata principalmente da física epicurista, em que a natureza está reduzida a áto
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Roche, Hannah. "Myths, Legends, and Apparitional Lesbians: Amy Lowell's Haunting Modernism." Modernist Cultures 13, no. 4 (2018): 568–89. http://dx.doi.org/10.3366/mod.2018.0230.

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By the end of the twentieth century, Amy Lowell's poetry had been all but erased from modernism, with her name resurfacing only in relation to her dealings with Ezra Pound, her distant kinship with Robert Lowell, or her correspondence with D. H. Lawrence. The tale of how Pound rejected Lowell's Imagism, rebranding his movement as Vorticism and spurning the ‘Amygism’ of Lowell's Some Imagist Poets anthologies (1915–1917), has become something of a modernist myth. Recent critics have begun the project of re-evaluating and ultimately reinstating Lowell, but the extent of her contribution to moder
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Dissertations / Theses on the topic "Imagismo"

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Welcman, Max. "Traduzindo imagens = o imagismo em perspectiva." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270247.

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Orientador: Fábio Akcelrud Durão<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-16T02:43:36Z (GMT). No. of bitstreams: 1 Welcman_Max_M.pdf: 689545 bytes, checksum: 220de918e976fa7f963c4ec14a71c61b (MD5) Previous issue date: 2010<br>Resumo: O objetivo do trabalho é introduzir no âmbito acadêmico brasileiro a discussão sobre a primeira vanguarda literária inglesa do século XX, o Imagismo, além de trazer a público, por meio da elaboração de uma antologia bilíngue, uma série de poemas de autores britânicos e
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Griffiths, Joanna Megan. "'A sort of suicide' : Charlotte Mew (1869-1928) and literary fashion." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326630.

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Bristow, G. "The making of imagism." Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596919.

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Imagism was Anglo-American poetry’s first distinctive contribution to early modernism, a named ‘movement’ to match the avant-garde schools of Europe.  Yet the writing of its history has been rife with debate over Imagism’s achievements, its most significant exponents and whether it even constituted a movement in any meaningful sense. From 1914, when the poets associated with Imagism split over differing interpretations of their project, the historiography of Imagism has involved broader issues about the genesis, ownership and intellectual justification of literary modernism and has corresponde
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Hodgson, T. P. "Imagism and metaphysics in the seventeenth and early eighteenth centuries." Thesis, University of Oxford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.375902.

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Lee, Sze Wah Sarah. "Aesthetics of experiment : Imagism, Vorticism and the European avant-garde." Thesis, Goldsmiths College (University of London), 2016. http://research.gold.ac.uk/19690/.

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This dissertation is a critical re-assessment of Imagism and Vorticism in relation to the European avant-garde, which both movements aspired towards in their reactions against the contemporary English arts and letters. I explore the implementation of such aspirations in the English arts by chronicling the complex relationship between the English movements and Cubism, the Parisian avant-garde, Italian Futurism and German Expressionism. The thesis argues that Imagism and Vorticism simultaneously modelled themselves on and reacted against their Continental counterparts, in terms of aesthetic conc
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Kita, Yoshiko. "Imagism reconsidered, with special reference to the early poetry of H.D." Thesis, Durham University, 1995. http://etheses.dur.ac.uk/4885/.

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The main aim of this thesis is to examine how H. D. developed her poetics during the Imagist movement by looking especially at her work in the Imagist anthologies (1915-1917). In order to identify the distinctive qualities of H. D.'s poetry, I shall compare it with that of other Imagists, notably Richard Aldington, John Gould Fletcher, F. S. Flint and Amy Lowell. Previous discussions of H. D.'s early poetics have been held within the context of Ezra Pound's aesthetics, and the characteristics of her poems which are inconsistent with Pound’s criteria have been ignored. Hence, one of the most us
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Jackson, Tracey Elaine. "Imagist poetry : a survey and reassessment." Thesis, University of Ulster, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390159.

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Johnson, Carla Elaine. "Dovid Knut : biblical imagist in translation /." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488193665236135.

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Forster, Laurel Cevelia. "The life of the mind : psychic explorations in the work of May Sinclair." Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310968.

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Mitchem, Sarah Lewis. "Mythic Metamorphosis: Re-shaping Identity in the Works of H.D." Thesis, Virginia Tech, 2007. http://hdl.handle.net/10919/35614.

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In section fifteen of the poem The Walls Do Not Fall author Hilda Doolittle (H.D.) address her audience and articulates the purpose of the poet in the following lines: â we are the keepers of the secret,/ the carriers, the spinners/ of the rare intangible thread/ that binds all humanity/ to ancient wisdom,/ to antiquity;/â ¦every concrete object/ has abstract value, is timeless/ in the dream parallelâ (Trilogy 24). H.D. mined her own life for charged relationships which she then, through writing, connected to the mythic characters of antiquity whose tales embodied the same struggles she fac
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Books on the topic "Imagismo"

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Wącior, Sławomir. Explaining imagism: The imagist movement in poetry and art. Edwin Mellen Press, 2007.

