Academic literature on the topic 'Immaterial culture'
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Journal articles on the topic "Immaterial culture"
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Chimenz, Luisa. "Sacred design. Immaterial values, material culture." Design Journal 20, sup1 (2017): S3436—S3447. http://dx.doi.org/10.1080/14606925.2017.1352847.
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Dabek, Ryszard. "Immaterial/Materiality." Journal of Asia-Pacific Pop Culture 2, no. 2 (2017): 220–37. http://dx.doi.org/10.5325/jasiapacipopcult.2.2.220.
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Abstract This article explores the idea of “materiality” as it relates to contemporary experimental moving image practice. It argues that rather than effacing the role of materiality, the digitization of the moving image has heightened and complexified its ability to function as an engine of affect. Here, the idea of “material” is considered a specter that constantly returns to reinvent itself within the liquid domain of the digital. To illustrate these points, I will draw off a range of example artworks featured in the recent internationally focused curatorial project Re:Cinema. These works simultaneously engage the traditions and strategies of experimental art practice (flicker film, structuralist film, montage, experimental video) and popular culture (television, music video, vernacular video) to reassert the material underpinnings of the image itself.
3
Lipp, Thorolf. "Materializuojant tai, kas nematerialu. Apie nematerialiojo kultūros paveldo mediatizacijos paradoksą." Lietuvos kultūros tyrimai 2 (2012): 118–34. https://doi.org/10.53630/lkt.2012_1.7.
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One of the central aims of the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage is to raise international awareness of immaterial cultural practices. To achieve this, these practices need to be transformed into media representations that can transcend space and time so as to reach wider audiences. Medializing intangible heritage comprises many complex and diverse processes: selecting, picturing, adapting, disseminating, digitizing and archiving being only some of them. Every media representation of reality is achieved at the cost of its derealization, materialization and virtualization, which fundamentally change the characteristics of immaterial cultural practices. This creates a paradox because a central attribute of immaterial culture is its ability to remain open to changing circumstances. A few fundamental thoughts are presented regarding the problem of materializing the immaterial in general, and of medializing intangible cultural heritage in particular.
4
Loureiro, Felipe. "Sailing to Byzantium - Icons, Apparatuses and The Mind-Body Problem." Caderno Virtual de Turismo 21, no. 1 (2021): 121. http://dx.doi.org/10.18472/cvt.21n1.2021.1924.
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Although our culture has apparently become increasingly immaterial in the last few decades, Victor Buchli argues that “the immaterial is always produced materially”, and that “This apparent paradox, (…) is its generative power and what girds the productive dualisms of social life and sustains the metaphysics that secure our given ontologies” (Buchli, 2016, p. vii-viii). Likewise, Vilém Flusser argues that societies are shaped by the medium that dominates the organization of their cultures - the idea of History, for instance, would be derived from the linear structure of texts. Thus, a culture organized with and through electronic apparatuses – and the apparently immaterial images they produce – would then replicate their inner structure. However, since most of us do not understand how these apparatuses work, we usually settle with a simplified description: apparatuses are a combination of software and hardware, a new dualism that actualizes the ages-old mind/body dichotomy and plays an essential role in contemporary ontologies. Drawing from Buchli and Flusser, the paper argues that it is possible to trace enlightening parallels between the digital apparatuses that shape contemporary culture and the role of religious icons in late Antiquity, focusing on the ontological structures anchored in these apparently widely different media.Keywords: apparatuses; technical images; icons; immateriality.
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Thomas, Maureen. "Digitality and immaterial culture: What did Viking women think?" International Journal of Digital Culture and Electronic Tourism 1, no. 2/3 (2008): 177. http://dx.doi.org/10.1504/ijdcet.2008.021406.
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Pérez-González, Luis. "Amateur subtitling as immaterial labour in digital media culture." Convergence: The International Journal of Research into New Media Technologies 19, no. 2 (2012): 157–75. http://dx.doi.org/10.1177/1354856512466381.
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Meyer, Morgan. "Placing and tracing absence: A material culture of the immaterial." Journal of Material Culture 17, no. 1 (2012): 103–10. http://dx.doi.org/10.1177/1359183511433259.
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Rezvani, Babak. "Islamic Immaterial Culture and Ethnopolitical Symbols in Georgia and the Russian Federation." Anthropology of the Middle East 15, no. 1 (2020): 80–98. http://dx.doi.org/10.3167/ame.2020.150107.
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This article discusses the ethno-political and immaterial cultural representations of Russia’s and Georgia’s Muslim minorities as reflected in their anthroponyms, toponyms, flags and coats of arms. It is obvious that Such representations reflect cultural expressions, as they may depict ethnic or religious symbols. Both Russia’s and Georgia’s attitudes towards Islamic cultural expressions are rather liberal. Symbols and names tell a lot about a people’s cultural freedom and orientation. However, it appears from research that religious practice and freedom do not necessarily correlate perfectly with representation of symbols. In accordance with the legacy of the Soviet nationalities policy, by which certain ethnic groups were afforded privileges in an autonomous region, the current representations of immaterial culture and ethno-political culture seem to have a territorial rationale.
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Fackler, Katharina. "Of Stereoscopes and Instagram: Materiality, Affect, and the Senses from Analog to Digital Photography." Open Cultural Studies 3, no. 1 (2019): 519–30. http://dx.doi.org/10.1515/culture-2019-0045.
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Abstract This article addresses popular claims that photography has been “dematerialized” in the digital era. It engages a wide range of critical writings about photography from the early 19th to the 21st century to demonstrate that different versions of these claims have always formed an important part of photography criticism. However, rather than doing justice to photographs’ materiality or their complex entanglements with what has been considered material and immaterial, human and nonhuman, they have tended to somewhat limit our understanding of the medium’s material, sensory, and affective valences. This article argues that a sustained engagement between visual culture studies, sensory studies, and the new materialisms can help us understand more fully both analog and digital photography’s contingent position within the material world, varying sensory ideologies, and different subjectivities.
10
Matthews, K. J. "Immaterial Culture: Invisible Peasants and Consumer Subcultures in North-West Britannia." Theoretical Roman Archaeology Journal, no. 1996 (April 11, 1997): 120. http://dx.doi.org/10.16995/trac1996_120_132.
Full textDissertations / Theses on the topic "Immaterial culture"
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O'Connor, Kaori. "Lycra, baby boomers and the immaterial culture of the new midlife : a study of commerce and culture." Thesis, University College London (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406396.
