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Journal articles on the topic 'Immediate Theater'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Vukajlov, Ljiljana, Aleksandra Milinkovic, and Dijana Brkljac. "Recommendations for urban revitalization of theater locations: A case study - Republic of Serbia." Facta universitatis - series: Architecture and Civil Engineering 17, no. 4 (2019): 387–400. http://dx.doi.org/10.2298/fuace190708023v.

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Theater location quality is researched according to a pre-formed model with the aim to improve quality in the functioning of theaters in settlements of the Republic of Serbia. An omnipresent process of globalization has led to significant changes in the field of culture, and thus a reduction in interest for classic theater performances has occurred. The poor condition of theater buildings in architectural and structural terms as well as their immediate environment, in urbanistic sense, is the result of neglecting the field of culture on a national level for many years. By summing up the total

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2

fateh, Daryani Amirhossein, and Saghian Mehdi Hamed. "The Components of Peter Brooke's Immediate Theater in the Performance of Shakespeare: Regarding the Element of Present in the Ideas of Jan Katt works (Case Study The Tempest and The Tragedy of Hamlet)." Components of Peter Brooke's Immediate Theater in the Performance of Shakespeare: Regarding the Element of Present in the Ideas of Jan Katt works (Case Study The Tempest and The Tragedy of Hamlet) 30, no. 1 (2025): 31–43. https://doi.org/10.22059/jfadram.2024.377384.615889.

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Peter Brook, as a theater director, has a circle of wide and varied and sometimes conflicting experiences, which categorized by himself as Deadly, Holy and Rough theater. These experiences, directly lead to the introduction of his final and most profound way The Immediate theater. This research examines the ideas of Jan Katt about Shakespeare's contemporaneity, which had a significant impact on changing the way directors like Brook looked at Shakespeare in the 20th century. A look that points out the contemporary elements of these plays and tries to find the contemporary presence in these work

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Otto, Devin. "An Interdisciplinary Conducting Curriculum: Selected Theater Games From Viola Spolin’s “Improvisation for the Theater”." SAGE Open 10, no. 4 (2020): 215824402095492. http://dx.doi.org/10.1177/2158244020954927.

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This article presents a series of theater games with clear connections to conducting and rehearsing music ensembles, explaining both how to play them and how young conductors will benefit from the experience. These games are published in Viola Spolin’s seminal text Improvisation for the Theater, which presents a series of exercises that foster communication, creativity, immediacy, and spontaneity. Many games also focus on creating and communicating character through physical movement and posture, awareness of the body in space, and manipulation of “space objects,” which are imaginary props mad

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PANDELE, Georgeta Simona. "About the timeless time in theater." Theatrical Colloquia 13, no. 1 (2023): 175–81. http://dx.doi.org/10.35218/tco.2023.13.1.20.

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"The theater from the perspective of physical time is the theater of antiquity, middle ages, renaissance, classicism, romanticism, realism or the modern period. The primitive man's first approaches to theatrical art 313 will be realized through mimicry and in and will express man's need to assert himself through an instinctive-emotional manifestation supported by his innate gift to approach others through imitation 314 . If in its beginnings, this creative act of prehistoric man was chaotic, in time, it became a complex theatrical manifestation, which will mirror the evolutionary trajectory of

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Azeeva, Irina V., and Artem V. Nazlukhanyan. "Russian directing school and dramaturgy in Vahe Shakhverdyan's theater." World of Russian-speaking countries 1, no. 11 (2022): 134–49. http://dx.doi.org/10.20323/2658-7866-2022-1-11-134-149.

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The authors focus on the theater of the director Vahe Shakhverdyan, which is a phenomenon in the history and modern life of Armenian performing art. Emphasizing the relevance and significance of the theatrical and cultural description of this artistic phenomenon, the authors correlate it with the phenomenon of the independent theater. The research is based on the principles of studying and analysing the director’s theater developed by the Russian school of theater studies. The article is the first attempt of the theatrical analysis of Shakhverdyan’s creative work as a stage director. The autho

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Karpenko, Elena Aleksandrovna. "The evolution of theater placement in the urban space of the city using the example of Moscow from the late 17th to the early 20th century." Урбанистика, no. 2 (February 2024): 98–107. http://dx.doi.org/10.7256/2310-8673.2024.2.70923.

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The current trend of urban sprawl in major cities is creating conditions for territorial injustice in the distribution of cultural assets. One of the key problems in the modern theater urban development of Moscow is associated with the uneven distribution of theater complexes between the city core and the periphery. The object of the study is the theater as an element of the cultural environment of urban space. The subject of the study is the spatial features of theater placement in the urban structure and its influence on shaping the city's cultural landscape, as well as the spatial evolution

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Sendetskyi, Andrii. "Cultural and artistic dialogue of ukrainian theaters in polish periodicals at the beginning of the 21st century." Bulletin of Mariupol State University Series Philosophy culture studies sociology 12, no. 23 (2022): 131–43. http://dx.doi.org/10.34079/2226-2849-2022-12-23-131-143.

