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Journal articles on the topic 'Imprimés italiens'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Dunn-Lardeau (book editor), Brenda, and Jean Balsamo (review author). "Humanistes italiens et imprimés de l’Italie de la Renaissance dans les collections de l’UQAM." Renaissance and Reformation 35, no. 3 (2013): 127–29. http://dx.doi.org/10.33137/rr.v35i3.19530.

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Cameron-Pesant, Sarah. "Les Horae à l’usage d’Autun imprimées pour Simon Vostre (v. 1507) : examen de l’exemplaire conservé à McGill." Renaissance and Reformation 39, no. 4 (2017): 215–52. http://dx.doi.org/10.33137/rr.v39i4.28164.

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L’étude des livres d’Heures imprimés destinés à un usage liturgique régional est d’un grand intérêt, puisque, dans le contexte de leur standardisation progressive, l’usage régional dans les Heures imprimées se fait de plus en plus rare à la Renaissance. L’objet de cet article est un livre d’Heures imprimé conservé au Département des livres rares et collections spécialisées de l’Université McGill. D’abord considéré comme une édition de Jean Dupré parue à Paris le 12 mars 1495, Harry Bober a suggéré qu’il s’agirait plutôt d’une édition imprimée pour Simon Vostre à Paris en 1507. Notre but premie

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Gameson, Richard. "The Medieval Books of Durham." Bulletin du bibliophile N° 369, no. 1 (2019): 11–29. http://dx.doi.org/10.3917/bubib.369.0023.

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Le fonds de la bibliothèque médiévale de la cathédrale de Durham est le plus riche qui nous soit parvenu de toutes les institutions bénédictines d’Angleterre. Ses nombreux catalogues, rédigés entre les xi e et xv e siècles, montrent non seulement la croissance inexorable de la collection, mais aussi la pertinence de son organisation et de son exploitation à travers les âges. Les origines de la communauté de Durham remontent à celle fondée sur l’île de Lindisfarne en 635, ainsi les ouvrages les plus anciens de la collection remontent aux origines du christianisme en Northumbrie, voire au-delà a

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4

Landry-Deron, Isabelle. "Le Dictionnaire chinois, français et latin de 1813." T’oung Pao 101, no. 4-5 (2015): 407–40. http://dx.doi.org/10.1163/15685322-10145p05.

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The first printed dictionary from Chinese to a Western language, the Dictionnaire chinois, français et latin, published on the orders of Emperor Napoleon I, was prepared under the direction of Chrétien-Louis De Guignes (1759–1845) and came off the press of the Imprimerie impériale de Paris in 1813. It was based on what was regarded as the best manuscript dictionary compiled by the missionaries in China, the Hanzi xiyi by the Italian Franciscan, Basilio Brollo (1648–1704). Chinese characters were printed using the “Buis du Régent”, a unique set of mobile types engraved in wood, completed in Par

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5

Dalarun, Jacques, and Lino Leonardi. "Biblioteca agiografica italiana. Du projet à la publication." Mélanges de l École française de Rome Moyen Âge 115, no. 1 (2003): 7–40. http://dx.doi.org/10.3406/mefr.2003.9278.

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Cet article offre la version française de l’Introduzione de la Biblioteca agiografica italiana, une entreprise promue par la Fondazione Ezio Franceschini et l’École française de Rome, qui débouche aujourd’hui sur la publication d’un livre en deux volumes et d’un CD-Rom. S’inspirant du modèle de la Bibliotheca hagiographica latina, la BAI répertorie 1776 textes en italien antérieurs à 1500, dédiés à 548 saints. Fondée sur une large enquête bibliographique, la BAI s’est aussi enrichie du dépouillement des catalogues de manuscrits, voire de l’examen direct de quelques manuscrits ; ce qui permet d

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6

Portalés Mañanós, Ana, Maite Palomares Figueres, and Asenet Sosa Espinosa. "Reconstrucción, y Hogar y Arquitectura entre 1940-1963. Dos revistas propagandísticas adscritas al Régimen." VLC arquitectura. Research Journal 11, no. 2 (2024): 123–47. http://dx.doi.org/10.4995/vlc.2024.21263.

