Relevant bibliographies by topics / Improvise

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Improvise'

Author: Grafiati
Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Improvise"

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Kloeckl, Kristian. "The Urban Improvise." Design Issues 33, no. 4 (2017): 44–58. http://dx.doi.org/10.1162/desi_a_00460.

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In this article I draw a parallel between the responsive nature of urban environments in today's hybrid cities and improvisation in the performing arts. By drawing on material from the practice and study of improvisation, as well as the humanities and social sciences, I examine the nature of improvisation and its relationship with urban life. Based on this approach, four key positions are proposed as foundational elements for an improvisation-based model of urban interaction design. A brief analysis examines this model in relation to three existing projects, and by using responsive urban light
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Schiaffini, Giancarlo. "Never improvise improvisation." Contemporary Music Review 25, no. 5-6 (2006): 575–76. http://dx.doi.org/10.1080/07494460600990711.

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Norgaard, Martin. "How Jazz Musicians Improvise." Music Perception 31, no. 3 (2012): 271–87. http://dx.doi.org/10.1525/mp.2014.31.3.271.

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It is well known that jazz improvisations include repeated rhythmic and melodic patterns. What is less understood is how those patterns come to be. One theory posits that entire motor patterns are stored in procedural memory and inserted into an ongoing improvisation. An alternative view is that improvisers use procedures based on the rules of tonal jazz to create an improvised output. This output may contain patterns but these patterns are accidental and not stored in procedural memory for later use. The current study used a novel computer-based technique to analyze a large corpus of 48 impro
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Johnson-Laird, P. N. "How Jazz Musicians Improvise." Music Perception 19, no. 3 (2002): 415–42. http://dx.doi.org/10.1525/mp.2002.19.3.415.

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This article defends the view that theories of creativity should be computable and that only three sorts of algorithm can be creative. It proposes a central principle of algorithmic demands for jazz improvisation: a division of labor in terms of computational power occurs between the creation of chord sequences for improvisation and the creation of melodic improvisations in real time. An algorithm for producing chord sequences must be computationally powerful, that is, it calls for a working memory or a notation of intermediate results. Improvisation depends on the ability to extemporize new m
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Jacobsen, Erica K. "Improvise, Adapt, and Overcome." Journal of Chemical Education 85, no. 1 (2008): 13. http://dx.doi.org/10.1021/ed085p13.

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Haidrani, Layla. "An ability to improvise." Emergency Nurse 24, no. 10 (2017): 41. http://dx.doi.org/10.7748/en.24.10.41.s28.

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Bengtsson, Sara L., Mihály Csíkszentmihályi, and Fredrik Ullén. "Cortical Regions Involved in the Generation of Musical Structures during Improvisation in Pianists." Journal of Cognitive Neuroscience 19, no. 5 (2007): 830–42. http://dx.doi.org/10.1162/jocn.2007.19.5.830.

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Studies on simple pseudorandom motor and cognitive tasks have shown that the dorsolateral prefrontal cortex and rostral premotor areas are involved in free response selection. We used functional magnetic resonance imaging to investigate whether these brain regions are also involved in free generation of responses in a more complex creative behavior: musical improvisation. Eleven professional pianists participated in the study. In one condition, Improvise, the pianist improvised on the basis of a visually displayed melody. In the control condition, Reproduce, the participant reproduced his prev
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Bernier, Francie. "Editorial - Nurses: The Professionals Who Improvise to Improve Our World." Urologic Nursing 36, no. 5 (2016): 215. http://dx.doi.org/10.7257/1053-816x.2016.36.5.215.

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Snell, II and Azzara. "Collegiate Musicians Learning to Improvise." Bulletin of the Council for Research in Music Education, no. 204 (2015): 63. http://dx.doi.org/10.5406/bulcouresmusedu.204.0063.

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Ferrell, Betty Rolling, and Margo McCalfery. "HOW WELL DO YOU IMPROVISE?" Nursing 24, no. 5 (1994): 85. http://dx.doi.org/10.1097/00152193-199405000-00027.