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The paper gives an analysis of articles, reports, and reviews of specialized Polish periodicals from 2000 to 2010, which include interviews, reviews, impressions, and comments of theater experts about contemporary cultural and artistic events in Poland in which Ukrainian artists participated. To fulfill the tasks set in the research, the author considers the main theatrical magazines of Poland “Dialog. Miesięcznik poświęcony dramaturgii współczesnej”, “Didaskalia”, “Pamiętnik Teatralny”, “Scena”, “Teatr”, which have had a long history of activity since the last century. The analytical work of

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Sulistyaningsih, Ni Kadek, Zanella Yolanda Lie, and Danang Himawan Limanto. "Iatrogenic pseudoaneurysm as a complication of hemodialysis vascular access: a descriptive study." Journal of Indonesia Vascular Access 2, no. 2 (2022): 25–28. http://dx.doi.org/10.51559/jinava.v2i2.23.

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Introduction: Iatrogenic pseudoaneurysm (PSA) in hemodialysis vascular access puncture site is the most common complication in a patient with ERSD, which needs urgent surgical intervention. This research explained the patients’ characteristics with pseudoaneurysm in vascular access that underwent surgical intervention immediately. Methods: Retrospectively, it reported cases of pseudoaneurysm that underwent immediate surgical intervention in an operating theatre in the emergency department of RS Dr. Soetomo Surabaya. Result: Twenty-one patients, whose age range from 26-to 64 years old (mean 46.

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9

BARNETT, DAVID. "Resisting the Revolution: Heiner Müller's Hamlet/Machine at the Deutsches Theater, Berlin, March 1990." Theatre Research International 31, no. 2 (2006): 188–200. http://dx.doi.org/10.1017/s0307883306002124.

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Heiner Müller directed Shakespeare's Hamlet together with his own The Hamletmachine as Hamlet/Machine in March 1990 at the Deutsches Theater, East Berlin. This article investigates the production's conception, its rehearsal and its execution against the backdrop of the fall of the Wall. Müller, a playwright whose dramaturgies actively resist reductive interpretation, sought to put Hamlet/Machine beyond the reach of an allegorical reading. Strategies in acting, staging and design were adopted to frustrate the ease with which Hamlet could have merely illustrated the historical changes taking pla

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10

Barker, Lisa M. "Invoking Viola Spolin: Improvisational Theater, Side-Coaching, and Leading Discussion." English Journal 105, no. 5 (2016): 23–28. http://dx.doi.org/10.58680/ej201628533.

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The author describes how the central principles of improvisational theater align with the facilitation of whole-class discussion, and how Viola Spolin’s framework for “sidecoaching”—the instructional practice of providing immediate, public, verbal feedback during a rehearsal—can inform discussion leadership.

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11

Pacheco, Claudia, and Mara Behlau. "Immediate Impact of Vocal Demand on Musical Theater Singers in Brazil." Journal of Voice 33, no. 5 (2019): 804.e13–804.e22. http://dx.doi.org/10.1016/j.jvoice.2018.04.013.

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Kaspul, Kaspul, Dasim Budimansyah, Chairil Faif Pasani, Momod Abdul Somad, and Garuzooka John Francis. "Fostering Character: Embracing Local Wisdom through Mamanda Theater Arts for Collaborative Learning." Society 11, no. 2 (2023): 515–28. http://dx.doi.org/10.33019/society.v11i2.635.

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This research explores the integration of character education, specifically focusing on drawing inspiration from the abundant cultural wisdom embedded in Mamanda theater—an invaluable cultural asset in South Kalimantan. The central aim of the study is to evaluate the effectiveness of utilizing Mamanda’s theater arts as a catalyst for collaborative character-building within the realm of education. The collaborative characters, symbolic of the harmonious dynamics inherent in the learning process, undergo evaluation through the implementation of a Likert scale. The research encompasses a cohort o

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13

Maguire, Nancy Klein. "The Theatrical Mask/Masque of Politics: The Case of Charles I." Journal of British Studies 28, no. 1 (1989): 1–22. http://dx.doi.org/10.1086/385923.

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Britain now wear's the sock; the Theater's clean Transplanted hither, both in Place and Scene.Martin Butler and Jonathan Dollimore have recently documented the importance of drama in English political life before 1642. Such scholarship, however, has stopped cold at the great divide of 1642. Except for Lois Potter in “‘True Tragicomedies’ of the Civil War and Interregnum,” no one has considered the relationship between politics and theater while the theaters were officially closed. Scholars have thereby missed a seminal question in understanding the discourse and complex political maneuvering e

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Adams, Corey, R. Scott McClure, Aashish Goela, Daniel Bainbridge, William J. Kostuk, and Bob Kiaii. "Simultaneous Robotic-Assisted Mitral Valve Repair and Percutaneous Coronary Intervention." Innovations: Technology and Techniques in Cardiothoracic and Vascular Surgery 5, no. 5 (2010): 375–77. http://dx.doi.org/10.1097/imi.0b013e3181f8f89d.