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Reconstrucción (1940-1956) y Hogar y Arquitectura (1955-1977) son dos revistas relacionadas con el Régimen franquista en distintas etapas de la posguerra española. La primera estaba vinculada a la Dirección General de Regiones Devastadas (DGRD) y la segunda creada por iniciativa de la Obra Sindical del Hogar y Arquitectura (OSHA). Ambas compartían fines comunes, entre ellos relatar los proyectos y obras promovidos por los citados organismos sirviéndose de la arquitectura como instrumento de propaganda para mostrar los logros del Régimen. Dada la importancia de la información visual para la dif

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7

Manfio, Vanessa. "Quarta Colônia - RS: os diálogos entre cultura, gastronomia e turismo." Ágora 23, no. 1 (2021): 85–98. http://dx.doi.org/10.17058/agora.v23i1.15909.

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No âmbito dos estudos geográficos está a abordagem sobre a cultura representada no espaço e sociedade. A cultura imprime bens materiais e imateriais, sendo o retrato de uma construção espaço-temporal. No Brasil, as regiões de colonização, sobretudo, italianas e alemãs conferiram verdadeiros oásis culturais, perpetuados de geração em geração. Nestas áreas se desenvolve, nos dias de hoje, o turismo envolvendo a cultura, os bens e a gastronomia - que é um dos elementos que mais atrai turistas as áreas culturais de antigas colônias. Como acontece na Quarta Colônia no Rio Grande do Sul. Pensando ni

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8

Perrone, Fernanda. "Strangers in a Strange Land: A History of Italian-Language American Imprints, 1830–1945." Italian American Review 3, no. 2 (2013): 166–68. http://dx.doi.org/10.5406/italamerrevi.3.2.0166.

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9

Golan, Romy. "Temporalités cachées dans Campo urbano, Côme, 1969." Transbordeur 1 (2017): 166–81. http://dx.doi.org/10.4000/12gwj.

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Dans la journée du 21 septembre 1969, quarante artistes investirent la ville de Côme avec une série d’interventions annoncées par une distribution de tracts. Campo urbano. Interventi estetici nella dimensione collettiva urbana fut coordonnée par l’historien Luciano Caramel, le photographe Ugo Mulas et Bruno Munari. Alors que d’autres interventions artistiques des années 1960 utilisèrent l’imprimé comme outil de documentation de la performance, le livre des photographies de Campo urbano est unique. Suivant les indications de Munari, les images furent imprimées à fond perdu, faisant alterner pla

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Rivera, Víctor Samuel. "Hermenéutica y violencia. Reflexiones a partir de Comunismo hermenéuticode Gianni Vattimo y Santiago Zabala." Ideas y Valores 64, no. 158 (2015): 319–36. http://dx.doi.org/10.15446/ideasyvalores.v64n158.51120.

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En marzo del 2004, Gianni Vattimo rompió el carné del Partido de los Comunistas Italianos (Vattimo 2009 45). El filósofo de la hermenéutica nihilista rompía con el “comunismo real”, aunque no quería renunciar al comunismo. Dos años después el profesor de Turín fue a visitar en La Habana a Fidel Castro, e imprimió allí para él Ecce comu, una polémica colección de alegatos de prensa y crónicas donde el filósofo italiano pretendía justificar de manera autobiográfica su paso del “comunismo real” al “comunismo ideal” (<em>cf.</em> Vattimo 2006 13-15). ¿Hermenéutica “comunista”? Para el

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11

Mosconi, Elena. "Fotocamere in viaggio. I reportage odeporici nei periodici italiani degli anni Cinquanta." Elephant and castle, no. 35 (2025): 17–31. https://doi.org/10.62336/unibg.eac.35.569.

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I due settimanali a larga tiratura presi come campione per la presente analisi in virtù della notevole importanza accordata alla fotografia, mostrano al riguardo una chiara identità. Tempo, fondato nel 1939 e diretto da Alberto Mondadori fino all’agosto 1943, quando ne assume la responsabilità Arturo Tofanelli fino alla sospensione all’inizio di settembre, riprende le pubblicazioni nel dopoguerra (17 gennaio 1946) nel segno della continuità, ma per i tipi dell’editore Aldo Palazzi che gli imprime un orientamento moderatamente progressista. Sotto la lunga guida di Tofanelli, il settimanale cont

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12

Perugi, Maurizio. "O envio da canção camoniana ‘Tão suave, tão fresca e tão fermosa’." Revista do Centro de Estudos Portugueses 29, no. 42 (2009): 209. http://dx.doi.org/10.17851/2359-0076.29.42.209-277.

