Relevant bibliographies by topics / IMPORTANCE OF COLOURS IN INDIAN ARTS

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Academic literature on the topic 'IMPORTANCE OF COLOURS IN INDIAN ARTS'

Author: Grafiati
Published: 3 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "IMPORTANCE OF COLOURS IN INDIAN ARTS"

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Dr., Suchitra Harmalkar. "IMPORTANCE OF COLOURS IN INDIAN ARTS." International Journal of Research - GRANTHAALAYAH Composition of Colours, December,2014 (2017): 1–2. https://doi.org/10.5281/zenodo.888213.

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Life is a pallet of colours; every colour has its own importance. Imagining a life without colours is not possible. Psychologists say that colours are a direct reflection of a person’s life and personality. The kind of colours he chooses says a lot about his mood, traits and nature. Hence Colours can be called a nonverbal form of communication. Colours have energy that can define as well as change the moods and actions of any person. Indian culture is said to be an amalgamation of various colours. Every colour holds a special place in India. Colours play a vital role in the day to day life; in
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Harmalkar, Suchitra. "IMPORTANCE OF COLOURS IN INDIAN ARTS." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–2. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3553.

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Life is a pallet of colours; every colour has its own importance. Imagining a life without colours is not possible. Psychologists say that colours are a direct reflection of a person’s life and personality. The kind of colours he chooses says a lot about his mood, traits and nature.Hence Colours can be called a nonverbal form of communication. Colours have energy that can define as well as change the moods and actions of any person. Indian culture is said to be an amalgamation of various colours. Every colour holds a special place in India. Colours play a vital role in the day to day life; in
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Pratima. "MEANING AND IMPORTANCE OF COLORS IN PAINTING: SYMBOLICALLY." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–2. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3646.

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Character balance means the orderly combination of characters in a picture. That is, color is a big subject in painting and the combination of colors in the picture is very important. The importance of colors in Indian painting has been from prehistoric times to modern times. The inspiration of the artist's inner expressions in the painting is displayed through paintings. Art takes birth in the painter's emotions. It develops only from unconscious unknown depths of mind. Picture has been an important medium in transforming these feelings into realization. Colors have their own distinct signifi
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Kesaboina, Venkata Murali, Peeyush Kumar Gupta, and Srutinwita Roy. "INDIAN CRAFTS AND SUSTAINABLE NATURAL DYES." ShodhKosh: Journal of Visual and Performing Arts 4, no. 2CDSDAD (2024): 151–61. http://dx.doi.org/10.29121/shodhkosh.v4.i2cdsdad.2023.596.

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Indian crafts reflect the most commonly from different parts of the country practice several art forms and crafts, and their identities are associated with where they carry a significant part of their culture and tradition. Most of these art forms are practised for ages and passed from generation to generation. Most of these are folk and traditional, and regional art forms have local religious themes, community values, cultural practices, and various traditional beliefs. Our country has several distinct folk and traditional arts in different regions of India. Among these most popular are Madhu
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Saha, Ali. "USE OF COLOURS IN POST-MODERNIST INDIAN CREATIVE ADVERTISEMENTS." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–7. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3556.

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Post Modernism in India is believed to have evolved after Indian Independence in 1947 and continues till the early 20’s. When we talk about Post Modernism in context to India, it is often connected to the country’s modernization and decolonization. After the Indian independence, advertising developed with the development of forms of media at each decade. Since the beginning, colours have stirred our emotions. White chalk was a precious tool in the hands of Palaeolithic artists. Gold from the very first civilisations reminded us of the sun. A desire for the mysterious and exotic blue changed th
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Ms, Ali Saha. "USE OF COLOURS IN POST-MODERNIST INDIAN CREATIVE ADVERTISEMENTS." International Journal of Research - GRANTHAALAYAH Composition of Colours, December,2014 (2017): 1–7. https://doi.org/10.5281/zenodo.888707.

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Post Modernism in India is believed to have evolved after Indian Independence in 1947 and continues till the early 20’s. When we talk about Post Modernism in context to India, it is often connected to the country’s modernization and decolonization. After the Indian independence, advertising developed with the development of forms of media at each decade. Since the beginning, colours have stirred our emotions. White chalk was a precious tool in the hands of Palaeolithic artists. Gold from the very first civilisations reminded us of the sun. A desire for the mysterious and exotic blue changed th
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S, Cynthiya Rose J., and Bhuvaneswari R. "Anthropomorphism in Indian Visual Narratives." Theory and Practice in Language Studies 12, no. 9 (2022): 1811–18. http://dx.doi.org/10.17507/tpls.1209.14.

