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Journal articles on the topic 'Immaterial culture'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Dabek, Ryszard. "Immaterial/Materiality." Journal of Asia-Pacific Pop Culture 2, no. 2 (2017): 220–37. http://dx.doi.org/10.5325/jasiapacipopcult.2.2.220.

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Abstract This article explores the idea of “materiality” as it relates to contemporary experimental moving image practice. It argues that rather than effacing the role of materiality, the digitization of the moving image has heightened and complexified its ability to function as an engine of affect. Here, the idea of “material” is considered a specter that constantly returns to reinvent itself within the liquid domain of the digital. To illustrate these points, I will draw off a range of example artworks featured in the recent internationally focused curatorial project Re:Cinema. These works s

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Chimenz, Luisa. "Sacred design. Immaterial values, material culture." Design Journal 20, sup1 (2017): S3436—S3447. http://dx.doi.org/10.1080/14606925.2017.1352847.

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Lipp, Thorolf. "Materializuojant tai, kas nematerialu. Apie nematerialiojo kultūros paveldo mediatizacijos paradoksą." Lietuvos kultūros tyrimai 2 (2012): 118–34. https://doi.org/10.53630/lkt.2012_1.7.

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One of the central aims of the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage is to raise international awareness of immaterial cultural practices. To achieve this, these practices need to be transformed into media representations that can transcend space and time so as to reach wider audiences. Medializing intangible heritage comprises many complex and diverse processes: selecting, picturing, adapting, disseminating, digitizing and archiving being only some of them. Every media representation of reality is achieved at the cost of its derealization, materialization

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Loureiro, Felipe. "Sailing to Byzantium - Icons, Apparatuses and The Mind-Body Problem." Caderno Virtual de Turismo 21, no. 1 (2021): 121. http://dx.doi.org/10.18472/cvt.21n1.2021.1924.

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Although our culture has apparently become increasingly immaterial in the last few decades, Victor Buchli argues that “the immaterial is always produced materially”, and that “This apparent paradox, (…) is its generative power and what girds the productive dualisms of social life and sustains the metaphysics that secure our given ontologies” (Buchli, 2016, p. vii-viii). Likewise, Vilém Flusser argues that societies are shaped by the medium that dominates the organization of their cultures - the idea of History, for instance, would be derived from the linear structure of texts. Thus, a culture

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Thomas, Maureen. "Digitality and immaterial culture: What did Viking women think?" International Journal of Digital Culture and Electronic Tourism 1, no. 2/3 (2008): 177. http://dx.doi.org/10.1504/ijdcet.2008.021406.

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Pérez-González, Luis. "Amateur subtitling as immaterial labour in digital media culture." Convergence: The International Journal of Research into New Media Technologies 19, no. 2 (2012): 157–75. http://dx.doi.org/10.1177/1354856512466381.

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Meyer, Morgan. "Placing and tracing absence: A material culture of the immaterial." Journal of Material Culture 17, no. 1 (2012): 103–10. http://dx.doi.org/10.1177/1359183511433259.

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Rezvani, Babak. "Islamic Immaterial Culture and Ethnopolitical Symbols in Georgia and the Russian Federation." Anthropology of the Middle East 15, no. 1 (2020): 80–98. http://dx.doi.org/10.3167/ame.2020.150107.

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This article discusses the ethno-political and immaterial cultural representations of Russia’s and Georgia’s Muslim minorities as reflected in their anthroponyms, toponyms, flags and coats of arms. It is obvious that Such representations reflect cultural expressions, as they may depict ethnic or religious symbols. Both Russia’s and Georgia’s attitudes towards Islamic cultural expressions are rather liberal. Symbols and names tell a lot about a people’s cultural freedom and orientation. However, it appears from research that religious practice and freedom do not necessarily correlate perfectly

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Fackler, Katharina. "Of Stereoscopes and Instagram: Materiality, Affect, and the Senses from Analog to Digital Photography." Open Cultural Studies 3, no. 1 (2019): 519–30. http://dx.doi.org/10.1515/culture-2019-0045.

