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Books on the topic 'Improvise'

Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

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1

Laugier, Jean. La nuit improvise. Coop Breizh, 1997.

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2

Crook, Hal. Ready, aim, improvise! Advance Music, 1999.

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3

Bru, Bernadette. Le Contre improvise. De Boeck- Wesmael, 1988.

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4

Luigi, Pirandello. Tonight we improvise ; and, "Leonora, addio!". Canadian Society for Italian Studies, 1987.

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5

King, Nick. Education under occupation: Learning to improvise. Discovery Analytical Resourcing, 2005.

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6

Improvise: Scene from the inside out. Portsmouth, NH, 2004.

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7

Butler, Larnell Custis. Improvise in the amen corner: Drawings & poems. Passager Books, 2007.

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8

Polsky, Milton E. Let's improvise: Becoming creative, expressive & spontaneous through drama. University Press of America, 1989.

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9

Guard, J. S. Improvise and dare: War in the Aegean 1943-1945. Book Guild, 1997.

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10

Polsky, Milton E. Let's improvise: Becoming creative, expressive & spontaneous through drama ; foreword by Nellie McCaslin. 3rd ed. Applause, 1998.

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11

David, Reed. Improvise for real: Understand the music you hear ; play the music you imagine. David Reed, 2011.

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12

Improvise, Girl, Improvise. Topside Heliotrope, 2015.

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13

Kao, John. Improvise. Editorial Grijalbo, S.A. de C.V., 1996.

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14

Nagler, Eric. Improvise with. Not Avail, 1993.

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15

Improvise This! Hyperion, 2002.

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16

Campbell, Kristin. Improvise 1. Createspace Independent Publishing Platform, 2017.

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17

Kloeckl, Kristian. The Urban Improvise. Yale University Press, 2020. http://dx.doi.org/10.12987/9780300249347.

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18

Kloeckl, Kristian. The Urban Improvise. Yale University Press, 2020. http://dx.doi.org/10.12987/yale/9780300243048.001.0001.

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The built environment in today's hybrid cities is changing radically. The pervasiveness of networked mobile and embedded devices has transformed a predominantly stable background for human activity into spaces that have a more fluid behavior. Based on their capability to sense, compute, and act in real time, urban spaces have the potential to go beyond planned behaviors and, instead, change and adapt dynamically. These interactions resemble improvisation in the performing arts, and this book offers a new improvisation-based framework for thinking about future cities. The book moves beyond the

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19

Guard, J. S. Improvise and Dare. Book Guild Ltd, 1997.

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20

Mason, Victoria. Improvise to Survive Guide. Mason Pubns, 1999.

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21

Luigi, Pirandello. Ce soir on improvise. LGF, 1996.

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22

Hill, Don. Act Now and Improvise! Christian Publishing Services, 1997.

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23

Rachel, Melanie. Headstrong : Book One: Improvise. Independently Published, 2019.

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24

The Easiest Way to Improvise. Boosey and Hawkes, 2005.

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25

Together We Can Improvise K3. Alfred Publishing Co., Inc., 2011.

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26

Improvise in the Amen Corner. Passager Books, 2007.

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27

II, Rogers Ralvell, and Kevin Rabas. Improvise: Poems & Sketches by Kevin Rabas. Lulu Press, Inc., 2021.

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28

Newton, Keith, Shawn Wallace, Kris Johnson, and Steve Kortyka. How to Improvise Over Chord Changes. Hal Leonard, 2018.

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29

Aebersold, Jamey. How To Play Jazz and Improvise. Jamey Aebersold Jazz Inc, 1988.

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30

Improvise: Scene from the inside out. 2nd ed. Meriwether Publishing Ltd, 2015.

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31

Norton, Christopher. Improvise Microjazz (Piano Solo) (Microjazz S.). Boosey & Hawkes Music Publishers Ltd, 1988.

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32

MacGlone, Una M., and Raymond A. R. MacDonald. Learning to improvise, improvising to learn. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199355914.003.0023.

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With the growth of free improvisation as a field of study within academic institutions there is a need to investigate the fundamental musical and psychological processes that lie behind this creative form of social activity. This chapter presents interviews with eight expert free-improvising musicians. The interviews focused on how the participants developed their creative skills, and offer insights into their learning processes. Thematic analysis of the transcribed interviews highlights three main learning modes: autodidactism, mentoring and learning in a social context. These areas of learni

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33

How to Improvise Bluegrass Mandolin Solos. Musician's Workshop, 1998.

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34

Newton, Keith, Shawn Wallace, Kris Johnson, and Steve Kortyka. How to Improvise over Chord Changes. Leonard Corporation, Hal, 2018.

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35

Jimmy, Bassey. Improvise Your Way to the Top. Independently Published, 2018.

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36

Improvise: Unconventional advice from an unlikely CEO. 2014.

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37

Freeto, Stephen. Go, Improv: How to improvise your life. BookBaby, 2020.

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38

Falconer, Doug. How to Improvise on the Baritone Ukulele. Independently Published, 2019.

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39

Urban Improvise: Improvisation-Based Design for Hybrid Cities. Yale University Press, 2020.

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40

Cook, Fred. Improvise: Unconventional Career Advice from an Unlikely CEO. Agate Publishing, Incorporated, 2014.

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41

Do Improvise: Less Push. More Pause. Better Results. Unknown Publisher, 2013.

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42

How to improvise: An approach to practicing improvisation. Advance Music, 1991.

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43

Lewis, George E. Why Do We Want Our Computers to Improvise? Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.29.

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Abstract:

Will you be replaced by a machine? Can music express things beyond words? This chapter discusses developing interactive computational systems that have degrees of autonomy, subjectivity, and uniqueness rather than repeatability. Interactions with these systems in musical performance produce a kind of virtual sociality that both draws from and challenges traditional notions of human interactivity and sociality, making common cause with a more general production of a hybrid. This leads into the question of whether computers can evince agency. The chapter concludes that what is learned from compu

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44

Colbert, Stephen. Improvise. 2nd Edition: Scene from the Inside Out. Merw, 2015.

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45

Polsky, Milton E. Let's Improvise: Becoming Creative, Expressive and Spontaneous Through Drama. 3rd ed. Applause Books, 2000.

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46

Crook, Sue, and Gary Medlicott. Just Improvise!: Innovative Play Experiences for Children under Eight. Pearson Education Australia, 2004.

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47

Activist Affordances: How Disabled People Improvise More Habitable Worlds. Duke University Press, 2023.

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48

Polsky, Milton E. Let's Improvise: Becoming Creative, Expressive and Spontaneous Through Drama. Leonard Corporation, Hal, 2000.

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49

Polsky, Milton E. Let's Improvise: Becoming Creative, Expressive and Spontaneous Through Drama. Leonard Corporation, Hal, 2000.

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50

Teach Yourself to Improvise at the Keyboard (Teach Yourself). Alfred Publishing Company, 1996.

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