Relevant bibliographies by topics / Inanna

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Inanna'

Author: Grafiati
Published: 4 June 2021
Last updated: 23 February 2023

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Journal articles on the topic "Inanna"

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Abrahams, Tamsin. "INANNA—PAIN, ECHO AND REBIRTH." Dramatherapy 30, no. 3 (December 2009): 13–16. http://dx.doi.org/10.1080/02630672.2009.9689755.

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Cooper, Marc. "Inanna. Diane Wolkstein and Geoffrey Gordon." Biblical Archaeologist 53, no. 4 (December 1990): 239–40. http://dx.doi.org/10.2307/3210175.

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Rubio, Gonzalo, and Yitschak Sefati. "Inanna and Dumuzi: A Sumerian Love Story." Journal of the American Oriental Society 121, no. 2 (April 2001): 268. http://dx.doi.org/10.2307/606565.

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Lion, Brigitte. "Dame inanna-ama-mu, scribe à Sippar." Revue d'assyriologie et d'archéologie orientale 93, no. 1 (2001): 7. http://dx.doi.org/10.3917/assy.093.0007.

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Collins, Paul. "The Sumerian Goddess Inanna (3400-2200 BC)." Papers from the Institute of Archaeology 5 (November 15, 1994): 103. http://dx.doi.org/10.5334/pia.57.

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Bidmead, Julye, and Marilyn Love. "Ištar’s Journey: Above and Below." Culture and Cosmos 22, no. 1 (June 2018): 5–28. http://dx.doi.org/10.46472/cc.0122.0203.

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Astral information appears in a wide variety of cuneiform texts: astronomical manuals, omen series, reports written by celestial diviners to the kings, letters, prayers, and myths. This paper examines one of these myths, Inanna/Ištar’s Descent into the Netherworld, to trace the parallels between Inanna/Ištar’s journey in the netherworld and the planet Venus. The Mesopotamian goddess Inanna/Ištar is represented in her astral aspect as Venus, who is both the evening star, visible after sunset, and the morning star, visible before sunrise. In the myth, she travels from the ‘great heavens above’ into the netherworld, the ‘great below’, where she passes through seven gates. At each gate, she is symbolically stripped of her divine radiance (mêlammū) by the removal of her clothing and adornments. She is held prisoner by the queen of the netherworld, her older sister, Ereškigal. During the goddess’ captivity, procreation and fertility of the land cease. She is eventually rescued and released in exchange for her lover, Dumuzi/Tammuz, who must reside half of the year in the netherworld in her place. Though the myth is traditionally understood as a seasonal aetiology, with its familiar ancient Mediterranean dying-rising god motif, and as the Mesopotamians’ conception of afterlife, using iconographic representations and linguistic comparisons with the astral omen texts, another interpretation explaining the movements and periodic disappearance of Venus is noticeable.
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Sjöberg, Åke W. "A Hymn to Inanna and Her Self-Praise." Journal of Cuneiform Studies 40, no. 2 (September 1988): 165–86. http://dx.doi.org/10.2307/1359660.

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Böck, Barbara. "ÜBERLEGUNGEN ZU EINEM KULTFEST DER ALTMESOPOTAMISCHEN GÖTTIN INANNA." Numen 51, no. 1 (2004): 20–46. http://dx.doi.org/10.1163/156852704773558214.

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AbstractThe present study aims at interpreting a Sumerian hymn pertaining to the cult of the ancient Mesopotamian goddess of love and war, Inanna/Ištar. Though this literary composition belongs to the realm of royal religion, and centres on the relationship between the goddess and the royal personage, the hymn also provides an insight into a cultic feast of rather popular character. The text describes a ritual; its inner logic follows the course of a cultic ceremony. Accordingly, the term "implicit ritual" as opposed to "explicit ritual", or liturgical order, can be applied. Until now the Sumerian hymn in question has been treated mainly from a text critical point of view. Certain aspects of the ritual performance, viz. the playful change of gender roles, are expressed through the epithets of the goddess. Recently, attention has been given to those epithets that allude to the power of the goddess to change her sex, and it has been proposed that they show a shamanistic side of the goddess. In what follows we shall put forward an alternative interpretation of the change of gender roles by using the concept of play and game as intrinsic to a religious system. The cultic feast of the goddess Inanna/Ištar will thus be traced back to a ritual of inversion which serves to reconstitute the moral and social order as well as to consolidate religious belief. Since our hymn is considered to be one of the main sources for the reconstruction of the so-called "sacred marriage" we shall also touch upon this ancient rite.
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Grahn, Judy. "Ecology of the Erotic in a Myth of Inanna." International Journal of Transpersonal Studies 29, no. 2 (July 1, 2010): 58–67. http://dx.doi.org/10.24972/ijts.2010.29.2.58.