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Caponero, Maria Cristina. "Festejando São Benedito: a congada em Ilhabela, recurso cultural brasileiro." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-23082012-081734/.
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Herança basicamente portuguesa, as festas religiosas no Brasil ganharam contornos populares, sendo de grande importância para a formação da cultura popular e para a identidade nacional. Em Ilhabela, litoral norte do Estado de São Paulo, a Festa de São Benedito que tem com ponto máximo a apresentação da Congada de São Benedito vem sendo realizada há mais de cento e cinquenta anos, sem nunca ter sido interrompida. Esta festa recebeu grande influência africana e não se tornou mero entretenimento, mantendo sua tradição como uma manifestação de grande religiosidade popular, onde o sagrado e o profano estão interligados em uma demonstração de fé e solidariedade que atravessa gerações e se constitui em significativo patrimônio imaterial brasileiro. Deve-se compreender que não só o governo deve atuar como co-responsável no comprometimento pela preservação e salvaguarda desse bem cultural, mas também toda a comunidade local, verdadeira detentora do saber e da qual depende a efetiva prática da transmissão para as futuras gerações. Neste trabalho foi realizada uma pesquisa bibliográfica e exploratória, buscando-se um referencial teórico para a compreensão e elucidação dos fatos, sem desprezar o registro da memória coletiva obtido através de entrevistas abertas realizadas com os detentores da festa.<br>Inheritance basically Portuguese, the religious parties in Brazil, earn popular profile, being very important to the popular culture development and national identity. In Ilhabela, north coast of São Paulo State, São Beneditos Party which has as a culminating point the São Beneditos Congada has being realized an hundred fifty years ago, without any interruption. This party received great African influence and didnt become a simple entertainment, keeping its tradition as a manifestation of great popular religiosity, where the sacred and the profane were connected in a faith and solidarity proof, which passes along generations and consists of a Brazilian immaterial patrimony. We must understand that not only the government must acts as the responsible under an engagement for the preservation and safeguard of this cultural resource, but also the whole local community, the truth owner of the knowledge and from whom depend the effective practice on the transmission for the future generations. This study realized a bibliographic and inquiry research, looking for a theoretic reference to the understanding and elucidation of the facts, without despising the collective memory register obtained through opened interviews made with the party owners.
3
CARVALHAES, PEGO KATIA ANDREA. "APPROACH OF THE SYSTEMIC DESIGN IN MATERIAL AND INTANGIBLE CULTURE OF ESTRADA REAL: TERRITORIAL SERRO CASE." Doctoral thesis, Politecnico di Torino, 2016. http://hdl.handle.net/11583/2644209.
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This study aimed to apply the Systemic Design methodology in the context of the Estrada Real (Royal Road), specifically in Serro Territory, in order to generate a new economic and development model in this location, by creating relationships between their production systems. The first step of the methodology involved the understanding the territory in all its amplitude, i.e., the history of the place, its physical and climatic aspects, its natural resources, its activities (social, cultural and productive), the way and the pace of life community, as well as its infrastructure. The second phase encompassed the systematization and analysis of existing artisanal production systems in Serro Territory. For such a field survey was conducted in which the artisans were interviewed and the production sites were visited. On this occasion, we investigated all output and input of their activities. In the third step of the methodology were designed the matter and energy flows of the nine production systems in question, from the analysis of the "negative points" that emerged in the previous step, as well as the characteristics and potential of the material and immaterial local resources. This process allowed the emergence of several new activities and new products. In the fourth and last step, the current system (existing) and the systemic system (proposed) were compared. Such confrontation demonstrated that, with the approach of Systemic Design the same territory would come to get, on average, an increase of 530% of products and 820% of activity, resulting therefore in a huge business volume. As envisioned results are highlighted: i) in the economic field: expansion of activities; increase in jobs; increase income generation in the community; ii) in the environmental sphere: sustainable management of natural resources; iii) in the cultural field: appreciation of culture; enhancement of local know-how; iv) in the social sector: improving quality of life; keeps its inhabitants in their territory.
4
Lourenço, Aliny Cristina. "A Folia de Reis de São José do Barreiro: recurso cultural brasileiro." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-24042015-151959/.
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A Folia de Reis é uma festa popular presente em várias regiões do Brasil desde a época da colonização brasileira, com variações regionais e transformando-se através dos tempos. Esta pesquisa investigou a ocorrência desse recurso cultural em São José do Barreiro, cidade do interior paulista, onde ela acontece há mais de 90 anos, sem interrupções. Inserida no contexto da religiosidade popular brasileira, esta manifestação cultural traz em seu seio as várias características do povo brasileiro, expressas em seus diversos símbolos e nas relações entre devotos-foliões e comunidade. Recebendo diversas influências ao longo dos anos e recriando-se constantemente, não perdeu seu sentido principal, a de manifestar a sua fé através de rituais que incluem diversas expressões (musicais, dramáticas e plásticas), constituindo-se, assim, um importante recurso cultural que deve ser salvaguardado, não só pelos órgãos governamentais, mas também pela comunidade local, verdadeira detentora do saber e da qual depende a efetiva prática da transmissão para as futuras gerações. Neste trabalho foi realizada uma pesquisa bibliográfica exploratória, buscando-se um referencial teórico para a compreensão e elucidação dos fatos sem desprezar o registro da memória coletiva obtida através de entrevistas abertas realizadas com os detentores da festa.<br>The Folia de Reis is a popular festival present in many regions of Brazil since the time of colonization of Brazil, with regional variations and turning through the ages. This research investigated the occurrence of this cultural resource in São José do Barreiro city in São Paulo state, where it happens for more than 90 years without interruption. Set in the context of Brazilian popular religiosity, this cultural event brings in its bosom the various features of the Brazilian people, expressed in its various symbols and relationships between devotees, revelers, and community. Receiving various influences over the years and constantly re-inventing itself, has not lost its primary sense, to express their faith through rituals that include various expressions (musical, dramatic and plastic), thus constituting an important cultural resource that must be protected, not only by government, but also by the local community, which holds true of knowledge and of which depends on the effective practice of transmission to future generations. In this paper an exploratory literature search was conducted, seeking a theoretical framework for understanding and elucidating the facts without neglecting the record of collective memory obtained through open interviews with the holders of the party.
