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Journal articles on the topic 'Improvised and temporary venues'

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1

Nimmo, Alison, Simon Wright, and David Coulson. "Delivering London 2012: temporary venues." Proceedings of the Institution of Civil Engineers - Civil Engineering 164, no. 6 (2011): 59–64. http://dx.doi.org/10.1680/cien.2011.164.6.59.

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2

King, Thomas W. "An Improvised Eye-Pointing Communication System for Temporary Use." Language, Speech, and Hearing Services in Schools 21, no. 2 (1990): 116–17. http://dx.doi.org/10.1044/0161-1461.2102.116.

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The construction and use of an improvised eye-pointing communication device is described. It is suggested for temporary, ad hoc use to establish and enhance initial communication with an appropriate client in situations where no other augmentative communication system or assistive technology is yet available. The device is made of materials that are commonly available in most settings, and allows use of single-item or encoded selection techniques.
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Leal, Jorge N. "Mapping Ephemeral Music Forums in Latina/o Los Angeles." California History 97, no. 2 (2020): 124–27. http://dx.doi.org/10.1525/ch.2020.97.2.124.

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This essay examines how maps created by Latina/o youth created “ephemeral forums,” improvised ad hoc spaces that served as music venues in 1990s South Los Angeles. The maps included on “Rock en Español” event flyers demonstrate how Latinx youth envisioned Los Angeles and proclaimed their sense of place in the metropolis at a moment of social and demographic transformation. These maps help us understand how they and other Californians of color create and claim belonging,both past and present.
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Andres, Lauren, John R. Bryson, and Paul Moawad. "Temporary Urbanisms as Policy Alternatives to Enhance Health and Well-Being in the Post-Pandemic City." Current Environmental Health Reports 8, no. 2 (2021): 167–76. http://dx.doi.org/10.1007/s40572-021-00314-8.

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Abstract Purpose of Review While there has been extensive discussion on the various forms of temporary uses in urban settings, little is known on the ways in which temporary and health urbanisms connect. Now, a turning point has been reached regarding the interactions between health and the built environment and the contributions made by urban planning and other built environment disciplines. In the context of the post-pandemic city, there is a need to develop a health-led temporary urbanism agenda than can be implemented in various settings both in the Global South and North. Recent Findings
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kirsch, francine. "Eat Me at the Fair: America's Love Affair with Food Installations." Gastronomica 11, no. 3 (2011): 77–83. http://dx.doi.org/10.1525/gfc.2011.11.3.77.

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Today's temporary installations are the domain of artists and intellectuals. But, a century ago, temporary food installations represented America's emergence as the world's breadbasket while exhibiting the patriotic pride of a young, agriculturally expanding nation. At local harvest festivals, temporary installations would take the form of majestic grain palaces. At world's fairs—particularly in 1876 Philadelphia, 1893 Chicago, and 1904 St. Louis—individual states contributed novelty food displays that underscored a prime product, be it Minnesota butter, California oranges, or wheat from Ohio.
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KIRCHNER, MARGARET, REBECCA M. GOULTER, BENJAMIN J. CHAPMAN, JAMES CLAYTON, and LEE-ANN JAYKUS. "Cross-Contamination on Atypical Surfaces and Venues in Food Service Environments." Journal of Food Protection 84, no. 7 (2021): 1239–51. http://dx.doi.org/10.4315/jfp-20-314.

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ABSTRACT Cross-contamination of raw food to other surfaces, hands, and foods is a serious issue in food service. With individuals eating more meals away from home, contracting a foodborne illness from a food service establishment is an increasing concern. However, most studies have concentrated on hands or food contact surfaces and neglected atypical and unusual surfaces (surfaces that are not typically identified as a source of cross-contamination) and venues. This review was conducted to identify atypically cross-contaminated surfaces and atypical venues where cross-contamination could occur
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Kappenberg, Claudia, and Fiontán Moran. "Reflecting on grounded: A lens on COVID through Screendance." Moving Image Review & Art Journal (MIRAJ) 9, no. 2 (2020): 188–94. http://dx.doi.org/10.1386/miraj_00040_1.