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Galati, Michelle. "Rosanna Micelotta Battigelli, La Brigantessa. Toronto: Inanna Publications, 2018." Italian Canadiana 33 (April 28, 2022): 330–32. http://dx.doi.org/10.33137/ic.v33i.38542.

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Dissertations / Theses on the topic "Inanna"

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Quate, Amy. "Hymns to Inanna." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc500257/.

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The poetry of Sumer, inscribed in cuneiform script on clay tablets dating from 2000 B.C., is considered humanity's earliest written literature. Hymns To Inanna is a three-movement, mixed media work based on adapted English translations from ancient Sumerian text. The text is sung by SATB choir and musically illustrated by harp, flutes, percussion, and computer-generated sound (on tape). My musical setting displays these hymns not as a reflection of antiquity but as a timeless expression of spiritual thought. Certain elements of the composition evoke associations with early culture and music. These components, however, are transformed or merged with musical characteristics of other eras, idioms, and forms thus representing a conceptual and stylistic "bridge" between past, present, and future.
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Torres, Kimberly. "Resurrecting Inanna lament, gender, transgression." Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/629.

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This essay, which is at once a literary critical examination and a theological exploration of the Hebraic scriptural book of Lamentations in relation to ancient Sumerian lament, employs a mixed critical approach (e.g., form, feminist, postmodern, reader response), to address various lyrical, contextual, and thematic elements common to both the biblical Lamentations and the older Sumerian compositions. Specific focus is given to issues of gender and gender-malleability, as well as the notion of "transgression" and the various meanings that may be attached to this word in various contexts, theological or otherwise. Also addressed is the means by which the lament genre reflects/reveals the ways in which individuals and communities attempt to construct meaning, or find solace, in the face of human suffering.
B.A.
Bachelors
Arts and Humanities
Humanities
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Bruinsma, Raelene. "Restoring Inanna - an ancient myth for contemporary women?" Thesis, Curtin University, 2014. http://hdl.handle.net/20.500.11937/1523.

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Combining a range of performative methods, including original song and platform storytelling, this autoethnographic practice-led feminist study explores the ways in which the 4-5000 year stories and poems of the goddess Inanna from Ancient Sumer (present day Iraq) speak to contemporary women. Weaving together data gained from creative practice, trial performances, contextual research and discussion forums, the results are presented in a live one woman performance, documented in an accompanying DVD, and a written exegesis.
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Dupla, Simone Aparecida. "CONSTRUÇÕES DO IMAGINÁRIO RELIGIOSO NO CULTO A INANNA NA ANTIGA MESOPOTÂMIA: SÍMBOLOS E METÁFORAS DE UMA DEUSA MULTIFACETADA (3200-1600 a.C)." UNIVERSIDADE ESTADUAL DE PONTA GROSSA, 2016. http://tede2.uepg.br/jspui/handle/prefix/372.