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Dissertations / Theses on the topic "Improvise"

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Dourado, Ana Karícia Machado. "Chanchada: performance do insólito e paradoxo do comediante." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-31032014-120055/.

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Esta pesquisa procura compreender os diferentes desenhos plásticos assumidos pela chanchada em sua importante trajetória na história da cultura no Brasil no século XX. Na constituição da chanchada como performance do insólito várias práticas teatrais desempenharam um papel importante, mas acreditamos que foi sobretudo o trabalho dos atores e atrizes brasileiros que mais contribuiu para sua constituição. Presente em produções artísticas interessadas em figurar a insolidez da vida nacional e notando a importância do trabalho do ator Grande Otelo nesse processo, nosso interesse foi situar a traje
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Rabiet, Scott William. "Planning to improvise : design for the Boynton Yards industrial area." Thesis, Massachusetts Institute of Technology, 1992. http://hdl.handle.net/1721.1/69294.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1992.<br>Includes bibliographical references (p. 52-53).<br>Assuming the need to transform industrial culture, one might begin with an attempt to re-value the industrial environment itself. While mistrusting those practices that left behind derelict sites and structures, we inherit these artifacts with the obligation to improvise new forms on the themes they establish. Reoccupation of an abandoned industrial area becomes then, a project of recuperation specific to a particular si te and culture. The area under inv
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Oliveira, Luciano Nunes de. "Figuras do Feminino na Cantoria Nordestina." Universidade Estadual da Paraíba, 2009. http://tede.bc.uepb.edu.br/tede/jspui/handle/tede/2169.

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Made available in DSpace on 2015-09-25T12:23:40Z (GMT). No. of bitstreams: 1 Luciano Nunes de Oliveira.pdf: 599279 bytes, checksum: ddd7109b51dfd6201f5f8a7ccfd28e79 (MD5) Previous issue date: 2009-11-26<br>In the last 50 years several changes have been taken place in the social field causing a rupture of centenary behavior taboos. In this scenery, one of those most relevant events has been women's battles and victories trajectory. Improvisation poetry as a cultural value of its people is a valuable instrument for understanding human relationships. By the way, the purpose of this essay is to
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Holgate, Gary David. "Interactions in improvised music: people at play." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/10076.

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Interactions in improvised music: people at play This project began as an open exploration of musical interactions in a trio in which I have played bass for many years. We gave three concerts for the project and I explored our interactions by talking with the pianist/bandleader and drummer after each concert. They described a broad range of interactions and explored a number of different conceptions of what entails a musical interaction. The musicians were keen to talk about the factors that motivate them to perform together, mainly the desire to play. Play, for them, is its own reward. They a
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Shottenkirk, B. A. "Improvise, adapt, and overcome : the archaeology of material transformation in conflict." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1396233/.

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Evidence of individual decision-making and how the subsequently implemented actions may contribute to long-term material change are largely absent from the archaeological record. Indeed, due to a paucity of clearly associated artefacts, few archaeological studies attempt to explore the role, or even the reality, of how individual decisions and actions may impact macro-scale change. This dissertation addresses this deficiency and examines specific artefacts created within the context of a historical conflict to investigate both the practical implications and theoretical considerations of micro-
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Sjösten, Christoffer. "YouTube som resurs för lärande av improviserat solospel : En studie av den virtuella gitarrläraren." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-76361.

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This study focus on six video tutorials found on YouTube that teach how to improvise blues guitar solos. The study has grounded theory as its theoretical perspective and uses two kinds of scientific observations: unstructured and structured. First unstructured observations were made of all the video tutorials, whereby eleven categories and twelve undercategories was found. These where then used as observational categories for new observations of the video tutorials. The categories where then analyzed and found to be connected through a central category object of teaching (in Swedish: lärandeob
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Falcone, John Paul. "Creative, Critical, and True: Training Students to Improvise Responsibly with Biblical Text: A Pragmatist, Spirit-led Model." Thesis, Boston College, 2015. http://hdl.handle.net/2345/bc-ir:104536.

