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1

Egerer, Claudia. Fictions of (in)betweenness. Göteborg, Sweden: Acta Universitatis Gothoburgensis, 1997.

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2

Narrative identities: (inter)cultural in-betweenness in the Americas. Bern: P. Lang, 2003.

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3

Shi, Feng. Learn About Betweenness in R With Data From the Florentine Family Dataset (1994). 1 Oliver's Yard, 55 City Road, London EC1Y 1SP United Kingdom: SAGE Publications Ltd., 2019. http://dx.doi.org/10.4135/9781526477880.

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4

Shi, Feng. Learn About Community Detection With Edge Betweenness in R With Data From Zachary’s Karate Club (1977). 1 Oliver's Yard, 55 City Road, London EC1Y 1SP United Kingdom: SAGE Publications, Ltd., 2019. http://dx.doi.org/10.4135/9781526486172.

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5

Egerer, Claudia. Fictions of (In) Betweenness (Gothenburg Studies in English , No 68). Almqvist & Wiksell International, 1997.

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6

Paul Bowles's Literary Engagement with Morocco: Poetic Space, Liminality, and In-Betweenness. Lexington Books/Fortress Academic, 2018.

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7

Yū, Inutsuka. Sensation, Betweenness, Rhythms. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190456320.003.0006.

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The philosophy of Japanese ethicist Watsuji Tetsurō presents a challenge for the traditional understanding of “environment” as something nonhuman. Criticizing Heidegger, especially for his analyses of equipment and of mood, Watsuji first emphasizes participation of the environment in our self-understanding through sensation. He further proposes that repetitive phenomena of fūdo or climate form a certain human way of life where human existence is understood as taking place in betweenness, the duality of individual and social. Finally, Watsuji argues that human existence has a rhythmic nature. The rhythms of human life integrate the environment which in turn is the ground for our ethical life. Beyond an opposition between the individual and the environment, Watsuji’s philosophy provides a base for a new anthropocentric ethic in which the environment is a part of human existence.
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8

Petho, Ágnes, ed. Caught In-Between. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474435499.001.0001.

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This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern Bloc. As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina, and Russia demonstrate that intermediality can be employed in this way as a form of introspection dealing with complex issues of art and society. Appearing in a variety of sensuous or intellectual modes, intermediality can become an effective poetic strategy to communicate how the cultures of the region are caught in-between East and West, past and present, emotional turmoil and more detached self-awareness. Through different theoretical approaches and thematic focuses, the book attempts to contribute to the understanding of intermedial phenomena in contemporary cinema as a whole by mapping meaningful areas of in-betweenness including the intermedial and interart relations in-between cinema, music, theatre, photography, painting, sculpture, literature, language and the new, digital technologies of the moving image.
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9

Bianconi, Ginestra. Basic Structural Properties. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198753919.003.0006.

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In this chapter the basic structural properties of multilayer networks are given. This chapter reveals that on multilayer networks the most basic structural properties of a network such as the degree or the clustering coefficient are also significantly modified. Therefore, it is necessary to define the multiplex degree and the multiplex degree distribution, the multilayer degree and the multilayer degree distribution, and the multilayer clustering coefficients. The chapter also discusses the relation between the properties of multiplex and multi-slice networks and the corresponding properties of their aggregated network. Finally, the chapter introduces multilayer distance-dependent measures, including generalization of the betweenness centrality (interdependence, cross-betweenness) and of the closeness centrality.
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10

Koresky, Michael. Bathed in the Fading Light. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038617.003.0001.

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This chapter examines the film career of British director Terence Davies. The cinema of Davies is one of contradictions—between beauty and ugliness, the real and the artificial, progression and tradition, motion and stasis. These opposites reflect a certain struggle, for the filmmaker and his characters, to make sense of a confusing and sometimes violent world. For Davies, this struggle constitutes a reckoning with his past, a highly personal account of a fractured childhood; for the viewer it has resulted in one of the richest, most idiosyncratic, and arrestingly experimental bodies of work put out by a narrative filmmaker. The chapter focuses on the distinct emotional quandaries Davies' films evoke in the viewer and proposes that their tonal and political in-betweenness is a form of cinematic queering. Through the exploration of their contradictions, these films function within seemingly recognizable generic parameters only to then explode and thus queer conventional notions of narrative cinema.
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11

Modenessi, Alfredo Michel. ‘Victim of Improvisation’ in Latin America. Edited by James C. Bulman. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199687169.013.27.