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<p>A canção camoniana <em>Tão suave, tão fresca, tão fermosa </em>coloca algumas questões importantes no plano filológico. O seu esquema métrico é, como já foi indicado por Emmanuel Peireira Filho, de origem provençal : trata-se, com efeito, de um poema em ‘coblas unissonans’ e ‘dissolutas’, ao qual no índice do Padre Pedro Ribeiro se atribui o curioso nome de <em>septina</em>, proveniente talvez da terminologia musical. A propósito desta canção, o comentário de Faria e Sousa apresenta um dos exemplos mais conhecidos de tradição indirecta, que concerne ao envio. A

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13

Harris, N. "Jurisprudence of the Baroque. A Census of Seventeenth Century Italian Legal Imprints. By DOUGLAS J. OSLER." Library 12, no. 3 (2011): 292. http://dx.doi.org/10.1093/library/12.3.292.

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14

Ricci, Antonio. "The Renaissance in Toronto: Early Modern Italian Books in the Collections of the Thomas Fisher Rare Book Library." Renaissance and Reformation 37, no. 3 (2015): 181–212. http://dx.doi.org/10.33137/rr.v37i3.22462.

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The Thomas Fisher Rare Book Library at the University of Toronto has significant holdings of books printed in Italy during the Renaissance. These volumes cover a wide variety of disciplines and represent a major resource for scholars of literature, philosophy, science, and print culture. The article explains how the Renaissance material came to Toronto by tracing the historical formation of the rare books and special collections of the University Library. It then analyzes the main areas of strength of the Fisher’s early modern holdings, offering representative examples of the most important ed

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15

Le Gall, Jean-Marie. "La capture de François I er , une mauvaise nouvelle ?" Parlement[s], Revue d'histoire politique N° 25, no. 1 (2017): 121–40. http://dx.doi.org/10.3917/parl2.025.0121.

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La mauvaise nouvelle est un concept instable. Tout dépend pour qui et pourquoi une nouvelle est mauvaise. La nocivité est-elle en outre à apprécier dans l’immédiat ou avec le recul du temps ? La capture de François I er à Pavie en 1525 fut une mauvaise nouvelle pour le roi, sa famille, ses alliés, son royaume, mais pas pour les mêmes raisons. Le monarque a perdu l’espoir d’être duc de Milan. Sa vieille mère redoute un collapsus dynastique. Ses alliés craignent des représailles. Et ses sujets ont peur de l’invasion étrangère et du brigandage d’une soldatesque en déroute. Aussi l’annonce de la n

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16

Martín Baños, Pedro, and Laura Ranero Riestra. "En pos de un incunable español olvidado: el Panegyricum in laudem Serenissimorum Regum Hispaniae Fernandi et Hellysabeth de Gaspare Manio de Clodiis (Sevilla, ca. 1492." Cuadernos de Filología Clásica. Estudios Latinos 40, no. 1 (2020): 39–63. http://dx.doi.org/10.5209/cfcl.71531.

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Se edita, traduce y anota en este artículo un Panegyricum in laudem Serenissimorum Regum Hispaniae Fernandi et Hellysabeth dedicado a los logros militares y políticos de los Reyes Católicos, que fue compuesto por el humanista italiano Gaspare Manio de Clodiis. El poema, escrito en hexámetros, se imprimió en Sevilla hacia 1492. Pese a que el único ejemplar impreso del que hay noticias se encuentra en una biblioteca privada escocesa y resulta por el momento inaccesible, podemos conocer el texto del Panegyricum a través de una copia manuscrita que hasta la fecha ha estado mal catalogada (ms. 1530

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17

Köbler, Gerhard. "Jurisprudence of the Baroque - A Census of 17th Century Italian Legal Imprints, compiled by Osier, Douglas J." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 127, no. 1 (2010): 642–43. http://dx.doi.org/10.7767/zrgga.2010.127.1.642.

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18

Kormazina, Olga P., Dmitry A. Ruban, and Natalia N. Yashalova. "Hotel Naming in Russian Cities: An Imprint of Foreign Cultures and Languages between Europe and Asia." Societies 12, no. 2 (2022): 58. http://dx.doi.org/10.3390/soc12020058.

