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Journal articles on the topic 'Impressionism'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Yamash, Yurii, Inna Prokopchuk, Mariana Pelekh, Olena Padovska, and Olena Zherebetska. "Theme of Flowers as a Sign of Impressionism on the Example of the Work of Ivan Trush (1869-1941)." Herança 7, no. 1 (2023): 126–35. http://dx.doi.org/10.52152/heranca.v7i1.812.

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The end of the 19th and the beginning of the 20th century in art are associated with light and color in Europe, which were characteristic of the artistic philosophy of Impressionism. Prominent representatives of this movement created artworks based on a new approach to color choices and subject matter, including the depiction of real landscapes and floral compositions. The relevance of this research is driven by the need to study the artistic representation of floral compositions by the Ukrainian artist I. Trush through the prism of Impressionist stylistic elements. The research aims to identi

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2

Grushitskaya, Marina. "Impressionism in Pierre Loti’s “Madame Chrysanthème”." Ideas and Ideals 12, no. 3-2 (2020): 305–13. http://dx.doi.org/10.17212/2075-0862-2020-12.3.2-305-313.

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Pierre Loti was a novelist and a marine officer who visited lots of countries. He gained popularity writing about his travels and travel impressions. This article analyses his travel to Nagasaki back in 1885 where he lived for half a year and had a ‘temporary wife’. His novel written during that travel is called “Madame Chrysanthème”. It’s one of his most extravagant and interesting pieces which made the author world-famous. It reflected common interest in the oriental life typical for that time and it predetermined the image of Japan in the European consciousness of the second half of the 19t

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3

Andoskina, Valeriya A. "Impressionism in Anton Chekhov’s works: History of the term." Vestnik Tomskogo gosudarstvennogo universiteta, no. 499 (2024): 12–19. http://dx.doi.org/10.17223/15617793/499/2.

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The article explores the history of the term “impressionism” in reviews of Chekhov’s prose and drama, which were written by his contemporaries, and in modern research of Chekhov’s creativity (the meaning of this word in historical context). Nowadays the term “impressionism” is popular with researchers of Chekhov’s prose and drama, but there is no strict and generally accepted meaning of it. Researchers suppose various features of impressionism in literature: the impressionistic writer depicts moments of a usual daily life, uses bright and light “paints” in descriptions of nature, prefers short

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4

Ozturk, Fatma, and Ozlem Berksan. "A study for the impact of impressionism period’s coloring, style and mode on fashion designers." Global Journal of Arts Education 5, no. 2 (2015): 40. http://dx.doi.org/10.18844/gjae.v5i2.243.

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Impressionism is a result of scientific and social developments’ influence on art and cultural movements during 1870’s. Impressionism, as being the brand new and the most important development in art during 19th century, has represented the modern painting with a strict separation from former understanding of art. While other art movements of 19th century have been maintained the relations or bore trace from classical understanding, impressionists severed all these ties. Instead of observing the nature in a realistic manner, they used impressions of observing it on art.Fashion in the most gene

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5

Sri Pandanari, Dika. "Konsep Estetika Impresionisme dalam Pemikiran Henri Bergson." Indonesian Character Journal 2, no. 2 (2025): 37–44. https://doi.org/10.21512/icj.v2i2.11593.

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Since the eye and the ability of perception have been recognized in painting techniques, especially in representational painting, questions have emerged regarding how an artist’s perception of reality can be transferred into a work of art. This transfer of the artist’s perception into the artwork can be found in the Impressionist movement. Impressionism is a major art movement that revolutionized not only painting tools but also painting techniques and the paradigm of reality in the eyes of painters. Impressionism focuses on how light can define a moment in time, with color providing definitio

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6

Liu, Jiabei. "Explore the Influence of Impressionism on Post-Impressionism: Taking Van Gogh's Works as an Example." Journal of Education, Humanities and Social Sciences 31 (April 27, 2024): 135–39. http://dx.doi.org/10.54097/3qjw2990.

