Relevant bibliographies by topics / In the Name of Salomé

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Academic literature on the topic 'In the Name of Salomé'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "In the Name of Salomé"

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Valerio-Holguín, Fernando, and Julia Alvarez. "In the Name of Salomé." World Literature Today 75, no. 1 (2001): 113. http://dx.doi.org/10.2307/40156368.

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Fitriana, Lusi, and Adriani Adriani. "PERBEDAAN HASIL PENCELUPAN BAHAN LINEN DAN KATUN PADA ZAT WARNA ALAM EKSTRAK KULIT BUAH KAKAO (Theobroma Cacao L.) DENGAN MORDAN AIR KELAPA." Gorga : Jurnal Seni Rupa 8, no. 1 (July 2, 2019): 155. http://dx.doi.org/10.24114/gr.v8i1.12981.

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AbstrakPenelitian ini bertujuan untuk mengungkapkan nama warna, gelap terang warna dan kerataan warna pada bahan linen dan katun menggunakan ekstrak kulit buah kakao dengan mordan air kelapa. Penelitian ini penelitian eksperimen. Hasil nama warna pada pencelupan bahan linen tanpa mordan menghasilkan nama warna Amaranth Pink , warna sangat terang dan kerataaan kategori rata, nama warna pada pencelupan bahan katun tanpa mordan menghasilkan nama warna Salmon Pink Darke, warna cukup terang dan kerataaan kategori cukup rata, nama warna pada pencelupan bahan linen menggunakan mordan air kelapa menghasilkan nama Clam Shell Pink, warna kategori terang dan kerataaan kategori rata, nama warna pada pencelupan bahan katun menggunakan mordan air kelapa menghasilkan nama Warm Brown warna kategori cukup terang dan kerataaan warna kategori cukup rata. Kata Kunci: kulit buah kakao, air kelapa.AbstractThis study aim of this research is to reveal the color, dark color of the color and color of the linen and cotton materials using cocoa fruit extract with coconut water mordan. This research is experimental research. The name of the color name on dyeing of mordant linen makes the color name of Amaranth Pink , a very bright color and a flat category, the color name of dyeing cotton without mordant yields the color name of Salmon Pink Darke, fairly bright colors and fairly flat category, the color name of the dyeing of linen material using mordan coconut water produces the name Clam Shell Pink, the category of bright category and flat category, the name of the color on the dyeing of cotton using mordan coconut water categories are quite bright and the color category is fairly flat. Keywords: cocoa fruit skin, coconut water.
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Alvarez, Julia. "from In the Name of Salome." Callaloo 23, no. 3 (2000): 828–38. http://dx.doi.org/10.1353/cal.2000.0120.

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Pomiès-Maréchal, Sylvie. "The Enduring Influence of Female Special Operations Executive Agent Biopics on Cultural Memory and Representations in France and Great Britain." European Journal of Life Writing 10 (September 8, 2021): WLS144—WLS168. http://dx.doi.org/10.21827/ejlw.10.37917.

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Seventy-five years have elapsed since the end of World War Two. Yet, the memory of the conflict still occupies a central place in British and French collective consciousness. Fiction and film representations of the war act as powerful ‘vectors of memory’, to borrow an expression from French historian Henry Rousso, and as such, they have deeply contributed to shaping popular and cultural memories of the war. This article investigates a specific aspect of World War Two representations, namely the cinematic representations of the female agents from the SOE F section, focusing on the ‘generic’ or archetypal figure of the female SOE agent as generated by the post-war cultural industry. After a brief contextualisation focusing on Churchill’s clandestine organisation, the article will analyse the contribution of Odette (Herbert Wilcox, 1950) and Carve Her Name with Pride (Lewis Gilbert, 1958) to the construction of a World War Two ‘mythology’. It will then address more recent films, concentrating on Charlotte Gray (Gillian Armstrong, 2001) and Female Agents (Jean-Paul Salomé, 2008). How did the fictional construction of the female spy come to influence the social and cultural perception of the SOE agent? Are the tropes developed in such post-war films as Odette or Carve Her Name with Pride still current or have they evolved with time? The analysis of these fictional representations will reveal the permanence or evolution of certain representational patterns and also allow us to approach different perspectives on the cultural representation of World War Two on both sides of the Channel.
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Silvela Calvo, Alejandro. "De la escena a la viñeta:." Neuróptica, no. 2 (May 17, 2021): 227–40. http://dx.doi.org/10.26754/ojs_neuroptica/neuroptica.202025428.