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Abstract This article addresses popular claims that photography has been “dematerialized” in the digital era. It engages a wide range of critical writings about photography from the early 19th to the 21st century to demonstrate that different versions of these claims have always formed an important part of photography criticism. However, rather than doing justice to photographs’ materiality or their complex entanglements with what has been considered material and immaterial, human and nonhuman, they have tended to somewhat limit our understanding of the medium’s material, sensory, and affectiv

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Matthews, K. J. "Immaterial Culture: Invisible Peasants and Consumer Subcultures in North-West Britannia." Theoretical Roman Archaeology Journal, no. 1996 (April 11, 1997): 120. http://dx.doi.org/10.16995/trac1996_120_132.

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Hennelly, Jr., Mark M. "Dickens's Immaterial Culture of Hats and The Pickwick Papers." Dickens Studies Annual: Essays on Victorian Fiction 42, no. 1 (2011): 77–122. http://dx.doi.org/10.7756/dsa.042.004.77-122.

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Piatti-Farnell, Lorna, Gwyneth Peaty, and Ashleigh Prosser. "Evolving identities in popular culture." Australasian Journal of Popular Culture 11, no. 1 (2022): 3–8. http://dx.doi.org/10.1386/ajpc_00047_2.

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In our twenty-first century context, we tell stories through the foods we eat, the images we share, the people we follow on social media, the shows we watch and the music we listen to. From film to television, from Twitter accounts to the latest fandom trend, popular culture provides us with channels through which our narratives of everyday can transform from immaterial notions to very material and tangible objects of consumption. At the centre of our ways of storytelling lies the formation of our identities. This editorial introduces a Special Issue of the Australasian Journal of Popular Cult

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Stewart, Stanley. "Author Esquire: The Writer and “Immaterial Culture” in Caroline and Jacobean England." Ben Jonson Journal 20, no. 2 (2013): 241–59. http://dx.doi.org/10.3366/bjj.2013.0083.

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Lucas, Fernandes Comaru. "The incentive to material and immaterial culture in schools as a personal identity maker." Revista Científica Multidisciplinar Núcleo do Conhecimento 05, no. 9 (2018): 51–57. https://doi.org/10.5281/zenodo.7659166.

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The present article shows the concepts of culture and its ramifications: material and immaterial and the importance from the incentive to cultural activities in the school context for the formation of the personal identity of each student, as well as to form critical and creative citizens.

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Ihalagama, H. A. A. Swarna. "The Intangible Culture Illustrated by the Use of Clothing in Domestic Rituals of Traditional Sinhalese Society." Journal of Desk Research Review and Analysis 1, no. 2 (2023): 20–30. http://dx.doi.org/10.4038/jdrra.v1i2.15.

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In any society, all the physical (tangible) and immaterial (intangible) phenomena artificially created on the natural environment by the members of that society belong to its unique culture. Buildings, vehicles, food, clothes, dagobas, statues, etc. are examples of tangible culture and rituals, beliefs, folklore, etc. are examples of intangible culture. There is an inseparable relationship between the tangible and intangible aspects of a culture, even if such classifications have been made based on the prevailing theoretical and practical usage. In the creation of any physical product or mater

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Jarecka, Dorota. "New Peredvizhniki, Or Artists On The Move." Open Cultural Studies 2, no. 1 (2018): 183–90. http://dx.doi.org/10.1515/culture-2018-0017.

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Abstract In 2013 Honorata Martin, a young artist from Gdańsk travelled about six hundred kilometres on foot. No other work than the journey itself was created apart from the scrapbook with her notes and a short video. By putting herself in the precarious position of a nomad/migrant, the artist achieved multiple goals. One of them was to put an end to the alienation of work. The result is a work that is deprived of a “labour force,” and as such, it cannot be exploited. Martin adopted the strategy of a “passive subject” (as opposed to the “active subject” of Lazzarato). She followed the instruct

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Irawan, Hengki, Sri Endah Wahyuningsih, and Jawade Hafidz. "Legal Protection For Victims Of Traffic Violations That Lead To Death (Case Study On Police Traffic of Rembang)." Jurnal Daulat Hukum 2, no. 4 (2020): 485. http://dx.doi.org/10.30659/jdh.v2i4.8349.

