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Dissertations / Theses on the topic 'Imagismo'

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1

Welcman, Max. "Traduzindo imagens = o imagismo em perspectiva." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270247.

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Orientador: Fábio Akcelrud Durão<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-16T02:43:36Z (GMT). No. of bitstreams: 1 Welcman_Max_M.pdf: 689545 bytes, checksum: 220de918e976fa7f963c4ec14a71c61b (MD5) Previous issue date: 2010<br>Resumo: O objetivo do trabalho é introduzir no âmbito acadêmico brasileiro a discussão sobre a primeira vanguarda literária inglesa do século XX, o Imagismo, além de trazer a público, por meio da elaboração de uma antologia bilíngue, uma série de poemas de autores britânicos e
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Griffiths, Joanna Megan. "'A sort of suicide' : Charlotte Mew (1869-1928) and literary fashion." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326630.

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3

Bristow, G. "The making of imagism." Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596919.

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Imagism was Anglo-American poetry’s first distinctive contribution to early modernism, a named ‘movement’ to match the avant-garde schools of Europe.  Yet the writing of its history has been rife with debate over Imagism’s achievements, its most significant exponents and whether it even constituted a movement in any meaningful sense. From 1914, when the poets associated with Imagism split over differing interpretations of their project, the historiography of Imagism has involved broader issues about the genesis, ownership and intellectual justification of literary modernism and has corresponde
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4

Hodgson, T. P. "Imagism and metaphysics in the seventeenth and early eighteenth centuries." Thesis, University of Oxford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.375902.

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5

Lee, Sze Wah Sarah. "Aesthetics of experiment : Imagism, Vorticism and the European avant-garde." Thesis, Goldsmiths College (University of London), 2016. http://research.gold.ac.uk/19690/.

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This dissertation is a critical re-assessment of Imagism and Vorticism in relation to the European avant-garde, which both movements aspired towards in their reactions against the contemporary English arts and letters. I explore the implementation of such aspirations in the English arts by chronicling the complex relationship between the English movements and Cubism, the Parisian avant-garde, Italian Futurism and German Expressionism. The thesis argues that Imagism and Vorticism simultaneously modelled themselves on and reacted against their Continental counterparts, in terms of aesthetic conc
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6

Kita, Yoshiko. "Imagism reconsidered, with special reference to the early poetry of H.D." Thesis, Durham University, 1995. http://etheses.dur.ac.uk/4885/.

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The main aim of this thesis is to examine how H. D. developed her poetics during the Imagist movement by looking especially at her work in the Imagist anthologies (1915-1917). In order to identify the distinctive qualities of H. D.'s poetry, I shall compare it with that of other Imagists, notably Richard Aldington, John Gould Fletcher, F. S. Flint and Amy Lowell. Previous discussions of H. D.'s early poetics have been held within the context of Ezra Pound's aesthetics, and the characteristics of her poems which are inconsistent with Pound’s criteria have been ignored. Hence, one of the most us
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7

Jackson, Tracey Elaine. "Imagist poetry : a survey and reassessment." Thesis, University of Ulster, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390159.

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8

Johnson, Carla Elaine. "Dovid Knut : biblical imagist in translation /." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488193665236135.

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9

Forster, Laurel Cevelia. "The life of the mind : psychic explorations in the work of May Sinclair." Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310968.

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10

Mitchem, Sarah Lewis. "Mythic Metamorphosis: Re-shaping Identity in the Works of H.D." Thesis, Virginia Tech, 2007. http://hdl.handle.net/10919/35614.

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In section fifteen of the poem The Walls Do Not Fall author Hilda Doolittle (H.D.) address her audience and articulates the purpose of the poet in the following lines: â we are the keepers of the secret,/ the carriers, the spinners/ of the rare intangible thread/ that binds all humanity/ to ancient wisdom,/ to antiquity;/â ¦every concrete object/ has abstract value, is timeless/ in the dream parallelâ (Trilogy 24). H.D. mined her own life for charged relationships which she then, through writing, connected to the mythic characters of antiquity whose tales embodied the same struggles she fac
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11

Ni, Xia Jia. "From imagism to informationism :a study of 20th century experimental poetry in English." Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3953521.

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12

Thacker, Andrew John. "Language and reification in imagist poetics, 1909-1930." Thesis, University of Southampton, 1990. https://eprints.soton.ac.uk/426836/.

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13

Oudart, Clément. "Les métamorphoses du modernisme de H.D. à Robert Duncan : vers une poétique de la relation." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2009. http://tel.archives-ouvertes.fr/tel-00947767.

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Cette thèse explore le fonctionnement de la poésie moderniste américaine sous l'angle de la relation. Critiquant la rhétorique de la rupture généralement associée à l'esthétique des avant-gardes modernistes, notre parcours suit la ligne sinueuse de la poétique de la relation de H.D. [1886-1961] à Robert Duncan [1919-1988]. Loin de tracer une trajectoire chronologique entre ces deux points, qui ne sont pas envisagés comme les œuvres-limites d'un nouveau canon, cette étude a pour point central The H.D. Book. La poésie dite de l'après-guerre émerge comme celle d'un perpétuel entre-deux-guerres, e
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Guptā, Mañju. "Prasāda aura Nirāla kī bimba yojanā /." Naī Dillī : Hindi buka seṇṭara, 1992. http://catalogue.bnf.fr/ark:/12148/cb369655237.