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Resumen: P. Craig Russell ha destacado, entre otras aportaciones, por su labor a la hora de realizar una larga serie de adaptaciones del mundo de la ópera a la viñeta. El estilo de Russell se caracteriza por partir de la idea de adaptar una obra musical a un medio plástico y visual haciendo que no solo se convierta en la simple narración de una ópera musical, sino que crea una obra en sí misma en la que intenta recoger diferentes sensaciones estilísticas, estructurales y estéticas de la obra y generar una representación de las mismas. En este artículo nos valdremos de su adaptación de Salomé, ópera de Richard Strauss de 1905 basada en la obra teatral homónima de Oscar Wilde. Se tratará la idea de musicalización del cómic y la forma en la que Russell plasma diferentes ideas musicales referentes no solo a timbres, leitmotiv u orquestación, sino atendiendo a diferentes parámetros que engloba la obra de Strauss, en torno a la idea de maximalización y decadencia del arte de finales del siglo XIX y principios del siglo XX. Abstract: P. Craig Russell has stood out, among other contributions, for his work in making a long series of adaptations from the world of opera to comic. Russell's style is characterized by starting from the idea of adapting a musical work to a plastic and visual medium, making it not only become the simple narration of a musical opera, but also creates a work in itself in which he tries to collect different stylistic, structural and aesthetic sensations of the work and generate a representation of them. In this article we will use his adaptation of Salomé, an opera by Richard Strauss from 1905 based on the play of the same name by Oscar Wilde. The idea of musicalization of the comic will be discussed and the way in which Russell expresses different musical ideas referring not only to timbres, leitmotivs or orchestration, but also taking into account different parameters that encompass Strauss's work around the idea of maximalization and decadence of art from the end of the 19th century and the beginning of the 20th century.
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Whipps, Christopher M., W. Ray Butler, Fazel Pourahmad, Virginia G. Watral, and Michael L. Kent. "Molecular systematics support the revival of Mycobacterium salmoniphilum (ex Ross 1960) sp. nov., nom. rev., a species closely related to Mycobacterium chelonae." International Journal of Systematic and Evolutionary Microbiology 57, no. 11 (November 1, 2007): 2525–31. http://dx.doi.org/10.1099/ijs.0.64841-0.

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Mycobacterial infections in fish are usually attributed to strains of Mycobacterium marinum, Mycobacterium chelonae and Mycobacterium fortuitum. Bacteria identified as M. chelonae have been isolated numerous times from salmonid fishes. Recently, this bacterium has been associated with salmon mortalities in the aquaculture industry. An M. chelonae-like species from salmon, ‘Mycobacterium salmoniphilum’, was described in 1960. However, the species name lost standing in nomenclature when it was omitted from the 1980 Approved Lists of Bacterial Names because the species could not be distinguished with confidence from M. fortuitum. In the 1980s, mycobacteria isolated from salmon were characterized as a distinct subspecies, ‘Mycobacterium chelonae subsp. piscarium’. Again, the uncertainty of the validity of the species resulted in the subsequent withdrawal of the name. Since then, most studies have considered isolates from salmon to be M. chelonae. Nucleotide sequence analysis of the small-subunit rRNA, hsp65 and rpoB genes was used to examine the taxonomic relatedness of type cultures and authentic isolates in our culture collection available from earlier studies. The M. chelonae-like strains from salmon were phylogenetically distinct from other Mycobacterium strains and members of the M. chelonae complex. Moreover, the cell-wall-bound mycolic acids were not representative of known mycolate patterns for M. chelonae-complex organisms. These results supported the status of the species as a separate taxon and effect the valid publication of the name ‘M. salmoniphilum’ as Mycobacterium salmoniphilum (ex Ross 1960) sp. nov., nom. rev., with the type strain SCT (=ATCC 13578T =DSM 43276T).
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Komunyakaa, Yusef. "Salomé." Callaloo 13, no. 2 (1990): 251. http://dx.doi.org/10.2307/2931690.