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Hotel naming can contribute to cultural exchange, and big countries boasting lengthy peripheries and sharp “cores” are suitable for studying this contribution. Foreign cultural and linguistic imprints in hotel names is studied in four big cities of Russia, namely Rostov-on-Don, Nizhniy Novgorod, Krasnoyarsk, and Vladivostok. It is established that the hotels with names bearing foreign-culture elements constitute up to 20–25% of all hotels in each given city. These elements can be linked to many, chiefly West European countries. The English foreign-language elements are the most common, whereas

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19

Sgarbi, Marco. "Aristotle and the People: Vernacular Philosophy in Renaissance Italy." Renaissance and Reformation 39, no. 3 (2017): 59–109. http://dx.doi.org/10.33137/rr.v39i3.27721.

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The essay focuses on vernacular Aristotelianism in Renaissance Italy, which began to gain currency in the 1540s, just as the vernacular was beginning to establish itself as a language of culture and the Counter-Reformation was getting underway. With over three hundred printed and manuscript works, the statistics of this phenomenon are impressive. Even so, the vulgarization of Aristotle in the Italian Renaissance has never received the scholarly attention it deserves. The paper examines (1) the identity of the recipients of Aristotle’s vulgarizations, (2) the meaning of the process of vulgariza

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20

Mejía Estévez, Diego. "La minuciosa construcción del personaje Lucien de Rubempré en la Comédie humaine de Honoré de Balzac." Anuario de Letras Modernas 25, no. 1 (2022): 23–39. http://dx.doi.org/10.22201/ffyl.01860526p.2022.25.1.1710.

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Este artículo describe diversos elementos constituyentes del personaje Lucien de Rubempré: los paratextos que permiten comprender sus filiaciones, su faceta como artista literario, su experiencia como dandi y las interacciones que sostiene con otros personajes y que sellan su destino. Mediante el diálogo con propuestas teóricas y críticas específicas de entre las numerosas que han comentado Illusions perdues, en especial aquí del entorno italiano, se muestra cómo distintos aspectos del método realista tienen un vínculo estrecho con la construcción de este héroe y sus escenarios. Asimismo, la c

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Anzzolin, Kevin. "El Diablito Rojo, el Centenario y la clase obrera en la encrucijada de discursos." Bibliographica 7, no. 1 (2024): 169. http://dx.doi.org/10.22201/iib.2594178xe.2024.1.438.

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Mediante el análisis detallado de uno de los periódicos obreros más notables del Porfiriato, El Diablito Rojo, veremos cómo fueron criticados los planes porfiristas para el Centenario, que tenían el mismo afán monumentalista de la época. A través de los editoriales y, sobre todo, de las portadas –en varias ocasiones eran litografías del renombrado artista José Guadalupe Posada–, esta publicación promovió otra visión de México. El periódico se imprimió durante un par de años (1900-1901) y tuvo una pausa antes de volver a publicarse tres años más (1908-1910). Aunque su objetivo fue dar voz a la

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22

Básti, Zsófia. "Funerary textiles in the Avar Period." Hungarian Archaeology 11, no. 4 (2022): 28–34. http://dx.doi.org/10.36338/ha.2022.4.2.

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Early Middle Age textile remains are few in the Carpathian Basin; moreover, most are impregnated by corrosion and poorly preserved. A systematic collection and evaluation of the related findings, however, might provide the research on fashion, commerce, and funerary rites with a valuable contribution. Coffin-related nails, metal fittings, and decorative mounts from Avar Period graves represent an interesting source of information, as their surfaces often preserved remains or imprints of textiles, thus indicating (by their relative positions in the graves) the covering of the coffins with sheet

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23

Whitfield, Susan. "Inventaire sommaire des manuscrits et imprimées chinois de la Bibliothèque Vaticane. By Paul Pelliot, revised and edited by Takata Tokio. (Italian School of East Asian Studies Reference Series, I.) pp. xv, 113. Kyoto, Istituto Italiano di Cultura, Scuola di Studi sull’Asia Orientale, 1995." Journal of the Royal Asiatic Society 7, no. 2 (1997): 340–41. http://dx.doi.org/10.1017/s1356186300009287.

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24

Simlett-Moss, Joyce. "Adolph Hummel: Music Publisher in Eighteenth-Century London." Royal Musical Association Research Chronicle 52 (April 2021): 90–182. http://dx.doi.org/10.1017/rrc.2020.5.