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Thesis advisor: Theresa A. O'Keefe<br>In this dissertation, I argue that Bible education is best understood as training students to improvise responsibly with Scripture. I explore this pedagogical model by reflecting on my experience as a Bible instructor at Cristo Rey New York High School, an inner city Catholic school. The goal of a Cristo Rey education is the integral liberation of students. In the language of liberation theology, to be "integrally liberated" is to survive and to thrive on all levels - material, cultural, psychosocial, and spiritual. Learning to improvise responsibly with S
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Irvine, Ian Kyle. "But what I really want to do is write : adapting the Mike Leigh Method for writers for the stage." Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/20126/1/Ian_Irvine_Thesis.pdf.

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This thesis, comprised of a stage play and exegesis, asks whether the Mike Leigh Method, commonly used by Auteur directors could be adapted to benefit a playwright during the redrafting and development process. I seek to answer this question by examining differing methodologies of drama creation and charting my process as I work to redraft my character driven stage play Deceased Estate through the adaptation and application of the Mike Leigh Method. I contend that Leigh’s method affords a set of honed and proven guidelines that can help the playwright get to the heart of the character driven d
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Irvine, Ian Kyle. "But what I really want to do is write : adapting the Mike Leigh Method for writers for the stage." Queensland University of Technology, 2008. http://eprints.qut.edu.au/20126/.

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This thesis, comprised of a stage play and exegesis, asks whether the Mike Leigh Method, commonly used by Auteur directors could be adapted to benefit a playwright during the redrafting and development process. I seek to answer this question by examining differing methodologies of drama creation and charting my process as I work to redraft my character driven stage play Deceased Estate through the adaptation and application of the Mike Leigh Method. I contend that Leigh’s method affords a set of honed and proven guidelines that can help the playwright get to the heart of the character driven d
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Vigran, Joshua. "The Rise and Fall of Piano Improvisation in Western Classical Music Performance: Why Today's Piano Students Should be Learning to Improvise." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1703338/.

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Improvisation is an art form which has arguably been present since the existence of music itself. Inventing music on the spot, like spontaneous speech, is a common expression of artistry throughout history and across musical boundaries. While improvisation has maintained its importance in jazz, classical organ music and the music of many eastern cultures, this dissertation will focus on the presence of improvisation as acceptable performance practice within the tradition of western classical music. At several points in history, this musical tradition was encouraged and even expected to be a re
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Books on the topic "Improvise"

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Laugier, Jean. La nuit improvise. Coop Breizh, 1997.

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Crook, Hal. Ready, aim, improvise! Advance Music, 1999.

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Bru, Bernadette. Le Contre improvise. De Boeck- Wesmael, 1988.

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Luigi, Pirandello. Tonight we improvise ; and, "Leonora, addio!". Canadian Society for Italian Studies, 1987.

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King, Nick. Education under occupation: Learning to improvise. Discovery Analytical Resourcing, 2005.

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Improvise: Scene from the inside out. Portsmouth, NH, 2004.

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Butler, Larnell Custis. Improvise in the amen corner: Drawings & poems. Passager Books, 2007.

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Polsky, Milton E. Let's improvise: Becoming creative, expressive & spontaneous through drama. University Press of America, 1989.

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Guard, J. S. Improvise and dare: War in the Aegean 1943-1945. Book Guild, 1997.

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Polsky, Milton E. Let's improvise: Becoming creative, expressive & spontaneous through drama ; foreword by Nellie McCaslin. 3rd ed. Applause, 1998.

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Book chapters on the topic "Improvise"

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Antonini, Riccardo. "“Let’s Improvise Together”." In Advances in Consciousness Research. John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/aicr.35.27ant.