5
Thibal, Suzanne. "Développement local et Culture Occitane." Phd thesis, Université Paul Valéry - Montpellier III, 2012. http://tel.archives-ouvertes.fr/tel-00699758.
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La langue et la culture occitanes figurent désormais en bonne place dans les programmes de développement culturel des espaces organisés que représentent les parcs naturels régionaux et les pays, au sud du Territoire. Des initiatives sont prises pour la sauvegarde et la valorisation de ce qui constitue la mémoire vivante d'une culture populaire traditionnelle ;elles bénéficient pour leur mise en oeuvre de nouveaux dispositifs règlementaires et financiers en provenance de Départements, de Régions comme de certains programmes européens. Dans un même temps, le patrimoine culturel, matériel comme immatériel, a été mondialement reconnu comme l'un des axes majeurs du développement durable par les Institutions internationales qui préconisent sa valorisation en tant que marqueur identitaire porteur de lien social. C'est à ces différents égards et à partir d'une approche systémique de textes fondateurs internationaux, de programmes européens, de politiques de collectivités territoriales, de chartes et programmes opérationnels de parcs naturels régionaux et de pays, d'animations culturelles sur le terrain et de réseaux d'acteurs locaux, que la thèse Développement local et culture occitane analyse les partenariats en place avec leur dynamique et leurs faiblesses. --- Ainsi se dessine la draille occitane du développement local.
6
Barreto, Luisa Marques. "Direitos autorais e compartilhamento em rede: novos rumos da propriedade intelectual no ciberespaço." Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/4377.
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Previous issue date: 2012-05-04<br>This research is about the impact caused by the proximity between producers and receivers in the context of cyberspace cultural production. This phenomenon has directly affected author status and the way it is constructed in society. The digitalization of cultural products and the network sharing have destabilized three fundamental categories that holds the copyright: the author, the property and the labor. The purpose of this research is to introduce some changes regarding the epistemological notion of intellectual property as a remuneration copyright source. These changes affect significantly the ways in which the works communicate with public. This is a relevant thing why among other related factors, the control over the intangible works reproduction becomes increasingly more complex and inefficient. The problem of this research resides in the fact that both, the author-function as the user's role, has been radically altered impacting the way the discourses and the cultural production circulates. The theme will be studied from two angles of analysis: from the standpoint of the legal system and power structures related of cultural industry, and from culture. We will introduce debates regarding intellectual property (Virno 2003, Hardt & Negri 2005, Gorz 2005), free culture (Lessig 2004, 2009, 2005; and Lemos, 2005, 2010, 2011); author-function (Foucault, 1969) and the concept of immunization paradigm developed by Roberto Esposito (2005, 2010). The studies published during the period of open public consultation by the Culture Ministry in 2007 by the academic groups linked to the FGV, USP and UFSC still formed the basis for understanding in the legal field which are the proposed changes to the copyright Brazilian reform law, 9.610/98. The research result was an update of discussions that are not always correlated and when are systematically analyzed can show significant changes in the ways of thinking the new relationship between author, work and public in the cognitive networks of cyberspace<br>Esta pesquisa trata do impacto causado pela aproximação entre produtores e receptores na produção
cultural no ciberespaço, que afetou diretamente o status do autor e o modo como ele se constrói na
sociedade. A digitalização dos produtos culturais e o compartilhamento em rede desestabilizaram
três categorias fundamentais que sustentam os direitos autorais: o autor, a propriedade e o trabalho.
O objetivo desta pesquisa é apresentar algumas mudanças epistemológicas em relação a noção de
propriedade intelectual enquanto fonte de remuneração autoral. Tais mudanças afetam de maneira
significativa os modos como as obras se comunicam com o público. Isso porque, dentre outros
fatores relacionados, o controle sobre a reprodução das obras imateriais torna-se cada vez mais
complexo e ineficiente. O problema desta pesquisa reside no fato de que tanto a função-autor como
o papel do usuário foram radicalmente alterados, impactando o modo como circulam os discursos e
a produção cultural. O tema será estudado sob dois ângulos de análise: do ponto de vista do sistema
jurídico e das estruturas de poder relacionadas a indústria cultural; e da cultura. Apresentamos
debates sobre propriedade intelectual (Virno 2003, Hardt & Negri 2005 e Gorz 2005), cultura livre
(Lessig 2004, 2009; e Lemos 2005, 2010, 2011); a função-autor (Foucault, 1969) e o conceito de
paradigma da imunização desenvolvido por Roberto Esposito (2005, 2010). Os estudos divulgados
durante o período da consulta pública aberta pelo Ministério da Cultura em 2007 pelos grupos
acadêmicos ligados a FGV, USP e UFSC, constituíram ainda a base para compreendermos, no
âmbito jurídico, quais são as alterações propostas para reforma da lei de direitos autorais brasileira,
9.610/98. O resultado da pesquisa foi uma atualização de discussões nem sempre correlacionadas e
que, analisadas sistemicamente, apontam para mudanças significativas nos modos de se pensar as
novas relações entre autoria, obra e público nas redes cognitivas do ciberespaço
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Malta, Renata Barreto. "A COMUNICAÇÃO NO MERCADO DO IMATERIAL: Tensões e distensões da produção simbólica em uma era pós-material." Universidade Metodista de São Paulo, 2013. http://tede.metodista.br/jspui/handle/tede/675.