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Made available in DSpace on 2017-07-21T14:49:43Z (GMT). No. of bitstreams: 1 Simone Dupla.pdf: 2971799 bytes, checksum: 7e1e207afce384b2447f024c95b4ed22 (MD5) Previous issue date: 2016-04-01
Fundação Araucária de Apoio ao Desenvolvimento Científico e Tecnológico do Paraná
Inanna, the multifaceted goddess of Mesopotamian culture, was worshiped throughout the history of this society. Known as the goddess of love and war, their status in the Mesopotamian pantheon and its functionality has been re-reading object by many historians. The purpose of this study was to address the representations present in the worship of Inanna through symbols and attributes to it attributed unveiling its characteristics and relationship with the imagery of that society. To do this, we use as sources, in addition to recorded images for artifacts, myths and hymns dedicated to this deity. We realize that the ways of holiness expressed in the worship of Inanna allowed the articulation of this in many social segments and ensured their maintenance and survival. Thus, images and symbols that made up the religious universe of divinity were assignments and constructions that are perpetuated over time related to the reality of his first devotees and those who captivated over the millenniums.
Inanna, a deusa multifacetada da cultura mesopotâmica, foi cultuada durante toda a história dessa sociedade. Conhecida como deusa do amor e da guerra, seu estatuto no panteão mesopotâmico e sua funcionalidade tem sido objeto de releitura por parte de muitos historiadores. O objetivo desse trabalho foi abordar as representações presentes no culto a Inanna por meio dos símbolos e atributos a ela imputados desvelando suas características e relação com o imaginário daquela sociedade. Para tal, utilizamos como fontes, além das imagens registradas em artefatos, mitos e hinos dedicados a essa divindade. Percebemos que as formas de sacralidade expressas no culto a Inanna permitiu a articulação deste nos muitos segmentos sociais e garantiu a sua manutenção e sobrevivência. Assim, imagens e símbolos que compunham o universo religioso da divindade foram atribuições e construções que se perpetuaram ao longo do tempo relacionadas à realidade de seus primeiros devotos e aqueles que cativados ao longo dos milênios.
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Behrens, Hermann. "Die Ninegalla-Hymne : die Wohnungnahme Inannas in Nippur in altbabylonischer Zeit /." Stuttgart : F. Steiner, 1998. http://catalogue.bnf.fr/ark:/12148/cb37048152m.

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Habilitationsschrift--Gemeinsamer Ausschuss der vier philosophichen Fakultäten--Freiburg (Breisgau)--Albert-Ludwigs-Universität, 1989.
Contient le texte sumérien de l'hymne avec trad. allemande en regard. Bibliogr. p. 8-11. Index.
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Slobodzianek, Iwo. "Acquérir, exprimer et transmettre les "pouvoirs" divins : une comparaison entre Aphrodite et Inanna-Is̆tar." Phd thesis, Université Toulouse le Mirail - Toulouse II, 2012. http://tel.archives-ouvertes.fr/tel-00802105.

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La présente étude offre un regard nouveau sur les systèmes de croyances religieux grecs et mésopotamiens. Adoptant une démarche comparative et contrastive, la déesse grecque Aphrodite est confrontée à la déesse mésopotamienne Inanna/Ištar. Étudiant de manière interne à chacun des deux panthéons les différents modes d'action des déesses, il s'agit de comprendre comment s'exprime la notion de " pouvoir " divin dans les sources grecques archaïques et les compositions paléo-babyloniennes du IIe millénaire av. J.-C. Parts d'honneur, parures, cortèges sont autant d'expressions des réseaux de pouvoir d'Inanna/Ištar et d'Aphrodite ; ils se transmettent, s'échangent et avec eux circulent les souverainetés spécifiques des déesses. L'enjeu principal de cette thèse est d'étudier les différentes expressions des "pouvoirs" divins dans un même complexe culturel, le monde grec ou la Mésopotamie, d'en saisir les dynamiques internes, puis de les soumettre à comparaison afin d'apporter de nouveaux éclairages sur les fonctionnements des panthéons grecs et suméro-akkadiens.
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Vändel, Liminga Ulla. "Individuationsprocessen från ett kvinnligt perspektiv : myterna om Sofia och Inanna, sagan om Tusenskinn betraktade ur jungiansk synvinkel." Thesis, University of Gävle, Department of Humanities and Social Sciences, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-362.

