Relevant bibliographies by topics / Improvisation in antique style"

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Improvisation in antique style"'

Author: Grafiati
Published: 4 June 2025
Last updated: 15 July 2025

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Journal articles on the topic "Improvisation in antique style""

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Prokopovych, Lada. "Reflecting the theatralization of life in the prospects of transhumanism." EUREKA: Social and Humanities, no. 4 (July 30, 2021): 3–8. https://doi.org/10.21303/2504-5571.2021.001972.

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The crisis state of society at the beginning of the 21st century is increasingly described as chaos. At the same time, the desire of people to theatricalization of many types of their activities remains unchanged. This gives grounds to consider the theatricality of being as a sociocultural constant, immanently inherent in humanity. The fact that it persists even during periods of cardinal changes, social transformations, civilizational shifts, breaking cultural stereotypes, destruction of traditional institutions and discreditation of established ideals can be explained by the fact that theatr
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Tsebrii, I., and Y. Dudnyk. "THE IMAGE OF JAZZ IN UKRAINIAN POPULAR MUSIC AND THE SIGNIFICANCE OF SUBCULTURES IN IT." Philosophical Horizons, no. 48 (July 31, 2024): 70–80. http://dx.doi.org/10.33989/2075-1443.2024.48.308072.

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The image of jazz in Ukrainian pop music is reproduced, the subcultures that dominate its modern manifestations are shown: African music, Irish-European melodies and rhythms, the interaction between pop music and folklore, a diametrically symmetrical structure, the appropriate composition of variable phrases (voice-instrument), various combinations of timbre acoustic electronics, a fusion of Ukrainian folklore and rock music. But, first of all, it is a harmonious combination of Afro-European traditions with Ukrainian folklore, its best examples. The article also talks about the leading masters
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Kennedy, Raymond F. "Jazz Style and Improvisation Codes." Yearbook for Traditional Music 19 (1987): 37. http://dx.doi.org/10.2307/767876.

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Zhang, Qi. "Grover Washington Jr.’s style of improvisation on the saxophone." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 62, no. 62 (2022): 107–23. http://dx.doi.org/10.34064/khnum1-62.07.

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Statement of the problem. Creativity of Gr. Washington Jr. studied, although he was a very popular performer and improviser. The official site provides the most detailed material on the heritage of Gr. Washington Jr., a section is not well of A. West’s dissertation (Aaron J. West) is devoted to the method of his improvisation, Gr. Washington Jr. is mentioned in studies on the theory and history of jazz (Aebersold, 1992; Ellenberger, 2005; Levine, 1995) as well as in a research essay on “smooth” jazz (Flynn, 2014; Mader, 2012). The purpose of the article is to outline the main features of Grove
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Malcomson, Hettie. "Cuban Flute Style: Interpretation and Improvisation." Ethnomusicology Forum 24, no. 3 (2015): 478–80. http://dx.doi.org/10.1080/17411912.2015.1050434.

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Clogan, Paul M. "Lydgate and the Roman Antique." Florilegium 11, no. 1 (1992): 7–21. http://dx.doi.org/10.3138/flor.11.002.

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The obsession with Lydgate's style, according to Derek Pearsall, "is endless, and to some extent self-sufficient, for there is no other poet in whom 'style' becomes so nearly an end in itself, a fixed entity, whose relation to 'subject' is one of abstract congruence not expressive embodiment." For John Ganim Lydgate's "often prolix narrative style . . . can be understood as part of a process of literary history that begins to include an audience broader than the court or monastery. His style comes about from a union of the perspectives of the court and the cloister; . . . his creation of a voi
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Li, Tianchang. "Analysis of Electric Guitar Improvisation Techniques." Journal of Contemporary Educational Research 7, no. 9 (2023): 86–90. http://dx.doi.org/10.26689/jcer.v7i9.5350.

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As an important form of modern fusion music performance, electric guitar improvisation is widely praised and welcomed for its unique performance style. The main points and difficulties of its performance lie in tone switching, speed playing skills, and grasping the title, mood, and style of the music. Therefore, it is necessary to integrate the conventional techniques of string sweeping, pizzicato, and dotted strings with improvisation, applying differentiated rhythmic rhythms, timbre modulation, and special playing techniques to deepen the distinctive art-rock music characteristics.
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Liu, Yi. "THE "COMMONALITY" AND "DIVERSITY" OF THE IMPROVISED ELEMENTS IN WESTERN ORCHESTRAL MUSIC." Scientific heritage, no. 123 (October 23, 2023): 3–7. https://doi.org/10.5281/zenodo.10032897.