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We present a case report of a robotic-assisted mitral valve repair with simultaneous percutaneous coronary intervention. A 58-year-old man presented with New York Heart Association class III symptoms from severe mitral regurgitation and significant stenosis of the right coronary artery. In a hybrid operating theater, the patient underwent placement of a bare metal stent in the right coronary artery followed immediately by robotic-assisted mitral valve repair. Both procedures were successful and occurred in a timely fashion. The patient experienced no immediate postoperative complications and w

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Tawadros, Tammy. "Developing the Theater of Leadership." Advances in Developing Human Resources 17, no. 3 (2015): 337–47. http://dx.doi.org/10.1177/1523422315587898.

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The Problem Recent models of leadership emphasize the importance of adaptive, strategic, and socio-emotional capabilities for success. The development of leadership has transformed from teaching about the concept to an experiential learning of leadership, an approach that focuses on identity and problem solving. Over the past decade, improvisational theater and interactive drama based leadership development has received increasing attention; moreover, many advocate its use as a powerful and innovative experiential learning tool, to foster self-awareness and increase ability to deal with the un

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16

SILVA, Jessé Guimarães da. "Happenings e Aqui e Agora – Diálogos entre Abordagem Gestáltica e o Living Theatre." PHENOMENOLOGICAL STUDIES - Revista da Abordagem Gestáltica 26, no. 1 (2020): 98–109. http://dx.doi.org/10.18065/rag.2020v26n1.9.

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The present article aims to propose a reflection on the concepts involved in the experience here and now treated by the Gestalt approach. To do so, based on the avant-garde proposal of Living Theater, a group founded by Julien Beck and Judith Molina in 1947, such a debate will have as an analytical device the theatrical performance methodology called happening. From a look at the experience of the theater group and the resumption of bibliographic references that address the definition and characteristics of this concept, the proposal is to assume experience here and now in its continuous proce

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Heard, Emma, Allyson Mutch, and Lisa Fitzgerald. "Using Applied Theater in Primary, Secondary, and Tertiary Prevention of Intimate Partner Violence: A Systematic Review." Trauma, Violence, & Abuse 21, no. 1 (2017): 138–56. http://dx.doi.org/10.1177/1524838017750157.

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There is an immediate need to advance knowledge around the effective prevention of intimate partner violence (IPV), which is responsible for significant negative health and well-being outcomes for women around the world. Creative approaches are being explored internationally—this systematic review provides a timely synthesis of applied theater interventions addressing primary, secondary, and tertiary IPV prevention. Six hundred and ten articles were identified through a comprehensive search of five cross-disciplinary databases. Eleven studies discussed in 15 quantitative and qualitative peer-r

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18

Schmitt, Natalie Crohn. "‘So Many Things Can Go Together’: the Theatricality of John Cage." New Theatre Quarterly 11, no. 41 (1995): 72–78. http://dx.doi.org/10.1017/s0266464x00008903.

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John Cage (1912–1993) is widely regarded as one of the most pervasively influential figures in the arts in the latter half of the twentieth-century. Although best known as a composer, Cage expanded perceptions of what could constitute theatrical performance, and in this essay Natalie Crohn Schmitt assesses the nature and significance of Cage's intermedia performances and their immediate influence on other such work. Natalie Crohn Schmitt's Actors and Onlookers: Theater and Twentieth-Century Scientific Views of Nature (Northwestern UP, 1990) is an analysis of contemporary theatre based on Cage'

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Turkon, David, and Ann Wheat. "Settling Sudanese Refugees in the Age of Individualism." Practicing Anthropology 28, no. 4 (2006): 31–34. http://dx.doi.org/10.17730/praa.28.4.r7g24264q45602x6.

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Since 2001 more than 400 Sudanese "Lost Boys" have located in the Phoenix metropolitan area. Initial placement through local resettlement agencies resulted in a scattered population and little sense of community. The AZ Lost Boys Center, a federally-funded nonprofit pilot project, provides venues that: empower Lost Boys and Girls to build a community by forming theater, sports and arts groups; raise funds for scholarship; identify and access health, educational and employment services; and respond to immediate crises. This paper explores what can be learned from successes, ongoing challenges a

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20

Meerschman, Iris, Kristiane Van Lierde, Yvonne Gonzales Redman, et al. "Immediate Effects of a Semi-Occluded Water Resistance Ventilation Mask on Objective and Subjective Vocal Outcomes in Musical Theater Students." Journal of Speech, Language, and Hearing Research 63, no. 3 (2020): 661–73. http://dx.doi.org/10.1044/2019_jslhr-19-00042.

