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Journal articles on the topic 'Impact of cinema on American society'

Author: Grafiati

Published: 30 May 2022

Last updated: 31 July 2025

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1

Snoch, Marta. "Inne kobiety: lethal lesbians i lesbian chic – oblicza i ewolucje wizerunku homoseksualnych kobiet w hollywoodzkich thrillerach lat dziewięćdziesiątych." Przegląd Kulturoznawczy, no. 1 (59) (September 25, 2024): 204–16. http://dx.doi.org/10.4467/20843860pk.24.012.20078.

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The article showcases different images and aspects of lesbian characters in 1990s, with special focus on the media landscapes and Hollywood neo-noir thrillers. Stereotypical themes like lethal lesbians and their impact in American cinema are tied with early 90s trends of media portrayal of lesbian chic. The author also highlights the various restrictions of lesbian characters in mainstream cinema, that allows only the visually attractive images of homosexual body to be shown on the screen. Whole article also depicts evolutions of homosexual’s images in 90s media and cinema, the role of male ga

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Huang, Runqian. "Visual Representation of War Themes in American Cinema - A Case Study of the Evolution of War Films." Communications in Humanities Research 13, no. 1 (2023): 239–42. http://dx.doi.org/10.54254/2753-7064/13/20230340.

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Throughout American cinematic history, war-themed films have captivated audiences with their distinctive visual representation. Since the release of the first war film in 1951, war movies gradually evolved to become an essential genre within American cinema. These films not only entertain but also convey the cruelty of war, the fragility of human nature, and the preciousness of peace through visual storytelling. This paper delves into three distinct periods: the early development, mid-development, and contemporary development stages, analyzing the evolution and visual representation of America

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Sey, J. "The terminator syndrome: Science fiction, cinema and contemporary culture." Literator 13, no. 3 (1992): 13–20. http://dx.doi.org/10.4102/lit.v13i3.760.

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This paper examines the impact of contemporary technology on representations of the human body in American popular culture, focusing on James Cameron’s science fiction films The Terminator (1984) and The Terminator II - Judgment Day (1991) in both of which the key figures are cybernetic organisms (cyborgs) or a robot which can exactly imitate the human form . The paper argues that the ability of modern film technology’ to represent the human form in robotic guise undercuts the distinction between nature and culture which maintains the position of the human being in society. The ability of the

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Eguía Eléxpuru, Xan. "El mito de la frontera y el cowboy presidencial." Tópicos Educacionais 29, no. 1 (2023): 134. http://dx.doi.org/10.51359/2448-0215.2023.257473.

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In this article I highlight the presence of the frontier myth and the cowboy in American society, with great influence on its cultural and political history. Its impact on global culture makes it especially relevant to understand how certain national myths condition behaviors and a certain worldview. I highlight the use of myth by some US presidents, from Roosevelt to Trump, as well as in outstanding works of literature or cinema. It is also important to highlight the importance of pop culture in this country and, due to its influence, in the rest of the world, through well-known examples.

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Е.М., Алієв. "ФЕНОМЕН УКРАЇНСЬКОГО КІНО". Вісник Харківського національного педагогічного університету імені Г.С. Сковороди "Філософія" 2, № 46 (2016): 164–69. https://doi.org/10.5281/zenodo.58735.

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The article deals with the history of Ukrainian cinema from inception to  the present day. The analysis films nineteenth century and their impact  on the consciousness of modern Ukrainian audience. Considered the most famous Ukrainian film directors. Much attention is paid to  contemporary cinema and its main trends. At present Ukrainian cinema is  trying to get back on his feet, but neither the authorities nor our society  do not want this to help people prefer American films, forgetting that our  country takes a decent movie. However, despite all the diffic

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Popova, Nataliia, and Daria Hryhorash. "LEXICAL AND SEMANTIC VARIABILITY OF THE SPANISH LANGUAGE AS A PLOT CHARACTERISTIC IN MODERN CINEMA." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, no. 44 (2023): 145–53. http://dx.doi.org/10.17721/2663-6530.2023.44.14.

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The article examines the role of lexical invariants found in Spanish-language feature films and television series produced in different countries. The article analyzes the impact of lexical and semantic variants of language units on the understanding and perception of plots by viewers. It is determined that the viewer's recognition of Spanish and Latin American equivalents, regional dialects, argot and jargon can broaden the intercultural framework of communication, deepen the knowledge of the historical, social, cultural and historical realities of a certain nation. Semantic differences in le

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Dash, Sarita. "Evolution of Women's Style: Bollywood's Cultural Influence On Indian Society (1950 - 2000)." Journal of Heritage, Archaeology & Management(JHAM) 4, no. II (2024): 78–89. https://doi.org/10.5281/zenodo.15469978.