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C. G. Jungs teori om individuationen, och huvuddelen av de beskrivningar som finns av den, t.ex. via myter och sagor, utgår från ett manligt perspektiv. Vissa har dock diskuterat den utifrån ett kvinnligt perspektiv, och pekar på att kvinnans och mannens processer skiljer sig åt. Inom denna uppsats har jag utforskat kvinnans individuationsprocess, genom att diskutera myterna om Sofia och Inanna, samt sagan om Tusenskinn, med hjälp av jungianska metoder och en modell av kvinnans individuationsprocess föreslagen av Pia Skogemann. Jag har utforskat huvuddragen i den kvinnliga individuationsprocessen, hur de exemplifieras i dessa berättelser, vilka arketyper som är viktiga(st) i denna process och tittat på likheter och skillnader mellan kvinnlig och manlig individuationsprocess. Huvuddragen i kvinnans individuationsprocess innehåller en igångsättande fas, då Personan ifrågasätts av Jaget, och det omedvetna börjar bryta fram. Därefter följer faser då jaget möter både det manliga i olika skepnader, både av positiv och negativ karaktär, d.v.s. olika Animusuttryck, och det kvinnliga, som kan motsvara arketyperna Personan, Jaget, den Stora Modern, Skuggan och även Självet. Den innefattar också ett tydligt nedstigande, där Jaget måste våga överlämna sig, eller dra sig tillbaka till mer primitiva stadier. Slutligen sker ett återvändande, där alla delar förenas, för att uppnå helhet och då Självet träder fram. Dessa faser återfinns i alla tre berättelser. Myten om Inanna har den mest fullständiga beskrivningen av individuationsprocessen. I kvinnans individuationsprocess verkar Animus ha en central betydelse, medan Skuggan verkar spela en mindre roll, jämfört med i den manliga individuationsprocessen. Det är också troligt att kvinnans Skugga har andra karaktäristiska är mannens, t.ex. skam, skuld, svartsjuka. Den verkar också hanteras annorlunda av kvinnan än av mannen, där det för kvinnan handlar om kärlek, integration och acceptans, istället för att ta strid och besegra den.

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Bridgman, Karen Elizabeth, of Western Sydney Hawkesbury University, and Faculty of Social Inquiry. "Rhythms of awakening : re-membering the her-story and mythology of women in medicine." THESIS_FSI_XXX_Bridgman_K.xml, 2000. http://handle.uws.edu.au:8081/1959.7/385.

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This thesis is based on the stories of the lived experience of two groups of women, the first was a group of women healers, and the second, a group of academic women.Woven through the his-story of women in medicine are two myths-those of Inanna and Isis.The insights that have come from this study will give future women a path to travel to reclaim their past.Both science and scientific medicine are critiqued, and more holistic alternatives as part of this process are offered. The thesis has been constructed with a series of stories to acknowledge the uniqueness of each individual's experience.These stories provide the threads that weave the thesis together and are congruent with both the process of the making of meaning in our lives, and with our journeys toward healing.The study is embedded in both a social and feminist framework and that of depth psychology/mythology. It is based on feminist research methods and cooperative inquiry methodology and uses narrative for the recounting of the experience. It is also a heuristic inquiry that offers constructive critique using reflexive learning and explores the richness of difference in philosophies of healing and the experience of transformation.
Doctor of Philosophy (PhD)
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Hawkins, Damaris. ""They say she is veiled": A rhetorical analysis of Judy Grahn's poetry." CSUSB ScholarWorks, 1997. https://scholarworks.lib.csusb.edu/etd-project/2941.

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Shange, Nombulelo Tholithemba. "Shembe religion's integration of African traditional religion and Christianity : a sociological case study." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1011819.

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The Shembe Church's integration of African Traditional Religion and Christianity has been met by many challenges. This merger has been rejected by both African traditionalists and Christians. The Shembe Church has been met by intolerance even though the movement in some ways creates multiculturalism between different people and cultures. This thesis documents the Shembe Church's ideas and practices; it discusses how the Shembe Church combines two ideologies that appear to be at odds with each other. In looking at Shembe ideas and practices, the thesis discusses African religion-inspired rituals like ukusina, ancestral honouring, animal sacrificing and virgin testing. The thesis also discusses the heavy Christian influence within the Shembe Church; this is done by looking at the Shembe Church's use of The Bible and Moses' Laws which play a crucial role in the Church. The challenges the Shembe Church faces are another main theme of the thesis. The thesis looks at cases of intolerance and human rights violations experienced by Shembe members. This is done in part by looking at the living conditions at eBuhleni, located at Inanda, KZN. The thesis also analyses individual Shembe member's experiences and discusses how some members of the Shembe church experience the acceptance of the Shembe religion in South African society. This thesis concludes by trying to make a distinction between intolerance and controversy. I try to highlight the idea that what many Shembe followers see as discrimination and intolerance towards them is sometimes a difference in opinion from other cultural groups. Sometimes these differences are not geared towards criticising other religious groups or perpetuating intolerance.
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Books on the topic "Inanna"

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Castro, Juan. Inanna. [Córdoba]: Area de Cultura y Educación, Ayuntamiento de Córdoba, 1992.