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Previous issue date: 2013-10-31<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This thesis is constituted by two complementary stages, the theoretical and the empirical ones, which are essential to reach the following aims we have proposed. 1) Confirming a change in the publicity praxis in which material and functional elements become less relevant and immaterial and intangible elements more important. 2) Investigating, objectively and comparatively, the corpus content, demonstrating which themes prevail in different social periods and punctuating their tangible and intangible essence. 3) Presenting and delineating the Market of Immaterial , the outline of a new model of marketing segmentation which has the immateriality as base. The theoretical discussion based on Cultural Studies and in authors who discourse about the Post Modernity and its consumption relations is the bottom-line of this research and only by it we could elaborate the assumptions which have originated the two hypotheses, extremely connected, which sustain this thesis. The empirical research applies as a method the quantitative content analysis of the corpus, composed by advertising videos, carefully defined. Following the analytical and theoretical path, it was possible to conclude that we are in a post material era, ruled by the intangible, which modifies the market communication.<br>A tese é constituída por duas etapas complementares, a teórica e a empírica, essenciais para que os seguintes objetivos propostos sejam devidamente cumpridos. 1) confirmar uma mudança da práxis publicitária na qual elementos materiais e funcionais passam a ser minimizados e elementos imateriais e intangíveis evidenciados. 2) investigar de forma objetiva e comparativa o conteúdo do corpus e demonstrar quais temáticas prevalecem em diferentes períodos sociais, pontuando sua natureza tangível e intangível. 3) Apresentar e delinear o Mercado do Imaterial , o esboço de um novo modelo de segmentação de mercado que tem a imaterialidade como base. O aprofundamento teórico-conceitual alicerçado nos Estudos Culturais e em autores que discorrem sobre a pós-modernidade e suas relações de consumo é ponto de partida desta pesquisa e só por meio dele chegamos às premissas que dão origem às duas hipóteses, extremamente interligadas, que sustentam esta tese. A pesquisa empírica utiliza como procedimento metodológico a análise de conteúdo quantitativa do corpus, composto por vídeos publicitários criteriosamente definidos. Por meio do trajeto analítico e teórico, é possível concluir que estamos em um período pós-material regido pelo intangível, o que modifica a comunicação de mercado.
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Lopes, Vanessa. "AaaS: uma nova condição para criar, conhecer, comunicar." Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/4486.
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Previous issue date: 2012-12-10<br>The technological, material and economical transformations that have marked the last decades changed the way that people create, store and share information due to the progress achieved by ICT (Information and Communication Technology). The objective of this dissertation is to test the new paradigm of Cloud Computing, from which new virtual architectures are built as on-‐demand services, involving creative processes and new communication procedures in digital environments. To do so, the dissertation proposes the principle of AaaS (Art as a Service) as an update to the discussions about art and media, exposing the recent transformations operating in the boundaries of media derivatives. The research presents an interdisciplinary bibliography which transits between studies in communication, art and culture. In conceptual terms, it departs from the understanding of artmedia, proposed by Arlindo Machado (2009), from the concepts of world-‐culture and hypermodernity pointed by Gilles Lipovetsky and Jean Serroy (2010) and from the studies of the post-‐media condition, elaborated by art critic Rosalind Krauss (2000). The research corpus is composed by experiments on ambient, materiality and image but without holding on to specific media or genres. These are analysed, not only from a theoretical point of view, but also from a practical methodology which testing the cloud-‐map configuration in the second chapter. In line with these movements, we sought to collaborate with the network of critics, curators, artists, producers and institutions that have launched a new view on the theme, identifying the confluences and incompatibilities between the diverse fields involved<br>As
transformações
tecnológicas,
materiais
e
econômicas
que
marcaram
as
últimas
décadas,
mudaram
a
forma
como
as
pessoas
criam,
armazenam
e
compartilham
informação
por
conta
dos
avanços
encabeçados
pela
ITC
(Tecnologia
da
Informação
e
Comunicação).
O
objetivo
desta
dissertação
é
testar
o
novo
paradigma
da
Cloud
Computing,
a
partir
do
qual
novas
arquiteturas
virtuais
são
construídas
na
forma
de
serviços
sob
demanda,
envolvendo
processos
de
criação
e
novos
procedimentos
para
se
comunicar
em
ambientes
digitais.
Para
tanto,
a
dissertação
propõe
o
princípio
AaaS
(Art
as
a
Service)
como
um
update
para
as
discussões
sobre
a
relação
entre
arte
e
mídia,
explicitando
transformações
recentes
que
operam
nas
fronteiras
dos
derivados
da
mídia.
A
pesquisa
apresenta
uma
bibliografia
interdisciplinar
que
transita
entre
autores
da
area
de
comunicação
e
dos
estudos
da
cultura
e
da
arte.
Em
termos
conceituais,
parte
do
entendimento
de
artemídia,
proposto
por
Arlindo
Machado
(2009),
dos
conceitos
de
cultura-‐mundo
e
hipermodernidade,
apontados
por
Gilles
Lipovetsky
e
Jean
Serroy
(2010)
e
dos
estudos
da
condição
pós-‐mídia,
elaborados
pela
crítica
de
arte
Rosalind
Krauss
(2000).
O
corpus
da
pesquisa
é
composto
por
experimentos
que
exploram
a
relação
entre
ambiente,
materialidade
e
imagem,
sem
se
ater
a
suportes
ou
gêneros
específicos.
Estes
são
analisados,
não
apenas
do
ponto
de
vista
teórico,
mas
a
partir
de
uma
metodologia
prática
que
testa
a
configuração
de
mapas-‐nuvens
no
segundo
capítulo.
Em
sintonia
com
estes
movimentos,
buscamos
colaborar
com
a
rede
de
críticos,
curadores,
artistas,
produtores
e
instituições
fomentadoras
que
vem
lançando
um
novo
olhar
sobre
o
tema,
identificando
as
confluências
e
incompatibilidades
entre
os
diversos
campos
envolvidos
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ANGELINI, Dario. "ECOMUSEI E LA CULTURA MATERIALE E IMMATERIALE." Doctoral thesis, Università degli Studi di Palermo, 2014. http://hdl.handle.net/10447/91346.
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Miranda, Martins Juliana. "Comunita' patrimoniali e patrimonio culturale immateriale: esperienze a confronto." Doctoral thesis, Università degli studi di Padova, 2016. http://hdl.handle.net/11577/3427252.