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The renowned American fashion designer Carly Cushnie famously said, "Life is too short to wear boring clothes." This sentiment underscores the profound impact fashion has on our lives, and in this context, the textile industry plays a crucial role in shaping the ever-evolving fashion market. In Maharashtra, the cotton textile industry has been a cornerstone of economic growth since the pre-independence era. Alongside the textile sector, Mumbai's thriving film industry has also been instrumental in preserving and promoting culture. As a powerful medium of mass communication, Hindi cinema, or "B

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Kies, Bridget. "Television's “Mr. Moms”." Feminist Media Histories 4, no. 1 (2018): 142–70. http://dx.doi.org/10.1525/fmh.2018.4.1.142.

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In the 1980s, domestic sitcoms on television proliferated with examples of men who performed domestic labor. In response to the women's movement, these “Mr. Mom” sitcoms liberated women from the domestic sphere and enabled men to claim it as their own. This article examines the potential impact of these series’ foregrounding of men and masculinities. In particular, it examines how the domestication of Mr. Moms highlighted the tensions between “new man” ideology persisting from the 1970s and 1980s Reagan-era machismo. The increasingly progressive attitudes toward women's work exhibited by Mr. M

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Smagina, S. A. "Danish Films about “White Slavery” as a Forerunner of the “Women's Question” in World Cinema." Vestnik VGIK 15, no. 1(55) (2024): 118–30. http://dx.doi.org/10.69975/2074-0832-2023-55-1-118-130.

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The article examines number of Danish films about ‘white female slaves’ which did not only become a noticeable event in European filmmaking and gained popularity in Russia, but also marked the concern for the ‘women’s issue’ in world cinema.Although small by modern standards, Danish cinema of the early 1910s had a significant impact on the world cinema. Far from being the European leader in the number of releases, it, nevertheless, managed to set the tone in the ‘cup-and saucer’ drama, start a fashion for ‘Danish melodrama’ and provocative movies, introduce the viewer to the ‘Danish kiss’ and

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Shams, Maham, and Dr Rao Shahid. "Cultural Transitions and Pakistani Cinema: A Thematic Analysis." Inverge Journal of Social Sciences 4, no. 1 (2025): 87–97. https://doi.org/10.63544/ijss.v4i1.134.

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This study examines the evolution of cultural expressions in Pakistani cinema from 1947 to 2024, analyzing how films reflect and influence societal transformations. Grounded in Media Representation Theory, the research investigates ten pivotal films per decade to trace shifts in gender roles, family structures, traditional-modern value conflicts, religious/ethnic identities, and international relations (IR). From Laary (1950) to Daghabaaz Dil (2024), each film functions as a socio-political artifact, capturing the anxieties and aspirations of its era. Pakistani cinema not only documents emergi

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Malenko, S. A., and A. G. Nekita. "HORROR FILMS IN UNCONSCIOUS ANTHROPOLOGICAL STRATEGIES OF BIOPOWER." Anthropological Measurements of Philosophical Research, no. 13 (June 5, 2018): 41–51. https://doi.org/10.15802/ampr.v0i13.122984.

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<strong>Purpose</strong>. The article is devoted to horror films as forms of anthropological crisis in mass culture, which generate specific meanings and are presented in ways of control over consumer society, as well as act as unconscious ideological mediators of multiculturalism and globalization. <strong>Theoretical basis</strong>. The main working tool for the analysis of horror films is the method of historical amplification, developed by C. G. Jung, as a basis for comparative analysis of symbolic interpretations of cultural realities and traditions of American horror films. On this

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Mishurovskaya, Maria. "“The case of photographs” in the archive of the All-Union Society of Cultural Communication with Abroad. On the history of the staging of M. A. Bulgakov’s play “The Days of the Turbins” (1938) in London." Slavic Almanac, no. 1-2 (2022): 248–64. http://dx.doi.org/10.31168/2073-5731.2022.1-2.3.03.