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Background Traditional semi-occluded vocal tract exercises (SOVTEs) are restricted to single-phoneme tasks due to the semi-occlusion at the mouth, which hinders full articulation, continuous speech, and singing. Innovative SOVTEs should overcome this limitation by creating the semi-occlusion outside the oral cavity. Purpose The purpose of this study was to investigate the immediate effects of a semi-occluded water resistance ventilation mask, which allows for continuous speech and singing, on objective (voice range, multiparametric voice quality indices) and subjective (auditory-perceptual, se

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21

Riccio, Thomas. "Shadows in the Sun: Context, Process, and Performance in Ethiopia." New Theatre Quarterly 28, no. 3 (2012): 272–95. http://dx.doi.org/10.1017/s0266464x12000450.

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Andegna (The First) was developed and performed during the fall and winter of 2009–10 in Addis Ababa, Ethiopia. This article examines the complex social, political, and cultural contexts that informed the training, workshops, and process of creating an ensemble and performance in a time of national transformation. Urbanization and the crossing currents of Africa, Islam, Christian Orthodoxy, capitalism, the West, and technology prompted the re-conceptualization of performance, its function, and expression. In this article Thomas Riccio highlights the methodologies of reinventing an indigenous p

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Bradley, Kath. "War Games: Staging the Histories in an American Presidential Year." Linguaculture 2017, no. 2 (2017): 59–68. http://dx.doi.org/10.1515/lincu-2017-0018.

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Abstract This paper examines the ways in which the seldom performed collaborative play, Edward III, was re-contextualised by Barbara Gaines, Artistic Director of the Shakespeare Theater of Chicago, in order to create a specifically presentist piece of theatre making a forceful political statement during the 2016 US presidential election. Edward III formed the opening section of a trilogy entitled Tug of War: Foreign Fire, which continued with Henry V, and Henry VI Part I. The second trilogy, Tug of War: Civil Strife, comprised the remaining two parts of Henry VI and Richard III. The paper will

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Abe, Michiko, Ren Gyo, Junro Shibata, et al. "Intergenerational Theater Workshops as Unique Recreational Activities among Older Adults in Japanese Care Facilities: A Qualitatively Driven Mixed-Methods Multiple-Case Study Design." International Journal of Environmental Research and Public Health 19, no. 18 (2022): 11474. http://dx.doi.org/10.3390/ijerph191811474.

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Intergenerational theater activities have been recently employed in recreation for older adults. We held a series of four intergenerational theater workshops in two older adults’ care facilities in Japan and sought the experiences of older participants, younger participants, and the facility managers. With a qualitatively driven mixed-methods multiple-case study design, we obtained data from field observation, interviews with participants, and preworkshop and postworkshop changes on a well-being scale (Ikigai-9) among older participants, and the results of the two sites were compared. “Immedia

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Begum, Ameerunnisha, Niranjni Sivadoss, and Lakshmi Ramakrishnan. "Anaesthetic management of post-PTCA cardiac tamponade from cath lab to cardiothoracic operating theater." Indian Journal of Clinical Anaesthesia 11, no. 2 (2024): 261–64. http://dx.doi.org/10.18231/j.ijca.2024.050.

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Cardiac tamponade is a medical emergency characterized by the accumulation of fluid in the pericardial sac, exerting pressure on the heart and impairing its ability to pump blood effectively. This condition can result from various causes, including trauma, infection, malignancy, or complications of medical procedures such as percutaneous coronary interventions (PCI) like percutaneous transluminal coronary angioplasty (PTCA). The anaesthesiologists play a pivotal role as peri operative physicians in the catheterization laboratory and intensivists in the ICU in prompt recognition and interventio

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Ham, Hyun Kyoung. "A study on the value of theater education analyzed from the perspective of empathy: Focusing on the experience structure of ‘improvisational play creation’." Liberal Arts Innovation Center 14 (March 30, 2024): 369–96. http://dx.doi.org/10.54698/kl.2024.14.369.

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In this study, we attempted to reveal, by analyzing the experience structure of ‘creating an impromptu play,’ that theater education in a competencybased curriculum can improve empathy. For this purpose, we looked at empathy. Empathy is the ability to understand others and is a concept that combines the cognitive element of being able to think from the other person's perspective and the emotional element of being able to feel the emotions of others. Empathy can be expressed through face-to-face social interaction experiences, as revealed by mirror neurons, so diverse direct experiences are of

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Taylor, David Francis. "What Cato Did: Suicide, Sentimentalism, and the Drama of Emulation." Eighteenth-Century Life 46, no. 1 (2022): 56–78. http://dx.doi.org/10.1215/00982601-9467204.