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For Western orchestral music, it not only plays an indispensable role in the world music field, but also because of its strong blending characteristics, improvisation elements are used by performers in their daily lives or performance activities. In fact, improvisation elements belong to local residents in a certain region or improvised tunes or lyrics created by Western orchestral performers based on the on-site atmosphere. This article will explore the commonalities and diversity in the improvisation components of Western orchestral music, focusing on the beauty of improvisation and the cont
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Burov, Andrey Mikhailovich. "Early Antique Imagery." Journal of Flm Arts and Film Studies 2, no. 3 (2010): 30–40. http://dx.doi.org/10.17816/vgik2330-40.

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The article deals with the early antique period of image functioning (Geometric art, Archaic Greece, Physis Philosophy, Pythagoras). The author reviews the main image strategies of the time, the key one being overcoming the featureless imagery and creating model image constructions, i.e. the initial stage in the history of image development (from Geometrics to the invention of photography in the early 1900s). The softening of linear configurations and shaping of large mental images parallel to ixed style forms make it possible to see the emergence of the exemplary image.
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Palmer, C. Michael. "Instrumental Jazz Improvisation Development." Journal of Research in Music Education 64, no. 3 (2016): 360–78. http://dx.doi.org/10.1177/0022429416664897.

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The purpose of this exploratory study was to examine the role aural imitation ability, jazz theory knowledge, and personal background variables play in the development of jazz improvisation achievement. Participants ( N = 70) included 26 high school and 44 college instrumentalists with varying degrees of jazz improvisation experience. Data were collected using four researcher-designed instruments: (a) Participant Improvisation Experience Survey (PIES), (b) Improvisation Achievement Performance Measure (IAPM), (c) Aural Imitation Measure (AIM), and (d) the Jazz Theory Measure (JTM). Results ind
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Dissertations / Theses on the topic "Improvisation in antique style""

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Rink, John. "The evolution of Chopin's 'structural style' and its relation to improvisation." Thesis, University of Cambridge, 1989. https://www.repository.cam.ac.uk/handle/1810/246765.

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This dissertation has four principal goals: 1. to provide Heinrich Schenker's theoretical notion of improvisation with an historical context, thus laying the groundwork for a Schenkerian study of Chopin's 'improvisatory' compositions; 2. by analysing most of his early pieces and several mature ones, to define Chopin's 'structural style', i.e" the shared structural principles on which music from different genres was based; and by studying the evolution of his 'structural style' from 1817 to 1832, to show how Chopin developed the ability to conceive works as unified compositional statements rath
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Saint-Paul, Jean-Michel. "L'électro-jazz européen : (influences, diversités, et cristallisation d'un style)." Paris 8, 2010. http://octaviana.fr/document/159662982#?c=0&m=0&s=0&cv=0.

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Ce travail tente de caractériser l'électro-jazz en tant que style musical, ayant émergé dans les années 90. On y traite des influences musicales, aussi bien issues des recherches de Miles Davis, du funk de Herbie Hancock, du style de Pat Metheny ou encore de celui de Terje Rypdal. Lié à l'orientation artistique et commerciale du label ECM. , l'électro jazz se caractérise sur le plan esthétique par des atmosphères aériennes, souvent suggérées par la création graphique des pochettes de disques. Sur le terrain européen et scandinave, ECM aura contribué à un répertoire de l'électro-jazz particuliè
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Eristov, Hélène. "Les éléments architecturaux dans la peinture du quatrième style en Campanie : typologie." Paris 4, 1986. http://www.theses.fr/1986PA040417.

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En Campanie (Italie du sud), les trois villes de Pompéi, Herculanum et Stabies (Varano et San Marco) présentent des peintures murales appartenant au quatrième style (environ 40-79 ap. J. -C. ). Le corpus, non exhaustif, comprend 114 pièces au décor lisible; l'information est complétée par la documentation ancienne (gravures du XVIIIe et du XIXe siècles). L'étude des motifs architecturaux prédominants dans ce style, permet de retrouver des ateliers et de reprendre la chronologie interne de cette phase. L'établissement de la typologie des éléments utilisés constitue la première étape de ce progr
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Florin, Ludovic. "Par-delà les clivages ou l’harmonie des contraires : une approche de la musique d’Enrico Pieranunzi." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040177/document.

