Relevant bibliographies by topics / Imru' al-Qais

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Academic literature on the topic 'Imru' al-Qais'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Imru' al-Qais"

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Tidjani, Ridwan Adewale. "Al muqaranah Al Adabiyah Baina Imru Al Qais wa Lord Alfred Tennysson." (الطموحات ) EL-THUMUHAT 2, no. 1 (2020): 1–13. http://dx.doi.org/10.25299/elthumuhat.2019.vol2(1).2340.

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 Imru-l-qais remains an idol in the ancient Arabic poem. He had transformed it by introducing some new metaphor and rhetoric, which Arabian poets stayed on for decades after. Also, Imru-l-qais poem has been able to move outside Arabian peninsula into other international literature. This paper focused on one of his greatest poem (Almuhalaqoh) and how influencial this work was received by poets in their different literature - English, French, Dutch, and Russian. Alfred Lord Tennyson's _Locksley_ _Hall_ (1892) was was inspired by Imru-l-qais' poem. He read it, diggest it, and reprod
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Nur, Mujadilah. "Syair-Syair Wasf dalam Syair Imru' al-Qais Tinjauan Ilm' Arudh." Nady Al-Adab 16, no. 1 (2019): 25. http://dx.doi.org/10.20956/jna.v16i1.6629.

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Skripsi ini berjudul “Syair-syair Wasf (deskripsi) Imru’ al-Qais suatu tinjauan Ilm ‘Aru>d}”, yang membahas tentang tema “Wasf al-Layl (menggambarkan tentang malam), wa al-Faras (menunggang kuda), wa al-S{ayd (binatang buruan)”. Tujuan dari penelitian ini adalah memenggal syair sesuai dengan bah}r yang digunakan sehingga dapat diketahui perubahan wazan pada taf’ilahnya dengan menggunakan pendekatan Ilm al-‘Aru>d}.Penelitian ini menggunakan metode kepustakaan dengan membaca beberapa tiap-tiap bayt syair Imru’ al-Qais. Data yang diperoleh diklasifikasikan dan dianalisis dengan menggunakan
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3

Al-Harahshah, Ahmed, and Khaled Al-Badayneh. "What Is Left Unsaid on Commentaries on ‘Al-muaalqat:’ Ibn Al-anbari as a Model?" Theory and Practice in Language Studies 10, no. 1 (2019): 102. http://dx.doi.org/10.17507/tpls.1001.15.

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This study aims at excavating the unsaid in Mohammad Bin Al Qasim Al Abari's analysis of Imru" Al Qais and Tarafa Ibn Al Abd Mualaqas. The study attempts to reevaluate Al Anbari's (1965) misinterpretations resulting from neglecting the context and the motive behind the composition, as well as the failure to appreciate the connotations and sticking only to dentations, which resulted in losing the gist of the texts.
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4

Naous, Mazen. "The Anglo-Arabic Poetics of “Locksley Hall”: Importation, Oscillation, and Disorientation." Hawliyat 15 (June 26, 2018): 9–40. http://dx.doi.org/10.31377/haw.v15i0.49.

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 Considerable scholarly attention has been given to Alfred Lord Tennyson's poem, "Locksley Hall," in relation to one of its main sources, the "Mu'allaqa" of Imru' al-Qais, but scarcely any has been paid to the comparative aspects of the two poems. This essay engages Tennyson 's debt to the "Mu 'allaqa"—its meter, imagery, and themes— in writing "Locksley Hall, " and traces the modifications of al-Qais's poetics as they travel from one culture to another. The essay argues that Tennyson's borrowing—importing—of the "Mu'allaqa's" more salient poetics reveals much about "Locksley Hall's " sp
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5

Hula, Ibnu Rawandhy. "GENEALOGI ORTOGRAFI ARAB (Sebuah tinjauan Historis: Asal-usul, Rumpun Bahasa dan Rekaman Inskripsi)." `A Jamiy : Jurnal Bahasa dan Sastra Arab 9, no. 1 (2020): 16. http://dx.doi.org/10.31314/ajamiy.9.1.16-46.2020.

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Penelusuran turunan bahasa Arab dari hulu sampai hilir sangat berkaitan dengan historisasi bangsa-bangsa yang pernah eksis di masa lampau, sehingga melahirkan penciri aksara dan karakteristik huruf dan model tulisannya. Penelitian ini berupaya mengungkap secara historis ortografi Arab dilihat dari aspek teori asal-usulnya, rumpun bahasanya dan bukti rekaman inskripsi yang telah ditemukan oleh para sejarawan dan arkeologi. Ortografi Arab dari hulunya berasal dari ortografi mesir kuno dalam bentuk Hieroglif, berbentuk ukiran, yang sebelumnya masih berbentuk Pictography (tulisan paku) dari bangsa
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6

الحاج حسن, رائد رشيد. "علاقة الزمان بالحدث في القصيدة الجاهليّة". alwasl university jounal, 1 грудня 2020, arabic cover—english cover. http://dx.doi.org/10.47798/awuj.2020.i60.07.

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يشكِّل الزمان عنصراً مهماً من العناصر القصصية في القصيدة الجاهليّة، إلى جانب المكان والشخصيات والحدث والحوار والصراع، ويسعى هذا البحث إلى دراسة علاقة الزمان بالحدث من خلال تحديد الزمن في القصّة الشعريّة، وإظهار تأثيره في الحدث القصصي في نماذج شعريَّة مختلفةٍ لشعراء مشهورين من أمثال امرئ القيس والنابغة الذبياني والأعشى وغيرهم، وكذلك من المُقلّين مثل قيس بن الحداديّة. ويسعى البحث إلى توضيح تقنية السرد الاسترجاعي الذي يعني أي حدثٍ أو مشهدٍ سابقٍ على الزمن الذي يصفه العمل الأدبي، كما يهدف إلى إبراز دور تقنية الحذف في تسريع السرد القصصي، فهو يحيل على مدَّةٍ زمنيَّةٍ لا يوافقها حيِّزٌ في النصّ الأدب
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Dissertations / Theses on the topic "Imru' al-Qais"

1

al-Udhari, Abdullah Ali Yahya. "Jahili poetry before Imru' al-Qais." Thesis, SOAS, University of London, 1991. http://eprints.soas.ac.uk/28750/.

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Classical Arab critics held conflicting and blurred views regarding the history of Jahili poetry. They believed that Imru al-Qais was the father of Jahili poetry and the creator of most, if not all, of the Jahili poetic conventions, but at the same time they referred to a host of distinguished poets who either lived before Imru' al-Qais or were his older contemporaries, and whose works embody most of the conventions attributed to Imru' al-Qais. The discrepancy of the classical critics seems to have been overlooked by the scholars of the last two hundred years who, instead of examining the inhe
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