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Much recent criticism of Joseph Addison's Cato (1713) regards the tragedy as determinedly resistant to its eponymous protagonist's stoic heroism. Cato, it is argued, critiques Cato. But this wasn't how Addison's immediate contemporaries experienced the play. For many commentators, Addison's Cato was a model not only to be applauded but also imitated. In this essay, I take seriously this disconnection between current interpretation and immediate reception. I first attend to the tragedy's fifth act, where we see a concerted attempt both to flag the protagonist's fallibility and also to place a c

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Nubert, Roxana, and Ana-Maria Dascălu-Romiţan. "Zu den Anfängen der deutschsprachigen Literatur im Banat – Kulturvergleichende Überlegungen (1718 – 1850)." Germanistische Beiträge 49, no. 1 (2023): 30–49. http://dx.doi.org/10.2478/gb-2023-0002.

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Abstract German-language literature of the Banat develops under specific historical circumstances amidst a multi-ethnic Region, in which the multiple social-political, religious and linguistic relations to Romanians, Hungarians, Serbs and Jews find their immediate expression. The beginning of the German-language writings of the Banat Swabians are under the aegis of the Austrian model, especially of the Viennese model. Here one mainly includes the extremely stimulating press and theater tradition of the Banat, which can still be remarked in the interwar period, and which created the conditions

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King, William Davies. "Finding Eugene O’Neill in Maxim Gorki’s The Lower Depths." Eugene O'Neill Review 44, no. 1 (2023): 31–60. http://dx.doi.org/10.5325/eugeoneirevi.44.1.0031.

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ABSTRACT In his early days as an author, Eugene O’Neill modeled himself on Maxim Gorki, even mimicking the Russian playwright when posing for an early portrait. Gorki’s 1902 play, Na dnie, had an immediate impact on European and American writers by demonstrating radical new ways a drama could speak to the modern world. O’Neill probably first encountered the play in its 1912 translation as The Lower Depths. In its many translations and productions Gorki’s play established for early twentieth-century theater artists a standard of integrity, though the play was also frequently misinterpreted. Nea

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Emara, Mohamed H., Hassan E. Elbatae, Reda F. Ali, Mohammed H. Ahmed, Mohamed Said Radwan, and Abdulhamid Elhawary. "Laparoscopy-Assisted Endoscopic Retrograde Cholangiopancreatography: New Insight in Management of Iatrogenic Bile Duct Injury." Middle East Journal of Digestive Diseases 14, no. 4 (2022): 473–77. http://dx.doi.org/10.34172/mejdd.2022.309.

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Bile duct injury (BDI) is a severe and sometimes life-threatening complication of cholecystectomy. Several series have described a 0.5% to 0.6% incidence of BDI during laparoscopic cholecystectomy. We received an emergency call from the operating theater by the surgery team to assess an iatrogenic BDI in a 58-year-old man with cirrhosis who presented for laparoscopic cholecystectomy. After many trials by endoscopic retrograde cholangiopancreatography (ERCP) the guide wire passed to the peritoneal cavity and failed to pass proximally. Laparoscopy resumed, and the surgeon tried to pass the flexi

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Baker, Monty T., John C. Moring, Willie J. Hale, et al. "Acute Assessment of Traumatic Brain Injury and Post-Traumatic Stress After Exposure to a Deployment-Related Explosive Blast." Military Medicine 183, no. 11-12 (2018): e555-e563. http://dx.doi.org/10.1093/milmed/usy100.

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Abstract Introduction Traumatic brain injury (TBI) and post-traumatic stress disorder (PTSD) are two of the signature injuries in military service members who have been exposed to explosive blasts during deployments to Iraq and Afghanistan. Acute stress disorder (ASD), which occurs within 2–30 d after trauma exposure, is a more immediate psychological reaction predictive of the later development of PTSD. Most previous studies have evaluated service members after their return from deployment, which is often months or years after the initial blast exposure. The current study is the first large s

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Ibrahim, Amelmasin Faris, Tadesse Belayneh Melkie, Tesera Dereje Filatie, and Biresaw Ayen Tegegne. "Timely initiation of breastfeeding and its factors among women delivered via cesarean section under spinal anesthesia at the University of Gondar Comprehensive Specialized Hospital, north-west Ethiopia, 2021: a hospital-based cross-sectional study." Annals of Medicine & Surgery 85, no. 6 (2023): 2609–16. http://dx.doi.org/10.1097/ms9.0000000000000916.

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Background: The mode of delivery influences breastfeeding practice. Moreover, cesarean deliveries under anesthesia-related risk factors affect the timing of breastfeeding initiation compared to vaginal deliveries. In addition, high rates of cesarean section (CS) deliveries and low breastfeeding rates are important public health concerns for all developing countries. Objective: This study aimed to determine the timely initiation of breastfeeding and its factors among women delivered via CS under spinal anesthesia. Methods: Institutional-based cross-sectional study was employed among 422 systema

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Curlin, Jahnavi, and Charles K. Herman. "Current State of Surgical Lighting." Surgery Journal 06, no. 02 (2020): e87-e97. http://dx.doi.org/10.1055/s-0040-1710529.