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Pī-Eca. Ḍī--Vallabha Vidyānagara, Gujarāta--Saradāra Paṭela viśvavidyālaya.<br>Le dos de la page de titre porte la mention : "Prasad aur Nirala ki bimb yojana" / Gupta, Manju. Bibliogr. p. 213-215. Notes bibliogr.
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15

Greaves, Sara R. "Basil Bunting : une lecture stylistique." Aix-Marseille 1, 1998. http://www.theses.fr/1998AIX10029.

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Cet ouvrage constitue une lecture stylistique de la poesie de basil bunting, poete anglais du vingtieme siecle. Il s'agit de la premiere etape d'une recherche destinee a cerner le style du poete. Quatre chapitres d'introduction presentent la vie de l'auteur, sa theorie esthetique (ses essais en prose, comptes rendus, interviews. . . ), la trace de l'oralite, et l'etat actuel de la critique buntinguienne. Les cinq chapitres suivants sont consacres aux textes poetiques. Un paradigme metapoetique, tres important chez ce poete, est d'abord etudie, ensuite les quatre niveaux d'expression poetique :
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16

Romon-Alonso, Mercedes. "H.D. : sublimity and beauty in her early work (1912-1925)." Thesis, Durham University, 1998. http://etheses.dur.ac.uk/4691/.

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The purpose of this thesis is to study the poetry written by H.D. between 1912- 1925 in relation to two Romantic categories: beauty and sublimity. I shall attempt to show how H.D. subverts and revises the Romantic sublime offering alternatives that can be identified with a "female sublime". A direct consequence of such revision will be her commitment to beauty, which acts in her poems as a generative drive. Her understanding of beauty will be shown to have its roots in Sappho, Plato and the Victorian Hellenists, among others, and to have undergone analogous transformations to those of sublimit
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Carrero, Sean. "Sugarcane Crossroads." ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2595.

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The following manuscript is a collection of lyric poetry that touches on themes of family history, love, and labor in the service industry. It is divided into three sections. The speaker in the work dwells in mostly private spaces and deals with private symbols such as, water, to represent the father figure in the poems.
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18

Hadjiyiannis, Christos. "Re-examination of the work of T.E. Hulme." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5986.

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This project challenges a series of common interpretations of Hulme's work: that his arguments are contradictory; that his career can be separated into distinct “phases”; that he endorsed other thinkers' ideas uncritically; and that he promulgated authoritarian politics. Chapter 1 examines the entries in Hulme's notebooks that relate his views on the nature of reality and language. Read through ideas in the works of Bergson, Nietzsche and Ribot, these rudimentary notes present a coherent “anti-intellectualist” philosophical position, consistent with claims made in his later writings. Chapter 2
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19

Walter, Lauren. "New Rust." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2205.

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A poetry thesis exploring issues of loss, death, creation, imagination, family, interpersonal relationships, nature, sexuality, and writing. The manuscript includes a preface that discusses literary influences such as Ai, H.D., and Sharon Olds, as well as writing in forms such as the dramatic monologue, imagistic poem, and confessional poem. Three main sections organize the manuscript's poems.
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20

Xie, Ming. "Translation from Chinese poetry and the development of imagism in Ezra Pound and some of his contemporaries." Thesis, University of Cambridge, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303207.

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21

Moore, Zachary Stephen. "Voices of the Exhibition:The Rise of Ekphrasis during the 20th Century through Imagism and Visual Art Museums." Wright State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=wright1431087392.

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22

Barnsley, Sarah Jayne Mary. "Mary Barnard, late imagist : a study of her poetry 1927-1952." Thesis, Goldsmiths College (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434830.

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23

Sommerkamp, Sabine [Verfasser]. "Der Einfluß des Haiku auf Imagismus und jüngere Moderne : Studien zur englischen und amerikanischen Lyrik / Sabine Sommerkamp." Hamburg : Universität Hamburg, 2020. http://d-nb.info/1225852471/34.

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24

Suberchicot, Alain. "Numineux et création poètique; depuis l'imagisme et la découverte moderne de Hopkins jusqu'aux Pisan Cantos." Orléans, 1987. http://www.theses.fr/1987ORLE1001.

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La tradition métaphysique est l'héritage fondamental de la poésie moderne, qui se plait à réinterpréter les savoirs chrétien et mystique. Toutefois, cette réinterprétation, tandis qu'elle donne de l'acuité à l'expérience du Numineux, met en doute la capacité du divin à offrir un apaisement métaphysique durable. Le Numineux est un réseau complexe de références non littéraires, qui provient de l'enseignement religieux, du mythe, du sentiment de la nature, de la connaissance des rites païens et chrétiens, ou du culte des sens. Son manque d'unité ne permet pas de construire la cohérence d'intentio
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25

Gilbert, Matthew. "Fir-Flower Petals on a Wet Black Bough: Constructing New Poetry through Asian Aesthetics in Early Modernist Poets." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etd/3588.