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Inanna. Kraków: Krajowa Agencja Wydawnicza, 1986.

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Ferguson, V. S. Inanna hyper-luminal. Seattle, Wash: Thel Dar Pub., 1996.

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Bishop, Conrad. Mythic plays: From Inanna to Frankenstein. Sebastopol, CA: WordWorkers Press, 2006.

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Hämmerling, Elisabeth. Mondgöttin Inanna: Ein weiblicher Weg zur Ganzheit. Zürich: Kreuz Verlag, 1990.

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Balz-Cochois, Helgard. Inanna: Wesenbild und Kult einer unmütterlichen Göttin. Gütersloh: Gütersloher Verlagshaus G. Mohn, 1992.

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Brüschweiler, Françoise. Inanna: La déesse triomphante et vaincue dans la cosmologie sumérienne : recherche lexicographique. Leuven: Editions Peeters, 1987.

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Inanna und Šukaletuda: Zur historisch-politischen Deutung eines sumerischen Litaraturwerkes. Wiesbaden: Harrasowitz, 1995.

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The Ur III Temple of Inanna at Nippur: The operation and organization of urban religious institutions in Mesopotamia in the late third millennium B.C. Berlin: Dietrich Reimer Verlag, 1992.

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Inventing memory. New York: Tor, 2004.

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Book chapters on the topic "Inanna"

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Leeming, David A. "Inanna/Ishtar." In Encyclopedia of Psychology and Religion, 1151–53. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_9066.

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Leeming, David A. "Inanna/Ishtar." In Encyclopedia of Psychology and Religion, 857–59. Boston, MA: Springer US, 2014. http://dx.doi.org/10.1007/978-1-4614-6086-2_9066.

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Leeming, David A. "Inanna/Ishtar." In Encyclopedia of Psychology and Religion, 1–3. Berlin, Heidelberg: Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-642-27771-9_9066-2.

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Slobodzianek, Iwo. "Aphrodite humiliée, Inanna déshabillée : deux exemples de puissances divines impuissantes." In Bibliothèque de l'Ecole des Hautes Etudes, Sciences Religieuses, 263–78. Turnhout: Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.behe-eb.5.114089.

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Miller, Geoffrey David. "The Ultimate Femme Fatale: An Intertextual Comparison of Judith and Inanna." In Intertextual Explorations in Deuterocanonical and Cognate Literature, edited by Jeremy Corley and Geoffrey David Miller, 127–54. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110416930-006.

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Inaba, Masumi, and Yoshikata Inaba. "Sebaceous Gland Hypothesis of Androgenetic Alopecia (Inaba 1985; Inaba and Inaba 1992a)." In Androgenetic Alopecia, 175–78. Tokyo: Springer Japan, 1996. http://dx.doi.org/10.1007/978-4-431-67038-4_19.

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Inaba, Masumi, and Yoshikata Inaba. "The Inaba Method." In Human Body Odor, 171–234. Tokyo: Springer Japan, 1992. http://dx.doi.org/10.1007/978-4-431-66908-1_15.

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Tshishonga, Ndwakhulu, and Eleazar Bandyambona. "The Development and Sustainability of Agricultural Co-operatives at Inanda Township: An Analysis of Inanda Farmers’ Association (IFA)." In Theoretical and Empirical Studies on Cooperatives, 81–94. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-34216-0_8.

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Birçek, Ece. "İnan, Jale." In Encyclopedia of Global Archaeology, 5610–11. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_2377.

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Birçek, Ece. "İnan, Jale." In Encyclopedia of Global Archaeology, 3742. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_2377.

