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1

Piazza, Alina. Barmasc: Matrici precristiane dei riti di immersione. Ivrea: Priuli & Verlucca, 1998.

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2

Maddalon, M. 20.000 leghe: Immersione negli usi linguistici dei movimenti politici dell'Italia contemporanea. Roma: Aracne, 2012.

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Piccinelli, Aldo. L' esperienza spirituale di Itala Mela: Una vita di incandescente immersione nella Trinità. Roma: Benedictina editrice, 1991.

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4

Immersion. Québec: Arion, 1995.

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5

Immersion: Poems. Washington, D.C: Word Works, 2011.

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6

Canadian Broadcasting Corporation. French immersion. Montreal: CBC Transcripts, 1987.

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7

Total immersion. Edinburgh: Scottish Cultural Press, 1998.

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8

Immersion: Roman. [Paris]: Gallimard, 2005.

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9

Wolf, Michele. Immersion: Poems. Washington, D.C: Word Works, 2011.

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10

Immersion, emergence. New Delhi: Ravi Agarwal, 2006.

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11

Tedick, Diane J., Donna Christian, and Tara Williams Fortune, eds. Immersion Education. Bristol, Blue Ridge Summit: Multilingual Matters, 2011. http://dx.doi.org/10.21832/9781847694041.

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12

Total immersion. New York: Delta Trade Paperbacks, 1998.

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13

Embeddings and immersions. Providence, R.I: American Mathematical Society, 1993.

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14

Adachi, Masahisa. Embeddings and immersions. Providence, R.I: American Mathematical Society, 1993.

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15

Total immersion: Poems. Rockford, Mich: Presa S Press, 2008.

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16

Mixed Gas Diving: Immersione a miscele. Milano, Italy: Magenes Editoriale, 2007.

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17

Godfrey, Tim J. Maldive in Immersione, Guida all¿arcipelago maldiviano. 2nd ed. Atoll Editions, 1998.

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18

Entertainment, Topics, and Instant Immersion. Instant Immersion Italian (Instant Immersion) (Instant Immersion). Topics Entertainment, 2005.

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19

Entertainment, Topics, and Instant Immersion. Instant Immersion Hawaiian (Instant Immersion) (Instant Immersion). Topics Entertainment, 2005.

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20

Jorinde Voigt : Immersion: Immersion. Hatje Cantz Verlag GmbH & Co KG, 2019.

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21

Ritter, Julia M. Tandem Dances. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190051303.001.0001.

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Tandem Dances: Choreographing Immersive Performance proposes dance and choreography as frames through which to examine immersive theatre, more broadly known as immersive performance. The idea of tandemness—suggesting motion that is achieved by two bodies working together and acting in conjunction with one another—is critical throughout the book. Author Julia M. Ritter persuasively argues that practitioners of immersive productions deploy choreography as a structural mechanism to mobilize the bodies of cast and audience members to perform together. Furthermore, choreography is contextualized as an effective tool for facilitating audience participation towards immersion as an affect. Ritter’s close choreographic analysis of immersive productions, along with unique insights from choreographers, directors, performers, and spectators enlivens discourse across dramaturgy, kinesthesia, affect, and co-authorship. By foregrounding the choreographic in order to examine its specific impact on the evolution of immersive theater, Tandem Dances explores choreography as a discursive domain that is fundamentally related to creative practice, agendas of power and control, and concomitant issues of freedom and agency.
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22

1970-, Hande Archana, Nath Deeksha, and Anant Art Gallery (New Delhi, India), eds. Immersions. New Delhi: Anant Art, 2009.

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23

1970-, Hande Archana, Nath Deeksha, and Anant Art Gallery (New Delhi, India), eds. Immersions. New Delhi: Anant Art, 2009.

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24

Immersions. New Delhi: Anant Art, 2009.

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25

1970-, Hande Archana, Nath Deeksha, and Anant Art Gallery (New Delhi, India), eds. Immersions. New Delhi: Anant Art, 2009.

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26

Whitley, James R. Immersion. Lotus Pr, 2002.

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27

Immersion. Actes Sud, 1993.

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28

Immersion. Righter Publishing Company, 2006.

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29

Sullivan, Dzintra. Immersion. CreateSpace Independent Publishing Platform, 2017.

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30

Plantinga, Carl. Immersion and Emotion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190867133.003.0007.

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This chapter discusses both immersion and emotion in the context of an ethics of engagement. I defend both against criticisms leveled by estrangement theory, which tends to be suspicious against the effects of each. The purpose is not merely defense, however, but to make positive claims about how immersion and emotion function in the viewing of screen stories, and beyond that to suggest how an ethics of engagement might approach them. The chapter suggests that immersion in itself is not necessarily harmful, and the immersive experience is sometimes coextensive with the sort of critical spectator experience favored by estrangement theorists. With regard to emotion, I argue that the blanket dismissal of emotion by estrangement theorists is wholly counterproductive. Instead, the ethical critic ought to understand what emotions are and how they function in order to distinguish their ethical effects.
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31

Instant Immersion Ingles (Instant Immersion). Topics Entertainment, 2003.

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32

Entertainment, Topics, and Instant Immersion. Instant Immersion Ingles (Instant Immersion). Topics Entertainment, 2005.

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33

Instant Immersion French (Instant Immersion). Topics Entertainment, 2002.

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34

Instant Immersion Japanese (Instant Immersion). Topics Entertainment, 2002.

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35

Entertainment, Topics. Instant Immersion Ingles (Instant Immersion). Topics Entertainment, 2003.

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36

Instant Immersion Russian (Instant Immersion). Topics Entertainment, 2000.

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37

Instant Immersion German (Instant Immersion). Countertop Video, 2000.

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38

Instant Immersion French (Instant Immersion). Countertop Video, 2000.

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39

Instant Immersion Spanish (Instant Immersion). Topics Entertainment, 2002.

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40

Instant Immersion Italian (Instant Immersion). Topics Entertainment, 2000.

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41

Instant Immersion Italian (Instant Immersion). Topics Entertainment, 2002.

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42

Editorial, Equipo. Instant Immersion Spanish (Instant Immersion). Topics Entertainment, 2002.

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43

Instant Immersion Arabic (Instant Immersion). Topics Entertainment, 2006.

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44

Instant Immersion Italian (Instant Immersion). Countertop Video, 2000.

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45

Entertainment, Topics. Instant Immersion French Audio Deluxe (Instant Immersion) (Instant Immersion). Topics Entertainment, 2005.

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46

Entertainment, Topics. Instant Immersion Japanese Audio Deluxe (Instant Immersion) (Instant Immersion). Topics Entertainment, 2005.

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47

Entertainment, Topics. Instant Immersion Italian Audio Deluxe (Instant Immersion) (Instant Immersion). Topics Entertainment, 2005.

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48

Entertainment, Topics. Instant Immersion German Lab (Instant Immersion). Topics Entertainment, 2004.

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49

Instant Immersion German 1.5 (Instant Immersion). Topics Entertainment, 2002.

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50

Entertainment, Topics. Instant Immersion Spanish v2.0 (Instant Immersion). Topics Entertainment, 2005.

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