Academic literature on the topic 'Imagologija'

Artykuł składa się z czterech części. Pierwsza, Imagologia i Kant, przypomina o koncepcjach wiążącego imagologię z filozofią Immanuela Kanta Manfreda Bellera i Joepa Leerssena, który przypisuje imagologowi antyesencjalizm opozycyjny do esencjalizmu samych images. Druga część, Images a hermeneutyka, czyli Ricoeurowskie dodawanie/rozszerzanie zmierzające do Pełni przedstawia ten sposób poznawczego postępowania, który dodaje do siebie przeciwstawne koncepcje filozoficzne (Nietzscheańsko-Freudowską i Kantowską), opierając się na odwołaniach do dwu mitów – Boga i Natury (reprezentujących arché i telos). Trzecia część, Images a konstrukcje. Kantowskie odejmowanie/zawężanie, czyli przejście w stronę Formy pokazuje, w jaki sposób Kant odrzuca wpisujące się w mit Natury, jego zdaniem patologiczne, aspekty rzeczywistości (dialektyka, przypadek, empiria itd.) lub człowieka (sen, emocje, spontaniczność), by uzasadnić i uznać za powszechnie obowiązujące te, które opierają się na micie Boga (i które istnienia tego mitu się też domagają). Czwarta część jest zbiorem pytań i odpowiedzi, dotyczących tego, dlaczego dwa wspomniane mity oraz ich relacje można uznać za podstawę kultury i porównywania jej dziedzin, jednocześnie zaś otwarte pozostawia pytanie o to, w jakich relacjach pozostają one na polu imagologii.

Resumo: Este artigo visa analisar, seguindo os procedimentos metodológicos da imagologia, a imagem do Brasil desenhada por Ferreira de Castro nas obras: Emigrantes, A selva e O instinto supremo. Deste modo, tentaremos compreender de que maneira a experiência de emigração vivida pelo autor é ficcionalizada, desenhando uma imagem do Brasil que se afasta do estereótipo e se enraiza numa “mitologia pessoal”.Palavras-chave: Literatura Comparada; imagologia; Brasil; Ferreira de Castro.Resumé: Ce texte prétend analyser, en suivant les principes de l’imagologie, l’image du Brésil esquissée par Ferreira de Castro dans les oeuvres Emigrants, Forêt vierge et l’Instinct suprême. Nous essayerons, ainsi, de comprendre comment l’expérience de l’émigration vécue par l’écrivain a été fictionnalisée, em dessinant une image du Brésil que s’éloigne du stéréotype et s’enracine dans une mythologie personnelle.Mots-clés: Littérature Comparée; imagologie; Brésil; Ferreira de Castro.

A travers une analyse qui s’appuie sur l’imagologie, nous nous interrogerons sur les différentes représentations de la femme dans l’oeuvre d’Ana Paula Tavares, sur leur rapport à la société angolaise et sur la façon dont l’oeuvre s’insère dans le paradigme postcolonial.Mots-clés: Imagologie. Femme. Angola. Postcolonial.***A imagem da mulher em A cabeça de Salomé de Ana Paula Tavares***Através de uma análise baseada na imagologia, examinaremos as diferentes representações das mulheres na obra de Ana Paula Tavares, sua relação com a sociedade angolana e a forma como a obra se insere no paradigma pós-colonial.

Autorka, stawiajac pytanie o związki, jakie zachodzą pomiędzy imagologią a przekładem, poszukuje odpowiedzi na przykładzie polskich przekładów dzieł literatury czeskiej (Hašek, Hrabal, Havel). Związki te widzieć należy tak w procesie przekładu (wybór konkretnego dzieła i tłumacza, działania wydawnictwa i promocja, inne czynniki warunkujące itd.), jak i w dziele przetłumaczonym (aspekty tekstowe, edytorskie i ikonograficzne), a również w procesie odbioru i recepcji tłumaczenia (recenzje i opracowania, adaptacje, „kanonizowanie się” i związana z tym rola w procesie edukacyjnym itp.). Bliskie związki przekładu i imagologii, wynikające w znacznym stopniu z przyjętej w naszych kulturach „niewidzialności tłumacza” (Venuti 1995), powinny więc stanowić jeden z obszarów badań posthumanistyki.

