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1

Macedo, Marino Orlando Sánchez. De las sacerdotisas, brujas y adivinas de Machu Picchu. M.O. Sánchez Macedo, 1989.

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2

Grafigny. Lettres d'une Péruvienne. Voltaire Foundation, 2002.

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3

Stirling, Stuart. The Inca princesses. Sutton, 2003.

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4

Cajías de la Vega, Magdalena. and Investigaciones Históricas, Identidad y Memoria (Group), eds. La mujer en las sociedades prehispánicas de Bolivia. Centro de Información y Desarrollo de la Mujer, 1994.

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5

Grafigny. Lettres d'une Péruvienne. Modern Language Association of America, 1993.

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6

Grafigny. Lettres d'une Péruvienne. Flammarion, 2005.

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7

Müller, Karin. Along the Inca Road: A woman's journey into an ancient empire. Adventure Press, 2000.

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8

Peruanos, Instituto de Estudios, ed. Mujer y poder en los Andes coloniales: "doña Francisca Pizarro. una ilustre mestiza, 1534-1698" y otros ensayos acerca de la mujer en los Andes Prehispánicos y coloniales. 2nd ed. Instituto de Estudios Peruanos, 2015.

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9

Rosemary, Gitachu, Miruka Okumba, African Women Development and Communication Network., and Gender Responsive Planning, Programming, and Sensitization Workshop (1993 cKisumu, Kenya), eds. Gender Responsive Planning, Programming, and Sensitization Workshop: For divisional heads, Kisumu Municipality, at Inca Hotel, Kisumu, September 16th-17th, 1993. African Women's Development and Communication Network (FEMNET), 1993.

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10

Silverblatt, Irene Marsha. Luna, sol y brujas: Géneros y clases en los Andes prehispánicos y coloniales. Centro de Estudios Regionales Andinos "Bartolomé de las Casas", 1990.

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11

Foundation, Uncommon Legacy, ed. The book of uncommon women. Uncommon Legacy Foundation, 1994.

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12

Cooper, Tracy E. Women Artists and Artisans in Venice and the Veneto, 1400-1750. Amsterdam University Press, 2024. https://doi.org/10.5117/9789048559718.

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This book of essays highlights the lives, careers, and works of art of women artists and artisans in Venice and its territories from the fourteenth to the eighteenth centuries. The collection represents the first fruits of an ongoing research program launched by Save Venice, Inc., Women Artists of Venice, directed by Professor Tracy Cooper of Temple University, in conjunction with a conservation program, led by Melissa Conn, Director of Save Venice, Inc. Inspired by a growing body of research that has resurrected female artists and artisans in Florence and Bologna during the last decade, the S
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13

Clearwater, Bonnie. Inka Essenhigh: Recent paintings. Museum of Contemporary Art, 2003.

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14

1969-, Essenhigh Inka, and Museum of Contemporary Art (North Miami, Fla.), eds. Inka Essenhigh: Recent paintings. Museum of Contemporary Art, 2003.

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15

Eviner, Inci. İnci Eviner retrospektifi: Içinde kim var? = İnci Eviner retrospective : who's inside you? İstanbul Modern, 2016.

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16

Hayes, Christine. Findings and forecasts: The literacy of women in employment training at Wider Opportunities for Women, Inc. Wider Opportunities for Women, 1985.

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17

Konarzewska, Wanda. Inna wśród innych: Powieść na motywach życia Elżbiety Huggler. Twój Styl, 2006.

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18

Blanke, Gail. Taking control of your life: The secrets of successful enterprising women. MasterMedia, 1990.

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19

Norman, Geoffrey. Inch by inch: A novel of breast cancer and healing. Lyons Press, 2003.

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20

La mujer en el Imperio Inca. s.n.], 1985.

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21

Covey, Alan. The Spread of Inca Power in the Cuzco Region. Edited by Sonia Alconini and Alan Covey. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190219352.013.13.

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Colonial documents demonstrate that the Incas thought about and described their origins in different ways: as the invention of a unique imperial ruling title, as the genealogy of royal households descended from previous rulers, and as the unification of many Cuzco area groups to create an imperial heartland. These distinct approaches to the spread of Inca power can be tested archaeologically in different ways, and several models can be dismissed using the material evidence. Archaeological surveys and excavations in the Cuzco region indicate an early growth of Inca power, with a period of expan
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22

La mujer en la época prehispánica. IEP, 1986.