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AbstractAdolph Hummel, from Hesse, established in Soho a music publishing business that lasted 12 years (1760–1772). His publishing strategy differed in several ways from that commonly adopted by London publishers: he published only foreign-born (mostly German or Italian) composers; he did not issue vocal music; and, while taking the common routes of advertising his publications by notices in contemporary newspapers and listing issues in the imprints to title pages, he was highly unusual in that he produced no catalogue. He was also unusual in obtaining a royal licence to protect his copyright

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25

Nesselrath, Arnold. "The Acts of the Apostles: Raphael’ design process for tapestries in the Sistine Chapel." Studia Bruxellae N° 11, no. 1 (2019): 311–23. http://dx.doi.org/10.3917/stud.011.0311.

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En 1515, Raphaël est très occupé par de nombreuses commandes qui le sollicitent en tant que peintre, architecte, archéologue, éditeur de sa presse à imprimer des images, et en tant que concepteur. L’artiste, qui sera bientôt à l’apogée de sa carrière, dirige un atelier bien organisé avec divers domaines de spécialisation. C’est à ce moment que le pape Léon X commande une série de cartons pour des tapisseries qui seront exposées dans la chapelle Sixtine lors de cérémonies solennelles. Parmi les défis posés par ce travail, notons que ces représentations étaient censées voisiner les fresques réal

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26

Blanco, Mercedes. "Una edad de oro de la traducción (1540-1570)." Diablotexto Digital 9 (July 1, 2021): 111. http://dx.doi.org/10.7203/diablotexto.9.21226.

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Las décadas centrales del siglo XVI tuvieron en el proceso histórico de la literatura en lengua española un papel fundacional. Entre 1543 y 1559, se sitúan, por ejemplo, la primera impresión de las Obras de Boscán y algunas de Garcilaso de la Vega, el Cancionero de romances del impresor flamenco Martín Nucio, la Vida del Lazarillo de Tormes, la Diana de Jorge de Montemayor. Con estas publicaciones inician su curso nada menos que la poesía italianizante y el omnipresente romance, la picaresca y la novela pastoril. Las cuatro obras tienen en común, en su concepción como textos y su producción co

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Wijffels, Alain. "D.J. Osler, Jurisprudence of the Baroque, A census of seventeenth century Italian legal imprints, [I:] A–G, [II:] H–S, [III:] T–Z, Sources." Tijdschrift voor Rechtsgeschiedenis / Revue d'Histoire du Droit / The Legal History Review 80, no. 1-2 (2012): 229–37. http://dx.doi.org/10.1163/157181912x627037.

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Queiroz, Regina Farias de. "I promessi sposi: entre o cânone e a adaptação parodística na televisão italiana." Revista Italiano UERJ 12, no. 1 (2021): 14. http://dx.doi.org/10.12957/italianouerj.2021.62063.

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RESUMO: Para discutir as questões subjacentes à adaptação de um texto clássico para as mídias, tomamos como objeto de estudo uma adaptação em formato de paródia para a televisão. I promessi sposi secondo il trio é uma minissérie em 5 episódios, realizada pela RAI, dirigida e protagonizada pelo trio Lopez-Marchesini-Solenghi, em 1990, que ganhou grande notoriedade nacional, exatamente pelo tom cômico que imprimiu à narrativa manzoniana. Neste trabalho, buscamos identificar as estratégias utilizadas na adaptação do clássico para a paródia e para tal, aplicamos ao texto televisivo parodístico o m

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De Faria, Elisabete Brockelmann. "Melancolia, devaneio e poeticidade em “Buriti”." Cadernos CESPUC de Pesquisa Série Ensaios, no. 28 (November 7, 2016): 42–53. http://dx.doi.org/10.5752/p2358-3231.2016n28p42.

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O trabalho analisa o vínculo entre a melancolia e o devaneio na criação e manutenção do discurso poético em “Buriti”, de Guimarães Rosa, parte da obra Corpo de baile. Através de três personagens centrais – Miguel, Maria Behu e Chefe Zequiel – imprime-se a tonalidade melancólica, que propicia o devaneio e o lamento, associados ao modo de ser introspectivo e sensível. Além do exame das personagens selecionadas, são analisados elementos do espaço e do tempo que, dada a atmosfera noturna do texto, contribuem na disseminação da poeticidade discursiva, alicerçada, portanto, no tripé personagens, esp

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Barrett, T. H. "East Asia - Paul Pelliot: Inventaire sommaire des manuscrits et imprimés chinois de la Bibliothèque Vaticane. A posthumous work by Paul Pelliot. Revised and edited by Takata Tokio. (Italian School of East Asian Studies, Reference Series 1.) xv, 113 pp. Kyoto: Italian School of East Asian Studies, 1995." Bulletin of the School of Oriental and African Studies 60, no. 3 (1997): 589–90. http://dx.doi.org/10.1017/s0041977x00033000.