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Notre thèse pose essentiellement la question d’un principe de dépassement des apparentes contradictions stylistiques dans la musique du jazzman Enrico Pieranunzi (né en 1949) en établissant les stratégies élaborées en vue de ce dépassement. Cela au travers de ses multiples pratiques : au sein même de l’idiome jazz (influences) ; dans la confrontation entre les styles (jazz et musique occidentale de tradition écrite) ; enfin dans le dualisme dépassé entre improvisation et écriture.Après avoir tracé le parcours du pianiste, les processus à l’oeuvre dans sa musique sont discutés à travers trois a
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Mounzer, Jason. "Law of the Shortest Way and Jazz Improvisation: A Voice-Leading Model for the Analysis of "'Round Midnight"." Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/38196.

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This thesis presents a method of analyzing jazz improvisation and jazz style by using a voice-leading model called “Top Lines.” It compares three separate performances of Thelonious Monk’s “’Round Midnight” by Monk, Gerry Mulligan, and Wes Montgomery. The term Top Lines refers to a voice-leading procedure created by moving as little as possible between chords tones (roots, thirds, fifths, sevenths, and upper functions) of a chordal progression. Top Lines are potential voice-leading lines in the uppermost register and follow the “Law of the Shortest Way.” The thesis defines Top Lines, shows how
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Rutherford, Ian C. "Canons of style in the Antonine age : idea-theory in its literary context /." Oxford (GB) : Clarendon press, 1998. http://catalogue.bnf.fr/ark:/12148/cb376740641.

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Karns, Keith. "Woody Shaw: Development of Style in Three Versions of "The Moontrane”." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849774/.

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Woody Shaw is one of the most influential jazz trumpet players of the past fifty years. Despite his importance, very few models exist that contextualize Shaw's improvisatory approach inside modern jazz pedagogy. Writers such as Rex Richardson, Eric O'Donnell, and Gavin Franklin have identified key elements of Shaw's style, and have begun a critical examination of Shaw's music. While extensive, these approaches do not take into consideration the impact free jazz had on Shaw's technique, nor do they provide a model for how to duplicate Shaw's style. This project examines four elements of Shaw's
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Kelly, Kenneth Todd. "Chet Baker : a study of his improvisational style, 1952-1959." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1167797.

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The purpose of this study was to identify characteristics of jazz trumpeter Chet Baker's improvisational style, both instrumental and vocal, during the early period of his career (1952-1959). Baker's early years were divided into six periods, based on major milestones: The Charlie Parker Groups (1952-1953), The Gerry Mulligan Quartet and Tentette (1952-1953), The Chet Baker Quartets (1953-1956), The European Groups (1955-1956), Quartets, Quintets, and Sextets (1956-1957), and The Riverside Recordings (1958-1959). Improvised lines and chord changes from fifteen solos were transcribed and analyz
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KOSMYNA, DAVID J. "WHAT YA WANT ME TO DO?: A GUIDE TO PLAYING JAZZ TRUMPET/CORNET IN THE NEW ORLEANS STYLE." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148060987.

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Cosma, Olivier. "Recherches sur le grand style dans les discours de Cicéron." Lyon 3, 2001. http://www.theses.fr/2001LYO31018.

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La notion de "grand style" (genus graue) s'inscrit dans une longue tradition rhétorique gréco-latine ici esquissée. L'apport de Cicéron lui-même est important et gradué : si le "De Oratore" contient déjà de nombreux outils pour l'étude du numerus et des figures, l'Orator les précise en leur donnant une touche plus personnelle pour ce qui est des jugements de goût. Ce dernier traité indique en outre que trois discours : le "Pro Caecina", le "De Imperio Cn. Pompei", et le "Pro Rabirio perduellionis reo" sont des représentants respectifs des style simple, moyen et grand. L'idée de base est de con
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Books on the topic "Improvisation in antique style""

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Grigg, Rubena. Antique style: 35 step-by-step period decorating ideas. Lyons Press, 1999.

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George, Grotz, ed. The Current antique furniture style & price guide: With decorative accessories. Doubleday, 1993.

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Meyer-Denkmann, Gertrud. Körper, Gesten, Klänge: Improvisation, Interpretation und Komposition neuer Musik am Klavier. Pfau, 1998.

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Grigg, Rubena. Decorating tricks antique style: 35 step-by-step period decorating ideas. Hamlyn, 1999.

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Mike, Steinel. Essential Elements for Jazz Ensemble a Comprehensive Method for Jazz Style and Improvisation / Conductor. Edited by Michael Sweeney. Hal Leonard Publishing Corporation, 2000.