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The article examines the documents deposited in the folder “The All-Union Society of Cultural Communication with abroad. English Department. Correspondence with the VOKS commissioner in England about the staging of Bulgakov’s play The Days of the Turbins at the Phoenix Theater”, which is part of the 5283 foundation “The All-Union Society for Cultural Communication with Abroad (VOKS)” of the State Archive of the Russian Federation. The content of these archival sources is related to the so-called “case of photographs” of the performance “The Days of the Turbins” of the Moscow Art Academic Theat

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Kasparyan, K. V., M. V. Rutkovskaya, and I. N. Kolesnikov. "The specifics of displaying social networks and computer technologies in the fantasy universe of Stephen King in the early 70s of the XX century — early 20s of the XXI century in historical retrospect." Philosophical Problems of IT & Cyberspace (PhilIT&C), no. 2 (January 14, 2025): 64–86. https://doi.org/10.17726/philit.2024.2.5.

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This article is devoted to the analysis of the characteristic features of the process of displaying virtual network platforms and cybernetic technologies in the early 1970s — early 2020s in the fantastic universe (literary and cinematic) created by S. King, one of the leading American science fiction writers of our time. In this study, the authors provide a justification for the relevance and scientific novelty of the problem under study. This paper analyzes the specific features of the impact of electronic communication communities and computer technologies on modern society. This article pro

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Tyron, T. S., and D. Ajit. "Postmodernism and its emotional impact: The American T.V. Show, ‘Family Guy, as a Politically Incorrect Document." CARDIOMETRY, no. 23 (August 20, 2022): 226–35. http://dx.doi.org/10.18137/cardiometry.2022.23.226235.

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Postmodernism is a movement that grew out of modernism. Movements in art, literature, and cinema focused on a particular stance. The visual artists who created entertainment focused on expressing the creator herself/himself beginning from German expressionism to modernism, surrealism, cubism, etc. These art movements played an important part in what an artist (literature, art, and visual) portrayed to his or her audience. As perspectives played an important part, an understanding of what the artist needed to portray was critical. Modernism dealt with this portrayal, which came about due to the

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Dr., Amit Mishra, and Karunesh Saxena Dr. "CINEMA AS A MEDIUM OF SOCIAL REFORMS IN INDIA." SANGAM International Journal of Multidisciplinary Research 1, no. 2 (2024): 78–82. https://doi.org/10.5281/zenodo.10939854.

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The Indian cinema has unveiled significantly in the recent times but not restricting itself to just being a source of entertainment but also experimenting to stride towards showcasing social awareness and responsible cinema to people slowly but steadily the Cinema focus on social issues and his ready to take and create awareness among the audience. Cinema has the power to influence the thinking of the people they can change the society and social trend also. They may be described as trend makers they can create direct impact in our social life cinema addresses various social issues of the soci

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X.U., Samatov, and Elshodbek Ashurov. "SOCIOLOGICAL ANALYSIS OF THE IMPACT OF THE FILM INDUSTRY ON SOCIETY." MODERN SCIENCE AND RESEARCH 3, no. 5 (2024): 801–4. https://doi.org/10.5281/zenodo.11236246.

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<em>Cinematography has become an integral part of society's life, and its influence is significantly manifested in various directions. This article analyzes the impact of cinema on society, taking into account cultural, social and economic aspects. Stories and images spread through cinema expand people's worldview, influence their values and behavior. Also, the film industry contributes to economic growth and enhances cultural exchange. The article examines the positive and negative effects of film art, and considers the issues of social responsibility towards film makers and viewers. The arti

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Zakharov, Dmitriy Vladislavovich. "Cinema in the Phase of Private Interest." Journal of Flm Arts and Film Studies 3, no. 3 (2011): 24–40. http://dx.doi.org/10.17816/vgik3324-40.

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There is a conception in American science that the life of the American society complies with the algorithm of moods and interests. This pattern is reflected in the cinema which records the swing from "private interest" to "social unrest". The article investigates the phase of the "private interest" of 1918 - 1929, the "jazz" or "prosperity" era and is centered on analyzing the films Why Change Your Wife? (1919, Cecil Blount DeMille) and It (1927, Clarence J. Badger) with Clara Bow, the queen flapper, who has been ignored by Russian film scholars.

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Zakharov, Dmitriy Vladislavovich. "American cinema of the Great Depression. The «Social Restlessness Phase»." Journal of Flm Arts and Film Studies 5, no. 2 (2013): 17–32. http://dx.doi.org/10.17816/vgik5217-32.

