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Journal articles on the topic 'Imagologie'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Ivanytska, Mariia. "Übersetzung und Imagologie." Acta Neophilologica 56, no. 1-2 (2023): 189–207. http://dx.doi.org/10.4312/an.56.1-2.189-207.

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Im Artikel wird der Beitrag von Anna-Halja Horbatsch zum Image der ukrainischen Literatur in Deutschland thematisiert. Zum einen wird Horbatsch als eine engagierte Kulturmittlerin und Literaturwissenschaftlerin, die produktivste ukrainisch-deutsche Übersetzerin der zweiten Hälfte des 20. Jahrhunderts dargestellt, die sich um ein Ukraine-Bild in Westdeutschland bemühte. Zum anderen wird die Frage aufgedeckt, wie ihre Tätigkeit aufgenommen und wie die ukrainische Literatur in Deutschland rezipiert wurde. Horbatschs Werk wird anhand des Models der Übersetzerbiographie von Renata Makarska beschrie

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2

Maoping, Wei. "Ein neuer Versuch zur Image-Forschung – Am Beispiel der Chinesen-Bilder bei Grimmelshausen, Stifter und Fontane." Jahrbuch für Internationale Germanistik 50, no. 1 (2018): 161–71. http://dx.doi.org/10.3726/ja501_161.

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Abstract Das Wort ,,Bild“, das in der Literaturwissenschaft auf englisch und französisch ,,image“ heißt, ist ein wesentliches Kennzeichen der poetischen Sprache. Ulrich Weisstein betitelt das sechste Kapitel seines Buchs Vergleichede Literaturwissenschaft1 aus dem Jahre 1981 mit ,,Imagologie“ und mag somit die Image-Forschung zum Zweig der Vergleichenden Literaturwissenschaft in Deutschland miterhoben haben. Als Geburtshelfer der Imagologie stellt er in diesem Kapitel Horst Rüdiger vor mit folgenden Sätzen, die zugleich die programmatische Forderung der Imagologie unterstreichen:

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3

Neumann, Birgit. "Grundzüge einer kulturhistorischen Imagologie." KulturPoetik 10, no. 1 (2010): 1–24. http://dx.doi.org/10.13109/kult.2010.10.1.1.

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Dos Santos, Barbara. "L’image de la femme dans A cabeça de Salomé d’Ana Paula Tavares." Letras de Hoje 54, no. 4 (2019): 483. http://dx.doi.org/10.15448/1984-7726.2019.4.33315.

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A travers une analyse qui s’appuie sur l’imagologie, nous nous interrogerons sur les différentes représentations de la femme dans l’oeuvre d’Ana Paula Tavares, sur leur rapport à la société angolaise et sur la façon dont l’oeuvre s’insère dans le paradigme postcolonial.Mots-clés: Imagologie. Femme. Angola. Postcolonial.***A imagem da mulher em A cabeça de Salomé de Ana Paula Tavares***Através de uma análise baseada na imagologia, examinaremos as diferentes representações das mulheres na obra de Ana Paula Tavares, sua relação com a sociedade angolana e a forma como a obra se insere no paradigma

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5

Gago, Dora Maria Nunes. "Pelas veredas da Literatura Comparada: olhares de Ferreira de Castro sobre o Brasil, à luz da imagologia." Aletria: Revista de Estudos de Literatura 20, no. 1 (2010): 35–48. http://dx.doi.org/10.17851/2317-2096.20.1.35-48.

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Resumo: Este artigo visa analisar, seguindo os procedimentos metodológicos da imagologia, a imagem do Brasil desenhada por Ferreira de Castro nas obras: Emigrantes, A selva e O instinto supremo. Deste modo, tentaremos compreender de que maneira a experiência de emigração vivida pelo autor é ficcionalizada, desenhando uma imagem do Brasil que se afasta do estereótipo e se enraiza numa “mitologia pessoal”.Palavras-chave: Literatura Comparada; imagologia; Brasil; Ferreira de Castro.Resumé: Ce texte prétend analyser, en suivant les principes de l’imagologie, l’image du Brésil esquissée par Ferreir

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6

Yves Chevrel. "Réception, imagologie, mythocritique: problématiques croisées." L'Esprit Créateur 49, no. 1 (2009): 9–22. http://dx.doi.org/10.1353/esp.0.0046.