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Impressionism is a pivotal movement in the history of Western art. It revolutionizes the traditional approach to Western painting. This artistic movement emphasized the spontaneous, direct, and visual representation of natural light and its effect on colors, shapes, and textures. Impressionism is a special kind of non-traditional art without a doubt. Vincent van Gogh is one of the most famous impressionist artists. He has many special characteristics: swirl-like brushstrokes, painting themes that are full of compassion and suffering consciousness, and bold and exaggerated colors. Van Gogh's wo

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7

Jiao, Shizuo, and Xuanjian Zhu. "Post-impressionism: implicit salute towards its predecessors." Journal of Education, Humanities and Social Sciences 1 (July 6, 2022): 302–7. http://dx.doi.org/10.54097/ehss.v1i.675.

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Post-impressionism, as one of the world's most popular schools of art, was focused mostly on its influence on its descendants. However, this paper examines the undiscovered aspect of post-impressionism by giving a perspective on its relations with its predecessors rather than its influence on its successors. It studies the forms and flows of post-impressionist paintings. Comparisons, investigations, and observations were made during the period. It is also reviewed in the thesis about the previous articles on comparisons between post-impressionism and its contemporaries as ukiyo-e paintings. Be

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8

Surat, Irina Z. "On Osip Mandelstam’s Poem “Impressionism”." Studia Litterarum 6, no. 3 (2021): 166–83. http://dx.doi.org/10.22455/2500-4247-2021-6-3-166-183.

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This article focuses on Osip Mandelstam’s poem “Impressionism”. The main objective of this work is to analyze the key motifs and images of the poem and to offer an integral, non-contradictory reading of the poem based on its immediate context as well as on the specific features of Mandelstam’s poetics. Mandelstam treated impressionism with great enthusiasm considering it an innovative phenomenon in art; impressionism in its broad meaning most fully corresponded with his idea of the life-giving capacities of art as reflected in this poem. The article discloses the plot of the gradual immersion

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9

Gu, Ranran. "Explore the similarity of impressionist music and impressionist painting." Highlights in Art and Design 2, no. 3 (2023): 24–26. http://dx.doi.org/10.54097/hiaad.v2i3.7547.

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The 19th, the end of the century, impressionist painting and impressionism music in the background of innovation, the development of impressionism witnessed the transformation of western traditional art and the rise of modern art, in the history of western art left a heavy, painting, music and other art genres, discipline fusion reached a new step. This paper analyzes and compares the subject matter, structure and expression techniques of impressionist painting and music, explores the similarities of two different arts, and explores the important role of the interaction and integration of art

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10

Skorobogacheva, Ekaterina Aleksandrovna. "Genesis of Russian Impressionism and its first interpretations." Pan-Art 3, no. 4 (2023): 231–35. http://dx.doi.org/10.30853/pa20230037.

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The aim of this research is to identify the specific features of the artistic language of Russian Impressionism. The article presents the content of this stylistic direction, distinguishing it from the general concept of "impressionism." The characteristics of Russian Impressionist art are revealed in its "dialogue" with both Western and Eastern painting, within the chronological framework of the late 19th to the first half of the 20th century. It is determined that the combination of Impressionist language with other styles, including realism, remains significant in both the latter half of th

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11

Zavyalova, Anna E. "Konstantin Somov’s Early Works and Impressionism: A New View on the Issue." Observatory of Culture 18, no. 4 (2021): 409–15. http://dx.doi.org/10.25281/2072-3156-2021-18-4-409-415.

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The article reveals literary (Emile Zola’s novel “L’Œuvre”, Richard Muther’s work “History of Painting in the 19th Century”), literary and artistic (magazines “Mercure de France”, “L’Ermitage”, “La Revue Blanche”, “La Plume”) and artistic (exhibits of the French art exhibition of 1896) sources of Konstantin Somov’s acquaintance with the art of French impressionism at the beginning of his independent activity (before leaving for Paris in the late 1890s). There are also identified sources of phenomena in his work that are similar to impressionism only externally. These issues become the subject

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12

Li, Jie. "Dialogue on Artistic Expression: A Study of Oriental Elements in 19th-Century Impressionism." Journal of Education, Humanities and Social Sciences 31 (April 27, 2024): 151–59. http://dx.doi.org/10.54097/nskets35.