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Like much of the United Kingdom, arts communities in the South East were largely paralysed during the lockdown in spring 2020 through the temporary closure of venues in Brighton, the Towner Eastbourne, the De La Warr Pavilion Bexhill, Hastings Contemporary and Hastings Museum, and numerous smaller arts, music and theatre venues along the coast. Many gallery staff were on furlough and online content tended to be provided by larger institutions elsewhere, apart from grassroots activities such as Hasting’s Isolation Station broadcast on Facebook. The closure of arts institutions all along the Eas
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Qian, Junxi. "Performing the Public Man: Cultures and Identities in China's Grassroots Leisure Class." City & Community 13, no. 1 (2014): 26–48. http://dx.doi.org/10.1111/cico.12049.

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This article examines cultural practices and social life in urban public spaces of postreform China, focusing on the everyday leisure, entertainment, and cultural activities spontaneously organized by grassroots residents or groups. It examines performativity in constituting cultural meanings, reproducing everyday identities, and building up mutual engagements, and unravels the ways in which ordinary people devote resources, labor, and energy to keep alive individual or collective identities. Performances of cultural identities in public spaces entail improvised and temporary social relations
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Shabhay, Ahmed, Zarina Shabhay, Kondo Chilonga, David Msuya, Theresia Mwakyembe, and Samwel Chugulu. "Standard Urine Collection Bag as an Improvised Bogotá Bag as a Temporary Abdominal Closure Method in an Open Abdomen in Preventing Abdominal Compartment Syndrome." Case Reports in Surgery 2021 (January 29, 2021): 1–6. http://dx.doi.org/10.1155/2021/6689000.

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Primary abdominal wall closure post laparotomy is not always possible. Certain surgical pathologies such as degloving anterior abdominal wall trauma injuries and peritoneal visceral volume and cavity disproportion render it nearly impossible for the attending surgeon to close the abdomen in the first initial laparotomy. In such surgical clinical scenarios leaving the abdomen open might be lifesaving. Forceful closure might lead to abdominal compartment syndrome and impair respiratory status of the patient. Open abdomen closure techniques have evolved over time from protection of abdominal visc
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Pitts L, Donna. "Sound levels in movie theaters: is there a potential for hearing loss?" Journal of Otolaryngology-ENT Research 11, no. 2 (2019): 119–22. http://dx.doi.org/10.15406/joentr.2019.11.00420.

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Purpose: The goal of this study was to determine the frequency of attendance at movie theaters, the most popular genres of movies, the sound levels inside movie theaters, and if, based on frequency of attendance, a relationship could be established between temporary threshold shift and noise levels inside movie theaters. Method: A survey was first distributed to moviegoers at several different venues. Movies were selected based on the most popular genres. A noise logging dosimeter was utilized during the viewing of 16 movies in two different multiplex theaters to determine if sound levels exce
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Zotov, E. D. "Organization of business travel in Russia." Vestnik Universiteta, no. 4 (June 5, 2021): 73–78. http://dx.doi.org/10.26425/1816-4277-2021-4-73-78.

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The article considers the basic concepts of the system of business tourism in Russia and analyses the directions of its organization. The paper lists the economic and socio-cultural factors influencing the behavior of business travelers in Russia. The author formulates recommendations for the main directions of business tourism, taking into account the factors of the external and internal environment that affect the behavior of a business traveler. The study formulates the requirements of the host party for business travelers and companies organizing business tours. The article determines the
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Kaneda, Toshiyuki, and Takumi Yoshida. "Simulating Shop-Around Behavior." International Journal of Agent Technologies and Systems 4, no. 3 (2012): 15–28. http://dx.doi.org/10.4018/jats.2012070102.