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Madison Museum of Contemporary Art (Madison, Wis.), ed. Chicago imagists. Madison Museum of Contemporary Art, 2011.

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Palazón, Oscar. Imagino Budapest. Edicions Documenta Balear, 2014.

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Achebe's women: Imagism and power. Africa World Press, 2011.

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Lopa, Ricardo. Te imagino Homero. Centauro Ediciones, 2010.

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Council, British, ed. The imagist poets. Northcote, 2011.

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Mary Barnard, American Imagist. State University of New York Press, 2013.

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Hernandez, Samuel R. Sam Hernandez: Abstract imagist. M. Dunev Gallery, 1993.

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de, Torres Burgos Zoraida, ed. No imagino otra vida. Editorial Egales, 2010.

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Hernandez, Samuel R. Sam Hernandez: Abstract imagist. M. Dunev Gallery, 1993.

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Book chapters on the topic "Imagismo"

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Korg, Jacob. "Imagism." In A Companion to Twentieth-Century Poetry. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470998670.ch11.

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McGuinness, Patrick. "Imagism." In A Companion to Modernist Literature and Culture. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996331.ch19.

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Robinson, Alan. "Imagism." In Poetry, Painting and Ideas, 1885–1914. Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-07190-6_8.

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Robinson, Alan. "The Movement towards Imagism." In Poetry, Painting and Ideas, 1885–1914. Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-07190-6_3.

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Roberts, Neil. "Lawrence, Imagism and Beyond." In British Poetry, 1900–50. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24000-5_6.

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Silkin, Jon. "Imagism, Lawrence, Pound, Read and Eliot." In The Life of Metrical and Free Verse in Twentieth-Century Poetry. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25351-7_2.

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Hakutani, Yoshinobu. "Ezra Pound, Imagism, and Japanese Poetics." In Haiku and Modernist Poetics. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230100916_6.

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Kyburz, Mark. "The Relevance of Imagism (1911–1913)." In “Voi Altri Pochi”. Birkhäuser Basel, 1996. http://dx.doi.org/10.1007/978-3-0348-7769-5_3.

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Singh, G. "Pound’s Poetics and his Theory of Imagism." In Ezra Pound as Critic. Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23502-5_3.

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Robinson, Alan. "Ezra Pound: the Pre-Imagist Phase." In Poetry, Painting and Ideas, 1885–1914. Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-07190-6_6.

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Conference papers on the topic "Imagismo"

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Novikova, M. V. "The origin of imagism." In НАУКА РОССИИ: ЦЕЛИ И ЗАДАЧИ. НИЦ «Л-Журнал», 2018. http://dx.doi.org/10.18411/sr-10-10-2018-13.

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de Valk, J. P. J., W. J. J. Stut, Jr., H. Lodder, A. R. Bakker, and B. M. ter Haar Romeny. "The IMAGIS Projects: Past, Present And Future." In Medical Imaging II, edited by Roger H. Schneider and Samuel J. Dwyer III. SPIE, 1988. http://dx.doi.org/10.1117/12.968756.

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deValk, J. P. J., R. C. vanRijnsoever, and A. R. Bakker. "Simulation Of A Feasible Medical Image Storage Hierarchy Within The Dutch Imagis Project." In 1985 Los Angeles Technical Symposium, edited by Robert A. Sprague. SPIE, 1985. http://dx.doi.org/10.1117/12.946459.

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Guo, Yingjie. "An Intertextual Perspective of the Strategies of Composing Images in American Imagist Poetry and Chinese Tang Poetry." In 2016 International Conference on Humanity, Education and Social Science. Atlantis Press, 2016. http://dx.doi.org/10.2991/ichess-16.2016.34.

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Guo, Yingjie, and Wen Wang. "Cultural or Aesthetic An Intertextual Insight into the Relationship between Ezra Pound s Imagist Poems and Chinese Tang Poems." In International Academic Workshop on Social Science (IAW-SC-13). Atlantis Press, 2013. http://dx.doi.org/10.2991/iaw-sc.2013.153.

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Reports on the topic "Imagismo"

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Mercado Percia, Heiner. Gestión depredadora de artículos científicos. Libro abierto, 2018. http://dx.doi.org/10.25012/blog.04.04.2018.

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Tal vez sea más usual de lo que imagino, pero por lo menos a mí me resultó curioso el hecho de recibir en una misma semana dos mensajes de correo electrónico enviados por personas de países distintos, Irán y Rusia, en el que proponen la publicación de artículos en la revista que dirijo.
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