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7

Bylaardt, Cid Ottoni. "As imagens do outro em O esplendor de Portugal, de António Lobo Antunes." Aletria: Revista de Estudos de Literatura 16, no. 2 (2007): 168–75. http://dx.doi.org/10.17851/2317-2096.16.2.168-175.

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Resumo: Este trabalho pretende empreender um estudo das imagens do estrangeiro, focalizado como “o outro”, nas relações entre as vozes e os corpos do romance O esplendor de Portugal, de António Lobo Antunes. Essa análise comparatista propõe conceber uma imagem literária sobre o estrangeiro como elemento cultural que remete à sociedade, uma imagologie que lida com a literarização e a socialização da imagística.Palavras-chave: imagens; o outro; estrangeiro; Imagologie.Abstract: This paper intends to study the images of the foreigner, focused as “the other”, in the relations between the voices an

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8

Drăgulănescu, Amalia. "Aliona Grati, Chișinău. Morile timpului – eseu de imagologie literară." Comunicare interculturală și literatură 28, no. 1 (2022): 190–94. https://doi.org/10.35219/cil.2021.1.20.

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Aparent complexată, de originea basarabeană, autoarea Aliona Grati etalează cu dezinvoltură critică valențele arhetipale, în sensul larg al cuvântului, deținute de localitatea Chișinău. Încă de la început, precizează, în legătură cu acest vehicul de semnificații culturale și geografice că: „Din anumite motive ale căror sensuri s-au pierdut în timp, orașul nu a beneficiat de o poveste a originii care să îl lege ancestral cu forța ei tainică și nelămurită de pământul acesta, nu a avut un mit fondator întreținut prin tradiție, ca râul Bâc pe care s-a așezat, spre exemplu. Vestea bună e că el a be

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9

Bylaardt, Cid Ottoni. "As imagens do outro em O esplendor de Portugal, de António Lobo Antunes." Aletria: Revista de Estudos de Literatura 16 (December 31, 2007): 168. http://dx.doi.org/10.17851/2317-2096.16.0.168-175.

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Este trabalho pretende empreender um estudo das imagens do estrangeiro, focalizado como “o outro”, nas relações entre as vozes e os corpos do romance O esplendor de Portugal, de António Lobo Antunes. Essa análise comparatista propõe conceber uma imagem literária sobre o estrangeiro como elemento cultural que remete à sociedade, uma imagologie que lida com a literarização e a socialização da imagística.

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10

ELNAGGAR, Diaa. "Der Orient in der emblematischen Literatur des Barock. Ein Beitrag zur Imagologie." Kairoer Germanistische Studien 18, no. 1 (2009): 93–110. http://dx.doi.org/10.21608/kgs.2009.144292.

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11

Aboul Fotouh Hussein Salama, Dina. "Die literarische Imagologie dunkelhäutiger Frauen in Strickers Königin von Mohrenland (zw. 1210-1230)." Zeitschrift für interkulturelle Germanistik 6, no. 1 (2015): 9–30. http://dx.doi.org/10.14361/zig-2015-0103.

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Abstract The aim of this study is to analyze the image of dark women in the bîspel Die Königin von Mohrenland written by Der Stricker, one of the most popular medieval poets. The paper explores and detects the means by which the Moorish queen and her folk are represented and instrumentalized in the short epic entitled bîspel. The depiction of the Moor as the ›dark other‹, ›dark evil‹ etc. or an ›alter ego‹ illustrates premodern approaches to the construction of a stereotype of dark people based on racist, ethnic and religious differences. Such stereotypical depiction contributes to the establi

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Wiśniewska, Lidia. "KANTOWSKIE WYBORY A DWUMITYCZNOŚĆ, CZYLI O PUNKCIE WYJŚCIA IMAGOLOGA." Porównania 22, no. 1 (2019): 9–25. http://dx.doi.org/10.14746/p.2018.22.18162.

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Artykuł składa się z czterech części. Pierwsza, Imagologia i Kant, przypomina o koncepcjach wiążącego imagologię z filozofią Immanuela Kanta Manfreda Bellera i Joepa Leerssena, który przypisuje imagologowi antyesencjalizm opozycyjny do esencjalizmu samych images. Druga część, Images a hermeneutyka, czyli Ricoeurowskie dodawanie/rozszerzanie zmierzające do Pełni przedstawia ten sposób poznawczego postępowania, który dodaje do siebie przeciwstawne koncepcje filozoficzne (Nietzscheańsko-Freudowską i Kantowską), opierając się na odwołaniach do dwu mitów – Boga i Natury (reprezentujących arché i te

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13

Kruger, E. "Imagologie en die bestudering van literêre stereotipes in die onderrig van Afrikaans as addisionele taal." Literator 23, no. 3 (2002): 197–220. http://dx.doi.org/10.4102/lit.v23i3.350.