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Shop-around spatial behaviors of downtown visitors are characterized as MultiPurpose-MultiStop (MPMS). However, the authors’ investigations have revealed visitors frequently switch planned actions and generate improvised actions. By using an agent-based approach, especially with a medium-size specimen, simulating such spatial behaviors opens a rich vein of research, not only into such practical aspects as downtown revitalization but also several theoretical aspects. Based on data analysis, the authors have newly devised Agent Simulation of Shop-Around (ASSA). ASSA is a kind of activity-based m
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Fang, Dongping, Shengjie Pan, Zaishang Li, et al. "Large-scale public venues as medical emergency sites in disasters: lessons from COVID-19 and the use of Fangcang shelter hospitals in Wuhan, China." BMJ Global Health 5, no. 6 (2020): e002815. http://dx.doi.org/10.1136/bmjgh-2020-002815.

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Since the COVID-19 outbreak, Wuhan has adopted three methods of admitting patients for treatment: designated hospitals, newly built temporary hospitals and Fangcang shelter hospitals. It has been proven that converting large-scale public venues such as stadiums and exhibition centres into Fangcang shelter hospitals, which serve as hospitals for isolation, treatment and disease monitoring of patients with mild symptoms, is the most effective way to control virus transmission and reduce mortality. This paper presents some experiences learnt from treating COVID-19 in Wuhan, the first city to repo
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Adhikari, Devendra. "Cosmological Orientation in Promoting the Enrollment in Short-Term Mobile Skill-Trainings: A Narrative Inquiry on Women's Lives in Nepal." Journal of Training and Development 4 (December 24, 2019): 34–45. http://dx.doi.org/10.3126/jtd.v4i0.26835.

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The Government of Nepal has prioritized the need of mobile skill-training program for imparting the skill-training opportunities to the potential beneficiaries in their own settlement both in urban and rural areas. It is different from the centrally based training program as it is conducted by setting temporary training venues in particular settlement where the training participants are residing in the majority. This paper describes how adult women exhibit readiness to participate in the short-term mobile skill-training program in Nepal. The paper is based on a qualitative study with an interp
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15

Stillwagon, Ryan, and Amin Ghaziani. "Queer Pop–Ups: A Cultural Innovation in Urban Life." City & Community 18, no. 3 (2019): 874–95. http://dx.doi.org/10.1111/cico.12434.

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Research on sexuality and space emphasizes geographic and institutional forms that are stable, established, and fixed. By narrowing their analytic gaze on such places, which include gayborhoods and bars, scholars use observations about changing public opinions, residential integration, and the closure of nighttime venues to conclude that queer urban and institutional life is in decline. We use queer pop–up events to challenge these dominant arguments about urban sexualities and to advocate instead a “temporary turn” that analyzes the relationship between ephemerality and placemaking. Drawing o
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Bray, Adam, Marcin Szymański, and Robert Mills. "Noise induced hearing loss in dance music disc jockeys and an examination of sound levels in nightclubs." Journal of Laryngology & Otology 118, no. 2 (2004): 123–28. http://dx.doi.org/10.1258/002221504772784577.

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Noise exposure, hearing loss and associated otological symptoms have been studied in a group of 23 disc jockeys using a questionnaire and pure tone audiometry. The level of noise exposure in the venues where they work has also been studied using Ametek Mk-3 audio dosimeters. Three members of the study group showed clear evidence of noise-induced hearing losson audiometry, 70 per cent reported temporary threshold shift after sessions and 74 per cent reported tinnitus. Sound levels of up to 108 dB(A) were recorded in the nightclubs. The average level for a typical session was 96 dB(A) which is a
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Ayyildiz, Onder, and Ali Hakan Durukan. "Comparison of endoscopic-assisted and temporary keratoprosthesis-assisted vitrectomy in combat ocular trauma: experience at a tertiary eye center in Turkey." Journal of International Medical Research 46, no. 7 (2018): 2708–16. http://dx.doi.org/10.1177/0300060518769798.

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Objective This study was performed to compare the functional and anatomical results of endoscopic-assisted and temporary keratoprosthesis (TKP)-assisted vitrectomy in patients with combat ocular trauma (COT). Methods The medical records of 14 severely injured eyes of 12 patients who underwent endoscopy or TKP implantation in combination with vitreoretinal surgery from 2007 to 2015 were retrospectively evaluated. The patients’ ocular history and functional and anatomic anterior and posterior segment results were analyzed. Results Eight eyes (57%) underwent TKP-assisted vitrectomy and six eyes (
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18

Tronchin, Lamberto, and Antonella Bevilacqua. "Evaluation of Acoustic Similarities in Two Italian Churches Honored to S. Dominic." Applied Sciences 10, no. 20 (2020): 7043. http://dx.doi.org/10.3390/app10207043.