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Kimball Brooker, Thomas. "The Library of Antoine Perrenot de Granvelle." Bulletin du bibliophile N° 361, no. 1 (2015): 23–72. http://dx.doi.org/10.3917/bubib.361.0035.

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Antoine Perrenot de Granvelle (1517-1586) fut l’une des figures diplomatiques les plus puissantes de son époque, ainsi que l’un des plus grands collectionneurs de livres et d’œuvres d’art. Fils de Nicolas Perrenot de Granvelle, un des deux principaux ministres des Affaires étrangères de Charles Quint, Antoine Perrenot fut destiné dès son jeune âge à une carrière diplomatique tout en occupant une position ecclésiastique très lucrative. En 1540, âgé de vingt-trois ans, il fut admis à la prêtrise et fait évêque d’Arras par le pape Paul III sur recommandation de l’empereur. Il s’agissait de l’un d

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Dudink, Ad. "Inventaire sommaire des manuscrits et imprimés chinois de la Bibliothèque Vaticane. A posthumous work by PAUL PELLIOT. Revised and edited by Takata Tokio. Italian School of East Asian Studies, Reference Series 1. Kyoto: Istituto Italiano di Cultura, Scuola di Studie sull'Asia Orientale, 1995. xv + 113 pp., Notes, General Index. ISBN 4-900793-10-8." T'oung Pao 85, no. 1 (1999): 215–20. http://dx.doi.org/10.1163/1568532992630579.

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Wallace, David. "Helen Fulton and Michele Campopiano, eds., Anglo-Italian Cultural Relations in the Later Middle Ages. York: York Medieval Press, 2018. Pp. xi, 212; 2 black-and-white figures. $99. ISBN: 978-1-9031-5369-7. Table of contents available online at https://boydellandbrewer.com/imprints-affiliates/york-medieval-press/anglo-italian-cultural-relations-in-the-later-middle-ages.html." Speculum 96, no. 1 (2021): 218–19. http://dx.doi.org/10.1086/712241.

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Oosterbosch, Michel. "Overheidsbemoeiingen met het Antwerpse notariaat tijdens de XVIde eeuw." Tijdschrift voor Rechtsgeschiedenis / Revue d'Histoire du Droit / The Legal History Review 63, no. 1-2 (1995): 83–101. http://dx.doi.org/10.1163/157181995x00059.

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AbstractLa diffusion dans toute l'Europe du notariat public, d'origine italienne, se situe bien avant la fin du 13e siècle. Aux Pays-Bas, pays de droit coutumier, l'introduction de cette "nouvelle" institution est facilitée par la réception des droits savants et, avant tout, par l'organisation de la justice et de l'administration ecclésiastiques. Par la suite, le notariat public y est considéré, essentiellement et à juste titre d'ailleurs, comme une institution ecclésiastique. Vers 1500 cependant, les premiers signes d'un changement apparaissent. Le notariat y subit une laïcisation et une sécu

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Varela, Laura Beck. "JURISPRUDENCE OF THE BAROQUE. A CENSUS OF SEVENTEENTH CENTURY ITALIAN LEGAL IMPRINTS. Compiled by Douglas J Osler Frankfurt am Main: Vittorio Klostermann (www.klostermann.de), Studien zur europäischen Rechtsgeschichte vols 235-237 (Bibliographica Iuridica vols 4-6), 2009. Vol 235 (A-G). lv + 848 pp. ISBN 9783465036012. €169. Vol 236 (H-S). xxix + 831 pp. ISBN 9783465036043. €164. Vol 237 (T-Z). xxix + 735 pp + CD. ISBN 9783465036050. €149." Edinburgh Law Review 14, no. 1 (2010): 175–78. http://dx.doi.org/10.3366/e1364980909001206.

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"Imprimés italiens du xvie siècle appartenant à la Fondation Barbier-Mueller." Italique, no. III (October 6, 2009): 111–26. http://dx.doi.org/10.4000/italique.195.

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Valencia, María Dolores, and Victoriano Peña. "“NI […] Á IMPRIMIR, NI ESTAMPAR NI Á DIVULGAR, NI VENDER”. EN TORNO A LA CENSURA DE LA LITERATURA ITALIANA EN LA ESPAÑA DE LA PRIMERA EDAD MODERNA." TRANSFER 18, no. 2 (2023). http://dx.doi.org/10.1344/transfer.2023.18.41204.

