Relevant bibliographies by topics / Imagological story

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Academic literature on the topic 'Imagological story'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Imagological story"

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BILIĆ, Anica. "AN IMAGOLOGICAL READING OF JOSIP KOZARAC’S TENAOR HOW SLAVONIA BECAME UNRESTRAINED." Lingua Montenegrina 23, no. 1 (2019): 169–89. https://doi.org/10.46584/lm.v23i1.679.

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The article will imagologically analyse Kozarac’s story Tena, published in 1894 in the journal Dom i sviet (The Home and the World). The colonial past of Slavonia and the imperial policy of the Austro-Hungarian Monarchy have been eternalized in the story, and can be read and decoded with a postcolonial key; therefore, the apparatus of postcolonial theory and criticism is applicable to its interpretation. Since the Other is of crucial importance in postcolonial theory, the article will focus on hete­ro-images and the identity markers of Others who contributed to the sad narrative of the fate of
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Xue, Chen. "The Crimean Tatar world in the “Sun of the Dead” by I.S. Shmelev." Philological Sciences. Scientific Essays of Higher Education, no. 2 (March 2023): 72–76. http://dx.doi.org/10.20339/phs.2-23.072.

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The purpose of the article is to examine the Crimean Tatar world depicted by I.S. Shmelev in the story “The Sun of the Dead” in an imagological aspect; to show the relationship of representatives of various nationalities living in the Crimea during the Civil War. The content of the study is an analysis of the Crimean Tatar image in Shmelev’s story and a description of intercultural communication in Crimea. The analysis reveals the ethnocultural specifics of Russian and Tatar in the historical and literary context, shows the convergence and unification of different ethnic groups and faiths at a
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Hayduchok, Sofiia. "Jewish Images of Ukrainian Literature of the 20th and Early 21st Centuries." NaUKMA Research Papers. Literary Studies, no. 4-5 (March 17, 2025): 146–67. https://doi.org/10.18523/2618-0537.2024.4-5.146-167.

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The article examines the variety of Jewish images in Ukrainian literature and their evolution from the 19th century to the beginning of the 21st century. In particular, the article talks about the characterization and the analysis of new Jewish types in the context of imagological discourse, the specificity of Jewish characters’ depiction at a certain period by different authors, the interaction of Self and Other. Interest in Jewish images in recent and modern Ukrainian literature is due to their uniqueness in relation to the period of the early USSR and the early period after its collapse, as
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Ivanova, Najda. "The image of Venice in The Mountain Wreath: Some imagological observations." Juznoslovenski filolog 71, no. 1-2 (2015): 15–41. http://dx.doi.org/10.2298/jfi1502015i.

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Drasko?s story about his trip to Venice represented in the poem The Mountain Wreath (1847), written by Peter Petrovic Njegos, is an object of many interpretations in theoretical Njegos studies as well as in the educational, popular science, the media, political and many other types of discourse. In this article, we aim at providing a linguo-imagological analysis of the fragment. The mechanisms of shaping and the semantic structure of the hetero-stereotypes about Venice and the Venetians are examined. In addition, both the influence of the author?s intention and that of the socio-cultural disco
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Anisimova, Evgeniya E. "A History for the Common People in Leo Tolstoy’s “Ermak”: The Stroganov Plot." Studia Litterarum 9, no. 2 (2024): 200–217. http://dx.doi.org/10.22455/2500-4247-2024-9-2-200-217.

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The article attempts to contextualize Leo Tolstoy’s short story “Ermak,” to study the range of sources that were in the author’s field of view, and, finally, to correlate the story with the long-standing debate on the role of the Stroganov merchant family in the acquisition of Siberia. The article shows how this short story, adapted for the common people, inherits the historiosophical program formulated by the writer in the novel “War and Peace.” The article analyzes the discussion on the degree of reliability of the Stroganov chronicle, initiated by prominent historians such as G.I. Spassky,
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Papilova, Elena V. "IVAN SHMELYOV’S SHORT STORY “ALIEN’S BLOOD”. POETICS AND IMAGOLOGY." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 10 (2024): 56–64. https://doi.org/10.28995/2686-7249-2024-10-56-64.