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This paper compares two acoustical projects, applied to the S. Dominic church of Foligno and Imola, which are subject to a permanent and temporary conversion respectively, to places dedicated for listening to live music. Sets of measurements have been undertaken before the acoustical treatments in order to calibrate the digital model; in Foligno, the measurements have also been performed after the installation of the acoustical features, to check if the aims have been achieved. Between the proposed acoustical projects, only one has been realized in Foligno, with the artistic activity still run
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19

Stella, Francesca. "Queer Space, Pride, and Shame in Moscow." Slavic Review 72, no. 3 (2013): 458–80. http://dx.doi.org/10.5612/slavicreview.72.3.0458.

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In this article, Francesca Stella examines the notion of Moscow as a global city through the prism of cultural diversity and cosmopolitanism by exploring articulations of queer space in the Russian capital. Two types of queer space are explored: the “scene,” understood as a loose cluster of commercial venues and community organizations catering to an LGBT clientele, and Moscow Pride, a temporary but also highly visible and politicized appropriation of urban space by the LGBT community. The analysis of Moscow Pride as a putative cosmopolitan object is framed within a broader sociopolitical cont
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20

Merrill, Elizabeth M. "Zaha Hadid’s Center for Contemporary Art and the perils of new museum architecture." Architectural Research Quarterly 23, no. 3 (2019): 210–24. http://dx.doi.org/10.1017/s1359135519000204.

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As epitomised in the works of Renzo Piano, Frank Gehry, and Daniel Libeskind, the ‘new museum’ of art claims its own architectural typology. With asymmetrical silhouettes, gallery spaces that eschew the much derided ‘white cube’, and cleverly conceived circulation systems, the new museum has been heralded as revolutionising the display of art. Yet its function extends beyond the display and conservation of art. The new art museum is conceived as a multifaceted cultural centre – a public forum – where art and culture are democratised, and families, scholars, students, tourists, and teachers com
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Till, Karen E. "Troubling national commemoration in Dublin, London and Liverpool: ANU Production and CoisCéim Dance Theatre’s These Rooms." Journal of Urban Cultural Studies 8, no. 2 (2021): 267–89. http://dx.doi.org/10.1386/jucs_00045_1.

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The cultural production These Rooms challenged traditional nationalistic commemorations of war and rebellion during the ‘Decade of the Centenaries’. Created by the Dublin-based ANU Productions and CoisCéim Dance Theatre, and funded by the Irish and UK governments, this series of theatre/dance performances, installations and public outreach projects in unconventional urban venues ran from 2016 to 2019 in Dublin, London and Liverpool, cities with mixed British and Irish populations. Fragmentary, embodied stories about the 1916 Easter Rising in Dublin communicated the perspectives of working-clas
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22

Rosa, John. "Small Numbers/Big City: Innovative Presentations of Pacific Islander Art and Culture in Phoenix, Arizona." AAPI Nexus Journal: Policy, Practice, and Community 5, no. 1 (2007): 59–78. http://dx.doi.org/10.36650/nexus5.1_59-78_rosa.

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This resource paper provides an overview of how the small but growing Pacific Islander and Asian American community in Phoenix has sustained, developed, and preserved its culture and art in the absence of a permanent AAPI art or cultural museum. This article gives examples of such alternative formats and includes details on dance, music, and other folk cultural practices. Metropolitan statistical areas with AAPI populations comparable to Phoenix include Minneapolis, Atlanta, and Dallas. Phoenix community groups use small, temporary displays at annual AAPI cultural festivals. One approach is a
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Dr. Gayathri Band,, Suraj Palod, Mitali Singh. "RETAILERS’ PERCEPTION TOWARDS PRODUCT DEMAND AND SALES DURING THE PANDEMIC PERIOD OF COVID19." Psychology and Education Journal 57, no. 9 (2021): 6077–86. http://dx.doi.org/10.17762/pae.v57i9.2670.