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AbstractSurgical performance in the operating room (OR) is supported by effective illumination, which mitigates the inherent environmental, operational, and visual challenges associated with surgery. Three critical components are essential to optimize operating light as illumination: (1) centering on the surgeon's immediate field, (2) illuminating a wide or narrow field with high-intensity light, and (3) penetrating into a cavity or under a flap. Furthermore, optimal surgical illumination reduces shadow, glare, and artifact in visualization of the surgical site. However, achieving these princi

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Guillemet, I., and B. Jackson. "Experiential Family Intervention for Children and Youth." European Psychiatry 65, S1 (2022): S744. http://dx.doi.org/10.1192/j.eurpsy.2022.1921.

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Introduction Reviews suggest that family interventions including family therapy are effective for a range of disorders in youth. Family sculpting is used in different clinical settings to help young patients, their parents and siblings when words are not enough. Objectives Participants will be able to understand the clinical relevance of family sculpting: shifting from discussions about family problems to physical representations of family dynamics and how to apply in their practice. Methods There will be a brief overview of the general principle of family sculpting followed by clinical vignet

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Sharma, Anil, Gaurav Sindwani, Dharamveer Singh, Rajendra Mathur, and Ankit Bhardwaj. "Patency Rates and Outcomes of Renal Access Arteriovenous Fistulas for Hemodialysis in Patients with Chronic Kidney Disease." Saudi Journal of Kidney Diseases and Transplantation 34, no. 3 (2023): 201–6. http://dx.doi.org/10.4103/1319-2442.393992.

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Hemodialysis remains the most popular modality of renal replacement therapy for end-stage renal disease patients with chronic kidney disease. Various factors such as a radial artery, cephalic vein diameter, age, hypertension, and diabetes mellitus can affect the fistula maturation. This study was carried out to know the patency rates and factors affecting fistula maturation in the Indian population. This is a prospective observational study which aimed to study the patency rate of arteriovenous (AV) fistulas. On the day of surgery, patients were shifted inside the operation theater. Under all

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Pisciotta, Alma, and Luciana Taddei. "The Researcher's Role: Teaching Social Research Methods with Participatory Theater and Role-Playing Techniques." Sociological Teaching 1, no. 2 (2024): 05–14. https://doi.org/10.5281/zenodo.10478995.

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In a new world of nascent rules, restrictions, and lockdowns, a student’s biggest opportunity to connect with other similar individuals beyond their immediate circles is the digital classroom. Even with equipped tools of connection, students under COVID classrooms are ironically feeling the effects of disconnection and face risks for health concerns. As digital classrooms are shown to be prosaic, platformed, and productized, we will come to understand how building relationships with others but more so, of the self, is hugely hindered by faulty methods that do not work under new circumsta

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Alemu, Eniyew A., Hailu Y. Tawuye, Demeke Y. Fentie, and Yonas Admasu Ferede. "‘Assessment of ultrasound guided peripheral nerve block practice adherence, cross-sectional study’." International Journal of Surgery Open 62, no. 4 (2024): 411–17. http://dx.doi.org/10.1097/io9.0000000000000074.

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Background: Peripheral nerve block is a common way of providing anesthesia and analgesia to the intended area of innervation by a single or plexus supply of nerves by a local anesthetic drug in different ways. The aim of this study was to enhance the practice of ultrasound-guided peripheral nerve anesthesia and analgesia in our operation theater accordance with standards. Method: This study was cross-sectional descriptive study carried out in a comprehensive specialized hospital in Ethiopia between 1 March 2023 and 30 March 2023. Patients who receive ultra-sounded guided anesthesia and analges

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MASSEY, DREW. "Leonard Bernstein and the Harvard Student Union: In Search of Political Origins." Journal of the Society for American Music 3, no. 1 (2009): 67–84. http://dx.doi.org/10.1017/s1752196309090051.

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AbstractIn spite of the publicity generated at times by the politics of the mature Leonard Bernstein, the roots of his entanglement with political causes have been little-explored. As part of a larger collaborative project investigating Bernstein's ties to Boston, this article traces his role in the Harvard Student Union's theatrical productions. These shows were important because they represented some of Bernstein's earliest efforts at writing and directing for the theater. Bernstein worked on two shows sponsored by the Union: the production of Marc Blitzstein'sCradle Will Rockin 1939, during

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Shakir, Irshad, William Davis, W. Stephen Choate, Ivan J. Antosh, Stephen Parada, and Dane H. Salazar. "Outcomes of Pectoralis Major Tears in Active Duty US Military Personnel: A Comparison of Surgical Repairs Performed in the Forward Deployed Setting to Those Performed in the Continental United States." Military Medicine 184, no. 11-12 (2019): e802-e807. http://dx.doi.org/10.1093/milmed/usz068.