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23

La mujer en el Perú prehispánica. Instituto de Estudios Peruanos, 2001.

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24

Stirling, Stuart. Inca Princesses: Tales of the Indies. History Press Limited, The, 2003.

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25

Silverblatt, Irene Marsha. Moon, Sun, and Witches: Gender Ideologies and Class in Inca and Colonial Peru. Princeton University Press, 2021.

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26

Moon, sun, and witches: Gender ideologies and class in Inca and colonial Peru. Princeton University Press, 1987.

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27

Powers, Karen Vieira. Women in the Crucible of Conquest: The Gendered Genesis of Spanish American Society, 1500-1600 (Dialogos Series). University of New Mexico Press, 2005.

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28

Yaeger, Jason, and José María López. Inca Sacred Landscapes in the Titicaca Basin. Edited by Sonia Alconini and Alan Covey. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190219352.013.21.

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Sacred landscapes are networks of meaningful places that are often woven together in mythic frameworks. Frequently they are understood as narratives, which are re-enacted through rituals and processions. We present archaeological data from the Copacabana Peninsula and Tiwanaku to show how the Inca appropriated pre-existing places and transformed the sacred landscape of the Titicaca Basin to inscribe the politically powerful Viracocha creation narrative, which held that Viracocha emerged on the Island of the Sun and travelled to Tiwanaku, where he created the sun, the moon, and the ancestral co
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29

Goldstein, Eleanor C. Women, Incl. 1984-1988 Suppls. (Women, Incl. 1984-1988 Suppls.). Sirs, 1989.

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30

Every Inch a Woman. University of British Columbia Press, 2007.

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31

Inna. Grasset, 2014.

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32

Goldstein, Eleanor C. Women Vol. 4: Incl. 1989-1993 Supplements. Sirs, 1994.

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33

Clearwater, Bonnie. Inka Essenhigh. Museum of Contemporary Art, North Miami, 2003.

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34

kortaliko, Sotani. Slay: Notebook ,Journal ,6 * 9 Inch ,for Women. Independently Published, 2021.

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35

Edit, Jenne. Strength and Dignity Journal Women: 6×9 Inch. Independently Published, 2021.

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36

Lebensformen im Umbruch: Ynes Yupangui zwischen Inkareich und spanischer Kolonialherrschaft in Peru. Shaker Verlag, 2007.

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37

Avon: Building the world's premier company for women. John Wiley & Sons, 2005.

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38

Moi︠a︡ sestra Inga Artamonova. Moskovskie uchebniki, 2005.

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39

Fontana, Shea. DC: Women of Action. Chronicle Books LLC, 2019.

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40

DC: Women of Action. Chronicle Books LLC, 2019.

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41

ELMA, Yassin. Notebook Marilyn Monroe for Women: For Women . PAGES 200 . SIZE 8. 5 X 11 INCH. Independently Published, 2021.

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42

Inci Cayirli'nin Anilari - Müzigin Güzel Günlerine Yolculuk. Pan Yayincilik, 2015.

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43

Patrick, Alton. Aries Navi Blue Cover Dot Lined Notebook with 100 Pages 6x9 Inch: Womens Aries Girl Unbreakable - Perfect Strong Women. Independently Published, 2020.

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44

Mona, Toby. Great Gift Idea for Taurus Notebook 100 Pages 6x9 Inch: Womens Taurus Queen May Birthday Gift for Black Women. Independently Published, 2020.

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45

rupo, Dudo. Notebook: French Bulldog Men Women Kids Gift 6x9 Inch Notebook. Independently Published, 2020.

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46

Luiii, Bunizz. Notebook: American Bulldog Gift Men Women Kids 6x9 Inch Notebook. Independently Published, 2020.

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47

rupo, Dudo. Notebook: French Bulldog Grandma Frenchie for Women 6x9 Inch Notebook. Independently Published, 2020.

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48

Prints, Old. Marble Notebook: Marble Notebook for Women. 6x9 Inch, Matte Finish. Independently Published, 2021.

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49

Edition, Sketch Book. You Are Women Never Give Up: 8,5x11 Inch 120 Pages. Independently Published, 2020.

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50

Five-inch heels: When women step into power and success. Influence Publishing, 2014.

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