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Dissertations / Theses on the topic 'Imperial Academy of Fine Arts'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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1

Chaves, Mariana Guimarães. "Arte e Estado: um olhar sobre o mecenato artístico no Segundo Reinado (1840-1889)." Universidade Federal de Juiz de Fora (UFJF), 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/5537.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-07-28T12:16:02Z No. of bitstreams: 1 marianaguimaraeschaves.pdf: 4078268 bytes, checksum: e068477e709d2320549dfab99acc6105 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-08-09T14:40:56Z (GMT) No. of bitstreams: 1 marianaguimaraeschaves.pdf: 4078268 bytes, checksum: e068477e709d2320549dfab99acc6105 (MD5)<br>Made available in DSpace on 2017-08-09T14:40:56Z (GMT). No. of bitstreams: 1 marianaguimaraeschaves.pdf: 4078268 bytes, checksum: e068477e709d2320549dfab99acc6105 (MD5) Previ
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2

Costa, Richard Santiago 1985. "O corpo indígena ressignificado : Marabá e O último Tamoio de Rodolfo Amoedo, e a retórica nacionalista do final do Segundo Império." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281782.

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Orientador: Claudia Valladão de Mattos<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-22T10:23:25Z (GMT). No. of bitstreams: 1 Costa_RichardSantiago_M.pdf: 19493104 bytes, checksum: 5f25f91acbf60eab43f89b48112b2700 (MD5) Previous issue date: 2013<br>Resumo: O presente projeto de pesquisa pretende estudar duas obras específicas do pintor brasileiro Rodolfo Amoedo intituladas O último Tamoio (1883) e Marabá (1882). Tais obras serão analisadas dentro do contexto de sua produção na segunda metade do
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3

Leung, Yin-ling Carol, and 梁燕玲. "Academy of fine arts." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31982062.

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4

Leung, Yin-ling Carol. "Academy of fine arts." Hong Kong : University of Hong Kong, 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25944873.

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5

Chua, Ek Kay, University of Western Sydney, and Faculty of Visual and Performing Arts. "The emergence of the Nanyang style and its role in the regionalism of ASEAN countries." THESIS_FVPA_XXX_Chua_E.xml, 1997. http://handle.uws.edu.au:8081/1959.7/715.

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ASEAN has been carrying out art activities since its formation in 1967. Some of the artists from the region have initiated discussions about their traditional cultures and aesthetic discourses in recent years. One of the main issues during the 93 Symposium at Manilla was to call for an Asean aesthetic identity. It was due to the increasing awareness of the growing consciousness of culture and identity in the region. This paper begins with the history of the Nanyang Style which was established by a group of immigrant artists from China during the 30s and 40s. The Nanyang Style of art was an int
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6

Cortelazzo, Patricia Rita 1971. "Um dia de aulas na Academia Imperial de Belas Artes do Rio de Janeiro - entre 1826 e 1851." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251653.

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Orientador: Milton Jose de Almeida<br>Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-15T08:36:23Z (GMT). No. of bitstreams: 1 Cortelazzo_PatriciaRita_D.pdf: 50490691 bytes, checksum: a0bb7922737a31ff71780b7bdf10f394 (MD5) Previous issue date: 2009<br>Resumo: Esta pesquisa mostra como seria um dia de aulas na Academia Imperial de Belas Artes do Rio de Janeiro, através de documentos e obras que eram usados nas aulas e, também, outros textos e imagens que surgiram na memória de maneira hipotética, mas, que poderiam ter feito p
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7

Monico, Francesco. "Outline of a subversive technopoetic : for a libertarian pedartgogy." Thesis, University of Plymouth, 2014. http://hdl.handle.net/10026.1/3078.

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The thesis explores the relationships between knowledge and knowing in contemporary 21st century information society, using the foundation of the Faculty of Media Design &amp; New Media Art at the Nuova Accademia di Belle Arti in Milano as a research apparatus. This Faculty was established between 2003 and 2012, in Milano, Italy. The starting point of the research was established in the hypothesis that technics have tertiarised memory (Stiegler B., 1994), that knowledge is always founded on an ontological pessimism (Queneau R., 1933, Lyotard F., 1979) and on a perpetual process of the generati
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8

Mongay, Batlle Cristina. "Persistencia de la Época Moderna. Una revisión del mundo académico de las Bellas Artes en el Madrid de los siglos XVIII y XIX." Doctoral thesis, Universitat de Lleida, 2017. http://hdl.handle.net/10803/565504.

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L'estudi aquí exposat te com a objectiu final desglossar el tractament que el món acadèmic madrileny de las Belles Arts donà a l'escola espanyola d'Època Moderna durant els segles XVIII i XIX. Això és, revisar les tesis segones les quals l'academicisme es fonamentà en el rebuig d'allò Barroc després de considerar casos que demostren la funció modèlica de l'esmentada escola espanyola a la Real Academia de Bellas Artes de San Fernando i en el gust dels segles que la succeïren.<br>El estudio aquí expuesto tiene como objetivo final desglosar el tratamiento que el mundo académico madrileño de las B
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9

Lidman, Charlotte. "Konstes fria studie : En undersökning av förändringarna i avgångselevernas examensutställningar vid Kungliga Konsthögskolan 1962-2011." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-276865.