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The purpose of this study is to know, shortly describe, analyze and assess the implementation, barriers, and the remedies to overcome obstacles in the legal protection for victims of traffic abuses resulting in death by Police Traffic of Rembang. The method used in this study, using a kind of sociological juridical research, analytical, descriptive, with data used are primary data and secondary data, and analyzed Qualitative. The results of this study are: (1) legal protection for victims of traffic abuses resulting in death by Police Traffic of Rembang preferably through peace settlement with

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Pizzocaro, Silvia. "Matter still matters. Design education for a material culture in the immaterial age." Temes de Disseny, no. 34 (November 26, 2018): 92–103. http://dx.doi.org/10.46467/tdd34.2018.92-103.

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Following the teaching experience developed for more than two decades within the design curricula of the Scuola del Design del Politecnico di Milano, between 2015 and 2016 a small group of scholars [1] – sharing the common experience of teaching design fundamentals for university novices attending first year design courses – committed to a reflection to refine certain pedagogical elements to foster a coherent, rich, and grounded basis for local design studio courses intended for design newcomers. Addressing needs frequently expressed by novice students exposed to design fundamentals at the ver

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Dai, Yue. "A Behavioral Cultural-Based Development Analysis of Entrepreneurship in China." Administrative Sciences 11, no. 3 (2021): 91. http://dx.doi.org/10.3390/admsci11030091.

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This paper deals with local cultural capital as a motivator for entrepreneurial behavior in China. Following the Culture-Based Development paradigm (CBD), the current study approaches local cultural capital as an entity that can be temporarily segmented into living culture and cultural heritage and can be further differentiated type-wise into material cultural capital and immaterial cultural capital. The main hypothesis of this paper is that living culture and cultural heritage have different roles in the direction of effect on entrepreneurial behavior in China. To test this hypothesis, a quan

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Melchior, Myriam, and Edilene Castro. "Popcorn and fabulation in the dissemination of afro-indigenous contributions to brazilian food and immaterial culture." CONTRIBUCIONES A LAS CIENCIAS SOCIALES 17, no. 2 (2024): e4056. http://dx.doi.org/10.55905/revconv.17n.2-078.

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The article highlights the initiative of the Pirapoca Project, inspired by the works of Débora Bolsoni and Ayrson Heráclito, aiming for a reenchantment of traditional foods and promoting engagement in the defense of a Brazilian and sustainable mayze culture. The approach involves playful workshops, exploring mayze in various ways to create a circuit of sensory experiments. The text explores the intersection between indigenous and Afro-Brazilian communities in preserving mayze culture and emphasizes the importance of reclaiming food traditions. It reflects on the current urban context's disconn

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Miron, Marina, and Diana Nicoglo. "Patrimoniul și patrimonializare: experiența țărilor europene și Republicii Moldova." Akademos 2 (August 9, 2019): 154–60. https://doi.org/10.5281/zenodo.3364377.

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The authors of the article analyzes approaches to the process of patrimonization and its role in the process of safeguarding the elements of material and immaterial culture in the Republic of Moldova. The patrimony is one whole, it can not be divided and appreciated what is most important – the material culture or the intangible culture. Safeguard of heritage elements such as traditional housing creates the basis for preserving intangible elements of traditional culture. The authors are convinced that the experience of the European countries can offer different ways o

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Fredriksson, Martin. "Authors, Inventors and Entrepreneurs: Intellectual Property and Actors of Extraction." Open Cultural Studies 2, no. 1 (2018): 319–29. http://dx.doi.org/10.1515/culture-2018-0029.

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AbstractThe ideas and ideals of authorship and the discourse on property rights that emerged in parallel since the 18thcentury have come to form the bedrock of copyright law. Critical copyright scholars argue that this construction of authorship and ownership contributes to individualisation and privatisation of artistic works that disregards the collective aspects of creativity. It also embodies a certain kind of authorial character-or “author function” as Michel Foucault puts it-imbued with racial and gendered powers and privileges. While the gendered and racialised biases of intellectual pr

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Md.Nazri, Haslinda. "Social and Cultural Aspects of the Iban Community in Sarawak." Idealogy Journal 3, no. 2 (2018): 199–208. http://dx.doi.org/10.24191/idealogy.v3i2.59.

