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1

Pearce, Jonathan T., Jordan Michael-Victor Penrose, Kelly Rudolph, Brian C. Davis, and Jenicka Roche. "Books." Film Matters 10, no. 2 (2019): 61–74. http://dx.doi.org/10.1386/fm_00010_5.

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The Webcam as an Emerging Cinematic Medium, Paula Albuquerque (2018)Amsterdam: Amsterdam University Press, 244pp., ISBN: 9789462985582 (hbk), 120.00, ISBN 9789048536733 (ebk)The Flaherty: Decades in the Cause of Independent Cinema, Patricia R. Zimmermann and Scott MacDonald (2017)Indiana University Press, 360pp., ISBN: 9780253026248 (hbk), 25.00Governing Visions of the Real, Lars Weckbecker (2016)Intellect, 200pp., ISBN: 9781783204953 (hbk), 86.00Los Angeles Documentary and the Production of Public History, 1958-1977, Joshua Glick (2018)University of California Press, 277pp., ISBN: 9780520293717 (pbk), 34.95Traumatic Imprints: Cinema, Military Psychiatry, and the Aftermath of War, Noah Tsika (2018)University of California Press, 300pp., ISBN: 9780520297647 (pbk), 34.95
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2

Jamieson, Mark. "Imprints on Native Lands: The Miskito-Moravian Settlement Landscape in Honduras. Benjamin F. Tillman. Tucson." Wani 71 (October 24, 2016): 74. http://dx.doi.org/10.5377/wani.v71i0.2947.

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Imprints on Native Lands: The Miskito-Moravian Settlement Landscape in Honduras. Benjamin F. Tillman. Tucson.The University of Arizona Press. 2011. 186 pp.[Benjamin F Tillman (2004). La influencia morava en el paisaje de la Mosquitia hondureña. Editorial Guaymuras, Tegucigalpa. 319pp]Wani Vol.71 2016 pp. 74
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3

Leavelle, Tracy Neal. "Cultures in Motion: Mapping Key Contacts and Their Imprints in World History. By Peter N. Stearns. New Haven, Conn.: Yale University Press, 2001. viii + 120 pp. $35.00 cloth; $15.95 paper." Church History 74, no. 1 (2005): 214–15. http://dx.doi.org/10.1017/s0009640700110182.

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4

Mori, Shigeki. "THE “WASHINGTON SYSTEM” AND ITS AFTERMATH: REEVALUATING AFTER IMPERIALISM FROM THE PERSPECTIVE OF THE JAPANESE HISTORIOGRAPHY." International Journal of Asian Studies 3, no. 2 (2006): 255–68. http://dx.doi.org/10.1017/s1479591406000350.

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Iriye, Akira. After Imperialism. Cambridge: Harvard University Press, 1965, and New York: Atheneum, 1973, paperback; “Preface to the New Edition.” In the republished edition. Chicago: Imprint Publications, Inc, 1990.
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5

Frank, Andrew K. "Peter N. Stearns, Cultures in Motion: Mapping Key Contacts and Their Imprints in World History. New Haven and London: Yale University Press, 2001. vii + 120 pp. ISBN 0-300-08228-2 (cloth); 0-300-08229-0 (pbk.)." Itinerario 28, no. 1 (2004): 70–72. http://dx.doi.org/10.1017/s016511530001915x.

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6

Arnett, James. "DANIEL DERONDA, PROFESSOR OF SPINOZA." Victorian Literature and Culture 44, no. 4 (2016): 833–54. http://dx.doi.org/10.1017/s106015031600019x.

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For almost a decade, George Eliot labored at a translation of seventeenth-century Jewish philosopher Baruch Spinoza'sTractatus Theologico-PoliticusandEthics, and although completed, it never saw the light of day; it was the subject of a petty fight between the proposed publisher, Henry Bohn, and her partner, George Henry Lewes. The result was that for more than a century it was tucked away, first, presumably, in a drawer, and eventually, in the Beinecke Library at Yale University. Although critics and scholars have long known that she had completed this work – references abound in letters and journal entries – it wasn't published until 1981, and even then, in an obscure imprint of the Salzburg University press. Copies of this published edition, which is limited to theEthicsand capably annotated by Thomas Deegan, are quite rare and difficult to get ahold of.
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7

Bodman, Sarah. "Book arts at the Centre for Fine Print Research in Bristol." Art Libraries Journal 32, no. 2 (2007): 15–20. http://dx.doi.org/10.1017/s0307472200019143.