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Conference papers on the topic "Inanna"

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Janes, Sarah. "The Descent of Inanna: The technology of myth." In Proceedings of EVA London 2019. BCS Learning & Development, 2019. http://dx.doi.org/10.14236/ewic/eva2019.31.

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Meradi, Omar, and Béranger Roussel. "Inanis Aedes." In SA '11: SIGGRAPH Asia 2011. New York, NY, USA: ACM, 2011. http://dx.doi.org/10.1145/2077356.2425758.

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NEUBURGER, M., T. ZIMMERMANN, E. KOHN, A. DADGAR, F. SCHULZE, A. KRTSCHIL, M. GÜNTHER, et al. "UNSTRAINED InAlN/GaN HEMT STRUCTURE." In High Performance Devices - 2004 IEEE Lester Eastman Conference. Singapore: World Scientific Publishing Co. Pte. Ltd., 2005. http://dx.doi.org/10.1142/9789812702036_0026.

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Johnstone, D., Jacob H. Leach, Vladimir A. Kovalskii, Qian Fan, Jingqiao Xie, and Hadis Morkoç. "Electrical defects in AlGaN and InAlN." In SPIE OPTO: Integrated Optoelectronic Devices, edited by Hadis Morkoç, Cole W. Litton, Jen-Inn Chyi, Yasushi Nanishi, Joachim Piprek, and Euijoon Yoon. SPIE, 2009. http://dx.doi.org/10.1117/12.815020.

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Jones, R. E., R. Broesler, K. M. Yu, J. W. Ager, E. E. Haller, W. Walukiewicz, X. Chen, and W. J. Schaff. "High efficiency InAlN-based solar cells." In 2008 33rd IEEE Photovolatic Specialists Conference (PVSC). IEEE, 2008. http://dx.doi.org/10.1109/pvsc.2008.4922884.

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Piedra, Daniel, Hyung-Seok Lee, Tomas Palacios, Xiang Gao, and Shiping Guo. "Scaling of InAlN/GaN power transistors." In ESSDERC 2012 - 42nd European Solid State Device Research Conference. IEEE, 2012. http://dx.doi.org/10.1109/essderc.2012.6343396.

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Cico, K., D. Gregusova, J. Kuzmik, M. A. di Forte-Poisson, T. Lalinsky, D. Pogany, S. L. Delage, and K. Frohlich. "InAIN/GaN MOSHEMT with Al2O3 insulating film." In 2008 International Conference on Advanced Semiconductor Devices and Microsystems (ASDAM). IEEE, 2008. http://dx.doi.org/10.1109/asdam.2008.4743365.

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Rendek, K., A. Satka, J. Kovac, and D. Donoval. "Noise in the InAlN/GaN HEMT transistors." In Microsystems (ASDAM). IEEE, 2010. http://dx.doi.org/10.1109/asdam.2010.5666349.

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Medjdoub, F., J. F. Carlin, M. Gonschorek, E. Feltin, M. A. py, M. Knez, D. Troadec, et al. "Barrier layer downscaling of InAIN/GaN HEMTs." In 2007 65th Annual Device Research Conference. IEEE, 2007. http://dx.doi.org/10.1109/drc.2007.4373673.

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Liu, H. Q., J. J. Zhou, X. Dong, T. S. Chen, and C. Chen. "InAlN/AlN/GaN HEMTs on sapphire substrate." In 2010 International Conference on Microwave and Millimeter Wave Technology (ICMMT). IEEE, 2010. http://dx.doi.org/10.1109/icmmt.2010.5525207.

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Reports on the topic "Inanna"

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Pearton, S. J., C. B. Vartuli, J. W. Lee, S. M. Donovan, J. D. MacKenzie, C. R. Abernathy, R. J. Shul, G. F. McLane, and F. Ren. Plasma chemistries for dry etching GaN, AlN, InGaN and InAlN. Office of Scientific and Technical Information (OSTI), April 1996. http://dx.doi.org/10.2172/212561.

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2

Dulski, P., and J. Luck. Determination of minor and trace elements in four Canadian iron-formation standard samples FeR-1, FeR-2, FeR-3, and FeR-4 by INAA, ICP-MS, and ICP-AES. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1993. http://dx.doi.org/10.4095/193240.

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