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The study of images begins to flourish because of the ubiquity of visual representations in communication. A visual medium communicates across ages and languages. Each artifact, like strokes, colours and gestures, has its specific meaning that highlights human behaviour. In stories, animals in human form delight and capture the audiences’ attention. The selection of animals and their projected ways reflects more than what is expressed directly in the text. As a result, anthropomorphism (nonhuman entities that talk and act like human) is widely used as a communicative tool to insist on sensitiv
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Diah, S. Zaleha M., Salmah B. Karman, and Ille C. Gebeshuber. "Nanostructural Colouration in Malaysian Plants: Lessons for Biomimetics and Biomaterials." Journal of Nanomaterials 2014 (2014): 1–15. http://dx.doi.org/10.1155/2014/878409.

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Plant tissues include leaves, flower petals, and fruits. These can provide us with variety of design inspirations. Biomimetics allows us to learn from nature and transfer the knowledge we gain from studying sophisticated and amazing biological structures, materials and processes to engineering and the arts. The microstructures of morphology and anatomy of plant tissue have potential applications in technology through bioinspired design, which can mimic the properties found in nature or use them as inspiration for alternative applications. Many applications have been developed as a result of st
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Godbole, Vanashree. "COLOUR,CULTURE,AND TRADITION OF INDIA IN THE POEMS OF SAROJINI NAIDU." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–5. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3546.

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Colour represents various moods of life. It is powerful means to communicate human feelings. Wide varied colours diversify each moment of our life. The sense of colour is as extended as the sense of LIFE. The folklore of a culture includes the stories, songs, and poems that people pass along from generation to generation. The word folklore meant “the Lore of the People.” It included all rituals, customs, traditions, and beliefs of unknown origin that expressed the concerns of the life ordinary people. Poetic imagery is a technique that is used to express feeling. In the visual, literary, and p
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Prof., Vanashree Godbole. "COLOUR,CULTURE,AND TRADITION OF INDIA IN THE POEMS OF SAROJINI NAIDU." International Journal of Research - GRANTHAALAYAH Composition of Colours, December,2014 (2017): 1–5. https://doi.org/10.5281/zenodo.888075.

Full text
Abstract:
Colour represents various moods of life. It is powerful means to communicate human feelings. Wide varied colours diversify each moment of our life. The sense of colour is as extended as the sense of LIFE. The folklore of a culture includes the stories, songs, and poems that people pass along from generation to generation. The word folklore meant “the Lore of the People.” It included all rituals, customs, traditions, and beliefs of unknown origin that expressed the concerns of the life ordinary people. Poetic imagery is a technique that is used to express feeling. In the visual, literary, and p
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Books on the topic "IMPORTANCE OF COLOURS IN INDIAN ARTS"

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Snodgrass, Mary Ellen. Caribbean Women and Their Art. Rowman & Littlefield Publishers, 2019. https://doi.org/10.5040/9798881819910.

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Overlooked in the history of artistic endeavors are the contributions of female writers, painters, and crafters of the Caribbean. The creative works by women from the Caribbean proves to be as remarkable as the women themselves. In Caribbean Women and Their Art: An Encyclopedia, Mary Ellen Snodgrass explores the rich history of women’s creative expression by examining the crafts and skill of over 70 female originators in the West Indies, from the familiar islands—Jamaica, Haiti, Cuba, Puerto Rico—to the obscurity of Roatan, Curaçao, Guanaja, and Indian Key. Focusing particularly on artistic st
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Book chapters on the topic "IMPORTANCE OF COLOURS IN INDIAN ARTS"

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Desmond, Ray. "Pursuit Of The Picturesque." In The European Discovery of the Indian Flora. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198546849.003.0013.

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Abstract Until Hodges’s paintings were published in London towards the end of the eighteenth century, the British visual perception of India relied upon engravings inspired by travellers’ descriptions or amateurs’ drawings. William Hodges (1744-97) was the first professional artist of any merit to record his impressions of the subcontinent. Trained at William Shipley’s drawing school in the premises of the Society of Arts, he was apprenticed to the landscape painter Richard Wilson, a devotee of the classical landscapes of Claude and Poussin. Hodges learnt from Wilson how to compose poetic land
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Kalaivani, M., and V. Suganya. "Perspectives, Impact, and Challenges of Pilgrimage Tourism in Chidambaram." In Prospects and Challenges of Global Pilgrimage Tourism and Hospitality. IGI Global, 2023. http://dx.doi.org/10.4018/978-1-6684-4817-5.ch012.