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The article overviews the American cinema of the 1930 in terms of the “cyclic conception” stating that the life of American society is subject to a distinctive algorhithm of public mood: “social restlessness” alternating with “private interest”. The author surveys gangster film, one of the dominating genres of the Depression cinema as exemplified by “The Pubic Enemy (1931, dir. William A. Wellman). The article also traces the links of the “social restlessness” films of the 1930s with the previous and subsequent phases stressing the problem of dividing each phase into stages: formation, prime a

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Smoodin, Eric. "Hollywood in Crisis: Cinema and American Society 1929-1939 Colin Shindler." Film Quarterly 51, no. 2 (1997): 66–67. http://dx.doi.org/10.2307/3697150.

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Emamzadeh, Zahra, and Shaho Sabbar. "How Can Cinema Justify Wars? A Qualitative Study on War Justification in American Cinema." Journal of Politics and Law 10, no. 1 (2016): 18. http://dx.doi.org/10.5539/jpl.v10n1p18.

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Cinema is a powerful media that can shape people’s minds about different issues. Movies can focus on very detailed or hidden matters in society, and critical issues that profoundly affect the lives of large populations are usually at the center of cinema’s attention. Among these issues are wars that can affect tens of millions of people financially, mentally and of course physically.Films can question or justify wars. To answer if they questioned wars or justified them one should choose a specific war, a period and maybe a particular group of films and analyze their content and discourse. Howe

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KARGAPOLOVA, E. V., A. A. DEMIDOVA, and N. S. BELYAEVA. "HUMAN RESOURCES AS AN UNCONDITIONAL VALUE AND DEVELOPMENT FACTOR OF A MODERN ORGANIZATION: SOCIO-PSYCHOLOGICAL ASPECT." PRIMO ASPECTU 3 (59) (September 2024): 29–33. http://dx.doi.org/10.35211/2500-2635-2024-3-59-29-33.

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The article presents a comparative analysis of the image of a woman in the popular (that is, the most popular by the mass audience) Russian and American cinema. The special role of cinema in the construction, reflection and enhancement of images of the gender world, the creation of a range of possible choices of socially acceptable behavior of women in various social systems is noted. The main research method is content analysis. The significant variability of the representation of the image of a woman in both domestic and American cinema is shown, which is associated with the transformation o

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Martausová, Martina. "Authenticity and the Forest in Captain Fantastic (2016) and Leave No Trace (2018)." Miscelánea: A Journal of English and American Studies 63 (June 30, 2021): 129–49. http://dx.doi.org/10.26754/ojs_misc/mj.20215876.

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A number of recent productions would appear to suggest that American cinema in the 21st century has abandoned the traditional, culturally defined tropes of the American wilderness in favor of its portrayal as an alternative environment for the contemporary American man. This study focuses on the role of the forest as a specific form of the wilderness in two contemporary American films, Captain Fantastic (2016) and Leave No Trace (2018), analyzing how this background motivates and shapes the authentic representation of the main male protagonist. This form of authenticity, as the study suggests,

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Mallika Tiwari. "Entangled and Reciprocal Association of Hollywood, Bollywood and Indian Society." Creative Launcher 4, no. 1 (2019): 49–54. http://dx.doi.org/10.53032/tcl.2019.4.1.08.

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Movies or Cinema is the virtual world of bilateral communication. These are visual media that tell stories and exposes reality. They, in first place take from society and in other returns it back with additional elements. It uses all the elements from all other arts. This has always been a great debate, if films influences society or society is in itself is being reflected in films. Undoubtedly there is a thread reflection in both. Several questions have been discussed hitherto about the mutual dependence of society and cinema on each other. Since the very first ‘Chalchitra’ of Indian Cinema,

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Yudin, Kirill. "“Storm Center”: Mccarthyism in American Culture and Cinema." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 1 (March 2024): 44–54. http://dx.doi.org/10.15688/jvolsu4.2024.1.5.

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Introduction. The article is devoted to the consideration of McCarthyism as one of the leading factors that influenced the cultural policy and politics of memory in the United States throughout the entire period of the Cold War. Methods and materials. The ways of representing the atmosphere of conservative ideological control in the United States in the films of the 1950’s – 2010’s are explored. Films are considered media texts, and the images contained in them are considered symbolic resources used to form and transform a collective identity, legitimize power, its control, and repressive tech

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Koradkar, Sheetal Sanjay. "Analyzing the Display of Gendered Identities Through the Patriarchal Set Up in the Great Indian Kitchen." Integrated Journal for Research in Arts and Humanities 4, no. 1 (2024): 57–60. http://dx.doi.org/10.55544/ijrah.4.1.8.