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ABSTRACT
 FMCG sector is the 4th largest sector of the Indian economy. The purpose of this study is to analyse the change in sale of various commodities and change in purchase of consumers through retailer's perception during the pandemic COVID 19. In a shot to slow the unfold of virus, several countries have obligatory temporary closures to non-essential stores, bars and venues likewise as put a ban on massive public gatherings. As such, the marketplace for FMCG faces sizable changes and changes in demand for client grocery (CPG).
 The study focuses primarily on the retailer percept
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Handouf, Sara, and Essaid Sabir. "Strategic Availability and Cost-Effective UAV-Based Flying Access Networks: S-Modular Game Analysis." Mobile Information Systems 2019 (January 6, 2019): 1–11. http://dx.doi.org/10.1155/2019/4897171.

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Nowadays, ubiquitous network access has become a reality, thanks to Unmanned Aerial Vehicles (UAVs) that have gained extreme popularity due to their flexible deployment and higher chance of line-of-sight links to ground users. Telecommunication service providers deploy UAVs to provide areal network access in remote rural areas, disaster-affected areas, or massive-attended events (sport venues, festivals, etc.), where full setup to provide temporary wireless coverage would be very expensive. Of course, a UAV is battery-powered with a limited energy budget for both mobility aspect and communicat
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Ross, Nancy J., Molly D. Anderson, Jeanne P. Goldberg, Robert Houser, and Beatrice Lorge Rogers. "Trying and buying locally grown produce at the workplace: Results of a marketing intervention." American Journal of Alternative Agriculture 14, no. 4 (1999): 171–79. http://dx.doi.org/10.1017/s0889189300008353.

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AbstractAlthough consumers have a high opinion of locally grown produce, they do not consider origin as important as other factors in produce selection. Inconvenience is a major barrier to purchasing local produce. In a rural community in Maine, the Farm Fresh Project tested an intervention designed to exploit consumers' high regard for locally grown produce and also overcome the inconvenience of buying it. Each week for six weeks in the summer of 1997, employees at three worksites were offered tastings of locally grown produce, information about the produce, and an opportunity to order it at
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Działek, Jarosław. "A Spatial History of Independent Art Spaces in Krakow from the 1970s to 2019." Arts 10, no. 3 (2021): 45. http://dx.doi.org/10.3390/arts10030045.

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Independent art spaces not only play an important role in exploring frontiers in the visual arts but are often also pioneers discovering new artistic territories within cities. Due to their subordinate position in the field of art, they often occupy marginal spaces in terms of their location within the urban structure and/or in terms of their physical visibility within the built environment. Their location outside the established artistic cores reflects, at the same time, their weaker economic standing and wish to distinguish themselves from previous generations of cultural producers. Post-soc
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Singh, Ravi Nandan. "COVID-19: Mourning, Knowledge and Improvisation." Society and Culture in South Asia 7, no. 1 (2021): 63–76. http://dx.doi.org/10.1177/2393861720975160.

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As we live and die through the continuing pandemic, one particular affect that relates us globally is of the dead awaiting their funerary repose. Assessing the pandemic, Arif (2020) in an early reflection proposes that we might benefit in our assessment of the ‘bio-social’ of the pandemic by admitting to the sovereignty of the virus. Borrowing this premise, I suggest further that the sovereignty of the virus is acutely manifested in the commingled presence of the living and unreposed dead in the temporary, improvised morgues. Although the continuing pandemic is quite unprecedented, it can be p
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Grieve, Richard, Sarah Willis, Kaat De Corte, et al. "Options for possible changes to the blood donation service: health economics modelling." Health Services and Delivery Research 6, no. 40 (2018): 1–162. http://dx.doi.org/10.3310/hsdr06400.