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Cernois, Sylviane. "Salomé." L'en-je lacanien 11, no. 2 (2008): 217. http://dx.doi.org/10.3917/enje.011.0217.

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Gonzalez Salvador, Ana. "SALOMÉ/ S.A.L.O.M.E." Équivalences 26, no. 1 (1996): 7–20. http://dx.doi.org/10.3406/equiv.1996.1197.

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Lalande, Françoise. "Salomé dévoilée." Équivalences 26, no. 1 (1996): 67–76. http://dx.doi.org/10.3406/equiv.1996.1200.

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Dissertations / Theses on the topic "In the Name of Salomé"

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Carlson, Nicole Marie. "Telling History Through the Stories of Women: Julia Alvarez's In the Time of the Butterflies and In the Name of Salomé." BYU ScholarsArchive, 2006. https://scholarsarchive.byu.edu/etd/494.

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My thesis discusses the ways in which Julia Alvarez's In the Time of the Butterflies (1994) and In the Name of Salomé (2000) are revolutionary texts contesting traditional, male dominated history and redirecting historical and communal foci to the lives of Dominican women. I employ Walter Benjamin's theories found in his essays "The Storyteller" (1936) and "On the Concept of History" (1940) to assist my exploration of Alvarez's questions concerning the power and effect of storytelling, and the importance of reconstructing various historical voices and images, specifically, the importance of reconstructing female voices in male dominated cultures. I discuss the female-narrated component to Dominican history which Alvarez creates in her reconstruction of the lives of these women. Alvarez confronts the challenge of breaking these women out of their marginalized status by combining fiction with history in her reconstruction of their lives. Alvarez assumes the multifaceted role of mediator, story-teller, and historian as she remembers and re-presents Dominican history through the eyes of women who lived, experienced, and affected change within the Dominican Republic. Without merely act as a reporter of historical "facts," Alvarez reconstructs the lives of these women fictionally, applying her impressions and ideas about the personalities, feelings, and thoughts of these women, and historically, utilizing first and secondhand accounts and information about the women. Ultimately, the women are presented as individuals but are also connected to a collective memory and history. As individuals with human characteristics, the women are no longer inaccessible legends. As members of a collective memory and history, the women are redeemed from the isolating effect of their patriarchal society which would have women remain silent. Due to Alvarez's reconstruction, their stories finally have the potential for further dissemination in the future with the possibility to affect other oppressed peoples. Thus, Alvarez's reconstruction of the resistance of a few women in Dominican history produces the capacity for additional resistance by Alvarez's audience to the same forces that these women were combating which continue to exist today — forces such as patriarchy, dictatorial governments, fascism, and economic disparity.
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Carlson, Nicole Marie. "Reconstructing history through stories : Julia Alvarez's In the time of the butterflies and In the name of Salomé /." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1454.pdf.

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Bonin-Livet, Déborah. "Salomé dans la France musicale au début du XXe siècle. Approche comparative de La Tragédie de Salomé de Florent Schmitt et de Salomé d’Antoine Mariotte." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040019.