L’articolo si propone di delineare lo stato degli studi imagologici di frontiera analizzando due sistemi letterari che nascono e si sviluppano nello stesso luogo, ma in due lingue diverse: la letteratura italiana e quella slovena in una città che è l’emblema dell’incontro tra le due etnie, cioè Trieste. Dopo un’introduttiva riflessione metodologica sulle letterature comparate e sul metodo imagologico, verranno presi in considerazione soprattutto quegli autori triestini lungo tutto l’arco del 20° secolo che riflettono nelle loro opere letterarie l’incontro con il vicino, concittadino nella stessa città, ma di lingua e cultura diversa. Saranno messe in risalto alcune considerazioni di tipo storico-letterario che rispecchiano l’ambiente multiculturale di Trieste e il dialogo tra le sue due identità.

The author considers the problem of creating images, namely its psychological and ontological aspects. Based on the assumption that mental representation is not a mimetic reproduction of objective reality, but a reference to mutually imputed collective knowledge, the author discusses various factors of this situation. The concept proposed by the author is based on presumption that the measure of the compatibility of the image and its designate is the content dispersion occurring in society, i.e. the number of different points of view. In the constructivist model, imaging is based on communication as a modus of the social system, in this case there is a diversification of viewpoints, and the compatibility of the image with its designate is close to 0.

Pendeta Petrus Agung Purnomo merupakan salah seorang tokoh yang fenomenal sewaktu hidup, maupun pada saat meninggalnya. Kepemimpinan kharismatis menjadikan salah satu faktor dari keberhasilan pelayanannya. Berkenaan dengan kepemimpinan tersebut, bagaimana imagologi yang ditampilkan dari sosok kharismatis tersebut? Dengan menggunakan pendekatan kualitatif didapatkan bahwa “anak didik” dari Sang Pemimpin kharismatik, melakukan imagologi dengan mengimitasi tindakan “atraktif” sewaktu melayani. Imitasi tersebut meliputi gaya bahasa, olah tubuh dan gaya berpakaian. Ketiga hal tersebut akhirnya menjadikan standar untuk mengukur tingkat kerohanian di kalangannya. Imagologi tanpa identifikasi dan interaksi yang tidak mendalam akan menimbulkan stigmatisasi spiritual dengan pemahaman yang sangat dangkal. Oleh sebab itu diperlukan interaksi dan edukasi, supaya imagologi spiritual dapat terkikis, dan mengembalikan makna dasar tentang kehidupan spiritual di dalam gereja.

Doktorska disertacija naslovljena Lik stranca u srpskom romanu 19. veka imagološkim istraživanjem identifikuje i osvetljava dominantne obrasce opisivanja drugoga (hetero-slika) kroz reflektovanje sopstenog identiteta (auto-slika) u razvojnom putu od staroga, preko novoga, do modernog srpskog romana. Slika stranca u srpskom romanu 19. veka kroz vreme istovremeno prikazuje i sam razvoj srpskog romana kao književne vrste od skromnih početaka, do najviših dostignuća. Slika stranca se kroz faze rada usložnjava i postaje od pukoga stereotipa, originalan autorski izraz stvaraoca, koji osim književne, ima i kulturološku, sociološku, psihološku i političku vrednost. Nudeći svoj uspostavljeni sistem kao obrazac, novo čitanje klasika koje se u ovom radu preduzima predstavlja istraživanje koje sažima i reinterpretira, revalorizuje i ponovo otkriva do sada zapostavljene, a u ovom radu potvrđene vrednosti srpskoga romana 19. veka. Rezultati koje takav pristup daje, mogu biti primenjeni i van okvira nauke o književnosti. Njihova multidisciplinarnost proizlazi iz čitavih studija o karakterima, nacijama i pojedincima, proizašlih iz devetnaestovekovnog konteksta stvarnosti prenesene u srpski roman. Ovi rezultati kao relevantni mogu biti primenjeni u savremenim istoriografskim, politikološkim i sociološkim istraživanjima celokupne srpske devetnaestovekovne kulture, jer pružaju savremen i unikatan pristup složenoj problematici društvenih procesa koji su u 19. započeti (npr, stvaranje nacija, izmišljanje tradicija), a na Balkanu im se ni danas ne vidi kraj.

Sodomy and buggery are two elements of the wide historical and literary problematic of the Gay Past. During the French Renaissance, many images were closely related to unnatural vices: hermaphroditism, representation of the foreigner, effeminacy, and so on. In order to avoid anachronical statements, our study will be preceded by an historical and methodological essay that will bring us to a literary concept, l'imagologie.
In many ways, religious reforms in the last decades of the Sixteenth Century added to the complexity of the image of the sodomite. We know that the Holy Bible and religious writings put a stigma on such practices. But the hermaphrodite, the mignon, and some motifs from Antiquity were also known or discovered, transformed or travestied.
Finally, the image of the sodomite built up in French Renaissance literature is neither similar to today's Gay person, nor to an oversimplified figure of a medieval sinner. Its organization and meaning will depend mostly on the type of work in which it appears. Moreover, Italian and North-African epistemologies, and polemics using effeminacy or mollities set-ups add to the complexity of the discursive structure.