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BackgroundEvidence is required on the cost-effectiveness of alternative changes to the blood collection service.Objectives(1) To estimate the cost-effectiveness of alternative minimum interdonation intervals between whole-blood donations. (2) To investigate donors’ frequency of whole-blood donation according to alternative changes to the blood collection service. (3) To estimate the cost-effectiveness of alternative strategies for maintaining the supply of whole blood.MethodsWe undertook a within-trial cost-effectiveness analysis (CEA) of the INTERVAL trial, stated preference (SP) surveys to e
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Lichtenegger, Felix S., Robin Lorenz, Patrick Palluch, et al. "Composition of PBMC Population and Functionality of T- and NK-Cells in AML Patients Receiving Cytotoxic Maintenance Therapy,." Blood 118, no. 21 (2011): 3601. http://dx.doi.org/10.1182/blood.v118.21.3601.3601.

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Abstract Abstract 3601 Novel therapeutic venues are following immunotherapeutic strategies by translating the successes of allogeneic stem cell transplantation to immunotherapy in an autologous setting. Several phase I/II clinical trials have been published using AML-associated peptides or RNA-transfected dendritic cells for vaccination of AML patients. The success of immunotherapy is hampered by negative regulatory mechanisms that inhibit anti-leukemic T cell function, leading to evasion from immune attack. A promising approach to overcome negative regulatory immune mechanisms is the combinat
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Brewer, Elizabeth, and Michael Monahan. "Introduction." Frontiers: The Interdisciplinary Journal of Study Abroad 20, no. 1 (2011): xiii—xvi. http://dx.doi.org/10.36366/frontiers.v20i1.285.

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Cities have been magnets for a wide diversity of talent and have captured the human imagination as centers of intellectual and cultural achievement since humans began to live together. To learn from the city means to engage with its assets and riches, but also with its pressing problems, contradictions, and paradoxes. It also means to reflect upon urban settings as places where civilizations often meet and define themselves, and where populations and infrastructure change over time, sometimes slowly, but in other cases, rapidly.
 Precisely because they are multi-layered, multi-dimensional
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Arthurs, Tom. "Improvised Music in Berlin 2012-13: A Brief Ethnographic Portrait." Critical Studies in Improvisation / Études critiques en improvisation 10, no. 2 (2016). http://dx.doi.org/10.21083/csieci.v10i2.3584.

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This paper uses approaches from ethnography and Social Network Analysis to provide a brief insight into the practical, economic and social structure of Berlin’s Improvised Music scene during 2012 and 2013. The findings presented here address imbalances of gender and race, and highlight the (often difficult) financial reality of a life in Improvised Music. Audience, venues and performers are portrayed in order to provide an entry point for those unfamiliar with Improvised Music communities, and to offer an empirically researched point of departure for those already acquainted with such musician
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Hoareau, Guillaume L., Carl A. Beyer, Harris W. Kashtan, et al. "Improvised Field Expedient Method for Renal Replacement Therapy in a Porcine Model of Acute Kidney Injury." Disaster Medicine and Public Health Preparedness, June 2, 2020, 1–9. http://dx.doi.org/10.1017/dmp.2020.107.

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ABSTRACT Objective: Dialysis patients may not have access to conventional renal replacement therapy (RRT) following disasters. We hypothesized that improvised renal replacement therapy (ImpRRT) would be comparable to continuous renal replacement therapy (CRRT) in a porcine acute kidney injury model. Methods: Following bilateral nephrectomies and 2 hours of caudal aortic occlusion, 12 pigs were randomized to 4 hours of ImpRRT or CRRT. In the ImpRRT group, blood was circulated through a dialysis filter using a rapid infuser to collect the ultrafiltrate. Improvised replacement fluid, made with st
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Tahmasseby, Shahram, and Padmanaban Reddipalayam Palaniappan Subramania. "Traffic Impact Assessment for the Stadiums Hosting FIFA 2022 World Cup in Qatar: A Case Study." Iranian Journal of Science and Technology, Transactions of Civil Engineering, August 18, 2021. http://dx.doi.org/10.1007/s40996-021-00723-7.