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The objective of this study is to analyze and describe the processes and dynamics driving the communities to apply for the inscription of their intangible cultural heritage into the representative list of UNESCO. Understanding the role performed by the community, from the recognition of its cultural heritage up to management of the same, means to interpret the motivations and expectations, conflicts and feelings relating not only to one’s heritage but also to the social and historical context the heritage lies in. The study intends also to analyse the international and national laws regarding the process of patrimonialisation of a cultural expression in order to define a sort of general model that may be applied to similar cases, while analysing the path followed both by the Misteri d’Elx (Alicante, Spain) and the rising candidacy for the safeguard of the Intangible Cultural Heritage of Humanity promoted by El Felze, the association of gondola’s artisans and builders based in Venice, Italy. The drawing up of a dossier for the safeguard of a cultural expression at an international level is a complex process that inevitably involves the single communities. It implies the setting-up of a net of relations with public authorities, both local, national and international, such as, the Municipality, the Region, the UNESCO Committee, as well as the Universities and the research centres provided with specialised sectors aiming at promoting the research activities.<br>L’obiettivo dello studio è di analizzare e descrivere i processi e le dinamiche che spingono le comunità a chiedere l’inserimento dei loro patrimoni culturali immateriali nelle liste rappresentative dell’UNESCO. Comprendere il ruolo svolto dalle comunità, a partire dal riconoscimento dei loro patrimoni culturali fino alla gestione degli stessi, significa interpretare le motivazioni e le aspettative, i conflitti e i sentimenti legati ai patrimoni e al contesto sociale e storico nel quale sono immersi. Si vuole inoltre analizzare le legislazione internazionale e nazionale inerente al processo di patrimonializzazione delle espressioni culturali per stabilire una specie di modello generale applicabile a casi simili, analizzando i percorsi realizzati dal Misteri d’Elx (Alicante, Spagna) e dalla nascente candidatura per la salvaguardia del patrimonio culturale immateriale dell’Umanità promossa dall’associazione degli artigiani e costruttori di gondole di Venezia El Felze (Venezia, Italia). L’elaborazione del dossier per la salvaguardia di una determinata espressione culturale in ambito internazionale è un processo complesso che coinvolge necessariamente le singole comunità. Esso implica la creazione di una rete di rapporti con le istituzioni pubbliche sia locali e nazionali che internazionali, quali il Comune, la Regione e il Comitato dell’UNESCO, ma anche le università e gli enti di ricerca che dispongono di settori specializzati e promuovono le attività di ricerca.
Books on the topic "Immaterial culture"
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Marco, Diani, ed. The Immaterial society: Design, culture, and technology in the postmodern world. Prentice Hall, 1992.
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Bertocci, Stefano, Marco Bini, and Saverio Mecca, eds. Documentation for conservation and development. Firenze University Press, 2006. http://dx.doi.org/10.36253/8884534933.
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Documentation for conservation and development. New heritage strategy for the future collects the contributions to the 11th International Seminar (Florence 11-15 september 2006). The seminar showed the research realized on specific themes regarding the analysis, documentation and exploitation of both architectural properties and material and immaterial heritage with the purpose of its conservation and future development. Scientific knowledge, work and documentation about architecture and urban environment, the relationship with territory, as well as material and immaterial heritage, become formidable instruments for the comprehension and exploitation of the universe of data and signs given by history and culture, regarding in substance human life that founds and takes place in a certain geographic area.
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Sdegno, Emma, Martina Frank, Pierre-Henry Frangne, and Myriam Pilutti Namer. John Ruskin’s Europe. A Collection of Cross-Cultural Essays With an Introductory Lecture by Salvatore Settis. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-487-5.
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Ruskin’s work is strongly inscribed in the great European context, marking an important moment in the movement for the establishment of a community culture and spirit. The essays collected here intend to place the theme of Ruskin’s fruitful and essential relationship with Europe at the centre of a critical reflection, presenting themselves as opportunities for an in-depth study and a discussion on issues related to aesthetics, the protection of material and immaterial heritage, cultural and literary memory. By bringing to the attention of the scientific community the multiple aspects – geographic, historical-artistic, critical-aesthetic, literary, socio-political – of Ruskin’s work from inter- and transcultural perspectives, the volume aims to (re)discover a deliberately European Ruskin and to stimulate new research routes.
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Patrimoni immaterial, experiències en el territori valencià (Conference) (2017 Valencia, Spain). Patrimoni immaterial: Experiències en el territori valencià. Universitat de València, 2017.
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Sazhina, Muza, Anna Kashirova, Stanislav Makarov, and Egor Osiop. The social wealth of the innovation system. INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1875920.
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The monograph reveals the key socio-economic problems of the innovation economy: its content as a knowledge economy and its role in evolutionary development; human capital (living intelligence) as the main resource of the innovation economy. Much attention is paid to the institutional support of innovation through a system of institutions and mutually beneficial contracts. The mixed mechanism of implementation of innovative activity as a synthesis of spontaneous market self-regulation and conscious public administration is shown. The result of the "social control" of society and the state is the coordination of the actions of economic entities and the ordering of economic processes.
 The most important institution of human society is the family as a strong power in the state. And the person himself with his knowledge, culture, ethics and morality is the main value of society. The main purpose of the family is to reproduce life and provide a person with everything necessary. The state as an institution manages a person's education and health, helps to change his lifestyle, strengthening humanity, ethics, morality and culture of life.
 The modern global economy remains a sphere of domination of market egoism. It is the market that performs the function of morality as a person and society as a whole. In the global economy, a person is not a representative of the people, but a representative of the system, a standard way of life. And he should live in communication based on respect for each other.
 It is concluded that today the main wealth of society is not material, but social wealth: the person himself with his knowledge, culture, ethics and morality is a living intellect; a family with the reproduction of life; immaterial knowledge that covers all types of work that cannot be calculated and paid, where the motive is the joy of free cooperation, free giving and community. In this "invisible economy" people mutually teach each other humanity and create a culture of joint thinking and living together. The State and society must preserve and increase the social wealth of human society.
 For students and postgraduates of economic and managerial specialties, as well as for anyone interested in this problem.
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Elk, Black. Black Elk speaks: Being the life story of a holy man of the Ogalala Sioux. Time-Life Books, 1993.
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Elk, Black. Black Elk speaks: Being the life story of a holy man of the Ogalala Sioux. Time-Life Books, 1991.
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Elk, Black. Black Elk speaks: Being the life story of a holy man of the Oglala Sioux. University of Nebraska Press, 1989.
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Elk, Black. Black Elk speaks: Being the life story of a holy man of the Oglala Sioux. 2nd ed. University of Nebraska Press, 2000.
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Elk, Black. Black Elk speaks: Being the life story of a holy man of the Oglala Sioux. University of Nebraska Press, 1988.
Find full textBook chapters on the topic "Immaterial culture"
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Djabarouti, Johnathan. "Immaterial manifestations of culture." In Critical Built Heritage Practice and Conservation. Routledge, 2024. http://dx.doi.org/10.4324/9781003297659-7.
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Guglielmi, Marina. "Material and Immaterial Walls: Crossing the Thresholds of the Asylum, Basaglia, and Film." In Studies in Mobilities, Literature, and Culture. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-73792-3_11.
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King, Edward. "Otaku Culture and the Virtuality of Immaterial Labor in Maurício de Sousa’s Turma da Mônica Jovem." In Virtual Orientalism in Brazilian Culture. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137462190_3.