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Imagology and the study of literary stereotypes in die teaching of Afrikaans as additional language Imagology is the study of national and ethnic stereotypes as represented in literature. These stereotypes are represented in literary images of identity and alterity when intercultural contact is portrayed in texts. The main concepts of Imagology are discussed to provide educators with a scientific framework in the teaching of Afrikaans as additional language, with specific reference to literature teaching. Learners from various cultural backgrounds bring with them their own stereotypes. Studyin

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14

Geldof, Koenraad. "Canonisation, imagologie, non-lecture. À propos de la réception de Paul Nizan (1905-1940)." Studi Francesi, no. 154 (LII | I) (June 1, 2008): 63–79. http://dx.doi.org/10.4000/studifrancesi.9091.

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15

Hailiyati, Nia. "PERBANDINGAN IDEOLOGI PADA NOVEL ‘AZRA’ JAKARTA DENGAN IMAGOLOGIE SEJARAH G30S-PKI VERSI PERPUSTAKAAN NASIONAL." Tsaqofah dan Tarikh: Jurnal Kebudayaan dan Sejarah Islam 4, no. 1 (2019): 78. http://dx.doi.org/10.29300/ttjksi.v4i1.1102.

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Tulisan ini bertujuan untuk menganalisis perbandingan ideologi pada novel Azra’ Jakarta dengan sejarah G30 S/ PKI versi perpustakaan nasional, data penenlitian adalah novel azra’ Jakarta yang di tulis oleh Najib Kaelani dan sejarah G30 S/ PKI versi perpustakaan nasional, data dianalisis dengan metode deskriptif dengan pendekatan perbandingan, sedangkan teknik pengumpulan data melalui studi pustaka dengan cara menjaring data tertulis melalui novel azra’ Jakarta dan buku sejarah G30 S/PKI. Berdasarkan hasil analisis, ditemukan ideologi yang dibangun oleh Najib Kaelani dalam novel adalah dari seg

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16

Leerssen, Joep. "Імаґолоґія: О застосуваню етнічности до надаваня світу сенсу". Rocznik Ruskiej Bursy 20 (10 грудня 2024): 287–311. https://doi.org/10.12797/rrb.20.2024.20.12.

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IMAGOLOGIA: O ZASTOSOWANIU ETNICZNOŚCI DO NADAWANIA ŚWIATU SENSUArtykuł przedstawia teorię i metodę imagologii, dyskursywnego studium etnotypów (stereotypowych atrybucji charakteru narodowego). Imagologia posiada znaczącą renomę historyczną i akademicką, ale w świetle ostatnich ustaleń konieczne są przeformułowania, które obejmują: (a) zamianę kategoryzacji tradycji literackich z narodowo-modułowej na podejście polisystemowe; (b) upadek fikcji drukowanej jako przodującego medium narracyjnego na rzecz filmu, telewizji i innych mediów; (c) uświadomienie sobie, że etnotypy często funkcjonują w pr

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17

IOVU, Elizaveta. "The Other's Image as Imagology's Object of Study." Dialogica 1 (April 15, 2019): 70–78. https://doi.org/10.5281/zenodo.3332696.

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In this article we will review the meanings of the &bdquo;Other” image which has acquired to different authors and to some disciplines such as psychology, ethnology, history, sociology, anthropology and, in particular, of the comparative literature. Actually, there are many types of imagologies which depending on the specific approach of the &bdquo;Other”. Starting from the way they define their subject matter, namely the notion of the &bdquo;Other”, imagology is divided into psychological imagology, historical imagology, literary imagology, anthropologica

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18

Abbas, Ahmed. "Le regardant et le regardé dans certaines œuvres de Voltaire et Nerval." Kufa Journal of Arts 1, no. 55 (2023): 641–58. http://dx.doi.org/10.36317/kaj/2023/v1.i55.10740.