A distrofia muscular de Duchenne (DMD) é uma doença neuromuscular fatal, a mais comum das distrofias musculares, causada pela ausência da proteína distrofina, componente importante do complexo glicoproteínadistrofina, que envolve as células musculares lisas, cardíacas e esqueléticas, estabilizando a membrana dessas células durante contrações e relaxamentos. Por ser uma doença genética ligada ao cromossomo X, acomete indivíduos do sexo masculino, sendo que casos raros de meninas afetadas também são relatados. Indivíduos afetados pela DMD apresentam alterações significantes na composição corpórea, comparados com a população normal. Cães da raça golden retriever que possuem distrofia muscular (GRMD) representam o melhor modelo animal para ensaios terapêuticos na busca do tratamento da DMD, sendo esses animais fundamentais para o estudo do desenvolvimento dessa anomalia, devido ao fato de apresentarem genes e sintomas clínicos homólogos aos dos pacientes humanos. A similaridade entre as duas doenças é surpreendente, ambas são caracterizadas por precoce miopatia degenerativa, com progressiva necrose, fagocitose, deposição de cálcio e fibrose endomisial e perimisial. O foco principal deste trabalho foi esclarecer dúvidas quanto ao comportamento da musculatura lisa dos animais distróficos e portadores da GRMD, para se conhecer os efeitos da doença nesse tipo de tecido. Para avaliação da musculatura lisa uterina foram utilizados quatro úteros de cadelas golden retriever saudáveis, cinco úteros de portadoras do gene e quatro úteros de animais afetados pela GRMD. Analisando as fotomicrografias uterinas dos grupos, podemos notar que não há diferenças morfológicas através dos estudos histológicos convencionais. Porém, quando analisamos as fotomicrografias polarizadas , nota-se nas cadelas saudáveis exclusivamente colágeno do tipo III, de coloração esverdeada. Quanto às portadoras do gene da GRMD, observa-se colágeno predominantemente vermelho, do tipo I, e pouco em verde, tipo III. Fotomicrografias das fêmeas afetadas pela GRMD encontraram colágeno tipo III na parte interna do endométrio, miométrio e perimétrio, e colágeno tipo I em epitélio vascular, porém ambos em menor quantidade. É possível visualizar colágeno entre as fibras musculares através da luz polarizada. Para a avaliação da digestibilidade dos nutrientes em cães GRMD e sua capacidade absortiva, foram utilizados nove cães GRMD, sete fêmeas portadoras e dez animais saudáveis; todos receberam a mesma dieta adicionada de oxido crômico. O período experimental constou de um intervalo de 10 dias, sendo os cinco primeiros dias de adaptação e os cinco restantes de coleta de amostras. Os coeficientes de digestibilidade aparente (CDAs) obtidos pelos grupos estudados foram comparados e analisados: os resultados indicaram que os cães com GRMD avaliados não apresentaram redução do aproveitamento nutricional. Novas pesquisas que avaliem o gasto energético e composição corpórea destes animais são necessárias para melhor compreensão dos mecanismos envolvidos no emagrecimento e perda de peso que apresentam. Para a avaliação do tempo de trânsito gastrintestinal (TTGI) em cães golden retriever saudáveis, portadores e afetados pela distrofia muscular, foram utilizados 18 cães divididos em três grupos animais saudáveis, portadores e afetados pela GRMD, com seis cães cada. Os animais foram acondicionados em canis individuais e receberam a mesma dieta; esferas de polietileno (BIPS) impregnadas com bário foram fornecidas durante a alimentação. Cada animal recebeu 10 marcadores de tamanho grande (5 mm de diâmetro) e 30 marcadores de tamanho pequeno (1.5mm de diâmetro). Os animais foram radiografados nos momentos antes (basal) da 1ª refeição, para confirmação da ausência de conteúdo alimentar e fecal no trato gastrintestinal, e após a alimentação, em intervalos de duas horas, até que os marcadores atingissem o cólon. Resultados apontaram que os cães GRMD avaliados apresentam TTGI mais rápido quando comparados aos demais grupos. Este trabalho comprovou que a mm. lisa de cães distróficos é, de diversas maneiras, afetada pela doença, apresentando tanto alterações morfológicas como morfofuncionais. Muitos estudos nessa área são necessários para melhor compreensão dos mecanismos da enfermidade, bem como maneiras de intervenção para melhoria da qualidade de vida dos indivíduos afetados. Cães GRMD(s) são o melhor modelo animal para estudos pré-clínicos da DMD, assim esses resultados são muito relevantes para aprimoramento e melhora de manejo em biotérios que abrigam esses animais e para extrapolação de dados na própria medicina