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This article describes some of the research projects investigating contemporary artists’ books at the Centre for Fine Print Research at the University of the West of England in Bristol. As part of its remit, the Centre explores and promotes many aspects of the book arts including contemporary creative processes and outputs. Some recent projects include the Arcadia id est touring exhibition of 118 artists’ books on the themes ornature and the landscape; Bookmarks: infiltrating the library system; and the Regenerator altered books project. The Centre also works with artists, academics, curators, institutions, galleries and bookshops to promote the book arts to a wider community. In addition it publishes reference information, guides and critical essays on artists’ books through its Impact Press imprint; these include the Artists book yearbook and The blue notebook, a journal for artists’ books.
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8

Griffin, John D. "The Imprint of Congress. By David R. Mayhew. New Haven: Yale University Press, 2017. 176p. $35.00 cloth." Perspectives on Politics 17, no. 1 (2019): 275–77. http://dx.doi.org/10.1017/s1537592718003675.

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9

Lee, Frances E. "The Imprint of Congress by David R.Mayhew. New Haven, CT, Yale University Press, 2017. 176 pp. $35.00." Political Science Quarterly 133, no. 2 (2018): 355–56. http://dx.doi.org/10.1002/polq.12784.

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10

Saade, Bashir. "Clerics and Communists." Monthly Review 67, no. 9 (2016): 48. http://dx.doi.org/10.14452/mr-067-09-2016-02_5.

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<div class="bookreview">Rula Jurdi Abisaab and Malek Abisaab, <em>The Shi'ites of Lebanon: Modernism, Communism, and Hizbullah's Islamists</em> (Syracuse, NY: Syracuse University Press, 2014), 350 pages, $49.95, hardcover.</div>In the West today, political Islam is mostly equated with ISIS's spectacle of violence, and with the narrow, bigoted understanding of religion and society that inspires it. It will thus intrigue many readers to discover that the legacy of Islamic intellectual and political activity, from the turn of the twentieth century until today, bore the imprint of a complex interaction between Communist and leftist traditions. A recent book by two professors at McGill University, Rula Jurdi Abisaab and Malek Abisaab, takes on the ambitious task of tracing the history of the sometimes symbiotic, sometimes confrontational relationship among Shi'i communities and clerics in Lebanon, along with occasional discussions of related issues in Iraqi politics. Based on a rich set of primary documents from both countries, the authors describe in great detail the rise and fall of the Communist experience in the region, the shortcomings of the left as it was gradually superseded by Islamic party formations, and the deep debt of the latter to the former.<p class="mrlink"><p class="mrpurchaselink"><a href="http://monthlyreview.org/index/volume-67-number-9" title="Vol. 67, No. 9: February 2016" target="_self">Click here to purchase a PDF version of this article at the <em>Monthly Review</em> website.</a></p>
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11

Jacobs, Ken. "Fighting for a Living Wage, by Stephanie Luce, Ithaca and London: ILR Press, an imprint of Cornell University Press, 2004, 288 pp., ISBN 0-8014-8947-4." Relations industrielles 60, no. 4 (2005): 821. http://dx.doi.org/10.7202/012345ar.

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12

Marshall, V. W. "Retirement on the Line: Age, Work, and Value in an American Factory By Caitrin Lynch IRL Press (an imprint of Cornell University Press). 2012. 228 pages. $21.95 paper." Social Forces 93, no. 4 (2013): e109-e109. http://dx.doi.org/10.1093/sf/sot010.

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13

Missingham, Roxanne. "An outstanding work: White, Kerry,Australian children’s books: a bibliography.Volume 3. Carlton, Victoria: Miegunyah Press, an imprint of Melbourne University Press 2004. Price: $120.00 720pp HB, ISBN 052285088X." Australian Library Journal 53, no. 3 (2004): 314–16. http://dx.doi.org/10.1080/00049670.2004.10721665.

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14

Huttenback, Robert A. "Britain and Indian Nationalism: The Imprint of Ambiguity, 1929–1942. By D.A. Low (New York, Cambridge University Press, 1997) 358 pp. $74.95." Journal of Interdisciplinary History 30, no. 1 (1999): 175–77. http://dx.doi.org/10.1162/jinh.1999.30.1.175.

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15

Klejment, Anne. "Elizabeth Seton: American Saint. By Catherine O'Donnell. Ithaca, N.Y.: Three Hills, an imprint of Cornell University Press, 2018. xiv + 508 pp. $36.95." Church History 90, no. 2 (2021): 464–66. http://dx.doi.org/10.1017/s0009640721001888.

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16

de Ligt, Luuk. "The imprint of imperialism. Greece under the empire - S.E. Alcock, Graecia Capta. The Landscapes of Roman Greece, Cambridge University Press, Cambridge1993, 307 pp." Archaeological Dialogues 1, no. 2 (1994): 170–73. http://dx.doi.org/10.1017/s1380203800000234.

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17

Sen, Sudipta. "Britain and Indian Nationalism: The Imprint of Ambiguity, 1929–1942. By D. A. Low. Cambridge: Cambridge University Press, 1997. Pp. xv+358. $74.95." Journal of Modern History 72, no. 1 (2000): 200–202. http://dx.doi.org/10.1086/315943.