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Cette recherche vise à illustrer les représentations de la culture de l'autre étranger et ses traces dans certaines œuvres de Nerval et Voltaire. Ces écrivains appartenant à des périodes diverses sont considérés les plus lues et les plus connues en France au XVIII et XIX siècle. Ils ne se contentent pas de leur lecture précédente sur l'autre, ils se sont informés personnellement et directement sur les aspects de la vie quotidienne de deux sociétés différentes. La recherche a également pour objectif de mettre en relief la perception de l'Autre selon la conception de l´imagologie de Pageaux, un

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Kochanowska-Nieborak, Anna. "Das Bild der polnischen Staatlichkeit in Meyers Konversationslexika des 19. Jahrhunderts. Ein Beitrag zur angewandten Imagologie." Studia Germanica Posnaniensia 30 (October 30, 2018): 35–55. http://dx.doi.org/10.14746/sgp.2006.30.02.

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20

Matthes, Lothar. "L’Allemagne vue par des auteurs dramatiques français depuis 1989. Plaidoyer pour une imagologie contrastive et contextuelle." Allemagne d'aujourd'hui 128, no. 1 (1994): 96–108. https://doi.org/10.3406/alauj.1994.1148.

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Zhi-Juan, WANG. "Reconstructing Lotus Huang: An Examination of Translation in Legends of Condor Heroes." English Language Teaching and Linguistics Studies 5, no. 3 (2023): p309. http://dx.doi.org/10.22158/eltls.v5n3p309.

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This study adopts the theoretical framework of imagologie to analyze the text of Legends of the Condor Heroes, focusing on aspects like appellation, action, dialogue, and psychological activities to explore the multifaceted process of reshaping the image of the female protagonist, Lotus Huang. Incorporating external feedback from target readers, the study also investigates the reception of Lotus Huang and identifies external factors influencing the image reshaping. The findings reveal that translators skillfully use techniques like amplification and omission to successfully reconstruct Huang a

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22

Classen, Albrecht. "Der Teufel und seine poietische Macht in literarischen Texten vom Mittelalter zur Moderne. Hrsg. von Jutta Eming und Daniela Fuhrmann. Berlin und Boston: Walter de Gruyter, 2021, VIII, 213 S., 7 farbige Abb." Mediaevistik 34, no. 1 (2021): 364–65. http://dx.doi.org/10.3726/med.2021.01.61.

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‘[Zum] Teufel noch mal’ war bis vor kurzem noch ein ziemlich gängiger Ausdruck für persönlichen Ärger, und dieser ‘böse’ Geist schwirrt weiterhin in der modernen Sprache herum, so als ob er sich niemals ganz hat bannen lassen wollen, hat er ja stets ‘seine Finger im Spiel’. Seit dem frühen Mittelalter tritt der Teufel in verschiedensten literarischen, religiösen und künstlerischen Kontexten auf und hat eigentlich niemals seinen Einfluss auf die menschliche Fantasie verloren. Er ist die Nemesis von Christus, somit eigentlich gar nicht wegzudenken, was die gesamte christliche Religion betrifft.

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Polkowski, Marcin. "Het beeld van Polen en de Poolse maatschappij aan de vo- oravond van de Januariopstand (1863/64) in Albrecht Rodenbachs Studenten van Warschau. Poolsche Tafereelen (1879)." Roczniki Humanistyczne 70, no. 5sp (2022): 97–112. http://dx.doi.org/10.18290/rh22705sp-6.

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Dit artikel onderzoekt het beeld van Polen en de Poolse samenleving onder de Russische deling vóór de Januariopstand tegen de Russen (1863/64) in Albrecht Rodenbachs toneelstuk Studenten van Warschau. Poolsche tafereelen (1879). Een overzicht van Rodenbachs belangstelling voor Polen wordt gevolgd door een analyse van de traditionele wegen die literatuurwetenschappers bewandelen bij de interpretatie van dit drama. Rodenbachs literair beeld van Polen onder de Russische deling en de Poolse samenleving aan de vooravond van de opstand wordt onderzocht vanuit een aantal invalshoeken (geografie, topo

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24

Stockhorst, Stefanie. "Was leistet eincultural turnin der komparatistischen Imagologie? Henry Crabb Robinson als Vermittler deutscher Dichter- und Gelehrtenkultur nach England." arcadia - International Journal for Literary Studies 40, no. 2 (2006): 354–74. http://dx.doi.org/10.1515/arca.2006.40.2.354.

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Németh Vítová, Lenka. "IMAGOLOGIA A PRZEKŁAD – NA PRZYKŁADZIE POLSKICH PRZEKŁADÓW LITERATURY CZESKIEJ." Porównania 22, no. 1 (2019): 55–65. http://dx.doi.org/10.14746/p.2018.22.18166.