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L’histoire biblique de Salomé est un vaste sujet qui passionne artistes et écrivains depuis longtemps. En musique, il semble toutefois plus présent au début du XXe siècle. L’œuvre testamentaire sur le sujet demeure encore aujourd’hui l’opéra de Richard Strauss, créé à Dresde en 1905. Pourtant, maints compositeurs vont également traiter la légende qui met en cause Salomé à la même époque, dont notamment Florent Schmitt, avec son ballet La Tragédie de Salomé et Antoine Mariotte qui s’inspirera, tout comme Strauss, de la pièce théâtrale éponyme d’Oscar Wilde pour écrire son opéra.Considérant la date de création de l’œuvre de Mariotte (1908) et l’existence du ballet de Schmitt composé en 1907, notre objectif est de comprendre pourquoi ces deux compositeurs se sont intéressés quasi simultanément en France à ce même sujet. Pour cela, nous nous concentrerons sur les rapports d’ordres historique, social, esthétique et musical qui uniront Salomé au symbolisme, avant d’orienter notre travail vers d’autres tendances de cette époque, comme l’orientalisme voire l’aspect psychanalytique du sujet, ainsi que vers l’étude des créations et des grandes représentations de l’œuvre.À travers cette approche comparative de La Tragédie de Salomé de Florent Schmitt et de la Salomé d’Antoine Mariotte, suivant leur conception, leur organisation et leur réception, nous pourrons conclure, outre la fascination, à la puissante représentativité de ce sujet dans la France musicale du début du XXe siècle
The biblical story of Salome is a vast subject that has inspired artists and writers alike for years. In music however, the story was evoked the most at the beginning of the twentieth century. To this day, the work of reference on the subject remains Richard Strauss’s opera composed in Dresden in 1905. And yet, numerous composers of the same era were to use the legend of Salome, namely Florent Schmitt with his ballet ‘The Tragedy of Salome’ and Antoine Mariotte. The latter, like Richard Strauss, sought inspiration for his opera from the play of the same name by Oscar Wilde.Bearing in mind the date of conception of Mariotte’s work (1908) and the existence of Schmitt’s ballet composed in 1907, our aim is to understand why these two composers, both in France, became interested in the same subject at practically the same time. To this end, we will concentrate on historical, social, artistic and musical accounts that link Salome to symbolism. Our work will then explore other trends of the time, such as orientalism and even the psychoanalytical nature of the subject. The final part of our study will deal with the premières and major performances of the work. Through this comparative study of the conception, organisation and reception of ‘The Tragedy of Salome’ by Florent Schmitt and of ‘Salome’ by Antoine Mariotte, we can not only conclude that the subject was a source of great fascination, but also that it had a strong influence on music in France at the beginning of the twentieth century
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Rioux, Ève. "Salomé d'Oscar Wilde, histoire et mythe." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0014/MQ41998.pdf.

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Mavrakis, Annie. "Judith et Salomé : une gémellité paradoxale." Paris 1, 1991. http://www.theses.fr/1991PA010586.

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Vieira, Osvaldo Arthur Menezes. "Simões Lopes Neto : uma Salomé no pampa." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2006. http://hdl.handle.net/10183/11390.

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Este trabalho tem por finalidade analisar a representação mítica de Salomé e suas ressonâncias na obra de Simões Lopes Neto e defender a idéia de que o autor, ao reler o mito, ambientando-o nos pampas do Rio Grande, transcende o mero pitoresco e a mera cor local, colocando-os a serviço da releitura desse mito. É objetivo principal deste estudo, portanto, ver nessa releitura um dos elementos responsáveis por tal transcendência. A fim de qualificar o estudo, são feitas uma reflexão sobre mito e literatura e uma investigação sobre a Salomé histórica, bem como as suas releituras. A análise dos contos Cabelos da china, Jogo do osso, No manantial, Contrabandista e O Negro Bonifácio, de Contos Gauchescos, e da obra Cancioneiro Guasca permite constatar nas personagens femininas dos referidos textos elementos que comprovam a releitura do mito de Salomé.
Este trabajo tiene por finalidad analizar la representación mítica de Salomé y sus resonancias en la obra de Simões Lopes Neto y defender la idea de que el autor, al releer el mito, ambientandolo en las pampas de Rio Grande, transciende lo pintoresco y el simple color local, poniendolos a servicio de la relectura del mito. Es objetivo principal de este estúdio, por lo tanto, ver en esta relectura uno de los elementos responsables por tal transcendencia. A fin de calificar el estúdio, son hechas una reflexión sobre mito y literatura y una investigación sobre la Salomé histórica, así como sus relecturas. El análisis de los cuentos Cabelos da china, Jogo do osso, No manantial, Contrabandista y O Negro Bonifácio, de Contos Gauchescos, y de la obra Cancioneiro Guasca permite constatar en los personajes femeninos de los referidos textos elementos que comprueban la relectura del mito de Salomé.
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Mons, Isabelle. "Lou Andreas-Salomé et l'anthropologie de son temps." Paris 3, 2003. http://www.theses.fr/2003PA030059.