Duchenne muscular dystrophy (DMD) is a fatal neuromuscular disease, it is the most common muscular dystrophy caused by absence of dystrophin protein, an important component of the dystrophin-glycoprotein complex, involving cell membranes of smooth, cardiac and skeletal cells, stabilizing these cells during contractions and relaxations. Because it is a genetic disorder linked to the X chromosome, it affects males, with rare cases of girls affected also reported. Individuals affected by DMD show significant changes in body composition, compared with the normal population. Golden retriever dogs who have muscular dystrophy (GRMD) represent the best animal model for therapeutic trials in the treatment of DMD,; these animals are fundamental to the study of the development of this anomaly, due to the fact that they show clinical symptoms and genes homologous to the human patients. The similarity between the two diseases is staggering; both are characterized by early degenerative myopathy with progressive necrosis, phagocytosis, calcium deposition and endomysial and perimysial fibrosis. The main focus of this thesis was to answer questions about the behavior of smooth muscles of dystrophic animals and carriers of GRMD, to know the effects of the disease in this tissue type. For evaluation of uterine smooth muscle we utilized four uteri of golden retriever healthy bitches, five uteri of gene carriers and four uteri of animals affected by GRMD. Analyzing the uterine photomicrographs of the groups we note that there are no morphological differences in conventional histological studies. However, when we analyze the polarized photomicrographs, we note that in healthy bitches we can see only collagen type III of greenish color. As regards the carriers of the GRMD gene, there is predominantly red collagen , type I, and very little green, type III. Photomicrographs of females affected by GRMD found type III collagen inside the endometrium, myometrium and perimetrium and collagen type I in vascular epithelium, but both in a very little quantity. It is possible to visualize collagen between muscle fibers by polarized light. For the assessment of nutrient digestibility in dogs GRMD and its absorptive capacity, we used nine GRMD, seven carriers females and ten healthy animals and all of them received the same diet with added chromic oxide. The experimental period consisted of an interval of 10 days, with the first five days to adaptation and the last ones to sample collection. The apparent digestibility coefficients obtained by the groups were compared and analyzed; the results showed that dogs with GRMD evaluated showed no reduction in energy utilization. The experimental period consisted of an interval of 10 days, with the first five days to adaptation and the last of them to sample collection. The apparent digestibility coefficients obtained by the groups were compared and analyzed; the results showed that dogs with GRMD evaluated showed no reduction in nutritional absorption. New research to assess energy expenditure and body composition in these animals are needed to a better understanding of the mechanisms involving reduction and weight loss they present. For the assessment of gastrointestinal transit time (TTGI) in golden retriever dogs healthy carriers and affected by GRMD 18 dogs divided into three groups were used - healthy animals, carriers and affected by GRMD, with six dogs each. The animals were placed in individual cages and were fed the same diet; polyethylene spheres (BIPS) impregnated with barium were supplied during feeding. Each animal received 10 markers large size (5mm diameter) and 30 markers small size (1.5mm diameter). Radiographs were taken in the moments before (baseline) the 1 st meal, to confirm the absence of food and fecal content in the gastrointestinal tract and after feeding at two-hour intervals until markers reach the colon. Results indicated that GRMD dogs evaluated showed TTGI faster when compared to the other groups. This thesis has shown that the smooth muscles of dystrophic dogs are, in many ways, affected by the disease, with both morphological and morphofunctional alterations; many studies in this area are needed so we can better understand the mechanisms of disease, as well as ways of intervention to improve the quality of life of affected individuals. GRMD dogs are the best animal model for preclinical studies of DMD, so these results are very relevant to enhancement and improvement of management in bioteries these animals have

An essential component in the study of peripheries, the epistemic construction of the notions of center and centrality can be approached from many different perspectives. This paper focuses on the intersection of two of them: the imagological paradigm and the theory of nation branding. In the intersectional space between them, concepts such as cultural stereotyping, soft power and commercial nationalism are mobilised in ways that differ when a peripherical mindset is favoured. These theoretical tools open up a reflection on the processes of resemantisation that the image of Spain undergoes in contemporary Catalan cinema, as exemplified in the later works by director Ventura Pons. A commentary of Miss Dalí (2018), in the broader context of Pons’ production and of recent Catalan cinema, leads to provisional conclusions about strategies such as erasure, rarefication, negativisation and othering.