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As one of the most significant art movements in the 19th century, Impressionism broke down conventional boundaries, laying the foundation for today’s artistic styles to flourish. This paper aims to explore the integration of Oriental elements of Impressionism and to reveal the influence of cultural exchange on art movements. The introduction section provides a comprehensive overview of Impressionism, focusing on the research goals that revolve around Oriental aspects. The paper utilises an exhaustive approach, including a literature review, artwork analysis, and examination of historical recor

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13

Yan, Zhiqi, Zidi Guo, and Miao Guo. "On the Combination of Oil Painting Techniques and Modern Illustration Art." Highlights in Art and Design 4, no. 1 (2023): 118–21. http://dx.doi.org/10.54097/hiaad.v4i1.12015.

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Oil painting represents the mainstream of modern Western painting art. The development history of Western painting art cannot be separated from the evolution of the style, subject matter and techniques of oil painting. Since its emergence, oil painting has experienced several style periods, including classicism, Romanticism, Impressionism, abstraction and so on. Among them, Impressionism, which was born in the middle of 19th century, played an important role in the history of western oil painting. It changed the style and way of oil painting popular in the past few centuries with new color the

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14

Kim, Oleksandr, and Ganna Korchagina. "Sound and color synesthesia: impressionism in the music of Claude Debussy and its relationship with painting." Professional Art Education 6, no. 1 (2025): 38–44. https://doi.org/10.34142/27091805.2025.6.01.04.

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Object: the connection between Claude Debussy’s musical creativity and impressionism in painting. Results: In the late 19th century, Impressionism emerged as a new movement and the art movement reached a turning point. The Impressionist painting style, a conscious reaction to the over expressionism of the late Romanticism centered in Germany, rejected all existing traditional styles and forms. The movement sought to express sensual nuances through the immediate effects of color or tone and to describe objects, nature, light, etc. Claude Debussy was an important composer of French Impressionism

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15

Totan, Virðinia, and Petruța Maria Coroiu. "Impressionism in Serbian Music." Studia Universitatis Babeş-Bolyai Musica 68, no. 2 (2023): 39–61. http://dx.doi.org/10.24193/subbmusica.2023.2.03.

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"Musical Impressionism is one of the currents that reflected the anti-romantic discourse of the beginning of the 20th century, having a resonance only in the French cultural space - where the preference for suggestion, for deliberately imprecise tone and nuance has always worked. Although musicological studies do not display very important differences in attitude when it comes to defining impressionist compositions, musicologists’ opinions sometimes diverge. However, taking into consideration the extent to which the comparative method and the stylistic analysis, applied to music, can be condit

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16

Banias, V., and N. Banias. "GÉRARD DE NERVAL’S “ODELETTES”: IMPRESSIONISM BEFORE IMPRESSIONISM." International Humanitarian University Herald. Philology 2, no. 53 (2022): 53–59. http://dx.doi.org/10.32841/2409-1154.2022.53-2.12.

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17

Fried, Michael. "Caillebotte's Impressionism." Representations 66, no. 1 (1999): 1–51. http://dx.doi.org/10.1525/rep.1999.66.1.01p0038t.

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18

Fried, Michael. "Caillebotte's Impressionism." Representations 66 (1999): 1–51. http://dx.doi.org/10.2307/2902878.

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19

da Costa Nunes, Jadviga M. "Impressionism Redux." Nineteenth Century Studies 10, no. 1 (1996): 111–33. http://dx.doi.org/10.2307/45196774.

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20

da Costa Nunes, Jadviga M. "Impressionism Redux." Nineteenth Century Studies 10, no. 1 (1996): 111–33. http://dx.doi.org/10.2307/ninecentstud.10.1996.0111.

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21

WIGGINS, COLIN. "POST-IMPRESSIONISM." Art Book 1, no. 2 (1994): 20. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00020.x.