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Para conseguir un cuadro lo más fidedigno posible de la censura de las obras literarias italianas en España y entender la verdadera dimensión del fenómeno censorio se impone como imprescindible la comparación de la censura en Italia y en España, compuestas ambas por distintas individualidades administrativas, a lo largo de los siglo XVI y XVII con la finalidad última de poder ofrecer tanto una descripción como una interpretación generales del fenómeno, leído esta vez a la luz de un análisis de la difusión de la literatura italiana en España. De ahí la importancia del estudio de los índices tan

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Irsara, Martina, and Ulrike Domahs. "The Use of the Verb Run in English Learner-Narratives." EL.LE, no. 1 (July 30, 2020). http://dx.doi.org/10.30687/elle/2280-6792/2020/01/004.

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The present paper investigates the use of the verb RUN in texts compiled in English by three groups of multilingual learners in the North of Italy. The participants spoke three different L1s: Ladin, Italian, and German. The main objective was to ascertain whether L1 imprints could be identified in the different groups, and whether the Ladin subjects behaved more similarly to their Italian or German counterparts. Despite considerable homogeneity found across all groups, the findings surprisingly suggested a stronger closeness between the texts of Ladin and German speakers, and not – as the typo

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Ledinek Lozej, Špela, and Marjeta Pisk. "Collections, Walks, and Cultural Landscapes: Slovenian–Italian Cross-Border Heritage Initiatives." Traditiones 50, no. 1 (2021). http://dx.doi.org/10.3986/traditio2021500106.

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This article presents three examples of Slovenian–Italian cross-border heritage initiatives. The ZBORZBIRK project linked thirty-four collections from the border area. The Walk of Peace trail from the Alps to the Adriatic connects the most important remnants and monuments of the Isonzo Front in Slovenia and Italy. The municipalities in Brda/Collio are working to nominate the cultural landscape of this area for the UNESCO World Heritage List. The comparison presents the scope of the cross-border initiatives, the actors, their motivations, the actions taken, and their longevity—that is, the impr

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Sanaullah, Muhammad. "Symbolic Islamo-European Encounter in Prosody." Islamic Studies 49, no. 3 (2010). https://doi.org/10.52541/isiri.v49i3.3664.

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The aa dda a prosodic trajectory of Muwashshahat and Azjal travelling from Andalusia to Germany via Provence, Sicily and Italian cities and culminating into the domnei poetics of the troubadours, the trouveres, the Italian trovatori, the trobairitz and the German Minnesingers calls for whisking out the medieval Arab-Romance mignonette that posited itself within the modern poetics and music. Europe had waited till the twelfth century CE to be initiated into the path of love-poetry as psychic posture and a new poetic fashion, owing much to the troubadours. The courtly ideas in Europe owed greatl

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Izaguirre, Marcelo. "Informes médicos forenses de Alejandro Korn. La frontera del positivismo." Estrategias -Psicoanálisis y salud mental-, no. 6 (June 13, 2018). http://dx.doi.org/10.24215/23470933e013.

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Los Informes Médicos Forenses son relatos de casos que Alejandro Korn elevó en diferentes momentos como perito forense al juez, mientras ejerció la dirección del entonces Hospital Melchor Romero y fueron publicados en el año 1902. Presentan la peculiaridad de no ceñirse estrictamente a los cánones del relato psiquiátrico y cómo él señala, no los usa para aplicar teoría a sus casos. No obstante, en la presentación de los mismos establece la diferencia con su trabajo de tesis donde la presencia de las influencias del positivismo, en el cual se había formado, era más importante y había realizado

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Nokele, Amanda, and Koliswa Moropa. "Indlela or uhambo? Translator style in Mandela’s autobiography." Literator 37, no. 1 (2016). http://dx.doi.org/10.4102/lit.v37i2.1286.

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One of the aspects that concerns translation scholars most is the question of the translator’s style. It was realised that little research had been undertaken investigating the individual style of literary translators in terms of what might be distinct about their language usage. Consequently, a methodological framework for such an investigation was suggested. Subsequently considerable research has been conducted on style in the European languages. However, the same cannot be said about African languages. This article proposes a corpus-driven study of translators’ style, comparing isiXhosa and

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