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The aim of the essay is to examine how the student exhibitions of the Royal University college of Fine Arts in Stockholm has changed between 1962-2011, and what these changes can depend on. The questions are: What are the changes in the choice of examination work for the students of the Royal University college of Fine Arts, and what can they depend on? Is the school adjusting their education to the surrounding art world, and in what way is that noticeable? By studying the catalogs from the exhibitions, newspaper reviews and other literature, a shorter conclusion is given concerning the art wo
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10

Walkowska-Boiteux, Joanna. "Auguste Couder, peintre d’histoire (1790-1873). Catalogue raisonné de l'oeuvre." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040093.

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Peintre d’histoire actif dès le début de la Restauration jusqu’au Second Empire, membre de l’Académie des beaux-arts et officier de la Légion d’honneur, Auguste Couder représente parfaitement toute une génération d’artistes reconnus de leur vivant, mais oubliés par la suite. Méconnue de nos jours, son œuvre, riche et variée, mérite pourtant d’être redécouverte. Elève fidèle de David, fortement marqué par l’enseignement de son maître, Couder se distingua en tant qu’un excellent dessinateur qui ne négligeait pas pour autant la couleur. Sollicité pour de nombreuses commandes officielles et privée
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11

Trani, Elsa. "La Peinture à Montpellier de Sébastien Bourdon (1616 - 1671) à Joseph-Marie Vien (1716 - 1809)." Thesis, Montpellier 3, 2016. http://www.theses.fr/2016MON30048.

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Mon sujet de thèse sur "La peinture à Montpellier de Sébastien Bourdon à Joseph- Marie Vien" tend à fédérer dans un premier temps les recherches qui ont été effectuées par bribes sur les peintres montpelliérains du XVIIe et XVIIIe siècles (Antoine Ranc (1634 - 1716), Jean de Troy (1638 - 1691), Etienne Loys (1724 – 1788) , Jean Coustou (1719 – 1791)...). Elles permettent de retracer le contexte artistique et historique du foyer culturel de la ville à travers les nombreuses commandes privées et publiques. Il est aussi intéressant de se demander s'il existe une école montpelliéraine dans laquell
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12

Harms, Martin J. "1770, 1870, 1970 craft, the machine and human transaction in the technology of three Philadelphia buildings /." 1991. http://books.google.com/books?id=jsZPAAAAMAAJ.

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13

Martins, João Paulo Castro. "Museu Nacional de Belas-Artes (1884-1911) – A arqueologia de um museu e a gestão de coleções." Master's thesis, 2017. http://hdl.handle.net/10316/85553.

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Dissertação de Mestrado em Património Cultural e Museologia apresentada à Faculdade de Letras<br>O Museu Nacional de Belas-Artes, antecessor do Museu Nacional de Arte Antiga, desde a data da sua fundação (1884), pretendia alcançar o estatuto de Grande Museu Nacional. As suas coleções eram constituídas essencialmente por bens provenientes das casas religiosas extintas, apesar das doações que instituição recebia. No final do século XIX, por via da dotação do Legado de Valmor, o Museu encontrou ensejo de expandir o seu acervo.
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14

Martins, João. "Museu Nacional de Belas-Artes (1884-1911)." Master's thesis, 2017. http://hdl.handle.net/10316/36964.

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O Museu Nacional de Belas-Artes, antecessor do Museu Nacional de Arte Antiga, desde a data da sua fundação (1884), pretendia alcançar o estatuto de Grande Museu Nacional. As suas coleções eram constituídas essencialmente por bens provenientes das casas religiosas extintas, apesar das doações que instituição recebia. No final do século XIX, por via da dotação do Legado de Valmor, o museu encontrou ensejo de expandir o seu acervo. Neste estudo, pretendemos conhecer, numa primeira fase, o início do movimento museológico em Portugal e o percurso do Museu Nacional de Belas Artes até à sua abertura
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15

Hrnčířová, Markéta. "Proměny reflexe krajiny; práce ateliéru konceptuální tvorby Miloše Šejna v letech 1990 - 2000." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-329192.

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This diploma thesis focuses on the conceptual expressions, that reflect the landscape. This thesis is also trying to imply the possible genesis of these artistic approaches. After the general definitions of terms and introduction, the thesis examines the various topics, which was related to the landscape and it's anti-mimetic visual representation since the late sixties. Another part of the work focuses on Milos Šejn, an artist with a very specific, physical relationship to nature and at the same time a former head of The Studio of Conceptual art of the Prague Academy of Fine Arts, where many
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