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Autorka, stawiajac pytanie o związki, jakie zachodzą pomiędzy imagologią a przekładem, poszukuje odpowiedzi na przykładzie polskich przekładów dzieł literatury czeskiej (Hašek, Hrabal, Havel). Związki te widzieć należy tak w procesie przekładu (wybór konkretnego dzieła i tłumacza, działania wydawnictwa i promocja, inne czynniki warunkujące itd.), jak i w dziele przetłumaczonym (aspekty tekstowe, edytorskie i ikonograficzne), a również w procesie odbioru i recepcji tłumaczenia (recenzje i opracowania, adaptacje, „kanonizowanie się” i związana z tym rola w procesie edukacyjnym itp.). Bliskie zwi

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Minderaa, J. T. "J. Wekking, Untersuchungen zur Rezeption der nationalsozialistischen Weltanschauung in den konfessionellen Periodika der Niederlande 1933-1940. Ein Beitrag zur komparatistischen Imagologie." BMGN - Low Countries Historical Review 107, no. 3 (1992): 547. http://dx.doi.org/10.18352/bmgn-lchr.3587.

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Elisaveta, IOVU-MACARI. "Imaginea orașului Cahul în creația lui Andrei Ciurunga." DIALOGICA. Cultural Studies and Literature Scientific Journal. Chisinau. Republic of Moldova Vol. 12, no. 3/2022 (2022): 22–28. https://doi.org/10.5281/zenodo.7489466.

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Privind imagologia orașului Cahul, deosebit de relevantă ni se arată opera literară a lui Andrei Ciurunga, o personalitate redutabilă în contextul epocii sale. Distingem în creația lui imagini reprezentative atât pentru tema orașului în general, cât și a Cahulului în particular. Orașul Cahul este leagănul celor mai frumoase și dulci amintiri, oraș patriarhal, orășelul legat de memoria domnitorului Ioan Vodă cel Cumplit, bietul nostru Cahul, orașul copilăriei și tinereții, oraș basarabean, oraș liniștit, oraș de piatră, unde plâng salcâmii, cu par

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Benyamina, Habib. "Понятие «имидж» и «имимджелогия»". Traduction et Langues 9, № 2 (2010): 58–62. http://dx.doi.org/10.52919/translang.v9i2.475.

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About the concept of "image" and "imageology" This article is entitled “About the concept of "image" and "imagology" among Russian theorists, therefore in order to define and clarify these concepts we have made a brief overview of the Russian bibliography.The term "image" is a fundamental component of this recent and new science called "imagology". As a result, this term was first used in the Russian lexicon in the 90s of the 20th century, initially in the field of politics and then spread to other areas of everyday life. (sociology, marketing etc.)Accordingly, the concept "image" appear

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Lah, Meta. "Vlastiti identitet u tuđim očima." Journal for Foreign Languages 13, no. 1 (2021): 599–600. http://dx.doi.org/10.4312/vestnik.13.599-600.

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Znanstvena monografija Vlastiti identitet u tuđim očima Dubravke Dubravec Labaš predstavlja nadaljevanje avtoričine doktorske disertacije in je plod več kot dvajsetletnega raziskovanja italijanskega jezika in kulture. Obširno, skoraj 500 strani obsegajoče delo, je členjeno v tri širša poglavja: Tujec kot drugi v učenju tujega jezika (Stranac kao drugi u učenju stranog jezika), Imagologija in Glotodidaktika in imagologija. Trem obširnejšim delom sledijo še krajša poglavja o lastni identiteti v tujih očeh (Vlastiti identitet u tuđim očima), predstavah o drugem in sebi (Predodžba o drugome in pre

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Joby, Christopher. "De rol van bronnen in de imagologie: een case study van Vlaamse vreemdelingen, Engelse inwoners, ambtenaren en machthebbers van de stad Norwich in de zestiende eeuw." Neerlandica Wratislaviensia 29 (April 15, 2020): 111–24. http://dx.doi.org/10.19195/0860-0716.29.7.