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The author of the article investigates the poorly studied I. Shmelyov’s story “Alien’s blood” about the Russian soldier Ivan Grachev who was captured by Germans in the World War I. While working for the German Bauer in the village of Grünwald the Russian soldier observes the life of Germans with surprise: their lifestyle as a contrast to what he is accustomed to. The aim of the research is to analyze the story from the point of view of imagology, involving textual, plot, problematic and other analysis methods. The author considers the stereotypes of perception of Germans by the Russian man and
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Zabiyako, Anna A., and Wang Yuqi. "The Image of the Perception of the Japanese and Japan in the Pre-Revolutionary Experience of Artistic Reflection: The Genre Aspect." Humanitarian Vector 17, no. 1 (2022): 19–28. http://dx.doi.org/10.21209/1996-7853-2022-17-1-19-28.

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The relevance of the research is determined by the interest of modern literary criticism in the imagological aspects and the problem of developing a research strategy in relation to this kind of texts. The novelty of the work is defined by the genre approach to the study of the image of perception of Japan and the Japanese in Russian pre-revolutionary literature dedicated to the events of the Russian-Japanese war, the introduction of previously unknown texts into scientific circulation, a comparative analysis of narrative strategies that determine the genre specificity of each text. The purpos
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A.T., Malynovsky. "POETICS OF HISTORY: FORMS OF REPRESENTATION, IMAGOLOGICAL PROJECTIONS, GENRE SPECIFICS (E. HREBINKA’S STORY “COLONEL ZOLOTARENKO OF NIZHYN”)." South archive (philological sciences), no. 87 (September 29, 2021): 21–26. http://dx.doi.org/10.32999/ksu2663-2691/2021-87-3.

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The article deals with a romantic interpretation of national history in E. Hrebinka’s novel “Colonel Zolotarenko of Nizhyn”. The methodology of the historical school “Annals” is applied, the coverage of the past from the standpoint of its experience by the subject of the story. The purpose of the study is to analyze the text in the plane of postcolonial theory, to find out the role of the genre-creating factor and the Walter-Scottish tradition in the emergence of original historical writing on national soil. Investigate the constructive role of ethnostereotypes in the internalization of histor
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Kryukova, Olga S. "The art space in Eugene Vodolazkin’s novel Brisbane: The imagological aspect." Imagologiya i komparativistika, no. 18 (2022): 365–79. http://dx.doi.org/10.17223/24099554/18/18.

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The article considers the spatial opposition in the novel Brisbane by Eugene Vodolazkin. The spatial opposition “Russia - other countries” for the character first appears in Leningrad, when he studies at university. This opposition is at first somewhat illusory in its nature. The “Russia - Germany” opposition is an invariant of the “Russia - other countries” spatial opposition and also appears in the story during Gleb’s studies at university. The so-called “German” for Gleb is primarily associated with Katarina, later Katya - the name she took out of respect for the Russian roots of Gleb, as w
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Сенчук, Ірина. "THE CONSTRUCTION OF THE CULTURAL OTHER IN JOSEPH CONRAD’S STORY «KARAIN: A MEMORY»." Sultanivski Chytannia, no. 8 (June 21, 2019): 18–24. http://dx.doi.org/10.15330/sch.2019.8.8-12.

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Aim. The article aims at examining Joseph Conrad’s vision of the Malay region and its image building forces in his story «Karain: A Memory» (1897), which articulates the representation of some late 19th-century social and cultural constructs of the Other and becomes a part of literary dialogue between East and West. Methods. An imagological approach and the strategies of cultural studies are applied in the article to highlight how Conrad’s story «Karain: A Memory» is used to assert the Other’s cultural identity, constructing and deconstructing some national stereotypes and cultural prejudices
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Conference papers on the topic "Imagological story"

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Dokmanović, Radoslav P. "PRIPOVETKA „MUSTAFA MADŽAR” U SVETLU MUSLIMANSKE EPSKE POEZIJE." In XVI načni skup mladih filologa Srbije. University of Kragujevac, Faculty of Philology and Art, Serbia, 2025. https://doi.org/10.46793/mfxvi-2.077d.

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This paper explores the ethical aspects of modelling Mustafa Madžar as a national hero in Ivo Andrić's story, and the extent to which the sense of his heroism aligns with or differs from the Muslim epic tradi- tion. Mustafa Madžar is highlighted for his exceptional warrior skills and merits, earning him symbolic and representative meaning, and in addition, he is historically contextualized through the epic battles near Banja Luka, Russia, Hungary, and Slavonia, all prominent themes in Muslim oral poetry. The analysis therefore draws on relevant folk epic poems, such as "Battle under Banja Luka
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