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Sarawak is the largest country in the Malaysian Federation, having a rich and colorful cultural heritage from the diversity of customs and traditions of its multi-ethnic population. Culture is a comprehensive value system consisting of various material and immaterial aspects. Culture needs to be documented to maintain the nation's cultural heritage so that it is not forgotten or lost. Even though they have achieved independence and lives in modernization, the clash between various forms of traditional culture and the new cultural values persists. However, the traditional cultural values must b

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Shi, Yatong. "The use of immersive experiences and digital technology in the preservation of intangible cultural heritage - ‘Dongba’." SHS Web of Conferences 199 (2024): 02015. http://dx.doi.org/10.1051/shsconf/202419902015.

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Recently, some precious cultures have been forgotten, ‘Dongba’ as one of the Intangible Cultural Heritages (ICH) is experiencing a disappearance in the modern world. ‘Dongba’ culture includes various elements, such as scripts, graphics, and craftsmanship. To restore the ancient circumstances, scriptures, voices, and movements, to assist the audience in entering the immaterial memorial heritage world, and to explore the civilization of such an ancient tribe culture is the primary purpose of this essay. In this paper, the author attempts to build a conceptual structure of combining digital media

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Min, Woong-Ki. "Policy Suggestions on the Sociocultural System for the Vulnerable Tourists under Tourism Inequality* - The Perception on Tourism Activities of People with Disabilities, Pregnant Women and Women in Charge of Rearing Children -." Korea Association Of Cultural Economics 26, no. 1 (2023): 87–118. http://dx.doi.org/10.36234/kace.2023.26.1.87.

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This study aims to help overcome the asymmetrical sociocultural system that causes various constraints and inequality to the socially underprivileged in tourism. In-depth interviews were conducted to explore the perception of the two groups; people with disabilities, and women who are pregnant and/or in charge of rearing children. The factors that hinder them from tourism were divided into three categories of deficiency, inequality, and culture, and each category was divided into its own theme clusters respectively. The category of Deficiency is into three theme clusters of intrinsic, personal

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Deng, Yilan. "Study on the advantages and paths of using Zunyi's red cultural resources to develop party history education in universities." BCP Social Sciences & Humanities 19 (August 30, 2022): 50–54. http://dx.doi.org/10.54691/bcpssh.v19i.1550.

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The Party has developed a unique red culture during its great century-long journey, which arose from the revolution and flourished in the new era. Among them, Zunyi's red cultural resources also contain a precious revolutionary spirit and profound cultural connotations. As part of the red culture born after the Communist Party of China, Zunyi's red cultural resources include not only material culture but also immaterial culture. This paper explores the value of integrating Zunyi red cultural resources into party history education in colleges and universities, and strives to explore a practical

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Thiede, Barbara. "Taking Biblical Authors at Their Word: On Scholarly Ethics, Sexual Violence, and Rape Culture in the Hebrew Bible." Journal of Biblical Literature 143, no. 2 (2024): 185–205. http://dx.doi.org/10.15699/jbl.1432.2024.1.

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Abstract Biblical scholars who reject the application of the terms rape and rape culture in the study of the Hebrew Bible stress the Sitz im Leben of biblical texts and the need for neutrality and objectivity in interpreting ancient sources. Some scholars argue that, because there is no lexical equivalent for the word rape in Biblical Hebrew and consent is immaterial to its authors, applying the terms rape and rape culture to biblical texts is anachronistic. Others acknowledge the prevalence of sexual violence in the Bible—particularly against female characters—and suggest that biblical author

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Bakri, Syamsul. "PEMIKIRAN FILSAFAT MANUSIA IBNU MISKAWAIH: TELAAH KRITIS ATAS KITAB TAHDZIB ALAKHLAQ." Al-A'raf : Jurnal Pemikiran Islam dan Filsafat 15, no. 1 (2018): 147. http://dx.doi.org/10.22515/ajpif.v15i1.1102.