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Every art form has the ability to comprehend and communicate with the audience by displaying an array of human feelings, emotions and understanding. Cinema too is an art that has in recent years gained a coveted position as one of the major sources of entertainment as well as edutainment. Indian cinema is one branch of the world cinema that is multilingual and diverse in its approach. The post-independence cinema in India has played a vital role in shaping, nurturing and binding the Indian society together. It has been the voice of the neglected and has been instrumental in providing a platfor

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Romashin, Matvey I. "The War that Ended in Nothing: the Korean Conflict in American Feature Films." Humanitarian: actual problems of the humanities and education 22, no. 3 (2022): 260–71. http://dx.doi.org/10.15507/2078-9823.059.022.202203.260-271.

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Introduction. Today, interdisciplinary approaches blur the boundary between verbal and visual narratives, newsreels, photo and audio documents are actively used in historical research, theoretical and methodological issues of source analysis of audiovisual resources are discussed in historiography. Unlike documentaries, feature films capture and broadcast not so much historical realities as people’s attitudes towards them. Cinema is an actor of social processes: it not only reflects, but also creates historical ideas about a specific event, time, era, etc. The purpose of the work is to identif

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Karbalaeetaher, Hossein Shahin. "Cinema And Society In The Light Of Emile Zola’s Naturalism." CINEJ Cinema Journal 8, no. 1 (2020): 141–55. http://dx.doi.org/10.5195/cinej.2020.244.

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This study will seek to discuss the essential impact of Emile Zola’s naturalism regarding the role of cinema in projecting social issues. To be clear on how cinema has got involved with social issues and has become an effective art form for distributing social messages and encouraging social changes, this study first will give a detailed historical background on the relationship between cinema itself and society. Then, it will elaborate on Emile Zola's naturalistic literature role as the first serious endeavors to raise social awareness through art and literature in the late nineteenth century

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Banerjea, Kingshuk. "A Comparative Study of LGBT+ Characters in Indian Cinema with its Latin American counterparts." Praxis International Journal of Social Science and Literature 6, no. 6 (2023): 1–6. http://dx.doi.org/10.51879/pijssl/060601.

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Latin American countries and India share almost similar history broadly. In fact, the basic characteristics of the structure of Cinema in these countries are quite similar. In this background, this paper deals with a comparative study of LGBT characters in the Cinema of these countries, also tries to study the impact of patriarchy. To study the comparison, many texts, books, and cinema have been referred to. The characters were analysed through the lenses of the socio-political milieu of the time. We must understand a character is not a onedimensional entity, it is a multi-dimensional one. Aft

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Pratiwi, Ayu Dian. "MYTH OF VIOLENCE IN VENOM: LET THERE BE CARNAGE (2021) SEMIOTIC ANALYSIS." Rubikon : Journal of Transnational American Studies 10, no. 2 (2023): 220. http://dx.doi.org/10.22146/rubikon.v10i2.84002.

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Popular culture is a product created for many people. The audience’s tastes are essential in production. Besides that, popular culture can also describe a culture that exists in society. One popular product that people like is film. Along with the times, the world of cinema also has more exciting story plots and various characters. One is an American film called Venom: Let There Be Carnage. The film shows signs of the violent formula usually used in American cinema. Therefore, this journal discusses Venom, who is an anti-hero who uses much violence to deliver his existence but has a heroic sou

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Kurylev, Konstantin P. "CINEMA OF UKRAINE IN THE POST-SOVIET PERIOD. STAGES OF DEVELOPMENT, CHARACTER AND FEATURES." RSUH/RGGU Bulletin. Series Eurasian Studies. History. Political Science. International Relations, no. 3 (2023): 59–78. http://dx.doi.org/10.28995/2686-7648-2023-3-59-78.

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Cinema as a socio-cultural institution reflects the cultural and ideological trends in society and has a huge impact on the formation of people’s self-awareness. The history of cinema in Ukraine has more than 100 years. At one time, Soviet films produced by the A. Dovzhenko Film Studio and the Odessa Film Studio enjoyed All-Union popularity and often fell into the ranks of the leaders of the Soviet film distribution. The post-Soviet cinema of Ukraine represents a separate and special stage in the development of Ukrainian cinema. And the article is concerned with its consideration. It reveals p

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Shashi, Kumar P., and Sanjeeva Raja N. "Girish Karnad's Evolutionary Impact on Indian Cinema: A Comprehensive Study." AKSHARASURYA 05, no. 01 (2024): 96 to 103. https://doi.org/10.5281/zenodo.13870902.