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Brindle, Andrew. "The Object of Subordination Is Immaterial: Discursive Constructions of Masculinity in a Far-Right Online Forum." In Queering Masculinities in Language and Culture. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-349-95327-1_12.
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Callen, Anthea. "Immaterial Views? Science, Intransigence and the Female Spectator of Modern French Art in 1879." In French Literature, Thought and Culture in the Nineteenth Century. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-11824-3_11.
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Mettouchi, Amina, and Valentina Schiattarella. "Chapter 12. Food, contact phenomena and reconstruction in Oriental Berber." In Current Issues in Linguistic Theory. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/cilt.367.12met.
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Berber subclassification is notoriously problematic, due to overlapping innovations and retentions across hypothesized sub-branches. Focussing on Oriental Berber, we analyze the lexicon of food, on the assumption that linguistic contacts within Berber and between Berber and Arabic are reflected in material and immaterial culture. An original method for the analysis of food terms and their denotations is proposed. We illustrate the method through a case-study of food preparation, in which various denominations are cognates of the stem *βazin, and which confirms most linguistic hypotheses about subgroupings and contacts, additionally exemplifying a case of levelling due to borrowing into Arabic followed by re-borrowing into Berber. Our results also point to further contacts across Berber language groups (best analyzed in terms of linkage), and confirm the relevance of the study of food culture in support of the historical reconstruction of Berber languages.
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Dellapiana, Elena, Ali Filippini, Chiara L. Remondino, and Paolo Tamborrini. "Archival Projects. Tools and Methods for Promoting the Corporate Culture Starting from Historical Brand." In Springer Series in Design and Innovation. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_28.
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AbstractIn the contemporary informational/digital landscape, the attention dedicated to data analysis has necessarily place the accent on the impact they have on design process. We no longer speak only of formal design, but of its communication, or even more about the way in which this good will reach the final consumer. In this scenario, the need to manage the methodological/design process by virtuously involving both the material and immaterial aspects, connecting, evaluating and re-evaluating existing knowledge, research and business in the best possible way, is clearly evident.The proposal intends to present and discuss the research “MaToSto - Communicating and promoting entrepreneurship starting from the historical brands of the territory” which has seen a precise methodological structure aimed at promoting and qualifying the heritage of the historic Turin brands, to define criteria, tools, and project outcomes aimed at their enhancement also from an entrepreneurial point of view.From the set of 25.000 company trademarks, registered from 1927 to 1970 at the Turin Chamber of Commerce, the researchers started a project using the organizational, creative and visual tools typical of big data analysis, including: a quantitative research on defined product categories, the implementation of a processing method, data filtering and selection for visualization purposes, a taxonomic analysis on figurativity to hypothesize a classification based on tags useful for archival research, and – nevertheless – useful to drive impactful heritage marketing actions.
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Cannella, Fabrizia. "Femminielli and the city: urban space and non-binary gender identities in Naples." In Embodying Peripheries. Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-661-2.09.
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This essay examines the interrelation between (peripheral) gender identity and (peripheral) urban space. The analysis focuses on the femminiello, a quintessentially Neapolitan non-binary subjectivity embodying a fluid sexual identity, performatively crossing across masculine and feminine, deeply connected to the territory where it originates—Naples’ inner city and its low-income historic neighborhoods. Accordingly, the essay looks at the material and immaterial interrelations between urban space and the femminiello identity. Methodologically, the study is built on a qualitative approach based mainly on fieldwork interviews with three of the most prominent femminielli of the Neapolitan context: CiroCiretta, a recognized exponent of the femminielli community and among the founders of a cultural association devoted to spreading and preserving the ancient femminiello culture; Tarantina Taran, an iconic local figure dubbed as “Naples’ last femminiello” in the city’s Spanish Quarters; and Loredana, activist and secretary of Naples’ Transsexual Association. The voices and stories of these three femminielli led us to read this non-binary gender identity in its relation to urban space, from different and complementary perspectives, which ultimately helped us trace a map of changing meaning and emerging forms of adaptation over time.
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Tschebann, Saskya. "Cemetery Enchanted, Encore: Natural Burial in France and Beyond." In Bioarchaeology and Social Theory. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-03956-0_11.
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AbstractOver the past three decades, a silent revolution in funerary practices and cemetery design known as the ‘natural burial movement’ has swept over various national contexts and created a transnational narrative that is embedded in local funerary cultures. Seeking out environmentally-friendly burial alternatives, new cemetery and commemoration concepts take into account the urban lack of space and changing family structures and combine these with a desire for autonomy from economically and ecologically costly burial practices. A salient feature of these new burial sites are their naturalistic design and enchanting appeal. Presenting ethnographic research at France’s first natural cemetery« Cimetière naturel de Souché », which opened in 2014, this chapter examines and reflects on the changes in material as well as immaterial funeral settings within a contemporary European context. The research reveals insights into a heterogenous set of values concerning human body disposal, nature and culture, gift giving and reciprocity, and purity and respect. The main objectives of the cemetery officials originally were geared towards the creation of a place as close to nature’s makeup as possible, a reduction of the ecological footprint of burials, and cost decrease. The most significant aspects for the bereaved and other visitors are, however, an appeal beyond economic and ecologic objectives. Spiritualities, therapeutic death contemplation, and continuous kin care point to an enduring enchantment: meditations veiled in a green hue.
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de Oliveira, Priscila Enrique. "Indigenous Culture as a Heritage of Humanity. Safeguarding Immaterial Heritage Through the Experience of the Guarani Mbya of the Indigenous Land of Ribeirão Silveira (SP)." In The Latin American Studies Book Series. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-64815-2_24.
Full textConference papers on the topic "Immaterial culture"
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Vukovic, Dijana, Lara Milic, and Tanja Grmusa. "THE MEANING OF SUSTAINABILITY OF CULTURAL IMMATERIAL CONSUMPTION." In 10th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscss.2023/sv08.40.