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AbstractThe State of Qatar has made extensive preparation to successfully host the upcoming FIFA 2022 World Cup, a tournament that will be held for the first time in the Middle East and the North Africa region. In preparation for this tournament, a wide-ranging operational strategy is being developed for each of the stadiums separately. This paper looks into the preparation stages of master planning and transport strategy for one of the hosting venues, which is located in Al Rayyan, Qatar. An overview of the Fédération Internationale de Football Association (FIFA) tournament, its assumptions,
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Siddiqui, Igor. "Tessellated Floorscape (2010-):." IDEA JOURNAL, July 17, 2010, 42–53. http://dx.doi.org/10.37113/ideaj.v0i0.123.

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The project Tessellated Floorscape (2010) consists of a modular rug that is digitally constructed from remnant carpeting, the collaborative process through which the rug as a material product has circulated through different social venues from fabrication to inhabitation, and the writing which serves as a reflective tool that links the specificity of the project to a broader set of issues in contemporary design. This essay focuses on three aspects of the project – production, siting, and participation – in an effort to map out a network of relationships among people, places and resources, and
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Roshanfekr, Payam, Mehrdad Khezri, Salah Eddin Karimi, et al. "Lifetime and past-month substance use and injection among street-based female sex workers in Iran." Harm Reduction Journal 18, no. 1 (2021). http://dx.doi.org/10.1186/s12954-021-00477-5.

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Abstract Background Street-based female sex workers (FSWs) are highly at risk of HIV and other harms associated with sex work. We assessed the prevalence of non-injection and injection drug use and their associated factors among street-based FSWs in Iran. Methods We recruited 898 FSWs from 414 venues across 19 major cities in Iran between October 2016 and March 2017. Correlates of lifetime and past-month non-injection and injection drug use were assessed through multivariable logistic regression models. Adjusted odds ratios (AOR) and 95% confidence intervals (CI) were reported. Results Lifetim
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Irwin, Kathleen, and Jeff Morton. "Pianos: Playing, Value, and Augmentation." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.728.

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In rejoinder to a New York Times’s article claiming, “the value of used pianos, especially uprights, has plummeted … Instead of selling them … , donating them … or just passing them along … , owners are far more likely to discard them” (Walkin), artists Kathleen Irwin (scenography) and Jeff Morton (sound/composition) responded to this ignoble passing with an installation playing with the borders delineating music, theatre, digital technology, and economies of value using two upright red pianos, sound and video projection—and the sensibility of relational aesthetics. The installation was a coll
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Green, Lelia. "Sex." M/C Journal 5, no. 6 (2002). http://dx.doi.org/10.5204/mcj.2000.

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This paper addresses that natural consort of love: sex. It particularly considers the absence of actual sex from mainstream popular culture and the marginalisation of 'fun' sex as porn, requiring its illicit circulation as ‘illegitimate’ videos. The absence of sex from films classified and screened in public venues (even to over-18s) prevents a discourse about actual sex informing the discourse of love and romance perpetuated through Hollywood movies. The value of a variety of representations of sexual practice in the context of a discussion of love, sex and romance in Western cinema was brief
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Reed, Darren, and Malcolm Ashmore. "The Naturally-Occuring Chat Machine." M/C Journal 3, no. 4 (2000). http://dx.doi.org/10.5204/mcj.1860.

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Chat: pretty basic stuff; we can all recognise it and we can all do it. Yet when we come to define chat we have to make decisions about its character. For us, chat is defined by its 'informality' (not that we are capable of defining that), not its modality. Thus it names informal textual interaction as well as informal voiced interaction: holiday postcards, letters to friends and informal emails, along with telephone and dinner table conversation. However, in Conversation Analysis (CA) -- the pre-eminent mode of 'chat analysis' -- textually produced interaction is not considered an altogether
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Brennan-Horley, Chris. "Reappraising the Role of Suburban Workplaces in Darwin’s Creative Economy." M/C Journal 14, no. 4 (2011). http://dx.doi.org/10.5204/mcj.356.