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Girish Karnad, a luminary in Indian cinema, has left an indelible mark on the industry through his multifaceted contributions as an actor, playwright, director, and cultural commentator. This abstract delves into the evolutionary impact of Karnad’s work on Indian cinema, presenting a comprehensive study of his enduring influence.  Karnad’s journey began in the 1960s, where he pioneered a shift in the Indian cinematic landscape by blending traditional storytelling with contemporary themes. As a playwright, his works like “Tughlaq” and “Hayavadana” introd

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Ollomurodov, Arjunbek Orifjonovich. "ANALYZING CINEMA DISCOURSE: TELECINEMATIC DISCOURSE." МЕДИЦИНА, ПЕДАГОГИКА И ТЕХНОЛОГИЯ: ТЕОРИЯ И ПРАКТИКА 2, no. 6 (2024): 298–309. https://doi.org/10.5281/zenodo.12314175.

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This annotation aims to highlight key points and provide additional context for the analysis of cinema discourse by recognizing the importance of understanding a film's context is paramount for a nuanced analysis. It considers the specific historical events, social movements, and political climate surrounding the film's creation and examine how the film's context informs its themes, characters, and narrative choices.  It encourages a deeper understanding of the art form and its impact on society, culture, and the human experience.

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Kazyuchits, Maxim F. "Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s." Journal of Flm Arts and Film Studies 9, no. 4 (2017): 106–18. http://dx.doi.org/10.17816/vgik94106-118.

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The author focuses on the most significant documentaries and TV-movies employing rock music of the 1960s-1970s, and highlights the aesthetic modes of their social correlation with mass culture. Special attention is drawn to the creative synthesis of the aesthetics of direct cinema, exemplified by the group R. Drew (B. Leacock, D. Pennebaker, A. Maizels, D. Maizels, etc.) as well as individual filmmakers and rock music in the intense socio-cultural context associated with it. Rock music greatly differs in its interaction of a performer and audience: there is often a systematic violation of the

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Roy, Mouparna. "Male Gaze in Indian Cinema: The Presentation of Women in Mainstream Cinema." Journal of Humanities and Education Development 3, no. 5 (2021): 94–101. http://dx.doi.org/10.22161/jhed.3.5.13.

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Since the advent of motion pictures, movies have had a great impact on the masses. It has been used as a medium of communication with society as it has been said that movies are the reflection of society. In the Indian context, we can see the depiction of different identities in the cinemas, like gender, queer, ethnic groups and so on (multiculturalism). But the question is how far it is to address the problems of these marginalized sections. Even as a common person, we can notice the less or misrepresentation or misrecognition of the subaltern groups in Indian cinema. One of the most misrepre

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Roy, Mouparna. "Male Gaze in Indian Cinema: The Presentation of Women in Mainstream Cinema." Journal of Humanities and Education Development 3, no. 5 (2021): 94–101. http://dx.doi.org/10.22161/jhed.3.5.14.

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Since the advent of motion pictures, movies have had a great impact on the masses. It has been used as a medium of communication with society as it has been said that movies are the reflection of society. In the Indian context, we can see the depiction of different identities in the cinemas, like gender, queer, ethnic groups and so on (multiculturalism). But the question is how far it is to address the problems of these marginalized sections. Even as a common person, we can notice the less or misrepresentation or misrecognition of the subaltern groups in Indian cinema. One of the most misrepre

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Zygadło, Grażyna. "“We’re missing the Latino attorney or astronaut as the hero”: Latinx Presence in Hollywood in the 20th and 21st Centuries." Polish Journal for American Studies, no. 16 (2022) (December 22, 2022): 43–60. http://dx.doi.org/10.7311/pjas.16/2022.04.

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The article examines the Latinx presence throughout the history of American cinema and analyses the reasons for the mis- and underrepresentation of Latinos/as in Hollywood productions focusing on major stereotypes and politics of American government towards this ethnic group influencing their cinematic description. The final part discusses the recent works produced by Latinos/as and telling their stories in the twenty-first century to demonstrate that Latinos/as are the integral part of American society who want to be justly represented and have the possibility to speak in their own name.

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Avdeenko, Evgeniia V. "Feature Cinema as a Tool for Manipulation of Individual and Society Behavior." IZVESTIYA VUZOV SEVERO-KAVKAZSKII REGION SOCIAL SCIENCE, no. 1 (March 29, 2024): 4–15. http://dx.doi.org/10.18522/2687-0770-2024-1-4-15.

