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Relevant bibliographies by topics / Impossible love stories

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Journal articles

Academic literature on the topic 'Impossible love stories'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Impossible love stories"

1

Thomson, Jody. "Stories Painting Pictures <<>> Pictures Painting Stories." Departures in Critical Qualitative Research 9, no. 3 (2020): 28–47. http://dx.doi.org/10.1525/dcqr.2020.9.3.28.

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In this essay, I work with the stories and artwork generated by a small group of visual art therapists who came together in a collective biography workshop. All of the participants, including the author, specialize in end-of-life and palliative art therapy. As a collective, we worked to bring our experiences back to our bodies through stories, art-making, and writing, to explore how working with people in the last days, weeks, or months of their lives affects us. In this essay I ask: What happens when stories paint pictures, and when pictures paint stories, to make visible our experiences of d

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2

Klebes, Martin. "If Worlds Were Stories." Konturen 2, no. 1 (2010): 124. http://dx.doi.org/10.5399/uo/konturen.2.1.1346.

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The metaphysics of possible worlds proposed by the analytic philosopher David K. Lewis offers an account of fictional discourse according to which possible worlds described in fiction are just as real as the actual world. In an inspired reversal of the analysis of literary fictions by such philosophical means, the French poet Jacques Roubaud makes direct reference to Lewis’ controversial ontological picture in two cycles of elegies composed between 1986 and 1990. Roubaud’s poems take up the idea of possible worlds as real entities, and at the same time they challenge the notion that philosophy

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3

Allouche, Sabiha. "QUEERING HETEROSEXUAL (INTERSECTARIAN) LOVE IN LEBANON." International Journal of Middle East Studies 51, no. 4 (2019): 547–65. http://dx.doi.org/10.1017/s0020743819000655.

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AbstractThis article draws on a year of ethnography conducted among cis heterosexual couples in contemporary urban Lebanon in order to argue that, in the absence of a serious project of national reconciliation, intersectarian love, despite its short lifespan, constitutes restorative instances in post–civil war Lebanon. Intersectarian hetero desire emerges as a counter-discourse that threatens the masculinist foundations of the Lebanese state. By tracing the timeline of love in the life of Lebanese citizens, this article places personal narratives of “impossible” intersectarian love stories in

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4

Miller, Nancy K. "The Entangled Self: Genre Bondage in the Age of the Memoir." PMLA/Publications of the Modern Language Association of America 122, no. 2 (2007): 537–48. http://dx.doi.org/10.1632/pmla.2007.122.2.537.

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So, I'm just like everybody else. I go to the bookstore. I pick out a book I love. If it says memoir, I know that—that maybe the names and dates and times have been compressed, because that' what a memoir is.—Oprah Winfrey on Larry King Live, 11 January 2006I wanted the stories in the book to ebb and flow, to have dramatic arcs, to have the tension that all great stories require. I altered events all the way through the book.—James Frey, New York Times, 2 February 2006Sometimes the facts threaten the truth.—Amos Oz, A Tale of Love and DarknessOf course it is impossible to tell the truth. For e

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5

Borisova, A. B. "The Short Story of A. P. Platonov «The Impossible»: Genre-Narrative Structure, Function of Duality as a Way of Modeling of the Author’s Personality." Studies in Theory of Literary Plot and Narratology, no. 1 (2019): 160–71. http://dx.doi.org/10.25205/2410-7883-2019-1-160-171.

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In this article the short story of A. P. Platonov “The Impossible” (1921) is considered as a multidimensional wholeness, with a complex structure – at the level of genre and of narration. We highlight biography, scientific article, elements of a philosophical essay, lyric and philosophical poem in the genre structure. In addition to a neutral background, we highlight the lyrical monologue, scientific and publicistic discourse at the narrative level. The genre and stylistic heterogeneity of this short story did not allow researchers to unambiguously determine its genre dominant for a long time.

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6

Panasiuk, Valerii. "Ideas’ stories and people’s stories in A. Zholdak’s directorial conception." Aspects of Historical Musicology 19, no. 19 (2020): 358–73. http://dx.doi.org/10.34064/khnum2-19.21.

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Problematic field, objectives and methodology of the study. The “star” figure of A. Zholdak, one of the most shocking directors intriguing with his unpredictability, cannot be overlooked in the sky of modern theatrical art. True, not of national art, but Western European or Russian – the stage productions of the avant-garde director resonate with the priority world trends in theatrical culture. This also applies to musical performances, where the staging process in last time has been carried out under the sign of the “Regio-Theater”, under the director’s concept, which is often radical and rev

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7

Vogel, Erica. "Ongoing Endings." Journal of Contemporary Ethnography 45, no. 6 (2016): 673–91. http://dx.doi.org/10.1177/0891241616654542.

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This paper explores intersecting narratives of loss and possibility through the experiences of undocumented Peruvian migrant workers who find previously unimaginable possibilities for migration and love despite—and often because of—their inability to remain in South Korea. In this global space, Peruvians are surrounded by people in transit and are inspired to create long-term plans that would be difficult, if not impossible, were they documented and permanent—such as entering into hurried romantic relationships with other migrants. Forging temporarily permanent legal ties in Korea (such as mar

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8

Gómez Galisteo, Carmen. "“If you can’t fix it you got a stand it”: impossible love stories, identity and masculinity in “the lady with the dog” and “brokeback mountain”." ODISEA. Revista de estudios ingleses, no. 18 (April 26, 2018): 51. http://dx.doi.org/10.25115/odisea.v0i18.426.

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9

Martin, Emma. "A (Re)Adoption Story." Texas A&M Law Review 5, no. 3 (2018): 537–61. http://dx.doi.org/10.37419/lr.v5.i3.3.

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Ava was adopted from Africa when she was four years old. She became the baby sister to two older brothers and the daughter to two loving, experienced parents. A year or two after Ava moved to America, she and her “forever family” attended a Colorado summer camp. All was seemingly well until the camp staff and the other families at camp started to notice something strange about the way Ava’s parents treated her compared to her brothers. After an activity, the parents greeted the brothers with an excited “did you have fun?” or “what did you learn?,” while the parents greeted Ava with a terse sco

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10

Anisimov, K. V. "Bunin’s Chests: The Semantic Perspective of a Mundane Image." Studies in Theory of Literary Plot and Narratology 15, no. 2 (2020): 343–54. http://dx.doi.org/10.25205/2410-7883-2020-2-343-354.

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A number of observations provided by the given article are dedicated to a single element taken out of Bunin's plethora of mundane and routine things represented in his prose, i.e. chests and trinket boxes which are traced here in the perspective of symbolic and metaphoric potential of the author’s artistic writing, the ability of the latter to invest intensively the sense into a distinct object – a notion that may serve as a supplement to the mainstream and widespread concept of “enumerating”, cumulative tendency as a predominant in Bunin’s narrative. The reached result of the comparison of ch

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