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22

Bonevac, Daniel. "Ethical Impressionism." Social Theory and Practice 17, no. 2 (1991): 157–73. http://dx.doi.org/10.5840/soctheorpract19911723.

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23

Ye, Wang. "Non-Traditional Factors in Debussy's Creation Take the Prelude "Voiles" as an Example." Journal of Electrical Systems 20, no. 7s (2024): 436–45. http://dx.doi.org/10.52783/jes.3336.

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"Voiles" stands as the second piece in Debussy's "Twenty-four Piano Preludes", marking a mature stage in his musical oeuvre. Debussy, as the pioneer of Impressionism style, demonstrates remarkable innovation and personality in contrast to traditional norms. Drawing from the acoustic expressiveness evident in Impressionist piano compositions, this study begins with an exploration of the aesthetic perception of acoustic color. It intertwines this exploration with the psychological concept of "synesthesia", which links time, space and visual perception. Focusing on auditory aesthetic perception o

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24

Fodor, Attila. "In Dialogue With Impressionism: Jeux d’eau by Maurice Ravel." Studia Universitatis Babeş-Bolyai Musica 67, no. 1 (2022): 277–303. http://dx.doi.org/10.24193/subbmusica.2022.1.18.

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"Jeux d’eau, created in 1901, is Ravel’s first piano masterpiece, that of a 26-year-old composer who has just left the Conservatoire. The work surprises with the charm of writing, the playfulness of expression, the maturity of creative thinking and the complexity of elaboration. Beyond the fact that it marks a turning point in Ravel’s career, it is no exaggeration to say that it is both a milestone for piano literature in general and for the impressionist one. Our study focuses on the analysis of Ravel’s writing style and construction in the mirror of musical Impressionism, pointing out, where

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25

Cherkashina, M. V. "Stéphane Mallarmé on Impressionism and the Impressionists in the context of French art criticism." Voprosy literatury, no. 5 (October 11, 2023): 13–41. http://dx.doi.org/10.31425/0042-8795-2023-5-13-41.

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The article prefaces the publication of the first Russian translation of Mallarmé’s essay ‘The Impressionists and Edouard Manet:’ originally printed in English in a London-based periodical in 1876, it was not rediscovered until the early 21st c., when the essay’s translation back into French became available. In his work, Mallarmé offers the first contemporary interpretation of Impressionism as a natural next step in the development of art, revealing it to be a form of self-reflection that gazes at reality. He notes that Manet’s manner of depicting landscapes and people in them bears a similar

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26

Harris, Rob. "Introduction: First Impressions: The Impact of Impressionism on English Literature." CUSP: Late Nineteenth and Early Twentieth Century Cultures 1, no. 2 (2023): 161–69. http://dx.doi.org/10.1353/cusp.2023.a902865.

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27

McPherson, Heather. "Impressionism in Britain." Nineteenth Century Studies 10, no. 1 (1996): 144–46. http://dx.doi.org/10.2307/45196780.

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28

Sergeev, Alexander. "Impressionism H. Banga." Stephanos. Peer reviewed multilanguage scientific journal 29, no. 3 (2018): 16–27. http://dx.doi.org/10.24249/2309-9917-2018-29-3-16-27.

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29

McPherson, Heather. "Impressionism in Britain." Nineteenth Century Studies 10, no. 1 (1996): 144–46. http://dx.doi.org/10.2307/ninecentstud.10.1996.0144.

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30

Lipton, Eunice, Norma Broude, Hollis Clayson, Richard Kendall, and Griselda Pollock. "Feminism and Impressionism." Art Journal 51, no. 4 (1992): 99. http://dx.doi.org/10.2307/777291.

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31

Tinterow, Gary, and Henri Loyrette. "Origins of Impressionism." Art Book 2, no. 1 (1994): 16a. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00343.x.

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32

Tinterow, Gary, and Henri Loyrette. "Origins of Impressionism." Art Book 2, no. 1 (1995): 16a. http://dx.doi.org/10.1111/j.1467-8357.1995.tb00342.x.