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The object of the study is feature cinema in the context of mass manipulation. The subject of the study is images and narratives through which certain values are transmitted with the aim of manipulating the behavioral patterns of the individual and society. This article analyzes the definitions and modern directions of research on mass manipulation, synthesizes the conclusions of the classics of French postmodern philosophy in the context of a philosophical analysis of the cinematic impact on the individual and society. Manipulation is understood as a form of power relations in which the will

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Peng, Alicia Inge. "Social Changes in America: The Silent Cinema Frontier and Women Pioneers." Humanities 13, no. 1 (2023): 3. http://dx.doi.org/10.3390/h13010003.

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Silent cinema acted as a bridge between early motion pictures and today’s film industry, playing a transformative role in shaping feminist film history and American society. This article explores pioneering American women in the silent film industry who ventured into technology, film culture, marginalized communities, and social movements. Despite the prevalence of racist and sexist propaganda, American silent films were a frontier for innovation, filmmaking, and exploring the New Women concept. This study examines 23 American silent films that have often been overlooked and rarely studied, wh

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Zhuk, Sofya Dmitrievna, and Elena Vadimovna Petrash. "SOME ASPECTS OF THE INFLUENCE OF THE FILM INDUSTRY ON THE PROMOTION OF SAME-SEX RELATIONSHIPS." ITNOU: Information technologies in science, education and management, no. 20 (June 2023): 51–55. http://dx.doi.org/10.47501/itnou.2023.1.51-55.

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This article presents an analysis of the impact of the film industry on the formation of ideas of modern society about same-sex relationships. The object of the study is Western cinema. The subject of the study is the influence of Western cinema on the representation of Russian youth about same-sex relationships. To determine what influence Western cinema had on the representation of modern Russian youth about same-sex relationships, the authors conducted a sociological study, presenting three hypotheses. The result of the sociological survey is presented in this article.

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Buranok, Sergey Olegovich, and Daria Yurievna Selifontova. "China and the war in the cinema of the USA in 1941–1942." Samara Journal of Science 11, no. 4 (2022): 200–204. http://dx.doi.org/10.55355/snv2022114206.

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The study of the USA cinema during World War II is interesting not only from the point of view of forming the image of the enemy, but also of allies. This will allow us to determine more accurately what visual propaganda techniques were used by American directors. The image of China was always significant for the American information discourse: through it they created and adjusted of ideas about the East as an arena of struggle between the USA and Japan. This paper reveals features of the process of mythologizing the Second World War in the American cinema in 19411942, through an analysis of t

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COZZENS, SUSAN E. "The Impact of Science on American Society." Knowledge 9, no. 2 (1987): 311–19. http://dx.doi.org/10.1177/0164025987009002009.

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Amara Shoukat, Muhammad Umar Nawaz, and Ahsan Raza. "Effects of Hollywood Cinema on Pakistan’s Youth Lifestyle and Behaviour Patterns." Journal of Peace, Development & Communication 08, no. 03 (2024): 258–74. http://dx.doi.org/10.36968/jpdc-v08-i03-16.

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This study highlights the efforts of providing a concise overview on the impact of Hollywood cinema on behavior patterns and the lifestyle of Pakistani youth and having reputed effects on their cultural patterns as well. The impact of Hollywood cinema on viewers, including Pakistani youth, is an issue or suggestion that has significance in the age of revolution and globalization. The emergence of Hollywood cinema is significantly influenced by the society of each class and the cinema has aided in the conversion of ideas of people into visuals and occasionally into movements. One of the primary

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Yanovsky, M. I. "The Dominant Images and Motifs of the US Cinema and Its Impact on the Viewer’s Morals." Vestnik VGIK 16, no. 4(62) (2024): 126–39. https://doi.org/10.69975/2074-0832-2024-62-4-126-139.

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The article investigates the psychological impact of American cinema, taking into account some common features. Special attention is paid to the most characteristic attribute of American films, i. e. the use of “a loner-versus-the system” collision. The relationship between this conflict and the peculiarities of American religion and liberalist traditions is analyzed, as well as its connection with the correlation between good and evil, and, accordingly, the nature of its influence on the viewer’s moral codes.

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Prysthon, Angela Freire. "Stuart Hall, os estudos fílmicos e o cinema." Matrizes 10, no. 3 (2016): 77. http://dx.doi.org/10.11606/issn.1982-8160.v10i3p77-88.