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L'œuvre de Lou Andreas-Salomé (1861-1937) est au carrefour de différentes cultures (européenne, slave, orientale). Au-delà de l'histoire des femmes, elle appartient à l'histoire des idées et à l'univers de la psychanalyse. Figure charismatique de la femme fin de siècle, Lou Andreas-Salomé est critique, essayiste, diariste, biographe, épistolière et romancière. Elle est aussi l'une des premières intellectuelles à établir un lien entre les disciplines : les lettres (pensée nietzschéenne et Lebensphilosophie, poésie rilkéenne, théâtre naturaliste), les arts (peinture, sculpture), les religions (leur histoire et leurs différences) répondent aux sciences (psychologie, biologie, entomologie, zoologie, psychanalyse). Lou Andreas-Salomé place l'être humain au centre d'une étude dont les paradigmes psychologisants et religieux constituent, entre 1885 et 1911, une préparation fondamentale à son analyse clinique de la psyché : l'Homme est en quête de sa nature première, oubliée sous l'influence des valeurs individualistes de la modernité ; la foi en Dieu, le pouvoir rédempteur de l'Eros, la création artistique le reconduisent vers le confort de la totalité originelle. Dès 1912, la pensée anthropologique de Lou Andreas-Salomé dépasse le cadre de la Tiefenpsychologie : en devenant analyste, la femme-écrivain apporte une subtile contribution à la compréhension de l'inconscient et de l'identité sexuelle de la femme, symbole d'humanité. Le retour au moi profond, thème fédérateur, participe d'une apologie de la vie : il est le fondement de son discours littéraire et psychanalytique qui devient ainsi le moyen jumeau de la connaissance anthropologique
The writings of Lou Andreas-Salomé (1861-1937) form a meeting point of different cultures (European, Slavic, oriental). Reaching far beyond women's history exclusively, they belong to the history of philosophy and to the world of psychoanalysis. As a charismatic figure, Lou Andreas-Salomé is the woman of the fin de siècle. She is a critic, an essayist, a diarist, a biographer, a letter writer and a novelist. She is also one of the first women intellectuals to have brought together many disciplines: literature (Nietzschean thought and Lebensphilosophie, Rilke's poems, naturalist theatre), art (painting and sculpture) and religion (histories and differences) go hand in hand with science (psychology, biology, entomology, zoology, psychoanalysis). Lou Andreas-Salomé made the human being the centre of a study whose psychological and religious paradigms, between 1885 and 1911, were a fundamental preparation for her clinical analysis of the psyche: the human being looks for its first nature - forgotten under the influence of the individualist values of modernity - while faith in God, the redeeming power of Eros and artistic creation return him to the comfort of the original whole. After 1912, Lou Andreas-Salomé's anthropological thought went far beyond the context of Tiefenpsychologie: as an analyst, the woman of letters contributed subtly to the understanding of the unconscious and the sexual identity of woman, the symbol of humanity. The unifying theme of return to the deep self is part of a tribute to life: it is the basis of her literary and psychoanalytical works that become the dual path to the appreciation of humankind
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Couto, Diana Marlene Soares de. "O milagre segundo Salomé : (des)encontros entre Miguéis e Barroso." Master's thesis, Universidade de Aveiro, 2009. http://hdl.handle.net/10773/2829.