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33

Shamir, Lior, Tomasz Macura, Nikita Orlov, D. Mark Eckley, and Ilya G. Goldberg. "Impressionism, expressionism, surrealism." ACM Transactions on Applied Perception 7, no. 2 (2010): 1–17. http://dx.doi.org/10.1145/1670671.1670672.

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34

Heilbrun, Françoise. "Impressionism and Photography." History of Photography 33, no. 1 (2009): 18–25. http://dx.doi.org/10.1080/03087290802582889.

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35

SMITH, P. "Studies in Impressionism." Oxford Art Journal 10, no. 2 (1987): 97–105. http://dx.doi.org/10.1093/oxartj/10.2.97.

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36

Simmons, Allan, and John G. Peters. "Conrad and Impressionism." Modern Language Review 98, no. 3 (2003): 698. http://dx.doi.org/10.2307/3738308.

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37

Sema, Daniel. "GERAKAN IMPRESIONISME, DEBUSSY DAN “CLAIR DE LUNE”: SEBUAH REFLEKSI TERHADAP PERUBAHAN." Jurnal Abdiel: Khazanah Pemikiran Teologi, Pendidikan Agama Kristen, dan Musik Gereja 2, no. 1 (2018): 61–73. http://dx.doi.org/10.37368/ja.v2i1.61.

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Impressionism derives its source of inspiration from external, even exotic sources; its literature, art and music are easily projected outside; the recipient of its colorful images has the means of comparing photoreality with the artist’s experience of it. This impressionism movement starts from painting, then penetrated into other arts fields. Impressionism has changed the way people view art. It has been considered the setting stone of Modern Art. In general, impressionism has changed the perspective of art, itself.

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38

Lee, Jisun, and Joonho Kim. "The Culture of the Belle Epoque and Impressionism in Music of Debussy." Society for International Cultural Institute 15, no. 1 (2022): 25–49. http://dx.doi.org/10.34223/jic.2022.15.1.25.

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The period from about 1871 to the outbreak of the First World War in France in 1914 was a golden age called ‘Belle Époque’, which means beautiful era in French. Economically, through the Industrial Revolution, culture and art flourished centered on Paris, and democracy was developed through the establishment of democratic procedures through the civil revolution. The musical characteristics that emerged in the Belle Epoque era stemmed from cultural backgrounds. These extra-cultural influences and the spread of cultural capabilities led to the birth of new cultural trends such as impressionism,

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39

Carrasco, Clare. "The Unlike Pair." Journal of Musicology 37, no. 2 (2020): 158–96. http://dx.doi.org/10.1525/jm.2020.37.2.158.

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Between 1919 and 1923 Arnold Schoenberg’s Chamber Symphony, op. 9 (1906) and Franz Schreker’s Chamber Symphony (1916) were repeatedly programmed together on public concerts in Germany. Critics reviewing these and other postwar performances often framed the two works in a distinctive and, by today’s standards, surprising way: they aligned Schoenberg’s Chamber Symphony with an “expressionist” and Schreker’s Chamber Symphony with an “impressionist” musical aesthetic. With roots in prewar German critical and historical writing, impressionism and expressionism functioned as multifaceted, contextual

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40

Marh, Fahmi. "TRANSFORMASI MUSIK CALEMPONG UNGGAN KE DOMAIN KOMPOSISI IMPRESSIONIS UNGGAN." Puitika 12, no. 2 (2016): 102. http://dx.doi.org/10.25077/puitika.12.2.102--121.2016.

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The music composition "Impressioniss Unggan" through the construction of musical material, issued an "impression" of the result of the merger of the original rhythm and tone of the music Calempong Unggan in modern musical harmony system vertically and horozintal. Then the musical understanding detected and understood due to phsikoakustik analysis or any listener to hear the music thoroughly enters into the depths of music. The aim of the Impressionists was to "explain the music, not to describe the music, not for reflection object but an emotional reaction to the object. Also interpret impress

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41

Karpenko, Olga. "Reminiscences of Impressionism in the works of Ukrainian avant-garde artists." Almanac "Culture and Contemporaneity", no. 1 (August 31, 2021): 194–99. http://dx.doi.org/10.32461/2226-0285.1.2021.238620.