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This article explores the relationship between Stuart Hall and the cinema from three specific topics: 1) Hall’s work on concepts of difference, identity, representation and stereotype in his relationship with the cinema; 2) the impact of his thoughts on film production, especially in movies of the 1980s that directly portrayed the multicultural society and the ethnic issues of cultural hybridity, using as a case study the film My beautiful laundrette; and 3) more direct relationships he established with audiovisual production, whether in his relationship with black British cinema or how he was

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Campbell, Charles. "Simulation, Fetishism and World Domination." Critical Survey 33, no. 3-4 (2021): 16–27. http://dx.doi.org/10.3167/cs.2021.33030404.

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According to Jean Baudrillard, in a totally functional world people become irrational and subjective, given to projecting their fantasies of power into the efficiency of the system, a state of ‘spectacular alienation’. I argue that Americans as a society have accommodated themselves to such a system to the detriment of their ability to make sense in their public discourse. Baudrillard finds pathology in the system of objects as it determines social relations. In one symptom, people may obsess over a fetish object. For American society, the magical mechanical object is the gun. I show evidence

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Sibanda, Nyasha. "The Press, Society and the Coming of Sound to Birmingham." Journal of British Cinema and Television 17, no. 2 (2020): 233–53. http://dx.doi.org/10.3366/jbctv.2020.0521.

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The arrival of sound on British cinema screens is perhaps more accurately described as the arrival of American sounds. Almost overnight, the sounds of American voices, accents, slang and vernacular became commonplace throughout the country. This article uses linguistic and social economic frameworks to explore the ways in which American sound films challenged the legitimacy and dominance of hegemonic forms of language within Britain. Taking the mainstream provincial press as a primary source, it discusses the ways in which the arrival of sound was seen as a nationalist threat to both industry

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Zouitni, Samiha. "From Screen to Society: Exploring Gender Dynamics in Moroccan Cinema." Journal of Social and Development Sciences 14, no. 4(S) (2024): 11–25. https://doi.org/10.22610/jsds.v14i4(s).4055.

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One of the most sophisticated, collaborative, and by far artistic expressions is cinema. It is a visual medium that is creatively employed to either expose or construct an alternative module of reality. In a country with high levels of illiteracy, cinema can have a grand impact on people who are denied access to print publications. For the last decades, mostly in fictive molds, Moroccan filmmakers have exquisitely produced a variety of significant movies that tackle the position of women in the country. Conscious of the pervasively tremendous influence of cinema, their productions effectively

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Talmacs, Nicole. "Chinese cinema and Australian audiences: an exploratory study." Media International Australia 175, no. 1 (2020): 50–64. http://dx.doi.org/10.1177/1329878x20908083.

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Since Wanda’s acquisition of Hoyts Group in 2015, and Australia’s signing of the Film Co-production Treaty with China in 2008, Chinese cinema has gained access to mainstream Australian cinemas more than ever before. To date, these films have struggled to cross over into the mainstream (that is, attract non-diasporic audiences). Drawing on film screenings of a selection of both Chinese and Chinese-foreign co-productions recently theatrically released in major cities in Australia, this article finds Chinese and Chinese-foreign co-produced cinema will likely continue to lack appeal among non-Chin

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Jeong, Seung-hoon. "World Cinema in a Global Frame." Studies in World Cinema 1, no. 1 (2021): 29–38. http://dx.doi.org/10.1163/26659891-0000b0006.

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Abstract The “world” in film studies has been the “other” of the world’s empire, with Hollywood taking American exceptionalism. It unfolds as the stage of identity politics representing all the rest of the world as postcolonial, peripheral, or merely different than Hollywood. However, this “political” model becomes challengeable as the world’s ongoing homogenization blurs old boundaries while causing “ethical” deadlocks such as the vicious interlocking between (neo)liberal multiculturalism and fundamentalist terrorism. The notions of subjectivity and society also undergo new crises and changes

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Özkantar, Mustafa Özer. "Bereavement And Melancholy in Cinema: A Comparative Review Between Turkish and American Cinemas." Gaziantep University Journal of Social Sciences 23, no. 2 (2024): 437–50. http://dx.doi.org/10.21547/jss.1382137.

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Cinema is one of the most vivid and sensational reflection tools in the art world since it reverberates almost all emotions concerning human beings and their experiences. One of these emotions is grief due to the loss of our beloved ones and in the same way as existence and life, it is a striking issue covering lots of films and thus the concept of mourning and sorrow are the most outstanding and common themes having a profound impact on cinema audiences. In other words, despite cultural and social differences all around the world, grief and pain are intense and universal emotions. Understandi

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