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Barghouti, Naser S., Eleftherios Koutsofios, and Edith Cohen. "Improvise: Interactive multimedia process visualization environment." In Software Engineering — ESEC '95. Springer Berlin Heidelberg, 1995. http://dx.doi.org/10.1007/3-540-60406-5_5.

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Chow, Kenny K. N. "The Performer: We Improvise, We Create." In Animation, Embodiment, and Digital Media. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137283085_5.

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Evans, Amanda M. "Improvise, Adapt, Overcome: Vernacular Boats as Environmental Adaptations." In When the Land Meets the Sea. Springer New York, 2016. http://dx.doi.org/10.1007/978-1-4939-3563-5_2.

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Hutchings, Patrick, and Jon McCormack. "Using Autonomous Agents to Improvise Music Compositions in Real-Time." In Computational Intelligence in Music, Sound, Art and Design. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55750-2_8.

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Zhou, Michelle X., and Steven K. Feiner. "Improvise: Automated Generation of Animated Graphics for Coordinated Multimedia Presentations." In Cooperative Multimodal Communication. Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/3-540-45520-5_4.

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"How to Improvise." In A Philosophy of Material Culture. Routledge, 2013. http://dx.doi.org/10.4324/9780203069844-10.

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"Improvise and Personalize." In A Life-coaching Approach to Screen Acting. Bloomsbury Publishing Plc, 2018. http://dx.doi.org/10.5040/9781350039452.ch-023.

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Kloeckl, Kristian. "Introduction." In The Urban Improvise. Yale University Press, 2020. http://dx.doi.org/10.12987/yale/9780300243048.003.0001.

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This introductory chapter argues that technology-mediated interactions in cities today can be better understood and conceived of by adopting an improvisation-based design perspective. This allows one to better disclose the potential of today's technology-saturated urban environments for urban dwellers. Improvisation is here examined as a framework for making, for the design of interactions in what this chapter refers as the hybrid city. It leverages the essence of improvisation as an art, a practice, and a concept to construct a system of ideas to help better understand the current condition of the hybrid city. And to facilitate the design of urban interventions, the chapter puts forth a set of four principles, or positions, that underlie the design of interactions in hybrid cities.
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Kloeckl, Kristian. "When the City Begins to Talk." In The Urban Improvise. Yale University Press, 2020. http://dx.doi.org/10.12987/yale/9780300243048.003.0002.

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This chapter introduces the digitally augmented city as a major focus of current design research and practice. It critically examines the impact that the entanglement of networked information technologies with the urban realm has produced and discusses this in reference to extant literature. The entanglement of networked information technologies and urban environments has changed cities and urban life, and it has changed how we think about cities. Over the past two decades, a profusion of terms have been coined by scholars and practitioners to describe aspects of this changing urban condition. Networked city, real-time city, virtual city, smart city, hybrid city, responsive city, and ad hoc city are terms that are at times used lightly but that have underlying concepts that can help us capture more of the current urban condition and point to ways of working with it.
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Conference papers on the topic "Improvise"

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Jochum, Elizabeth, and Jeroen Derks. "Tonight We Improvise!" In MOCO '19: 6th International Conference on Movement and Computing. ACM, 2019. http://dx.doi.org/10.1145/3347122.3347129.

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Weaver, Chris. "Patterns of coordination in Improvise visualizations." In Electronic Imaging 2007, edited by Robert F. Erbacher, Jonathan C. Roberts, Matti T. Gröhn, and Katy Börner. SPIE, 2007. http://dx.doi.org/10.1117/12.704570.

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Wavish, Peter, and David Connah. "Virtual actors that can perform scripts and improvise roles." In the first international conference. ACM Press, 1997. http://dx.doi.org/10.1145/267658.267735.

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Kumar, K. Arun, N. Karthikeyan, and S. Karthick. "Statistical Analysis of Big Data to Improvise Health Care." In 2018 International Conference on Soft-computing and Network Security (ICSNS). IEEE, 2018. http://dx.doi.org/10.1109/icsns.2018.8573653.