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The purpose of the study is to reveal the identification of common features in the work of Ukrainian avant-garde artists, which have the character of impressionism. Methodology of the study employs historical-logical, comparative methods, formal analysis and method of interpretation. Scientific novelty of the research consists in the role of impressionism in the formation of the creative manner of such artists of the Ukrainian avant-garde as O. Bogomazov, D. Burliuk, K. Malevich, O. Exter was first explored in the article. Conclusions. Experiments in the spirit of impressionism and post-impres

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42

Huang, Xinyi. "The influence of Japanese Ukiyo-e on Western painting art in the 19th Century." BCP Social Sciences & Humanities 20 (October 18, 2022): 304–10. http://dx.doi.org/10.54691/bcpssh.v20i.2334.

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Ukiyo had a profound influence on western painting in the 19th century. It can be seen from the works of Artists such as Monet and Van Gogh that they extensively used, imitated and improved Japanese Ukiyo techniques such as brushwork, composition and color. In addition, under the historical background and social environment at that time, the expression of thoughts and emotions was also greatly influenced by Ukiyo. This paper, starting from the origin and characteristics of Japanese Ukiyo, explains in detail the influence of Japanese Ukiyo-e on western painting in the 19th century, explores the

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43

Qin, Yingting. "Debussy’s Love Affair with Impressionism in Ariettes oubliées." International Education Forum 2, no. 6 (2024): 308–15. http://dx.doi.org/10.26689/ief.v2i6.7834.

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When the audience mentions impressionist composers, many remember Claude Debussy (1862–1918) as the first icon. To this day, his vocal works remain one of the most popular choices of French music for singers. It is also frequently featured in recitals, auditions, and competitions. Critics have insisted on associating Debussy with impressionism even though he did not agree with the label. Critics claim that Debussy’s alternations of major, minor, augmented, and diminished chords in conjunction with Verlaine’s impressionistic poetry produced the same novel effect as the contrast between light an

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44

محمود علی الجابری, حمدی. "Henry James and Impressionism." مجلة کلیة الآداب بقنا 2, no. 2 (1992): 174–280. http://dx.doi.org/10.21608/qarts.1992.114705.

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45

Fodor, Attila. "Ravel on (his) Impressionism." Studia Universitatis Babeş-Bolyai Musica 62, no. 1 (2017): 77–82. http://dx.doi.org/10.24193/subbmusica.2017.1.05.

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46

DENWR, BERNARD. "THE CHRONICLE OF IMPRESSIONISM." Art Book 1, no. 2 (1994): 21. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00025.x.

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47

Whitworth, M. H. "Review: Conrad and Impressionism." Review of English Studies 54, no. 213 (2003): 149–51. http://dx.doi.org/10.1093/res/54.213.149.

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48

Cronan, Todd. "Georg Simmel's Timeless Impressionism." New German Critique 36, no. 1 (2009): 83–101. http://dx.doi.org/10.1215/0094033x-2008-022.

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49

Bénard, Silvia M. "From Impressionism to Realism." Cultural Studies ↔ Critical Methodologies 13, no. 5 (2013): 427–31. http://dx.doi.org/10.1177/1532708613495801.

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50

Prentice, Chris Ortiz y. "RUDYARD KIPLING'S TACTICAL IMPRESSIONISM." Victorian Literature and Culture 45, no. 1 (2017): 17–33. http://dx.doi.org/10.1017/s1060150316000413.

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A story titled “The Impressionists”that was published in 1897 should have something to say about art, but does it? The sixth installment in Rudyard Kipling'sStalky & Co.series, “The Impressionists” follows the antics of M'Turk, Stalky, and Beetle, three cunning boys at a dreary English military preparatory school. Suspecting these boys of cheating on their schoolwork, housemaster Mr. Prout turns them out of their private study into the main house dormitory. For revenge, and hoping to win back their room, Stalky & Co. becomeagents provocateurs. They start a fight in their house and mana

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