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Mestrado em Literatura
Na presente dissertação propusemo-nos fazer uma análise comparativa entre o romance de José Rodrigues Miguéis, O Milagre Segundo Salomé, e o filme homónimo de Mário Barroso. Neste sentido, estruturámos o presente trabalho em duas partes. Na primeira parte, debruçámo-nos sobre a análise da obra literária, tendo em atenção a estrutura, a acção, as personagens, o tempo e o espaço. Descobrimos, pois, que estávamos perante uma obra complexa e singular, cujo narrador multifacetado nos transportava por entre uma Lisboa republicana, relações humanas atribuladas e um Milagre surpreendente. Acabámos a nossa abordagem ao romance, focando os seus principais temas: o Milagre, que nos fez lembrar o de Fátima, o amor arrebatador, humilde e simples, e a Primeira República, enquanto memória de um passado. Na segunda parte, tomámos como objecto de análise o filme homónimo de Mário Barroso e procurámos, então, proceder a uma análise comparativa entre este e o romance que lhe serviu de adaptação. Delineámos os encontros e os desencontros que existem entre as duas formas de escrita, a literária e a cinematográfica, tendo em atenção a estrutura, a acção, as personagens, o tempo e o espaço em que ambas decorrem. Por fim, procurámos reflectir sobre a fidelidade do filme em relação ao romance. ABSTRACT: On this dissertation we agreed on making a comparative analysis between José Rodrigues Miguéis’ novel, O Milagre Segundo Salomé, and Mário Barroso’s homonym movie. In this way, we structured this work in two parts. On the first part, we gave attention to the analysis of the literary work, paying attention to the structure, the action, the characters, the time and space. We discovered, that we were standing in front of a complex and singular literary work, with a multitalented narrator who shows us a republican Lisbon, bumpy human relationships and a surprising Miracle. We finished our approach to the novel, focusing on its primary themes: the Miracle, which reminds us of Fátima, the overtaking love, humble and simple, and the First Republic, as a memory of a past. On the second part, we take as an analysis object the homonym Mário Barroso’s movie and then search for a comparative analysis between this movie and the novel that served as an adaptation. We traced the encounters and desencounters that exist between two writing styles, literary and cinematographic, while paying attention to the structure, action, characters, time and space in which both ocurr. Finally, we will try to reflect the fidelity of the film to the novel.
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Thomas, Martine. "La Salomé d'Oscar Wilde : épanouissement au XIXe siècle d'une figure des débuts de l'ère chrétienne." Université Marc Bloch (Strasbourg) (1971-2008), 1985. http://www.theses.fr/1985STR20001.

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Ruck-Schröder, Adelheid. "Der Name Gottes und der Name Jesu : eine neutestamentliche Studie /." Neukirchen-Vluyn : Neukirchener Verl, 1999. http://catalogue.bnf.fr/ark:/12148/cb38818608d.

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Books on the topic "In the Name of Salomé"

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In the name of Salomé: A novel. New York, N.Y: Penguin Putnam, 2001.

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Alvarez, Julia. In the name of Salomé: A novel. New York, N.Y: Penguin Putnam, 2001.

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Schaefer, Dirk. Im Namen Nietzsches: Elisabeth Förster-Nitzsche und Lou Andreas-Salomé. Frankfurt: Fischer Taschenbuch Verlag, 2001.

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Salomé. La Habana, Cuba: Casa Editora Abril, 2013.

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Weyergans, François. Salomé: Roman. Paris: L. Scheer, 2005.

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Salomé: Roman. Paris: L. Scheer, 2005.

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Kartun, Mauricio. Salomé de chacra. Buenos Aires: Losada, 2012.

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La rumeur Salomé. Paris: Les Éditions du Cerf, 2013.

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Los Lunares de Salomé. Santa Cruz: [Publisher not identified], 2011.

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Méndez, Quintín Alonso. El edén de Salomé. Barcelona: Editorial Lampedusa, 2014.

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Book chapters on the topic "In the Name of Salomé"

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Mozol, Ana. "Salomé." In A Re-Visioning of Love, 133–69. Abingdon, Oxon; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429058455-7.

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Lippert, Sarah J. "Salomé versus Medusa." In The Paragone in Nineteenth-Century Art, 155–216. New York : Routledge, 2019. | Series: Routledge research in art history: Routledge, 2019. http://dx.doi.org/10.4324/9780367140458-4.

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Stephan, Inge. "Andreas-Salomé, Lou." In Metzler Autorinnen Lexikon, 20–21. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_15.

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Eells, Emily. "Transposing Wilde’s Salomé." In Franco-British Cultural Exchanges, 1880–1940, 66–83. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137030788_5.

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Gidion, Heidi. "Andreas-Salomé, Lou." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_1559-1.

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Pfister, Manfred, and Rebekka Rohleder. "Wilde, Oscar: Salomé." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17388-1.

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Wawrytko, Sandra A. "Lou Salomé (1861–1937)." In A History of Women Philosophers, 69–102. Dordrecht: Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-011-1114-0_4.

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Gidion, Heidi. "Andreas-Salomé, Lou: Die Briefwechsel." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_1560-1.