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Nogilana, Lubabalo E., SP Chowdhury, and SJ Jacobs. "Application of IoT to improvise operational efficiency of Photovoltaic (PV) systems." In 2019 IEEE AFRICON. IEEE, 2019. http://dx.doi.org/10.1109/africon46755.2019.9133945.

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Galanter, Philip. "XEPA - autonomous intelligent light and sound sculptures that improvise group performances." In ACM SIGGRAPH 2014 Art Gallery. ACM Press, 2014. http://dx.doi.org/10.1145/2601080.2677716.

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Vijayalakshmi A. and Pethuru Raj. "An approach to improvise recognition rate from occluded and pose variant faces." In 2015 International Conference on Computation of Power, Energy Information and Commuincation (ICCPEIC). IEEE, 2015. http://dx.doi.org/10.1109/iccpeic.2015.7259514.

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Dhakal, Parashar, Praveen Damacharla, Ahmad Y. Javaid, and Vijay Devabhaktuni. "Detection and Identification of Background Sounds to Improvise Voice Interface in Critical Environments." In 2018 IEEE International Symposium on Signal Processing and Information Technology (ISSPIT). IEEE, 2018. http://dx.doi.org/10.1109/isspit.2018.8642755.

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Mahaux, Martin, Patrick Heymans, and Neil Maiden. "Making It all Up: Getting in on the Act to Improvise Creative Requirements." In 2010 IEEE 18th International Conference on Requirements Engineering (RE). IEEE, 2010. http://dx.doi.org/10.1109/re.2010.68.

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Patthoff, Adria. "Planning to Improvise: Understanding Preservice Teachers' Conceptualization and Enactment of Formative, Responsive Questioning Strategies." In 2021 AERA Annual Meeting. AERA, 2021. http://dx.doi.org/10.3102/1679974.

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Reports on the topic "Improvise"

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DoD Office of Inspector General. Joint Improvised-Threat Defeat Agency Needs to Improve Assessment and Documentation of Counter-Improvised Explosive Device Initiatives (Redacted). Defense Technical Information Center, 2016. http://dx.doi.org/10.21236/ad1014181.

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Snodgrass, David E. The Quadrennial Defense Review: Improving the Process to Improve the Product. Defense Technical Information Center, 1998. http://dx.doi.org/10.21236/ada442743.

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Heather Underwood, Heather Underwood. Improving the detection of expired medication in developing countries to improve maternal health. Experiment, 2016. http://dx.doi.org/10.18258/7386.

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Buddemeier, Brooke, and Nancy Suski. Improvised Nuclear Device Case Study. Office of Scientific and Technical Information (OSTI), 2011. http://dx.doi.org/10.2172/1117900.

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Pereira, Candido. Enabling System Technologies to Improve the Economies and Performance of Existing LWRs and Advanced BWR Plants: Improving Offgas System Performance. Office of Scientific and Technical Information (OSTI), 2020. http://dx.doi.org/10.2172/1761065.

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A. R. Pomplun, B. J. Kelley, B. L. Schrader, R. C. Christma, and R. H. Tucker. Improving Employee Communications. Office of Scientific and Technical Information (OSTI), 1999. http://dx.doi.org/10.2172/5993.

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Peterson, Del. Improving Veteran Mobility. University of South Florida, 2014. http://dx.doi.org/10.5038/cutr-nctr-rr-2012-13.

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Blanchard, R. J. Improving sample recovery. Office of Scientific and Technical Information (OSTI), 1995. http://dx.doi.org/10.2172/274937.

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Martin, Leanne M., and Brian J. Wilsey. Improving Prairie Restorations. Iowa State University, Digital Repository, 2012. http://dx.doi.org/10.31274/farmprogressreports-180814-1330.

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Belcher, Steven W., David L. Reese, and Kletus S. Lawler. Improving NEC Fit. Defense Technical Information Center, 2015. http://dx.doi.org/10.21236/ada622330.

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