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The history of Shakespeare in Latin America spans roughly the same two hundred years as the region’s independent life. Throughout, his works have been the object of performance, translation, and adaptation more than of academic study and discussion. This essay offers a comprehensive framework for application to future work on the subject of Shakespeare performance in Latin America. The chief theoretical tools undepinning the essay are Haroldo de Campos and Silviano Santiago’s elaborations on ‘transcreation’, ‘cultural anthropophagy’, and ‘in-betweenness’. To outline significant common factors among Shakespeare performances in Latin America’s twenty Spanish-speaking nations, the chapter discusses two examples in depth: the first, a simple but powerful Mexican adaptation called Mendoza (2011); the second, an Italian documentary of a Cuban performance called Shakespeare in Avana: Altri Romeo, Altre Giuliette (2010). These analyses suggest the strengths of other Latin American acts of performance based on the complex phenomenon called Shakespeare.
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12

Newman, Mark. Measures and metrics. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198805090.003.0007.

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This chapter describes the measures and metrics that are used to quantify network structure. The chapter starts with a discussion of centrality measures, which are used to identify central or important nodes in networks. Measures discussed include degree centrality, eigenvector centrality, PageRank, closeness, and betweenness. This is followed by a discussion of groupings of nodes like cliques and components, transitivity measures including the clustering coefficient, structural balance in networks, similarity measures, and assortative mixing.
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13

Newman, Mark. Computer algorithms. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198805090.003.0008.

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This chapter introduces some of the fundamental concepts of numerical network calculations. The chapter starts with a discussion of basic concepts of computational complexity and data structures for storing network data, then progresses to the description and analysis of algorithms for a range of network calculations: breadth-first search and its use for calculating shortest paths, shortest distances, components, closeness, and betweenness; Dijkstra's algorithm for shortest paths and distances on weighted networks; and the augmenting path algorithm for calculating maximum flows, minimum cut sets, and independent paths in networks.
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14

Newman, Mark. Community structure. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198805090.003.0014.

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A discussion of community structure in networks and methods for its detection. The chapter begins with an introduction to the idea of community structure, followed by descriptions of a range of methods for finding communities, including modularity maximization, the InfoMap method, methods based on maximum-likelihood fits of models to network data, betweenness-based methods, and hierarchical clustering. Also discussed are methods for assessing algorithm performance, along with a summary of performance studies and their findings. The chapter concludes with a discussion of other types of large-scale structure in networks, such as overlapping and hierarchical communities, core-periphery structure, latent-space structure, and rank structure.
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15

Stanghellini, Giovanni. The life-world of the I–You relation. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780198792062.003.0004.

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This chapter argues that in the beginning is relation. Events, namely significant events, are encountered as I–You meetings, rather than as Its that one observes from without. Only at a later stage, language breaks up the ‘I–You’ relation and creates an ‘I–It’ experience. Language grows out of a more primitive stage of human development in which words are used to indicate phenomena that are relational in nature. Establishing an I–You relation in the context of care may generate a profound transformation of the basic structures of the life-world shared by the therapist and the patient, since the ‘I–You’ relation radically affects the structures of subjectivity of the two partners. A transformation of selfhood (directedness), agency (reciprocity), spatiality (in-betweenness), temporality (presentness), and language (sacredness/bonding) is involved.
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16

Syed, Moin, and Laura L. Mitchell. How Race and Ethnicity Shape Emerging Adulthood. Edited by Jeffrey Jensen Arnett. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199795574.013.005.