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In the middle of the 16th century many people left the Low Countries for England as a result of religious persecution and economic hardship. Several thousand of these people, mainly from the Southern Netherlands, went to Norwich, the second largest city in England. Some of them wrote letters to friends and family members whom they left behind in the Low Countries, which indicate that they valued the religious freedom and economic opportunities in Norwich. This suggests that they had a positive image of the local English people. However, if one looks at official English documents, the picture i

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Kaparang, Efraim Luisfigo Sondakh, Johny P. Lengkong, and Franky Rengkung. "Efektififitas Strategi Imagologi Politik Kepala Daerah Dalam Memaksimalkan Kepemimpinannya." POLITICO: Jurnal Ilmu Politik 12, no. 4 (2023): 558–67. http://dx.doi.org/10.35797/jp.v12i4.52221.

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Artikel ini merupakan hasil kajian tentang efektifitas strategi yang dilakukan oleh Walikota Kota Manado Andrei Angow melalui media sosial dalam mempengaruhi persepsi masyarakat terhadap kepemimpinannya. Penelitian ini menggunakan metode kualitatif yang akan fokus melihat strategi imagologi yang dilakukan Andrei Angow dalam upaya memaksimalkan kepemimpinannya. Temuan penelitian menggambarkan strategi imagology politik yang muncul dari unggahan konten media social Andrei Angouw merupakan bagian dari upaya mengembangkan citra politik dirinya sebagai seorang pejabat public melalui cara-cara antar

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IOVU, Elizabeta. "Suggestions for the interpretation of the literary text from the literary imagology's perspective." Dialogica 2 (August 13, 2019): 40–44. https://doi.org/10.5281/zenodo.3366960.

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This article deals with the problem of interpreting the text from the perspective of literary imagology. Various ways of interpreting the imagological results, presented by various comparators, are reviewed. They come up with a series of suggestions addressing the issues of xenophilia/ xenophobia, intertextual, contextual and textual approaches (J. Leerssen), fundamental attitudes (D. H. Pageaux) and so on. There are arguments about the freedom of each imagologist to choose one of the ways of interpreting the text. Moreover, as a discipline is still under development, specialists can propose o

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Cergol, Jadranka. "IMAGOLOGIA DI FRONTIERA: IL CASO DI TRIESTE." Folia linguistica et litteraria XI, no. 30 (2020): 93–107. http://dx.doi.org/10.31902/fll.30.2020.6.

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L’articolo si propone di delineare lo stato degli studi imagologici di frontiera analizzando due sistemi letterari che nascono e si sviluppano nello stesso luogo, ma in due lingue diverse: la letteratura italiana e quella slovena in una città che è l’emblema dell’incontro tra le due etnie, cioè Trieste. Dopo un’introduttiva riflessione metodologica sulle letterature comparate e sul metodo imagologico, verranno presi in considerazione soprattutto quegli autori triestini lungo tutto l’arco del 20° secolo che riflettono nelle loro opere letterarie l’incontro con il vicino, concittadino nella stes

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Nugroho, Fibry Jati. "Imagologi Spiritual." Diegesis : Jurnal Teologi 4, no. 2 (2019): 26–37. http://dx.doi.org/10.46933/dgs.vol4i226-37.

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Pendeta Petrus Agung Purnomo merupakan salah seorang tokoh yang fenomenal sewaktu hidup, maupun pada saat meninggalnya. Kepemimpinan kharismatis menjadikan salah satu faktor dari keberhasilan pelayanannya. Berkenaan dengan kepemimpinan tersebut, bagaimana imagologi yang ditampilkan dari sosok kharismatis tersebut? Dengan menggunakan pendekatan kualitatif didapatkan bahwa “anak didik” dari Sang Pemimpin kharismatik, melakukan imagologi dengan mengimitasi tindakan “atraktif” sewaktu melayani. Imitasi tersebut meliputi gaya bahasa, olah tubuh dan gaya berpakaian. Ketiga hal tersebut akhirnya menj

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Diana, VRABIE. "Orașul Bălți prin lentila (ne)melancolicilor interbelici." DIALOGICA. Revistă de studii culturale și literatură Vol. 8, . 2/2021 (2021): 103–9. https://doi.org/10.5281/zenodo.5447927.