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Cultural characteristics differ from nation to nation, and often by provinces, cities,villages - each group of people has its own traditions, beliefs and behaviors that are oftensimilar to other groups, but again specific to its members. Customs, rituals andsuperstitions as part of a particular culture define and shape the identity of consumerswho belong to that culture - they influence their attitudes, needs, habits and desires. Theseaspects of culture are embedded in consumer behavior, a complex set of preferences andpatterns of an individual, and make up the identity of that individual, which is expressedin his purchasing patterns. As the connection between customs, rituals and superstitionsand consumer behavior has not yet been examined in the scientific literature, nor has theimportance of their influence on consumer habits and characteristics been established, thesubject of this research is precisely to establish this relationship. In Europe, culturaldifferences play a decisive role in shaping consumption patterns. At the same time, globalcompetition tends to have a homogenizing effect on some markets such as music, sports,clothing and entertainment, and multinational companies such as Sony, Pepsi, Nintendo,Nike and Levi Strauss dominate and play an important role in shaping the market. Withthe creation of a single European market, many companies began to consider even morethe possibilities of standardized marketing across national borders in Europe. However,the increasing similarity of brands and products available in Europe does not mean thatconsumers are the same � variables such as personal motivation, cultural context, patternsof family relationships and rhythms of daily life differ significantly from country tocountry and from region to region. This paper will explore the possibilities of improvingthe protection and preservation of rituals, customs, traditions and superstitions as part ofcultural heritage that have an impact on the formation of consumer behavior. Culturalheritage through customs and rituals, traditions and superstitions is recognized as part ofthe historical, cultural, economic and tourist significance for the Republic of Croatia andis important for the preservation of national identity. As a set of permanent material andimmaterial values and human creations, culture is exposed to various problematic,counter-cultural and degrading processes, which arise from conflicts of interests and,sometimes, too fast changes, as well as uncritically accepted immaterial forms of culture,such as rituals, customs, traditions and superstitions of a people. In this sense, thedegradation of traditions and customs, rituals and superstitions can affect the decline inthe quality of life of people in the European Union. The general goal of this research, based on a sample of 206 respondents, is to determine the influence of customs, ritualsand superstitions on consumer behavior in the Republic of Croatia, more precisely, todetermine the frequency of product purchases with regard to different types of rituals.
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da Silva, Aryuska Aryelle Santos Sousa, Gabriel Alves Gomes, Julia Teles da Silva, and Rabi Ananias Araújo da Silva. "Creation of Leather Saddles at the Central Fair of Campina Grande PB: Material and Immaterial Flows." In ENSUS 2024 - XII Encontro de Sustentabilidade em Projeto. Grupo de Pesquisa Virtuhab/UFSC, 2024. http://dx.doi.org/10.29183/2596-237x.ensus2024.v12.n1.p876-883.
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The article investigates the material andimmaterialflowsandtransformationsofleatherthroughthe making of horsesaddles in a placeconsideredthemain regional reference for farmersand cowboys in relationtotheproductionandrestorationofthepiecesthat are developed at the Central Fair of Campina Grande-PB, which is a central space for the culture the countryside of Paraíba and gains more diversity with this local object. Wework With a historiographical review about the Fair, bibliography on systemic design, traditional cultures and material and research with interviews and photography. It is a tradition that is ending, but it integrates resources, practice sand local knowledge, contributing to the economy and local sustainability, as well as toth maintenance of cultural practices horseback that go beyond subsistence.
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Grizante de Andrade, Daniel. "Immaterial Collections, Ephemeral Exhibitions: animations in exhibition design." In LINK 2024 Conference Proceedings. Tuwhera, 2024. https://doi.org/10.24135/link2024.v5i1.233.
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The research is about the use of animations in the design of exhibitions in intangible-themed museums, which are seen as spectacular and are becoming increasingly popular nowadays. Animation, a language that has always been close to the universe of children, media manifestations, entertainment and fantasy, comes up against the museum, an institution with social authority, centred on its concern with reality and the historical document. The collision between these two worlds gave rise to this research. It starts by investigating the museum universe, with a view to technological use and the relationship between the museum, society, entertainment, leisure and education. The culture of design is brought into the discussion and how it is linked to the design of exhibitions relating to intangible heritage. Exposure design is brought into tension with the experiences and strategies of fruition and creation in cinema and television. The concepts of immateriality and ephemerality are also explored. It also explores the concept of animation and the interface between reality and fantasy, looking at differences and similarities in relation to live action cinema and the existence of documentary and educational animations. Animation is understood within the culture of design, with practices and uses in the media universe, coming to the conclusion that its main contemporary characteristic is experimentation. It concludes with an analysis of two museums in São Paulo: the São Paulo State Immigration Museum and the Portuguese Language Museum, observing, based on the concepts studied, the uses given to animations in the exhibition design projects of the two institutions.
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Marques, António, and Luísa Batalha. "Christians and Muslims, ruptures and continuities in material culture." In XIII Congreso Internacional sobre Cerámica Medieval y Moderna en el Mediterráneo (AIECM3). La Ergástula, 2024. https://doi.org/10.63114/21d08g75.
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Undertaken in 2010 and 2012, the archaeological works in the building known as «Casa da Severa», in the heart of Lisbon’s Mouraria, provided access to a ceramic ensemble very well defined chronologically, between the 11th and 15th centuries, that is, during the entire time period in which the Islamic community of Christian Lisbon inhabited this space of the city, until its expulsion in 1497.In this set, some formal and stylistic prevalence of the Islamic pottery tradition are notorious, and there is even a coexistence of some differentiation between the Christian taste then prevailing in the rest of the city, and the simultaneous maintenance of typological and decorative solutions typical of the previous period. The richness of this group also makes it possible to assess the socio-cultural relations that linked the Islamic and Christian communities, even in terms of the immaterial.
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Villasante Claramonte, Juan. "The particular ensemble of Mas d'en Segures: functional and constructive analysis of a house and a barn in Tinença de Benifassà (Castellón, Spain)." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15135.
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In the northern interior of the Castellón province Tinença de Benifassà is found, a rural and mountainous region in which territorial organization combines villages with plenty of scattered settlements. As the phenomenon of rural exodus goes on, more and more of these ensembles are abandoned, which implies a critical patrimonial and identity loss, both physical and immaterial. Vernacular architecture shares morphological and constructive characteristics with that present at other regions of Spain, such as Teruel or southern Catalonia. These parameters are strictly linked with immediate environment and field labour in rough terrain. The analysis deepens on the documentation of Mas d'en Segures as a case study of spread settlements in the region. It was made up of four houses, three barns associated with threshing floors, and some farmyards. Some morphological, functional, and constructive characteristics differentiate this settlement from others in its context, which marks its antiquity and relates it with defensive constructions.