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Abstract Introduction The purpose of our study is to compare pectoralis major tears in active duty military personal repaired surgically in the forward deployed setting to those performed in the Continental United States. Materials and Methods Retrospective comparison of all pectoralis major tendon repairs performed at Madigan Army Medical Center from 2000 to 2007 to a forward deployed series treated by two deployed United States Air Force orthopedic surgeons at one expeditionary medical treatment facility over a 4-month deployment cycle from December 2013 through March 2014. Results Fourteen

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Sickinger, Mira Magdalena. "Musicians (Don't) Play Algorithms. Or: What makes a musical performance." KRITERION – Journal of Philosophy 34, no. 3 (2020): 1–22. http://dx.doi.org/10.1515/krt-2020-340302.

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Abstract Our private perception of listening to an individualized playlist during a jog is very different from the interaction we might experience at a live concert. We do realize that music is not necessarily a performing art, such as dancing or theater, while our demands regarding musical performances are conflicting: We expect perfect sound quality and the thrill of the immediate. We want the artist to overwhelm us with her virtuosity and we want her to struggle, just like a human. We want to engage with the musical expression and rely on visual and physical cues. Considering that the ears

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Roces, Mina. "Filipino Identity in Fiction, 1945–1972." Modern Asian Studies 28, no. 2 (1994): 279–315. http://dx.doi.org/10.1017/s0026749x00012415.

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The Philippines in the immediate post-war years may be described as a nation in search of an identity. This preoccupation with what one journalist has dubbed ‘the question of identity’ spurred a sudden interest in the research and discussion of things Filipino: Filipino dance, theater, literature, language, music, art and cultural traditions. After four hundred and fifty years of colonial rule the Filipino intelligentsia began to wonder if indeed the western legacy of colonial rule was the annihilation of the very essence of Filipino culture. Under the aegis of American rule Filipinos were ada

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Jarmułowicz, Małgorzata. "Miejsca i przestrzenie indonezyjskiego teatru śmierci." Gdańskie Studia Azji Wschodniej, no. 24 (December 2023): 252–76. http://dx.doi.org/10.4467/23538724gs.23.034.19030.

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Places and spaces of the Indonesian theater of death The subject of the article are the thanatic practices of indigenous Indonesian peoples viewed from the perspective of places and spaces associated with the dead and the spirits of ancestors. The author points out that human refusal to die, creating the need to create substitute places of presence for those who no longer exist, is marked by „genetic” theatricality and that Indonesia is a particularly interesting area to study this phenomenon. The theoretical basis of the article are the reflections of Samuel Weber on the ghostly nature of the

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Newlin, James. "Signs and Semblances: The Problem of Likability in Some Recent Productions of Much Ado About Nothing." Humanities 14, no. 2 (2025): 36. https://doi.org/10.3390/h14020036.

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Following the “intertextual turn” in adaptation studies, scholars of Shakespearean performance have embraced the interpretive possibilities offered by infidelity, focusing increasingly on the corrective potential of recent stagings and adaptations. Such productions are not primarily valuable as progressive rewrites, however. In claiming not to be “Shakespeare”, these productions make testable claims about the nature of the Shakespearean playtext. In this paper, I examine two recent stage productions and one non-traditional film adaptation of Much Ado About Nothing: Kenny Leon’s 2019 Public The

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Abdulkhalik Raheem, Deaa, Muqdad Fuad Abdulkareem, and Humamalddin Edan Hussein. "Comparison Between Early Appendicectomy and Delayed Appendicectomy in Treating Acute Appendicitis." Diyala Journal of Medicine 19, no. 2 (2020): 208–17. http://dx.doi.org/10.26505/djm.19025520819.

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Background: Acute appendicitis is the most common emergency condition that faces the surgeon worldwide. The overall lifetime risk of having acute appendicitis is estimated to be 6–7 %, with a peak incidence between 10 and 30 years. Early and sometimes immediate appendicectomy is standard, fearing the risk of pathological progression into perforation, gangrenous appendicitis, and abscess formation. However, recently, this practice has been challenged by authors giving a suggestion that appendicectomies can be delayed in some cases and still devoid of adverse postoperative outcomes. Objective: T

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ATEEQ, MUHAMMAD, SHAZIA JAHAN, and M. HANIF. "DAMAGE CONTROL SURGERY." Professional Medical Journal 16, no. 01 (2009): 12–16. http://dx.doi.org/10.29309/tpmj/2009.16.01.2962.