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This article aims to describe human philosophical thought of Ibn Miskawaih in the book entitled Tahdzib Alakhlaq which is focused on the conception of human being structure; the relation of human material substance (physic) and immaterial substance (soul); the human life ultimate; and the conception of Insan Kamil. Based on the library studies, by using content analysis approach, this study found the historical fact that Ibnu Miskawaih acknowledged; first, the existence of physical essence made human being bound by space, time, and material determination. While the existence of soul made human

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Khan, Aisha. "Material and Immaterial Bodies: Diaspora Studies and the Problem of Culture, Identity, and Race." Small Axe 19, no. 3 48 (2015): 29–49. http://dx.doi.org/10.1215/07990537-3341801.

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ABAEVA, L. L. "SCIENTIFIC IDEAS AND MEANINGS IN THE CONTEXT OF BUDDHIST THEORIES AND PRACTICES OF THE MONGOLIAN PEOPLES (KHAMAG MONGOL)." BUDDHIST STUDIES 1, no. 8 (2024): 86–93. https://doi.org/10.30792/2949-5768-2024-8-86-93.

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The author of this article, firstly, tries to prove that in such an ancient and highly organized confessional structure as Buddhism there were already scientific approaches and scientific methods of knowing certain phenomena of the material and immaterial worlds. The Mongolian peoples (Khamag Mongol), as classical representatives of the nomadic civilization, quite actively and successfully adapted not only some philosophical postulates and symbols of Buddhist culture, but also quite successfully perceived its practical realities.

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Bastami, Shirzad, Shokouh Alsadat Arabi Hashemi, and Mohsen Rahmati. "The Continuity of Asha in Post-Islamic Culture." Journal of Social-Political Studies of Iran's Culture and History 2, no. 1 (2023): 439–63. https://doi.org/10.61838/kman.jspsich.2.1.17.

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In the foundations of ontology and anthropology, Iranian philosophy encompasses a unified order governing the entire cosmos. This order, referred to as "Asha," manifests in various dimensions and governs all existence, both material and immaterial, through continuous and purposeful movement. What the author seeks to explore in this research is how the semantic scope of Asha is defined in the Avesta, how it is reflected in Iranian thought, and by examining cultural works and beliefs of Iranians in Iranian-Islamic and earlier sources, trace Asha as a religious belief embedded in cultural norms a

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Mendez B, Bernardette. "The use of urban management for the city of 2050, a model of a cultural city." Land and Architecture 5 (January 1, 2026): 289. https://doi.org/10.56294/la2026289.

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Creativity and cultural diversity have been the main drivers of urban success. Cultural activities can promote social inclusion and dialogue between diverse communities. Likewise, the tangible and immaterial is an integral part of the identity of a city and generates a sense belonging and cohesion. Culture represents the soul of a city and allows us to progress and build a dignified future for all. A city centered in the human being it is a space centered on culture. we must transform this reality into more effective policies and sustainable urban governance.Culture occupies a central place in

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Bukraba-Rylska, Izabella. "Culture: Meanings and Values or a Multisensory Orgy?" Kultura i Edukacja 99, no. 6 (2013): 32–53. http://dx.doi.org/10.15804/kie.2013.06.02.

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The article presents a unusual take on the subject of culture not from the point of view its internal, abstract, immeasurable, yet accessible to cognition content, but from the point of view of its vehicles, or artifacts. The author of the text placed language among the most important external manifestations of culture and focused on how the relationship between language and culture works in practice. The article is divided into three parts, each focused on a different aspect of this relationship. The first one presents a series of theories on meaning and the material and immaterial manifestat

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Kestemont, Mike, Folgert Karsdorp, Elisabeth de Bruijn, et al. "Forgotten books: The application of unseen species models to the survival of culture." Science 375, no. 6582 (2022): 765–69. http://dx.doi.org/10.1126/science.abl7655.