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De Rosa, Annalinda, Valentina Auricchio, and Vanessa Monna. "SMOTIES: Scenario-building for creative future solutions in remote places." In ServDes.2023 Entanglements & Flows Conference: Service Encounters and Meanings Proceedings, 11-14th July 2023, Rio de Janeiro, Brazil. Linköping University Electronic Press, 2023. http://dx.doi.org/10.3384/ecp203008.
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This paper introduces a scenario-building design methodology used in setting up a four-year Creative Europe Program project co-funded by the European Union. The project addresses an emerging field of action that aims to explore how small and remote places can benefit from the design of cultural and creative innovations within public spaces and in collaboration with local stakeholders. The paper describes how a common ground of scenarios has been designed for the development of project trajectories by defining future visions of action within small and remote places in Europe. This methodology is currently being applied and tested in ten pilot projects for the development of innovative creative solutions that address the specific needs of depopulated and relationally remote places considered to be depositories of material and immaterial culture that risks being undervalued, not consolidated, not handed down, and hence lost.
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Петрова-Маслакова, М. В. "THE RED COLOR IN THE ART OF THE FINNO-UGRIC NATIONS OF RUSSIA." In Цвет в пространственных искусствах и дизайне. Crossref, 2024. http://dx.doi.org/10.54874/9785605245766.2024.04.34.
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Красный как наиболее значимый цвет в художественных произведениях и культуре народов финно-угорской группы рассмотрен на примерах предметов домашней утвари, элементов народного костюма, а также живописных работ. Поднимается вопрос о значении данного цвета, его функциях. Актуальность обусловлена в первую очередь лакуной в исследованиях данной группы памятников, которая охватывает роль колористических решений и колорита в целом в материальной и нематериальной культуре финно-угров. Red as the most significant color in the artistic works and culture of the peoples of the Finno-Ugric group is considered using examples of household utensils, elements of folk costume, as well as paintings. The question of the meaning of this color and its functions is raised. The relevance is primarily due to a gap in the research of this group of monuments, which covers the role of coloristic solutions and color in general in the material and immaterial culture of the FinnoUgric peoples.
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Conejo-Arrabal, Francisco, Francisco José Chamizo-Nieto, Nuria Nebot-Gómez de Salazar, and Carlos Rosa-Jiménez. "METHODOLOGY FOR MAPPING INTANGIBLE CULTURAL HERITAGE THROUGH WEBGIS INTEGRAL PLATFORMS. LA FONTANALLA NEIGHBOURHOOD AS A CASE STUDY." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15651.
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The identification and cataloguing of intangible cultural heritage (ICH) was defined in Paris Convention by UNESCO (2003). However, it is difficult to identify and map this type of heritage in the territory due to the lack of consensus to establish a common representation methodology. Similar technological platforms identify and geolocate the stakeholders concerned about the safeguarding and transmission of this kind of heritage, with the aim of putting together memories from each heritage item, but not the direct relationship with the specific site. This research focuses on a methodology for mapping ICH through webGIS platforms on a local scale, taking into account the following issue: the intangible elements as an attribute related with other heritage categories. This is achieved by collecting the memories of each resource generated by agents involved —citizenship and associations— and its relationship with the physical environment —tangible cultural heritage: architecture, landscape...—. In this way, the sum of related items allows to identify the connection between ICH and territory. This method has been tested in La Fontanalla neighbourhood through Malaka_net webGIS: a comprehensive platform which shows data sheets about every cultural heritage item from Malaga city. This tool allows cultural heritage to be categorized into different material heritage types —architecture, landscape, archaeology, street furniture and urban pattern— and immaterial ones. The holistic meaning between these categories makes possible to link them through the same attribute: intangible value.
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Santos, Douglas Ferreira dos, Josefa Joyce Oliveira da Silva, Ronald José Barros Ferro, Clécio José de Lacerda Lima, and Ana Carolina de Moraes Andrade Barbosa. "Design, sustainability and territory: an analysis of the Brazilian footwear sector from the perspective of handmade know-how." In SDS 2023 - IX SIMPÓSIO DE DESIGN SUSTENTÁVEL. Grupo de Pesquisa Virtuhab/UFSC, 2023. http://dx.doi.org/10.29183/978-65-00-87779-3.sds2023.p561-572.
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This article discusses design and the footwear universe from a sustainability perspective. From this approach, the study focuses on the handmade and territorial aspects that interpolate contemporary footwear brands. To achieve this, the research collected data on the current marketing context of fifteen handmade companies in the sector. As a discussion, the questions that guide a brand to be considered sustainable were highlighted, and the relationship of this attribution to the quality reference based on manual know-how and local traditions and raw materials. Finally, the conclusions point to the dialogue between design and the concepts of material and immaterial culture, based on the dynamic content of the attribution of value, which goes beyond economic reasons
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Sotgiu, Antonio Vincenzo, and Serena Noemi Cappai. "Pinnettas de pedra: a guide for the valorisation of dry-stone artifacts." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14331.
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The dwelling culture in rural Sardinia presents a wide variety of agropastoral construction. One such example still in use today are the "pinnettas de pedra", huts built entirely of drystone walls and lithic corbelled dome, with a technique common across the Mediterranean area. They are located to the north-west and centre of the island, in the areas of Meilogu, Marghine and Planargia. The analysis was based on cataloguing the artefacts: field research and data processing on a GIS platform identified around 500 pinnettas de pedra in the surveyed area. The work resulted in survey cards detailing the state of these buildings: their characteristics in terms of size and materials and the main factors of degradation and structural failure. The cards describe in detail the masonry, the lithic elements and their arrangement, as well as the construction techniques and the structural concept behind the realisation. Our line of investigation brings to light construction methods that stood the test of time. This construction code, an orally transmitted set of established rules defining the art of building, is a valuable heritage of local technical knowledge. An immaterial resource to study and preserve and pass on to future generations. The research aims to deepen and develop the knowledge needed for the conservation of such buildings by compiling a manual of good practices of intervention that respects the characteristics of the material and construction. The broader goal of promoting the pinnettas de pedra is to promote proper care of the land, reduce the factors of risk and degradation, set the standards for safe fruition for local communities and visitors, thus restoring the bond with these places.
Reports on the topic "Immaterial culture"
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Island Ark Project Team, Island Ark Project Team. Digital preservation of immaterial island culture in the face of climate change. Experiment, 2014. http://dx.doi.org/10.18258/2415.
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