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Critics often credit Ezra Pound and his Imagist movement for the development of American poetics. Pound’s interest in international arts and minimalist aesthetics of cross-cultural poetry gained the attention of prominent writers throughout Modernist and Post-Modern periods. From writers like Wallace Stevens and Gertrude Stein to later poets like Jack Kerouac and Gary Snyder, image and precise language has shaped American literature. Few critics have praised Eastern cultures or the Imagist poets who adopted an East-Western form of poetics: Amy Lowell and William Carlos Williams. Studying tradi
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26

Fletcher, Martin John. "The view from The Waste Land : how Modernist poetry in England survived the Great War." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/149526.

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O poema icônico de T. S. Eliot The Waste Land, publicado em 1922, é indiscutivelmente o texto principal de poesia moderna em inglês. Eliot residia em Londres no momento da sua composição, e embora o poema contenha numerosas citações literárias e culturais, The Waste Land não é considerado como tendo sido influenciado por nenhum dos poetas ingleses que foram contemporâneos de Eliot. Pelo contrário, o poema é tido como um afastamento radical e uma reação contra, a poesia inglesa escrita antes e durante a Primeira Guerra Mundial (1914-1918). Neste artigo, eu argumento que The Waste Land contém ec
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莊水平. "The Evaluation of Optical Characteristics of FPA Thermal Imagimg Systems." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/29262201376980809283.

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碩士<br>輔仁大學<br>物理學研究所<br>85<br>The study, evaluation testing of the performance parameter are key method to developing a Focal Plane Array Thermal Imaging System (FPATIS). Especially the imaging quality of a FPATIS has always been the focus of people''s concern and emphasis. In this thesis, we will focus on analysis and evaluation of three basic optical characteristics of FPATIS; including: (1) The Noise Equivalent Temperature Difference, NETD of the system''s detecting sensitivity (temperature resolution). (2) The Modulation Transfer Function, MTF of imaging quality. (3) The M
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28

Kruger, Jan-Louis. "Williams [i.e. William] Carlos Williams : imagist, cubist, (objectivist)? / Jan-Louis Kruger." Thesis, 1993. http://hdl.handle.net/10394/16460.

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The main problem addressed in this dissertation was whether the three movements of Imagism, Cubism, and Objectivism can be said to have had a decisive role in the poetic development of William Carlos Williams in the period between 1917 and 1923 when three of his major works, AI Que Quiere!, Sour Grapes, and Spring and All, were published. In order to determine this, the manifestations of the principles of these movements in Williams' poetry published during this period were investigated on both a synchronic and a diachronic level. Firstly, the concepts surrounding these movements were defined
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CHUNG, MING-HUEI, and 鍾明輝. "Study on the Enlinghtenment of the Imagist Yin Guang in Modern Times." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/f48ud2.

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碩士<br>明道大學<br>中國文學學系(碩士班)<br>106<br>Abstract Master Yin Guang (1861-1940) was respected to be one of four Grand Masters in the history of Buddhism in China; meanwhile, he was honored with the 13th founder of the sect of Pure Land Buddhism. In this point of view, Master Yin Guang has had a great influence on the development of Buddhism in China, and no ordinary monks can compete with him. Master Yin Guang’s great achievement lies in that he guided the intelligentsia to believe in Buddhism at that time by writing letters and having sincere dialogues with them rather than to enlighten th
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Kotze, Haidee. "Beat poetry and the twentieth century, Allen Ginsberg / Haidee Kotze." Thesis, 1999. http://hdl.handle.net/10394/16307.

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This dissertation investigates Allen Ginsberg's Beat poetry within the framework of twentieth-century literary developments, from modernism to postmodernism. It is argued that Beat writing is founded on a rejection of the detached, intellectual and formal nature of the high modernism which came to be institutionalised in the American literary practice of the 1950s. Beat poetry rejects this tradition in favour of an eclectic assemblage of ideas which may, either through direct influence or through parallel development, be linked to certain avant-garde modernist movements. All of these movements
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Kessler, Volker. "Ein Dialog zwischen Managementlehre und Alttestamenlicher Theologie: McGregors Theorien X und Y zur Führung im lichte alttestamentlicher Anthropologie." Thesis, 2004. http://hdl.handle.net/10500/1384.

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Text in German<br>This dissertation is a contribution to cybernetics, a sub-discipline ofPractical Theology. It is a dialogue between theology and management science. The first part discusses whether such a dialogue is reasonable at all. There are a lot of parallels between wisdom theology in the Old Testament and modern management theory. We discuss the benefits and the limitations of wisdom, and the way Israel took advantage of wisdom knowledge of the surrounding peoples. Finally, we draw conclusions for the way how church leadership could integrate knowledge from management theory. T
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