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1

Lyon (France). Musée des beaux-arts, ed. Impressionnisme et naissance du cinématographe. Lyon: Fage éditions, 2005.

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2

Diang'a, Rachael. African re-creation of western impressions: A focus on the Kenyan film. Saarbrücken, Germany: LAP Lambert Academic Pub. Gmbh & Co., 2011.

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3

Les images immobilisées: Procéder par impressions. Montréal: Guernica, 1991.

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4

Amit, Tami. Motion pictures. Blou: Monografik, 2008.

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5

Motion pictures. New York: Franklin Watts, 2004.

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6

Canada. Industry, Science and Technology Canada. Motion pictures. Ottawa, Ont: Industry, Science and Technology Canada, 1988.

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7

Canada. Industry, Science and Technology Canada. Motion pictures. Ottawa, Ont: Industry, Science and Technology Canada, 1991.

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8

Sarla, Jagmohan, ed. Intimate impressions. New Delhi: Prakashan Sansthan, 2009.

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9

Lea, Bandy Mary, Biesenbach Klaus, and Kunst-Werke Berlin, eds. Andy Warhol: Motion pictures. Berlin: KW Institute for Contemporary Art, 2004.

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10

Hollander, Anne. Moving pictures. New York: Knopf, 1989.

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11

Hollander, Anne. Moving pictures. London: Harvard University Press, 1991.

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12

Olson, Nancy B. Cataloging motion pictures and videorecordings. Lake Crystal, Minn: Soldier Creek Press, 1991.

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13

Olson, Nancy B. Cataloging motion pictures and videorecordings. Lake Crystal, Minn: Soldier Creek Press, 1991.

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14

Carroll, Noël. The philosophy of motion pictures. Malden, MA: Blackwell Pub. Ltd, 2008.

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15

Reed, David. David Reed paintings: Motion pictures. LaJolla, CA: Museum of Contemporary Art, San Diego, 1998.

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16

Olson, Nancy B. Cataloging motion pictures and videorecordings. Lake Crystal, Minn: Soldier Creek Press, 1991.

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17

What's on at the pictures? Cheltenham: Evergreen, 1995.

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18

Loader, Jayne. Between pictures. New York: Grove Press, 1987.

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19

Carlstro̊m, Birger. Hide-and-seek; text and picture in the pictures: Impressionists from Turner from Gainsborough. Urshult, Sweden: Konstfo̊rlaget, 1989.

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20

David, Thomson. Beneath Mulholland: Thoughts on Hollywood and its ghosts. New York: Knopf, 1997.

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21

The attractive empire: Transnational film culture in Imperial Japan. Honolulu: University of Hawai'i Press, 2008.

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22

Beyond auteurism: New directions in authorial film practices in France, Italy and Spain since the 1980s. Bristol, UK: Intellect, 2008.

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23

Israeli cinema: Identities in motion. Austin: University of Texas Press, 2011.

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24

Best from Bollywood. London: ibs Books, 2008.

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25

Qi mao qiu le. Taibei Shi: Xiao zhi tang wen hua shi ye you xian gong si, 2003.

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26

Taḥawwulāt al-sīnimā al-ʻArabīyah al-muʻāṣirah: Qaḍāyā wa aflām. Dimashq: Dār Kanʻān, 2004.

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27

Dawar, Ramesh. Best from Bollywood. London: ibs Books, 2008.

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28

Wimal, Dissanayake, ed. Indian popular cinema: A narrative of cultural change. Stoke-on-Trent, UK: Trentham, 2004.

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29

hÉireann, Bord Scannán na. [List of Irish films]. Galway: Bord Scannán na hÉireann, 1998.

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30

Le tour du monde du cinéma français: Histoire du cinéma français à l'étranger. Paris: Dixit, 1995.

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31

Wimal, Dissanayake, ed. Indian popular cinema: A narrative of cultural change. New Delhi: Orient Longman, 1998.

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32

Hong Kong cinema since 1997: The post-nostalgic imagination. Basingstoke, Hampshire, UK: Palgrave Macmillan, 2009.

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33

African film: Re-imagining a continent. Bloomington: Indiana University Press, 2003.

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34

McIlroy, Brian. Irish cinema: An illustrated history. Dublin: Anna Livia Press, 1988.

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35

McIlroy, Brian. World cinema. Trowbridge: Flicks Books, 1989.

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36

1966-, Feng Peter X., and Marchetti Gina, eds. Chinese connections: Critical perspectives on film, identity and diaspora. Philadelphia PA: Temple University Press, 2008.

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37

Hollywood 1938: Motion pictures' greatest year. Berkeley: University of California Press, 2012.

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38

Rosenthal, Alan J. Computer support for authoring motion pictures. Toronto: University of Toronto, Dept. of Computer Science, 1995.

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39

Postler, Vicky. De Gaumont Italia à Arte: La politique culturelle française en Europe. Paris: Connaissances et savoirs, 2005.

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40

Modernity and the African cinema: A study in colonial discourse, post-coloniality, and modern African identities. Trenton, NJ: Africa World Press, 2003.

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41

Postler, Vicky. De Gaumont Italia à arte: La politique culturelle française en Europe. Paris: Connaissances et savoirs, 2005.

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42

Shaka, Femi Okiremuete. Modernity and the African cinema: [a study in colonialist discourse, post-coloniality, and modern African identities]. Trenton, NJ: Africa World Press, 2005.

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43

Cinema Italiano: The complete guide from classics to cult. London: I. B. Tauris, 2011.

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44

Italian locations: Reinhabiting the past in postwar cinema. Minneapolis: University of Minnesota Press, 2008.

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45

Beyond flesh: Queer masculinities and nationalism in Israeli cinema. New Brunswick, N.J: Rutgers University Press, 2004.

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46

Screenwriter: Words become pictures. Pittstown, N.J: Main Street Press, 1987.

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47

Film in the Middle East and North Africa: Creative dissidence. Austin: University of Texas Press, 2010.

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48

Idea di un'isola: Viaggio cinematografico nell'ambiente naturale e culturale della Sicilia. Firenze: Aska, 2005.

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49

Nandagopal, Choodamani, and International Roerich Memorial Trust (Bangalore, India), eds. Impressions, Devika Rani Roerich. Bangalore: International Roerich Memorial Trust, 1992.

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50

Donovan, Mike. Motion Pictures. Independently Published, 2019.

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