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Articolul propune o abordare a toposului urbei, ilustrat de oraşul Bălți din perioada interbelică. Sunt analizate evocările cărturarilor interbelici care au vizitat Bălțiul şi au oferit mărturii edificatoare, între care Geo Bogza, Dimitrie Iov, Leon Donici, Neculai Macarovici, G.C. Lecca. Aceştia radiografiază esența oraşului prin lentila propriei subiectivități. Rezultă un joc pluriperspectivist de proiecții ale unui spațiu urban provincial, trist, însingurat, monoton, care îşi cultivă un soi de rezistență defensivă. Autorii realizează o serie de exerciții (auto)imagologice,

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Fakhruroji, Moch, Ridwan Rustandi, and Busro Busro. "Bahasa Agama di Media Sosial: Analisis Framing pada Media Sosial “Islam Populer”." Jurnal Bimas Islam 13, no. 2 (2020): 203–34. http://dx.doi.org/10.37302/jbi.v13i2.294.

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Abstrak  Penelitian ini bertujuan untuk menganalisis bahasa agama di media sosial yang dikontstruksi oleh akun Islam Populer. Penelitian menggunakan pendekatan kualitatif dengan analisis teks media. Analisis media package dilakukan dengan metode analisis framing model William A. Gamson dan Modigliani. Unit analisis dilakukan terhadap core frame dan condensing symbol pada akun “Islam Populer” baik di kanal Youtube, Fanpage Facebook maupun Instagram. Hasil penelitian menyimpulkan bahwa pengemasan bahasa agama pada akun “Islam Populer” dilakukan dengan merujuk pada sumber normativitas Islam

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Kiklewicz, Aleksander. "Imagologia a konstruktywizm." Przegląd Wschodnioeuropejski 11, no. 2 (2020): 305–27. http://dx.doi.org/10.31648/pw.6512.

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The author considers the problem of creating images, namely its psychological and ontological aspects. Based on the assumption that mental representation is not a mimetic reproduction of objective reality, but a reference to mutually imputed collective knowledge, the author discusses various factors of this situation. The concept proposed by the author is based on presumption that the measure of the compatibility of the image and its designate is the content dispersion occurring in society, i.e. the number of different points of view. In the constructivist model, imaging is based on communicat

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Kledzik, Emilia. "DWIE KONCEPCJE ROMSKIEJ IMAGOLOGII." Porównania 21, no. 2 (2018): 314–24. http://dx.doi.org/10.14746/p.2017.21.14012.

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Ahmetagić, Jasmina. "Theoretical and methodological postulates of imagology and its transformation." Bastina, no. 44 (2018): 13–24. http://dx.doi.org/10.5937/bastina1844013a.

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I, Made Marthana Yusa. "Imagologi Mbok Jamu Sebagai Representasi Wanita Etnis Jawa Tradisional dalam Diskursus Stereotype Citra." an1mage Jurnal Studi Kultural 1, no. 1 (2017): 1–8. https://doi.org/10.5281/zenodo.815083.

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Makalah ini mengungkap <em>imagologi</em> yang terjadi pada sosok karakter mbok jamu yang lekat dengan sosio-kultur Masyarakat Jawa. Penyampaian makalah diawali dengan mengungkap fenomena-fenomena menarik pada pendahuluan, kemudian dilanjutkan dengan pemaparan mengenai <em>Imagologi</em>. Pembahasan mengenai 'Wanita Jawa dalam Balutan Citra mbok jamu' menjadi pembahasan yang memiliki porsi khusus. Setelah itu diungkap juga stereotip jamu sebagai indeks tradisional dan kuno, Mbok jamu dalam budaya populer hingga komodifikasi imagologi <em>mbok jamu </em>dalam produk desain.

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Dąbrowski, Mieczysław. "MIĘDZY OBRAZEM PUBLICZNYM A INTYMNYM. PROJEKT POSZERZENIA IMAGOLOGII NA PRZYKŁADZIE TWÓRCZOŚCI KATARZYNY KOZYRY I EWY KURYLUK." Porównania 20, no. 1 (2018): 25–38. http://dx.doi.org/10.14746/p.2017.20.11119.

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Artykuł wskazuje na możliwość i konieczność poszerzenia znaczenia tradycyjnego pojęcia imagologii. Autor uważa, że od imagologii Obcego/Innego powinniśmy przejść do obrazu Ja cielesnego i mentalnego. Projekt takiej analizy przeprowadza na materiale twórczości Ewy Kuryluk i Katarzyny Kozyry.

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Leal, Maria Luísa. "Escritas literárias de uma deslocação histórica: o “retorno” / Literary Writings of a Historical Displacement: The “Return”." Revista do Centro de Estudos Portugueses 39, no. 61 (2019): 87. http://dx.doi.org/10.17851/2359-0076.39.61.87-99.