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18

Deane, Bradley. "BOOK REVIEW: Leslie Howsam.KEGAN PAUL?A VICTORIAN IMPRINT: PUBLISHERS, BOOKS AND CULTURAL HISTORY. London: Kegan Paul International; Toronto: University of Toronto Press, 1998." Victorian Studies 43, no. 3 (2001): 471–73. http://dx.doi.org/10.2979/vic.2001.43.3.471.

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19

Kasstan, Ben. "Hausman, B.L.Anti/Vax: Reframing the Vaccination Controversy, Ithaca and London: ILR Press, an Imprint of Cornell University Press. 2019. 275pp $29.95 (hard), $14.95 (ebk) ISBN 978‐1‐5017‐3562‐2." Sociology of Health & Illness 42, no. 5 (2020): 1223–24. http://dx.doi.org/10.1111/1467-9566.13099.

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20

Rees, Jonathan. "Daniel Sidorick . Condensed Capitalism: Campbell Soup and the Pursuit of Cheap Production in the Twentieth Century . Ithaca, N.Y. : ILR Press, an imprint of Cornell University Press . 2009 . Pp. 300. $29.95." American Historical Review 116, no. 2 (2011): 473. http://dx.doi.org/10.1086/ahr.116.2.473.

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21

Fay, Peter Ward. "Britain and Indian Nationalism: The Imprint of Ambiguity, 1919–1942. By D. A. Low. Cambridge: Cambridge University Press, 1997. xvi, 358 pp. $74.95 (cloth)." Journal of Asian Studies 57, no. 4 (1998): 1206–7. http://dx.doi.org/10.2307/2659370.

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22

Goffman, Daniel. "L. Carl Brown, ed., Imperial Legacy: The Ottoman Imprint on the Balkans and the Middle East (New York: Columbia University Press, 1996). Pp. 353." International Journal of Middle East Studies 29, no. 3 (1997): 446–47. http://dx.doi.org/10.1017/s0020743800064941.

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23

Salmon, Claudine. "Wang Gungwu with Margaret Wang, Home is Where We Are, Singapore, Published under Ridge Books imprint by NUS Press, National University of Singapore [2021],." Archipel, no. 101 (June 30, 2021): 266–69. http://dx.doi.org/10.4000/archipel.2480.

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24

Skinner, Barbara. "The Public Image of Eastern Orthodoxy: France and Russia, 1848–1870. By Heather L. Bailey. Series in Orthodox Christian Studies. Ithaca, N.Y., and London: Northern Illinois University Press, an imprint of Cornell University Press, 2020. xii + 294 pages. $55.00 hardcover." Church History 90, no. 2 (2021): 472–73. http://dx.doi.org/10.1017/s000964072100192x.

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25

Siu, Kaxton. "From Migrant to Worker: Global Unions and Temporary Labor Migration in Asia. By Michele Ford. Ithaca, N.Y.: ILR Press, an imprint of Cornell University Press, 2019. xii, 195 pp. ISBN: 9781501735141 (cloth)." Journal of Asian Studies 79, no. 1 (2020): 252–53. http://dx.doi.org/10.1017/s0021911819002341.

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26

Krishna, S. "Book Reviews Asia : D.A. Low, Britain and Indian Nationalism: The Imprint of Ambiguity 1929-1942 (Cambridge, UK: Cambridge University Press, 1997), xv, 358 pp. Cloth." Journal of Asian and African Studies 34, no. 4 (1999): 447–49. http://dx.doi.org/10.1177/002190969903400407.

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27

Rosenberg, Douglas. "The International Journal of Screendance 2010." International Journal of Screendance 1 (April 30, 2018). http://dx.doi.org/10.18061/ijsd.v1i0.6156.

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No abstract availableOriginally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press.
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28

Kappenberg, Claudia, and Douglas Rosenberg. "IJSD Volume 2 2012 Scaffolding the Medium." International Journal of Screendance 2 (November 22, 2017). http://dx.doi.org/10.18061/ijsd.v2i0.6131.

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No abstract availableOriginally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
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29

Zanotti, Marisa. "When Dance is Imagined In Cinema: Disclosure in Dance Practice." International Journal of Screendance 1 (April 30, 2018). http://dx.doi.org/10.18061/ijsd.v1i0.6137.

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No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press.
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30

Bench, Harmony. "Anti-Gravitational Choreographies: Strategies of Mobility in Screendance." International Journal of Screendance 1 (April 30, 2018). http://dx.doi.org/10.18061/ijsd.v1i0.6138.

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No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press.
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31

Cooper Albright, Ann. "F a l l i n g . . . on screen." International Journal of Screendance 1 (April 30, 2018). http://dx.doi.org/10.18061/ijsd.v1i0.6139.