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The travel and tourism industry is one of the fastest-growing industries in today's Indian global economy. The fast growth of the industry is not only generating jobs for millions, but also conducive on a large scale to the entire economy of the world. Pilgrimage tourism in Chidambaram is a popular form of spiritual tourism that attracts thousands of devotees every year. Chidambaram is a holy town located in the southern state of Tamil Nadu, India, and is considered one of the most important pilgrimage destinations in the country. The town is renowned for its ancient temple dedicated to Lord N
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P. Adhao, Dr Mamata. "MEDICAL ETHICS AND CODE OF CONDUCT OF PHYSICIAN AS IN CLASSICAL TEXT OF AYURVEDA." In Futuristic Trends in Medical Sciences Volume 3 Book 13. Iterative International Publishers, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/v3bdms13p1ch11.

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India has a rich tradition of medical ethics dating back to ancient times. Ayurveda the Indian system of medicine is sacred knowledge, science of life which emphasizes the balance and well-being state of Mana (mind), Sharira (body), Aatma (soul), and Indriya (sense organs). In Ayurveda, there is a strong emphasis on ethical conduct and moral standards for medical practitioners. Code of conduct laid down in Ayurveda set the foundation for the medical community and prescribed the principles for medical practice. According to Ayurveda medical practitioners (Vaidyas), were obligated to adhere to c
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Conference papers on the topic "IMPORTANCE OF COLOURS IN INDIAN ARTS"

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Ponomareva, Anna. "The Avant-Garde on a Planetary Scale: in the Middle of Colours." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8942.

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The turn of the 20th century and the first several years of the new millennium was the time of great experiments in Arts related to adding unusual novel facets to their traditional artistic forms. As contemporary artists and composers, literary figures took part in similar trials and mixed the verbal with the visual in their texts. This article is going to illustrate the use of colours by two Symbolist writers, Andrey Bely (1880-1934) and Grigol Robakidze (1880-1962), and to explain the importance of the light paradigm in creating multi-layered meaningful messages in their novels of 1926, Bely
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Swayamsidha, Sadhna. "“Sky Is My Father, Earth Is My Mother”: Kincentric Ecologies of the Heart in Easterine Kire’s Son of the Thundercloud and When the River Sleeps." In 5th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. http://dx.doi.org/10.62422/978-81-968539-1-4-008.

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This presentation focuses on the emergence of contemporary North East India’s tribal anglophone fiction that portrays the co-constitutive associations, links and relations between the Angami indigenous tribe in Nagaland and their surrounding environment. It engages with Naga tribal writer Easterine Kire’s novels, Son of the Thundercloud (2016) and When the River Sleeps (2014) in order to argue how Indian tribal writing conceptualizes the ‘Indic-indigenous’ environmental imagination in the twenty-first century. The presentation shows how Kire’s writing evokes the philosophy of kincentric ecolog
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Yukongdi, Pakpadee. "Khao San Dam: The Archaeological Evidence of Burnt Rice Festival in Southern Thailand | ข้าวสารดำา: หลักฐานทางโบราณคดีเกี่ยวกับประเพณีการเผาข้าวในภาคใต้ของ ประเทศไทย". У The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-08.

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Recently in 2021the 11th office of the Fine Arts Department, Songkhla has reported their annual excavations in Trang Province that archaeologists have found some set of rice while excavation in process namely,1) Khao Kurum Archaeological Site, Huai Yod District and 2) Napala Archaeological Site, Muang District. The artifacts which were found associated with the rice grains on the habitation layer consisted of potsherds, animal bones, grindstone, beads, etc. The grains of rice are short and brown in colour which is examined as carbonized since the beginning at its first left. The primary examin
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Lobo, Carla, Puja Kumar, and Luisa Barreto. "Defining the Complex Emotional Experiences of Depression through Visual Language – Colour as Expressive Tool." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001408.

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According to survey reports by World Health Organization, depression was ranked as the third leading cause of the global burden of disease in 2004, moving into the first place by 2030. Considering this scenario, a research project has been conducted focusing on the potential of graphic design in health care as an opportunity to communicate complex emotional experiences of depression. Using colour as a design strategy, conceptualizes a methodological approach that can be adopted to develop colour palettes in graphic design by considering the focal parameters relevant to the specific project, in
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Alarcon pino, Natalia Rosa. "Practica pictórica: Formas visibles e invisibles de presentar el cuerpo hoy." In V Congreso Internacional de Investigacion en Artes Visuales ANIAV 2022. RE/DES Conectar. Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/aniav2022.2022.15513.

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La siguiente investigación busca, desde la teoría y la propia práctica pictórica, profundizar en la problemática de la re-presentación del cuerpo. Se centra, por un lado, en identificar a pintores contemporáneos que expongan corporalidades y subjetividades que se distancien de la imagen mediática, es decir, del canon estético y la consecuente normalización de los cuerpos. Para llegar visualizar aquellas manifestaciones pictóricas contemporáneas donde el cuerpo cobra importancia como imagen representada, que se aleja del canon estético actual predominante. También se ocupará en señalar cómo un
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