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The study of ancient cultures is hindered by the incomplete survival of material artifacts, so we commonly underestimate the diversity of cultural production in historic societies. To correct this survivorship bias, we applied unseen species models from ecology to gauge the loss of narratives from medieval Europe, such as the romances about King Arthur. The estimates obtained are compatible with the scant historic evidence. In addition to events such as library fires, we identified the original evenness of cultural populations as an overlooked factor in these assemblages’ stability in the face

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Howey, Meghan C. L., and John O'Shea. "On Archaeology and the Study of Ritual: Considering Inadequacies in the Culture-History Approach and Quests for Internal “Meaning”." American Antiquity 74, no. 1 (2009): 193–201. http://dx.doi.org/10.1017/s0002731600047582.

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Mason contends that we (Howey and O'Shea 2006) created a "chimera" of the Missaukee Earthworks site as a regional ceremonial center in Late Prehistoric Michigan (A.D. 1200-1600) by misinterpreting archaeological and ethnohistoric data. In considering Mason's critique, we re-emphasize the value, and methods, of studying ritual via material remains and show that Mason’s arguments simply serve to exemplify why the culture-historic approach has failed in its effort to understand the pre-contact Native cultures of the Great Lakes. Whitley contends we are misguided about the aims of archaeological s

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Rahmawati, Sri Tuti. "Konsep Pendidikan Komunikasi dan Kebudayaan." Journal on Education 5, no. 4 (2023): 14762–76. http://dx.doi.org/10.31004/joe.v5i4.2543.

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This study examines the concept of Communication and Culture Education. The study of cross-cultural communication cannot be separated from culture because in cross-cultural communication the communication participants are faced with the problem of cultural differences. This type of research uses a descriptive type which aims to make a systematic, factual and accurate description or picture of facts, characteristics and the relationship between phenomena in the object of research according to the problems studied. The results of this study are; a. Communication Relations with Culture, b. The Cr

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Lechocka, Ewelina. "Znaczenie i funkcja motywu klonu w warmińsko-mazurskich pieśniach ludowych." Poznańskie Studia Polonistyczne. Seria Językoznawcza 24, no. 1 (2017): 161–74. http://dx.doi.org/10.14746/pspsj.2017.24.1.10.

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This article is an analysis of maple motives, which occurred in collection of Warmian and Masurian folk songs elaborated in XIX and XX century. The purpose of this study was to define meaning and function botanic vocabulary mentioned in folkloristic texts and to compare poetic representation of maple motif with its role in every-day-life and culture of Warmia and Masuria’s inhabitants. As it was deducted from maintained analysis, the folk output and botanic themes are a valuable source of information about identity of rural population from Warmia and Masuria territories. Utilization of maple m

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Tomanić Trivundža, Ilija, and Mark Curran. "Normalising Deviance: An Interview with Mark Curran." Membrana Journal of Photography, Vol. 1, no. 1 (2016): 32–35. http://dx.doi.org/10.47659/m1.032.int.

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Irish photographer Mark Curran presents his on-going project THE MARKET, which is an exploration of the predatory nature of the functioning and condition of global markets. Focusing on financial and commodity exchanges, Curran provides a multi-layered and multimodal investigation of market culture, primarily through interviews and photographic portraits of traders, financial analysts and bankers from Dublin, London, Frankfurt, Addis Ababa and Amsterdam. In the interview, Curran talks about the limitations of using photography to critically represent the intangible and immaterial aspects of the

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Assumma, Vanessa, and Claudia Ventura. "Role of Cultural Mapping within Local Development Processes: A Tool for the Integrated Enhancement of Rural Heritage." Advanced Engineering Forum 11 (June 2014): 495–502. http://dx.doi.org/10.4028/www.scientific.net/aef.11.495.

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Cultural mapping consists in an innovative tool of knowledge, utilized in the local development processes to enchant territorial resources and to increase local growth in terms of environmental, social and economic sustainability. This research investigates links in strategic planning between heritage, communities and local identity, where knowledge analysis represents the starting-point to define a series of objectives, expressed by local community and by the whole society. Cultural mapping is here applied in the Grecanic Area, a southern Italy region rich of material and immaterial resources

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Radogna, Donatella, Antonio Vasapollo, and Franco Fraccastoro. "Architectures for immersive performances in the green, digital and inclusive transition." VITRUVIO - International Journal of Architectural Technology and Sustainability 9, no. 1 (2024): 142–59. http://dx.doi.org/10.4995/vitruvio-ijats.2024.21513.