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Resumo: Como é que três escritoras oriundas de Angola e Moçambique representam, em três romances escritos em 2009 e 2011, o movimento de retorno forçado a Portugal em 1975? Como se articulam memórias individuais e história? Quais as implicações da focalização narrativa? Estas e outras questões decorrem do quadro histórico e teórico representado nos romances: o do Portugal colonial e pós-colonial. O conceito de “retorno” permite aprofundar a questão da identidade individual e nacional e avançar algumas reflexões sobre um tema que ganha se cruzarmos diferentes ferramentas teóricas: estudos pós-c

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Potts, John. "Review & Booknote: Imagologies: Media Philosophy." Media International Australia 82, no. 1 (1996): 140. http://dx.doi.org/10.1177/1329878x9608200136.

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Stephens, John. "Identity – Discourse – Imagology." International Research in Children's Literature 4, no. 1 (2011): v—ix. http://dx.doi.org/10.3366/ircl.2011.0002.

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Papilova, E. V. "Imagology within Philology." Art Logos – The Art of Word 1, no. 26 (2024): 204–13. https://doi.org/10.35231/25419803_2024_1_204.

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After the term “imagology” entered the modern science lexicon, many new concepts defining various kinds of imagology were formed - artistic, literal, folklore, historical, linguistic, linguodidactic, potestarial, religious etc. However, the content of these concepts has not been completely defined; sometimes the term “imagology” is used in the wrong sense, and quite often studies which are imagological by their nature, do not contain any mention of this discipline at all. In this article, an attempt to classify the kinds of imagology is made. The author gives their definitions and describes so

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Wojtyna, Miłosz. "Narratology and Imagology." Tekstualia 1, no. 4 (2018): 125–44. http://dx.doi.org/10.5604/01.3001.0013.5156.

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Summarising recent developments in postclassical narratology and imagology, the article traces affinities between the two disciplines in order to observe the challenges that await the researchers of image and narrative in what Baudrillard called the simulation culture. Two case studies presented in the article (one devoted to Instagram visual narratives, the other – to a YouTube advertising campaign) illustrate challenges for the study of eventfulness, narrativity, and fictionality, and suggest - in line with the postulates of Mark C. Taylor and Esa Saarinen – that a radical change of educatio

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Cidzikaitė, Dalia. "Imagology in Practice." Colloquia 43 (December 20, 2019): 190–98. http://dx.doi.org/10.51554/col.2019.28647.

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Da Silva Mourão, Maria Iara Zilda Návea. "TENDÊNCIAS E DESAFIOS: UMA EXPLORAÇÃO DA IMAGOLOGIA NA LITERATURA COMPARADA." Revista Decifrar 13, no. 26 (2025): e262509. https://doi.org/10.29281/rd.v13i26.16371.

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O presente capítulo pretende oferecer uma análise sobre o desenvolvimento e as potencialidades da Imagologia na Literatura Comparada. Explorando-se as nuances da Imagologia, examina-se como as representações simbólicas e estereótipos culturais são empregados no texto literários para transmitir significados sutis e complexos. Além disso, o trabalho destaca os desafios inerentes à interpretação e análise dessas imagens, considerando o contexto cultural, histórico e social. A pesquisa não apenas identifica padrões recorrentes, mas também questiona as limitações e implicações éticas associadas à c

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Moroz, A. "IMAGOLOGY AS A SOURCE OF LINGUISTIC IMAGOLOGY: COMMON FEATURES AND DIFFERENCES." International Humanitarian University Herald. Philology, no. 68 (2024): 115–19. https://doi.org/10.32782/2409-1154.2024.68.25.

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Mihailović, Miloš D. "GORAN SKROBONjA I DEN SIMONS: ČAS IMAGOLOGIJE." Lipar XXII, no. 76 (2021): 217–28. http://dx.doi.org/10.46793/lipar76.217m.

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The aim of this paper is to examine the relationship between Goran Skrobonja and Dаn Simmons’ works, as well as the way Anglo-American speculative fiction influenced Skrobonja. In order to do that, I compared two fiction works by these authors: Simmons’ novella Flashback from his colection Lovedeath (translated to Serbian by Skrobonja) and Skrobonja’s Tihi gradovi / Quiet Cities, one of the most renowned works of contemporary speculative fiction in Serbian literature. Suvin’s theory of science fiction and his term novum were used in order to draw parallels between these stories. In my analysis

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