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T, Labaco Ronald, and High Museum of Art, eds. The allure of the automobile: Driving in style, 1930-1965. High Museum of Art, 2010.

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architect, Mehta Geeta, and Murata Noboru, eds. Japan style: Architecture + interiors + design. Tuttle, 2005.

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Paul, Macapia, ed. Antique silver servers for the dining table: Style, function, foods, and social history. Joslin Hall Pub., 1991.

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Blumin, Leonard. Victorian decorative art: A photographic study of ornamental design in antique doorknobs. Antique Doorknob Collectors of America, 1999.

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Antique Style. Aurum Press, 2000.

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Book chapters on the topic "Improvisation in antique style""

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Assayag, Gerard, George Bloch, Arshia Cont, and Shlomo Dubnov. "Interaction with Machine Improvisation." In The Structure of Style. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-12337-5_10.

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Terefenko, Dariusz. "The Tristano Style of Improvisation." In Jazz Theory. Routledge, 2017. http://dx.doi.org/10.4324/9781315305394-19.

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Terefenko, Dariusz. "The Tristano Style of Improvisation." In Jazz Theory Workbook. Routledge, 2019. http://dx.doi.org/10.4324/9780429445477-19.

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Rigby, Kate. "Contact Improvisation." In Manifesto for Living in the Anthropocene. punctum books, 2015. https://doi.org/10.21983/p3.0100.1.10.

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Contact Improvisation is a form of dance. As the name sug-gests, this is not the kind of dance where everybody knows the steps in advance. While its moves are unscripted, Contact Improvisation also differs from the semi-solo style of arm-flailing and hip-swiveling in which many of us learnt to en-gage as teenagers, for its practitioners are required to remain at all times in close proximity to a partner. “Characteristically performed in a duet,” explains Hellene Gronda:Contact Improvisation combines the freedom to move spontaneously with an injunction to maintain a physical relationship with your partner(s), usually through touch, but also through commitment to a mutual trajectory based on a shared centre of gravity. Body awareness is fundamental to safe practice of the form because it is like-ly to include falling and spatial disorientation. It can be awkward, spectacularly dangerous, or breathtaking and tender. ... Contact Improvisation is primarily practiced in a community activity called a Jam. ( Gronda 2005, 28–29).
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Burnham, Scott. "The fate of the antepenultimate: fantasy and closure in the Classical style." In Musical Improvisation and Open Forms in the Age of Beethoven. Routledge, 2017. http://dx.doi.org/10.4324/9781315406381-12.

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Grazian, Andrea. "La stazione Termini di Roma. Gli acquerelli di Lucilio Cartocci sulle pitture trovate tra 1947 e 1948." In Reproduire la peinture antique du XVIIIe au XXe siècle. Publications du Centre Jean Bérard, 2024. https://doi.org/10.4000/146k9.

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Un ensemble d’aquarelles réalisé principalement par Lucilio Cartocci (mais aussi par Luigi Belli) sur les découvertes archéologiques faites en 1947 (qui se sont poursuivies jusqu’en 1949) lors des travaux de construction de la station de métro de la piazza dei Cinquecento et de la rénovation simultanée de la gare de Termini est conservé dans les archives historiques du palais Altemps. Le corpus constitue probablement le dernier exemple de l’utilisation de l’aquarelle comme outil privilégié de documentation et d’interprétation des vestiges archéologiques. Les œuvres de Lucilio Cartocci sont non seulement d’une importance fondamentale pour notre connaissance de la décoration d’un complexe antique détruit (composé d’une domus et de thermes), mais elles témoignent également de l’extraordinaire capacité d’un artiste à suggérer l’Antiquité à travers un style très personnel dont le principal protagoniste est la couleur. La visualisation complète des aquarelles a également permis d’avancer quelques hypothèses sur la méthodologie de travail adoptée, qui s’inscrit dans l’extraordinaire opération promue par Anton Luigi Pietrogrande. Son opération a eu pour objectif de sauvegarder la mémoire d’un contexte archéologique exceptionnel dont, autrement, seule une partie des peintures et des mosaïques, transportées et aujourd’hui exposées au Musée National Romain, aurait survécu.
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Arba, Eleonora. "Per la ritrattistica di Antonio Montauti. Tre busti inediti di eruditi fiorentini." In Studi e saggi. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-181-5.11.