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This paper reports studies and project experiments being developed in researches financed by local authorities, the Ministry of University and Research with the support of NextGenerationEU and the European Commission. The work investigates the potential of culture, creativity and natural and built heritage in the green, digital and inclusive transition and is focused on the creation of sustainable, inclusive, beautiful spaces, involving the collaboration among different disciplines (architecture, music and immersive sound, visual arts, social sciences, and neuroscience). The studied spaces aim

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Corbett, Susan. "Immaterial cultural property and the private owner: how copyright and trade law might address access and preservation." Queen Mary Journal of Intellectual Property 9, no. 3 (2019): 262–81. http://dx.doi.org/10.4337/qmjip.2019.03.02.

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Private owners of culturally significant works are legally entitled to refuse to permit third parties, including cultural heritage institutions (CHIs), to access those works. This situation is particularly problematic for CHIs when the cultural works at issue are immaterial works that are supported on unstable physical platforms, such as cellulose acetate film, cellulose tapes or early computer software. Ideally, these cultural works should undergo urgent digital preservation processes in order to preserve and protect the public interest in accessing its cultural heritage. If property is cultu

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Aytekin, Engin, Merve Cankurtaran, Bircan Ergün, and Özcan Zorlu. "Locals’ Attitude Towards Cultural Heritage Values: The Tumulus Tombs of Bin Tepe." Anemon Muş Alparslan Üniversitesi Sosyal Bilimler Dergisi 13, no. 1 (2025): 293–311. https://doi.org/10.18506/anemon.1544130.

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Defined as the transformation of the past into the present, heritage is considered as everything that is appreciated by both current civilizations and earlier generations. Cultural heritage is our living connections to the past, based on the culture we all share. Our thoughts, identities, surroundings, and the locations we dwell are all formed through our cultural background. The entirety of material and immaterial values associated with our identity, culture, and history have been identified as our cultural heritage. Türkiye has a rich heritage of culture, both material and immaterial. Among

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Knappett, Carl. "Materials with materiality?" Archaeological Dialogues 14, no. 1 (2007): 20–23. http://dx.doi.org/10.1017/s1380203807002140.

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Many scholars working in the domain of material culture will welcome this forceful statement from Ingold, sharing his frustration with the seemingly immaterial materiality emergent in the material-culture literature, the singular focus on things already made rather than their processes of becoming, and the apparent lack of contribution from those who do study materials in depth (e.g. archaeologists) to questions of materiality and material culture. His intervention is a timely one, although the message has been expressed before, albeit in more muted tones (e.g. Ingold 2000, 53). But while Ingo

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Kis, Krisztián. "Vidékgazdaság, kultúra, lokalizáció." Jelenkori Társadalmi és Gazdasági Folyamatok 9, no. 1-2 (2014): 9–28. http://dx.doi.org/10.14232/jtgf.2014.1-2.9-28.

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Local economic conditions in rural areas are the outcome of processes that are an interplay of local and global forces. In this frame, economic performance of rural regions will depend on local responses, that are determined by the endowment of local resources. Commentators tend to agree that nontraditional (intangible or immaterial) resources are becoming increasingly important in social and economic development takes place in rural areas. An increasing body of literature stresses that local culture, as an intangible resource or capital asset is the major determinant of the pattern pursued by

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Araújo, Wagner dos Reis Marques, Antônio Marcos de Oliveira Siqueira, and Eduardo Felipe Alvarenga Ribeiro de Sousa. "Material and Immaterial Symbolic Elements of the Feast of the Congado of Our Lady of the Rosary of Abaeté, MG." Revista de Gestão Social e Ambiental 19, no. 1 (2025): e011091. https://doi.org/10.24857/rgsa.v19n1-163.