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Froehlich, Stephan J., Carlo A. Lackerbauer, Guenter Rudolph, Jan Rémi, Soheyl Noachtar, Werner J. Heppt, Annette Cryer, et al. "NAME." In Encyclopedia of Molecular Mechanisms of Disease, 1430. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-540-29676-8_7413.

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Weik, Martin H. "name." In Computer Science and Communications Dictionary, 1067. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_12054.

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Conference papers on the topic "In the Name of Salomé"

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"Literary Marketability in Fadia Faqir-s My Name is Salma." In March 20-21, 2017 London. URUAE, 2017. http://dx.doi.org/10.17758/uruae.uh0317001.

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Gong, Jun, Lidan Wang, and Douglas W. Oard. "Personal name-matching through name transformation." In the 2009 joint international conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1555400.1555476.

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Tao, Vinh, Vianney Rancurel, and João Neto. "A Name Is Not A Name." In APSys '15: Asia-Pacific Workshop on Systems. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2797022.2797034.

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Chen, Ying, and Chu-Ren Huang. "Exploring personal name disambiguation from name understanding." In 2010 4th International Universal Communication Symposium (IUCS). IEEE, 2010. http://dx.doi.org/10.1109/iucs.2010.5666185.

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"List of authors (last name, first name)." In 2017 32nd Conference on Design of Circuits and Integrated Systems (DCIS). IEEE, 2017. http://dx.doi.org/10.1109/dcis.2017.8311645.

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Ashish, Naveen, Arihant Patawari, Simrat Singh Chhabra, and Arthur W. Toga. "Name Similarity for Composite Element Name Matching." In BCB '16: ACM International Conference on Bioinformatics, Computational Biology, and Health Informatics. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2975167.2975203.

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Shaheen-Gouda, Amal, and Larry Loucks. "Name borders." In the 5th workshop. New York, New York, USA: ACM Press, 1992. http://dx.doi.org/10.1145/506378.506424.

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"Name index." In Proceedings of International Conference on Control Applications. IEEE, 1995. http://dx.doi.org/10.1109/cca.1995.555632.

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Biddle, Robert, Angela Martin, and James Noble. "No name." In Companion of the 18th annual ACM SIGPLAN conference. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/949344.949403.

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"Author's Name." In Canadian Conference on Electrical and Computer Engineering 2001. Conference Proceedings. IEEE, 2001. http://dx.doi.org/10.1109/ccece.2001.933528.

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Reports on the topic "In the Name of Salomé"

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Buhrman, John R. #NAME? Fort Belvoir, VA: Defense Technical Information Center, October 1997. http://dx.doi.org/10.21236/ada344944.

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Holm, G. F. Name authorities save an historic community name - La Rivière. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1999. http://dx.doi.org/10.4095/298613.

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Howley, B. M. F. Newfoundland name-lore. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1987. http://dx.doi.org/10.4095/298243.

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Goldin, Claudia, and Maria Shim. Making a Name. Cambridge, MA: National Bureau of Economic Research, September 2001. http://dx.doi.org/10.3386/w8474.

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Mecozzi, D., and J. Minton. UniTree Name Server internals. Office of Scientific and Technical Information (OSTI), January 1996. http://dx.doi.org/10.2172/219523.

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Lazear, W. D. MILNET name domain transition. RFC Editor, November 1987. http://dx.doi.org/10.17487/rfc1031.

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Haines, Nicholas, Darrell Kindred, J. G. Morrisett, Scott M. Nettles, and Jeannette M. Wing. Tinkertoy(Trade Name) Transactions. Fort Belvoir, VA: Defense Technical Information Center, December 1993. http://dx.doi.org/10.21236/ada275271.

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Simpson, W. ICMP Domain Name Messages. RFC Editor, April 1995. http://dx.doi.org/10.17487/rfc1788.

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DeSanti, C., V. Gaonkar, H. K. Vivek, K. McCloghrie, and S. Gai. Fibre-Channel Name Server MIB. RFC Editor, April 2006. http://dx.doi.org/10.17487/rfc4438.

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Josefsson, S. Domain Name System Media Types. RFC Editor, April 2005. http://dx.doi.org/10.17487/rfc4027.

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