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This paper presents for the first time three plaster sculptures made by the Florentine artist Antonio Montauti (1683-1746) and currently preserved at the Biblioteca Roncioniana in Prato. The subjects of these portraits are Tuscan literates and academics Anton Maria Salvini, Francesco Baldovini and Giovanni Battista Casotti. The three busts were most likely made around 1713: this date is indicated on Salvini’s portrait, allowing us to speculate on the existence of a series of portraits of Florentine literates, much like Montauti’s famous series dedicated to Tuscan illustrious men (Ficino and Machiavelli amongst others). These busts also give us the chance to take a further look at Montauti’s style, unveiling his interest towards antique sculpture at such an early stage of his activity.
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Foster, Frances. "Learning the Jeweled Style." In A Late Antique Poetics? Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781350346437.ch-004.

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Hadjittofi, Fotini. "The Greek Jeweled Style." In A Late Antique Poetics? Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781350346437.ch-002.

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Abele, Andreas. "The Jeweled Style and Neoplatonism." In A Late Antique Poetics? Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781350346437.ch-017.

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Conference papers on the topic "Improvisation in antique style""

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Chang, Huixin. "Research on the Style Transfer Fusion Model of Piano Improvisation Accompaniment Driven by Artificial Intelligence." In 2025 IEEE International Conference on Electronics, Energy Systems and Power Engineering (EESPE). IEEE, 2025. https://doi.org/10.1109/eespe63401.2025.10987560.

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Peng, Peng. "Shanghai Style Antique Painting Exploration." In 2015 International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2015. http://dx.doi.org/10.2991/icadce-15.2015.19.

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Ворошилова, О. М., and А. Н. Ворошилов. "GOLD IN FUNERAL CLOTHING OF LATE ANTIQUE PHANAGORIA." In Hypanis. Труды отдела классической археологии ИА РАН. Crossref, 2023. http://dx.doi.org/10.25681/iaras.2022.978-5-94375-381-7.53-68.

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Статья посвящена костюму жителей позднеантичной Фанагории, украшенному золотом. Женский убор с золотыми бляшками, типичный для варварской аристократии гуннского времени, связан с Боспором и широко известен в комплексах позднеантичного времени. Однако погребений, где элементы костюма сохранились in situ немного. В Фанагории нашивные украшения одежды происходят из девяти престижных погребальных комплексов. Эти материалы позволяют реконструировать женский погребальный костюм Боспора Киммерийского в позднеантичное время. Особую ценность имеет комплекс из северной камеры склепа 315/2019, в котором
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Liu, Ruixue, Baoyang Chen, Meng Chen, Youzheng Wu, Zhijie Qiu, and Xiaodong He. "Mappa Mundi: An Interactive Artistic Mind Map Generator with Artificial Imagination." In Twenty-Eighth International Joint Conference on Artificial Intelligence {IJCAI-19}. International Joint Conferences on Artificial Intelligence Organization, 2019. http://dx.doi.org/10.24963/ijcai.2019/951.

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We present a novel real-time, collaborative, and interactive AI painting system, Mappa Mundi, for artistic Mind Map creation. The system consists of a voice-based input interface, an automatic topic expansion module, and an image projection module. The key innovation is to inject Artificial Imagination into painting creation by considering lexical and phonological similarities of language, learning and inheriting artist’s original painting style, and applying the principles of Dadaism and impossibility of improvisation. Our system indicates that AI and artist can collaborate seamlessly to crea
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Socican, Igor. "The New Orleans and Chicago styles aspects from the perspective of the jazz double bass." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.05.

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The author aims to outline some aspects of the New Orleans and Chicago Jazz styles, to show the importance of the ethnic, geographical, and legal factors in the emergence of New Orleans Jazz in the early 1900s and its later derivation into the Chicago Style in the 1920s. There are examined the beneficial predecessor factors of these styles — the evolution of street brass band orchestras (marching bands), the spirituals, the blues and ragtime and their stylistic features, collective improvisation, the call-and-response principle, that have been the base for the development of jazz music in gene
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Wysokowski, A. "Rebuilding of the Historic St Mary’s Cathedral in the Capital of Western Australia." In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0633.

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<p>St Mary's Cathedral in Perth, Western Australia, is the Archbishop church of the Archdiocese. This sacral building was built in neo-Gothic style during the years 1863-1865. The cathedral was officially dedicated and opened for service on 29th January, 1865. In 1973 it was proclaimed the Marian Sanctuary and now represents one of the largest religious facilities in Perth. In 2005, city authorities together with the Archdiocese, made a collective decision on the necessity of a comprehensive renovation. The renovation was critical due to the danger posed by the technical and physical con
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