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Objective: The aim of this study is to investigate the Feast of Our Lady of the Rosary, Saint Benedict, and Saint Efigenia in Minas Gerais, focusing on the analysis of memory, heritage, and popular culture, as well as the symbolic elements that characterize this cultural manifestation. Theoretical Framework: The research is based on literature about cultural heritage and Rosary festivals. The analysis addresses the relationship between resistance, religiosity, and the affirmation of identities. We explore the contribution of orality in the perpetuation of cultural traditions, drawing on socio-

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Lloyd, Anthony, and Mark Horsley. "Consumer culture, precarious incomes and mass indebtedness: Borrowing from uncertain futures, consuming in precarious times." Thesis Eleven 168, no. 1 (2021): 55–71. http://dx.doi.org/10.1177/07255136211053421.

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In recent years, labour markets have been characterised by stagnant wages, reduced incomes and growing insecurity supplemented by the ongoing proliferation of outstanding payment obligations at almost all levels of economy and society. We draw upon current debates in social and economic theory to explore the disconnect between the deterioration of late capitalism’s distributive measures and the relative vitality of consumer cultures, suggesting that the latter relies substantially on immaterial, credit-based payment means to bridge the gap between the fundamental fantasy of ‘more and better’ a

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De Oliveira Santos, Juana, María Elena Martínez-Torres, and Maristela Oliveira de Andrade. "Beyond the Nature-Culture Frontier." Journal of Festive Studies 3, no. 1 (2022): 151–76. http://dx.doi.org/10.33823/jfs.2021.3.1.72.

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In order to challenge the culture–nature dichotomy, this article investigates two festivities centered around fishing and consuming the sea urchin in two different locations: the Suape Bay Ouriçada (Brazil) in the Southern Hemisphere, and the Carry-le-Rouet Oursinade (France) in the Northern Hemisphere. This study employs both bibliographic and ethnographic research carried out at the two festivals over the last six years. The communities that originated these sea urchin festivals are both historically connected to artisanal fishing traditions that aim at creating bonds of sociability and conn

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McCutcheon, Russell T. "The crisis of academic labour and the myth of autonomy: Dispatch from the job wars." Studies in Religion/Sciences Religieuses 27, no. 4 (1998): 387–405. http://dx.doi.org/10.1177/000842989802700403.

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Beginning with the author's own experiences, this article examines the plight of graduate students in the current academic job market. After surveying such fields as literary criticism and culture studies for engaged responses to the pressures facing North American graduate students and non-tenure track instructors in the humanities and social sciences, the author indicts colleagues in the study of religion for the manner in which their general preoccupation with describing and interpreting things eternal and immaterial has allowed them to remain aloof from the real-life conditions of the acad

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Zondi, Mlondolozi. "Echoes in the Bone: Nelisiwe Xaba’s <i>Sakhozi Says “Non” to the Venus</i> and the Capture of Performance’s Immaterial Remains." Performance Philosophy 8, no. 2 (2024): 183–205. http://dx.doi.org/10.21476/pp.2023.82496.

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If it is true that performance remains, what do we make of these remains when subsumed into the house of culture such as the museum? Beyond reiterating the storied debates about the ontology of performance as (either) disappearing and/or remaining, I maintain, through a reading of Nelisiwe Xaba’s dance work entitled Sakhozi Says “Non” to the Venus (2010)that the machinations of antiblack capitalism co-opt all sides of the debate. In this case, an argument previously made about performance ephemera’s resistance of capital now endows capital. That is, while those non-reproductive and immaterial

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Aguilar-García, María Leonor. "EL PATRIMONIO ARTESANAL: LOS SOMBREROS DE PAJA TOQUILLA." Universidad-Verdad, no. 64 (August 15, 2021): 177–91. http://dx.doi.org/10.33324/uv.vi64.259.

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En este artículo se aborda el tema del patrimonio cultural y artesanal, distinguiéndolo entre el material e inmaterial; además se destaca la importancia que tiene la conservación del mismo como parte de nuestra cultura e identidad, que es cabalmente lo que singulariza e individualiza a las culturas en el actual mundo globalizado. Dentro del patrimonio artesanal se aborda el tejido de sombreros de paja toquilla, artesanía que fuera declarada como Patrimonio Inmaterial por parte de la UNESCO en diciembre de 2012, y que es considerada como la artesanía másimportante del Ecuador y la más represent

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