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Despite the tremendous growth in theory and research on emerging adulthood over the past decade, relatively little attention has been paid to the experiences of emerging adults from ethnic minority backgrounds. The purpose of this chapter is to fill this gap by conducting a conceptual review of the literature on race, ethnicity, and emerging adulthood. The authors begin with a discussion of conceptual issues, clarifying terms such as emerging adults, emerging adulthood, race, and ethnicity. The existing literature is reviewed pertaining to the five pillars of emerging adulthood: the age of instability, possibilities, self-focus, in-betweenness, and identity explorations. The chapter closes with a discussion of major challenges to conducting research on race, ethnicity, and emerging adulthood. Taken together, this review is intended to provide a broad overview of the state of knowledge and inspire future research.
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17

Rascaroli, Laura. Temporality. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190238247.003.0005.

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Opening with a discussion of the diptych form in film, seen as a dialogic structure activated in a spatiotemporal in-betweenness, this chapter focuses on films constructed around an interstice between incommensurable temporalities. In particular, it looks at filmic practices that spatialize time and at films that articulate the road as a palimpsest through which a diachronic way of thinking develops. The first case study is a diptych by Cynthia Beatt, Cycling the Frame (1988) and The Invisible Frame (2009), which follow the actor Tilda Swinton while she cycles the route along the Berlin Wall, before and after its fall, respectively. The second example, Davide Ferrario’s La strada di Levi (Primo Levi’s Journey, 2007), retraces the route traveled by the writer Primo Levi on his return to Italy after his release from Auschwitz. The temporal gaps carved and exploited by these films are at once material, historical, and ideological.
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18

Llano, Samuel. Early Debates. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199392469.003.0008.

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This chapter provides an account of how organilleros elicited public anger because their activity did not fit into any of the social aid categories that had been in place since the late eighteenth century. Social aid in Spain relied on a clear-cut distinction between deserving and undeserving poor in order to rationalize the distribution of limited resources and reduce mendicancy on the streets. Organilleros could not, strictly speaking, be considered idle, since they played music, but their activity required no specific skills and was regarded with suspicion as a surrogate form of begging. The in-betweenness of the organillero caused further anger as it challenged attempts to establish a neat distinction between public and private spaces. On one hand, organillo music penetrated the domestic space, which conduct manuals of the nineteenth century configured as female; on the other, it brought women into the public space, which those manuals configured as male.
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19

Scheidt, Hannah K. Practicing Atheism. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197536940.001.0001.

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Practicing Atheism is a cultural study of contemporary atheism, focusing on how atheists negotiate meanings and values through media. This book examines a variety of cultural products, both corporate driven and grassroots, that circulate messages about what atheism means—what ideas, values, affinities, and attitudes the term denotes. Through the creation, consumption, and exchange of this media, atheism gains positive content, the term signaling much more than lack of belief in god(s) for those who identify with the emergent culture. Primary source materials for this book include grassroots Internet communities, popular television programming, organized atheist events, and material culture representations of the movement, such as those found in atheist fan art. Practicing Atheism argues that atheist culture emerges from a unique tension with religion—a category atheists critique and resist but also, at times, imitate and approximate. Using a framework based on ritual studies, this book theorizes ambivalence, ambiguity, and “in-betweenness” as the essential condition of contemporary atheist culture.
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20

Tica, Cristina I., and Debra L. Martin, eds. Bioarchaeology of Frontiers and Borderlands. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9781683400844.001.0001.

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Bioarchaeology of Frontiers and Borderlands presents a series of cases addressing how living on or interacting with the frontier can affect health and socioeconomic status. The goal is to explore how people in the past might have maintained, created, or manipulated their identity, while living in a place of liminality, stuck in between worlds. The zone of “in-betweenness,” of demarcation between two or more spheres of influence, is a very dynamic and potentially violent place. This book aims to explore how different groups stuck in these zones were affected, how they interacted with the different worlds, and how they lived their lives on the “edge.” The cases presented address questions of how living on the frontier might have affected the health and disease of these groups, how conflict and violence might have been expressed, and how social inequalities might have been manifested. This volume also aims to emphasize the ways that frontiers and borderlands are liminal zones that demand a reconceptualization of many of our most deeply held assumptions about the relationships between people, place, identity, and culture.
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