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Objective: To analyze the role of damage control in surgery in severely injured and polytrauma patients. D e s i g n:Descriptive study. S e t t i n g : Surgical unit of District Headquarter (teaching) Hospital, Rawalpindi. P e r i o d : January 2000 to December 2007.Patients a n d m e t h o d s : This study included 28 severely injured patients who presented in the accident and emergency department ofDistrict Headquarters (teaching) Hospital, Rawalpindi. These patients were unstable because of life threatening hemorrhage following someblunt or penetrating trauma. After immediate shifting to op

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Dedhia, Kavita, Yue-Fang Chang, Rachel Leonardis, and David H. Chi. "Is There a Need for Repeat Radiologic Examination of Children with Esophageal Coin Foreign Body?" Otolaryngology–Head and Neck Surgery 156, no. 1 (2016): 173–79. http://dx.doi.org/10.1177/0194599816667039.

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Objectives To determine factors associated with the passage of coins. To determine the need for repeat preoperative chest x-ray (CXR) for esophageal coin foreign body. Setting Academic tertiary care center. Design Case series with chart review. Subjects and Methods Patient information was retrieved from an Institutional Review Board–approved database. We identified 1359 children with esophageal coin foreign bodies from 2001 to 2013. Patients with both initial diagnostic and immediate preoperative CXR were included. Results A total of 406 patients met inclusion criteria. The average age was 47

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Mohanty, Sanjeev, Sudha Balasubramanian, Deepthi Padmanabhan, Balaji Kumaragurubaran, and Gunakeerthana Ramesh. "Audit of surgical tracheostomy in ICU setting: an institutional study." International Journal of Otorhinolaryngology and Head and Neck Surgery 11, no. 1 (2025): 6–9. https://doi.org/10.18203/issn.2454-5929.ijohns20250111.

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Background: The aim of the study was to assess the indication, timing of the procedure, immediate, early and late complication of surgical tracheostomy in intensive care unit. Methods: The study was done on patients who are in need for surgical tracheostomy in intensive care unit at MGM Healthcare hospital for a period of 4 years from the year July 2019 to June 2023. All patients were taken up for surgical tracheostomy at the operation theater under monitored anaesthetic care. All patients were followed up for 1 year in the postoperative period. Results: This is a retrospective study, conducte

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Rankin, Adeline C., Hend Almalki, Bahar Mirshekar-Syahkal, and Maged I. Hussien. "The Extended Chest Wall Perforator Flap: Expanding the Indication for Partial Breast Reconstruction." Plastic and Reconstructive Surgery - Global Open 12, no. 3 (2024): e5697. http://dx.doi.org/10.1097/gox.0000000000005697.

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Background: The intercostal artery perforator flap has traditionally been used to reconstruct small or moderate-sized single defects in the lateral or lower medial breast during breast-conserving surgery. We report a modification of the intercostal artery perforator flap that allows for reconstruction of larger breast tumors than previously described flap designs. Methods: A retrospective study of breast cancer patients undergoing breast-conserving surgery and immediate partial breast reconstruction with an extended chest wall perforator flap. Primary outcomes were successful tumor excision, a

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Titilayo Aishat Otukoya. "The scars beyond bullets: Recognizing the environmental toll of war." International Journal of Science and Research Archive 11, no. 1 (2024): 1721–46. http://dx.doi.org/10.30574/ijsra.2024.11.1.0224.

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Warfare, throughout history, has not only shaped geopolitical landscapes but has left an indelible mark on the environment. The unintended consequences of armed conflicts extend far beyond the immediate theater of war, affecting ecosystems, biodiversity, and human wellbeing. We therefore need to delve into the complex and lasting environmental impact of wars, exploring case studies, international frameworks, and mitigation strategies aimed at addressing and preventing further ecological devastation which is what this paper is about. As conflicts continue to arise globally, understanding the en

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Wesson, Matthew, and Matthew Gould. "Intervening Early With EMDR on Military Operations A Case Study." Journal of EMDR Practice and Research 3, no. 2 (2009): 91–97. http://dx.doi.org/10.1891/1933-3196.3.2.91.

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The U.K. armed forces are currently involved in a number of military operations throughout the world. Offering structured psychological interventions such as eye movement desensitization and reprocessing (EMDR) in theater has a number of potential advantages. This single-case study describes how the EMDR recent event protocol (Shapiro, 1995) was used in theater with a 27-year-old active-duty U.K. soldier who was experiencing an acute stress reaction after treating a land mine casualty. The intervention took place 2 weeks posttrauma with four sessions conducted on consecutive days, resulting in

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Gontarski, Stanley. "The theater is always dying." Acta Universitatis Lodziensis. Folia Litteraria Polonica 59, no. 4 (2020): 191–209. http://dx.doi.org/10.18778/1505-9057.59.11.

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The Theater Is always Dying traces the resilience of live theatrical performance in the face of competing performative forms like cinema, television and contemporary streaming services on personal, hand-held devices and focuses on theater’s ability to continue as a significant cultural, community and intellectual force in the face of such competition. To echo Beckett, we might suggest, then, that theater may be at its best at its dying since its extended demise seems self-regenerating. Whether or not you “go out of the theatre more human than when you went in”, as Ariane Mnouchkin suggests, or

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