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IntroductionTraditionally, suburbs have been conceived as dormitory – in binary opposition to the inner-city (Powell). Supporting this stereotypical view have been gendered binaries between inner and outer city areas; densely populated vs. sprawl; gentrified terraces and apartment culture vs. new estates and first home buyers; zones of (male) production and creativity against (female) sedate, consumer territory. These binaries have for over a decade been thoroughly criticised by urban researchers, who have traced such representations and demonstrated how they are discriminatory and incorrect (
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Mason's, Eric D. "Border-Building." M/C Journal 7, no. 2 (2004). http://dx.doi.org/10.5204/mcj.2332.

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Borders seem to be dropping all around us. Interdisciplinary university curricula, international free trade, wireless broadband technologies—these and many other phenomena suggest a steady decline in the rigidity and quantity of borders delimiting social interactions. In response to this apparent loss of borders, critical scholars might point out that university hiring practices remain discipline-bound, international tariffs are widespread, and technological access is uneven. But even as this critical response points out the limited extent of border-loss, it still affirms the weakening of thes
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Poletti, Anna, and Julie Rak. "“We’re All Born Naked and the Rest Is” Mediation: Drag as Automediality." M/C Journal 21, no. 2 (2018). http://dx.doi.org/10.5204/mcj.1387.

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This essay originates out of our shared interest in genres and media forms used for identity practices that do not cohere into a narrative or a fixed representation of who someone is. It takes the current heightened visibility of drag as a mode of performance that explicitly engages with identity as a product materialized—but not completed—by the ongoing process of performance. We consider the new drag, which we define below, as a form of playing with identity that combines bodily practices (comportment and use of voice) and adornment (make-up, clothing, wigs, and accessories) with an array of
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Hopgood, Fincina, and Jodi Brooks. "“Bubbling” the Fourth Age in the Time of COVID-19." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2746.

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Prelude: 2020 in Words Each year the Australian National Dictionary Centre, based at the Australian National University (ANU), selects “a word or expression that has gained prominence in the Australian social landscape”. In 2020, “iso” took out first place, with “bubble” following close behind. On the Centre’s website, Senior Researcher Mark Gywnn explains that “iso” was selected not only for its flexibility, merrily combining with other words to create new compound words (for instance “being in iso”, doing “iso baking” and putting on “iso weight”), but also because it “stood out as a characte
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McKay, Duncan Robert. "Trading in Freedoms: Creating Value and Seeking Coalition in Western Australian Arts and Culture." M/C Journal 13, no. 6 (2010). http://dx.doi.org/10.5204/mcj.313.

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IntroductionAs a visual artist it seems to me that the ideal relationship between government and cultural producers is a coalitional one; an “alliance for combined action of distinct parties, persons or states without permanent incorporation into one body” (Oxford English Dictionary). The word “coalition”, however, is entirely absent from the document that forms the basis of the analysis of this paper, Creating Value: An Arts and Culture Sector Policy Framework 2010-2014, from the Government of Western Australia’s Department of Culture and the Arts. Released in March 2010, Creating Value has b
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Hill, Wes. "The Automedial Zaniness of Ryan Trecartin." M/C Journal 21, no. 2 (2018). http://dx.doi.org/10.5204/mcj.1382.

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IntroductionThe American artist Ryan Trecartin makes digital videos that centre on the self-presentations common to video-sharing sites such as YouTube. Named by New Yorker critic Peter Schjeldahl as “the most consequential artist to have emerged since the 1980s” (84), Trecartin’s works are like high-octane domestic dramas told in the first-person, blending carnivalesque and horror sensibilities through multi-layered imagery, fast-paced editing, sprawling mise-en-scène installations and heavy-handed digital effects. Featuring narcissistic young-adult characters (many of whom are played by the
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Waelder, Pau. "The Constant Murmur of Data." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.228.

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Our daily environment is surrounded by a paradoxically silent and invisible flow: the coming and going of data through our network cables, routers and wireless devices. This data is not just 1s and 0s, but bits of the conversations, images, sounds, thoughts and other forms of information that result from our interaction with the world around us. If we can speak of a global ambience, it is certainly derived from this constant flow of data. It is an endless murmur that speaks to our machines and gives us a sense of awareness of a certain form of surrounding that is independent from our actual, p
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