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No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press.
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32

Kappenberg, Claudia. "The Logic of the Copy, from Appropriation to Choreography." International Journal of Screendance 1 (April 30, 2018). http://dx.doi.org/10.18061/ijsd.v1i0.6140.

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No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press.
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33

Norman, Kyra. "In and Out of Place: Site-based Screendance." International Journal of Screendance 1 (April 30, 2018). http://dx.doi.org/10.18061/ijsd.v1i0.6141.

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No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press.
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34

Temperley, Susana. "Perplexed Writing: Towards a Possible Encounter between Criticism and Videodance." International Journal of Screendance 1 (April 30, 2018). http://dx.doi.org/10.18061/ijsd.v1i0.6142.

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No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press.
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35

Temperley, Susana. "La Escritura Perpleja. Hacia Un Posible Uncuentro Entre Crítica Y Videodanza." International Journal of Screendance 1 (April 30, 2018). http://dx.doi.org/10.18061/ijsd.v1i0.6143.

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No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press.
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36

Whatley, Sarah. "The Spectacle of Difference: Dance and Disability on Screen." International Journal of Screendance 1 (April 30, 2018). http://dx.doi.org/10.18061/ijsd.v1i0.6144.

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No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press.
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37

Whyte, Chirstinn. "The Evolution of the ‘A’ Word Changing Notions of Professional Practice in Avantgarde Film and Contemporary Screendance." International Journal of Screendance 1 (April 30, 2018). http://dx.doi.org/10.18061/ijsd.v1i0.6145.

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No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press.
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38

Shim Sham*, Cari Ann. "Cutting Rhythms: A New Perspective on the Rhythmic and Choreographic Nuances of the Edit." International Journal of Screendance 1 (April 30, 2018). http://dx.doi.org/10.18061/ijsd.v1i0.6146.

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No abstract availableThis review essay was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press.
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39

Lockyer, Bob, and Douglas Rosenberg. "Bob Lockyer." International Journal of Screendance 1 (April 30, 2018). http://dx.doi.org/10.18061/ijsd.v1i0.6147.

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No abstract availableThis interview was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press.
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40

Rosenberg, Douglas. "Excavating Genres." International Journal of Screendance 1 (April 30, 2018). http://dx.doi.org/10.18061/ijsd.v1i0.6167.

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No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press.
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41

Rosenberg, Doug, and Claudia Kappenberg. "Screendance: The Practice in Print." International Journal of Screendance 1 (April 30, 2018). http://dx.doi.org/10.18061/ijsd.v1i0.6380.

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No abstract availableThis editorial was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press.
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42

Kappenberg, Claudia, and Douglas Rosenberg. "Editorial: Scaffolding the Medium." International Journal of Screendance 2 (April 12, 2012). http://dx.doi.org/10.18061/ijsd.v2i0.6887.

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No abstract availableThis editorial was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
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43

Kappenberg, Claudia. "Cinema Has Not Yet Been Invented: Lecture by Ian Christie." International Journal of Screendance 2 (May 16, 2019). http://dx.doi.org/10.18061/ijsd.v2i0.6888.

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No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
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44

Cooper Albright, Ann. "The Tensions of Technē: On Heidegger and Screendance." International Journal of Screendance 2 (May 16, 2019). http://dx.doi.org/10.18061/ijsd.v2i0.6889.

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No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
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45

Dils, Ann. "Moving Across Time with Words: Toward An Etymology of Screendance." International Journal of Screendance 2 (May 16, 2019). http://dx.doi.org/10.18061/ijsd.v2i0.6890.

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No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
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46

De Spain, Kent. "The Sorrow and the Pithy: Six Short Statements on Heidegger and Technology." International Journal of Screendance 2 (May 16, 2019). http://dx.doi.org/10.18061/ijsd.v2i0.6891.

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No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
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47

Naugle, Lisa, and John Crawford. "Reflections on Heidegger: Performing Translations in Active Space Environments." International Journal of Screendance 2 (May 16, 2019). http://dx.doi.org/10.18061/ijsd.v2i0.6892.

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No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
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48

Lopez, Tom. "The Twins Paradox: Bifurcation & Unification." International Journal of Screendance 2 (May 16, 2019). http://dx.doi.org/10.18061/ijsd.v2i0.6893.

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No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
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49

Bench, Harmony. "Introduction: Amelia Jones." International Journal of Screendance 2 (May 16, 2019). http://dx.doi.org/10.18061/ijsd.v2i0.6894.

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No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
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50

Kosstrin, Hannah. "Notation Score as Embodied Documentary Presence: A Response to Amelia Jones's "'Presence' in Absentia"." International Journal of Screendance 2 (May 16, 2019). http://dx.doi.org/10.18061/ijsd.v2i0.6895.

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No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
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