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Relevant bibliographies by topics / Incunabula

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Academic literature on the topic 'Incunabula'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "Incunabula"

1

Alfonso, Esperanza, and Javier del Barco. "Hebrew Incunabula in Spanish Libraries: Recent Findings and Updated Census." Quaerendo 48, no. 3 (October 22, 2018): 233–57. http://dx.doi.org/10.1163/15700690-12341413.

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Abstract The authors report on the existence of three hitherto unknown copies of Hebrew incunabula printed in Soncino, provide a full description and discussion of a copy of an incunabulum from Leiria, and fragments of an incunabulum from Híjar, which they had previously identified, and offer an updated list of all the Hebrew incunabula extant in Spanish libraries and archives.

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Bolanča, Stanislav, Ivana Bolanča Mirković, and Ivan Pučić. "Technical Characteristics of Incunabulum in Europe." Tehnički glasnik 17, no. 3 (July 19, 2023): 414–23. http://dx.doi.org/10.31803/tg-20220920083951.

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Incunabula are printed materials created in Europe from the time of Johann Gutenberg's invention until 1500. Incunabula originate from the Latin language (lat. Incunabulum) and mean cradle or the beginning of something. In this paper, the representation of individual states and cities in the creation of incunabula is investigated and presented. The persons responsible for such development are also listed. Special attention is given to the presentation of Croatian incunabula. The mentioned works describe the characteristic features. Incunabula testify to a high level of culture, standards, and technological development of a particular area. The studied works reveal and confirm, as confirmed in this paper, the attitude of society towards literacy, education, and the national culture of each nation. This paper aims to comprehensively present the importance of incunabula for the development of European and Croatian culture, technological and comprehensive progress.

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Aldrich, S. J. "Incunabula." Library TBS-1, Part 1-2 (November 6, 2009): 107–22. http://dx.doi.org/10.1093/libraj/tbs-1.part_1-2.107.

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VAITKEVIČIŪTĖ, VIKTORIJA. "LIETUVOS NACIONALINĖS MARTYNO MAŽVYDO BIBLIOTEKOS RETŲ KNYGŲ IR RANKRAŠČIŲ SKYRIAUS PALEOTIPŲ RINKINYS." Knygotyra 56 (January 1, 2011): 135–48. http://dx.doi.org/10.15388/kn.v56i0.1507.

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Lietuvos nacionalinė Martyno Mažvydo bibliotekaGedimino pr. 51, LT-01504 Vilnius, LietuvaEl. paštas: viktorija.vait@gmail.comStraipsnyje nagrinėjami Lietuvos nacionalinės Martyno Mažvydo bibliotekos Retų knygų ir rankraščių skyriaus paleotipai: jų leidimo vieta, spaustuvininkai, tematika bei proveniencijos, dėmesį telkiant į retesnius, Lietuvos knygos kultūrai svarbesnius leidinius. Iš šiame skyriuje saugomų daugiau kaip 800 paleotipų analizuojama tik dalis jų, nes daugiau negu 200 knygų teturi kortelinį bibliografinį aprašą ir išsamiai juos ištirti šiuo metu neįmanoma. Dalies šių paleotipų analizė papildo jau esamus tyrimus, praplečia senosios knygos kultūros vaizdą.Reikšminiai žodžiai: knygotyra, paleotipai, retos knygos, spaustuvininkai, proveniencijos.THE COLLECTION OF POST-INCUNABULA IN THE MARTYNAS MAŽVYDAS NATIONAL LIBRARY OF LITHUANIAViktorija VAITKEVIČIŪTĖ AbstractPost-incunabula or the books printed in the first half of the 16th century (from January 1, 1501 to January 1, 1551), along with incunabula, are considered to be the oldest and most valuable publications in the world. Due to their likeness to incunabula and publishing specifics, post-incunabula are considered to be historical treasures and monuments of culture. The Rare Book and Manuscript Department of the National Library of Lithuania has in its holdings more than 800 post-incunabula, not including the ones kept at the Department of the National Archival Fund of Published Documents. The exact number is still unknown, since not all the books have been included into the electronic catalogue: more than 200 of them have only a card catalogue description and are awaiting a more detailed study. This article analyses specific features of part of the post-incunabula collection in the NLL Rare Book and Manuscript Department: their place of publication, publishers, thematics and provenances. Principal attention is accorded to the books that are rarer, more interesting and more important for Lithuania’s culture and book culture in general.The most of the post-incunabula kept in the Rare Book and Manuscript Department were published in Germany, many in Switzerland, France and Italy. There also is a small number of post-incunabula published in Poland (Cracow). Of the publications produced by Cracow’s printers, the article discusses those by Jan Haller (ca. 1467–1525), Hieronim Wietor (ca. 1480–1546) and Florian Ungler (d. 1536). It is necessary to mention Aldines – the publications by one of themost famous European printers, Aldo Manuzio (Lat. Aldus Manutius; ca. 1450–1515) and by his descendants. The article also touches upon the work of such acclaimed French publishers as Henri Estienne (lat. Henricus Stephanus, ca. 1460–1520), founder of the famous dinasty of printers, and the Lyonese printer Sébastien Gryphius (ca. 1493–1556). The Rare Book and Manuscript Department also keeps quite a few post-incunabula published by Johannes Frobenof Basel (1460–1537).As to the content aspect, the collection of post-incunabula in the department is versatile. For the most part, it is made up by religious literature: sermons, bibles, theological treatises, Church Fathers’ writings. There are many works by and commentaries on classical authors, of whom Cicero, at the time of the Renaissance viewed as the greatest authority on rhetoric, is the most famous one. The post-incunabula collection illuminates the emergence of the Reformations and the related spread of new ideas in the first half of the XVIth century. The Rare Book and Manuscript Department boasts a number of works by the founder of Protestantism, Martin Luther (1483–1546) and by the most acclaimed humanist of the times, Desiderius Erasmus (1469–1536).The provenances in the post-incunabula (manuscript inscriptions, stamps, bookplates) provide much interesting information. Most often found are ownership marks of the establishments that since the olden times had been preserving books: various monasteries, churches and priest seminaries,. The notable representative of the post-incunabulum culture is the Bernardine Order. According to the electronic catalogue, the Rare Book and Manuscript Departmenthas in its holdings 21 post-incunabula formerly kept by the library of the Tytuvėnai Bernardine Monastery. Most provenance inscriptions are from Kaunas Priest Seminary, the library of the Samogitian Priest Seminary, the library of the Vilnius Seminary and Kražiai College. Of the XIXth century personal libraries,particularly noteworthy are the collections of Jonas Krizostomas Gintila (1788–1857), XIXth-century bibliophile, hebraist and administrator of the Samogitian Diocese, and of Friedrich August Gotthold (1778–1858), educator and music theorist. A separate, rather abundant group of provenance inscriptions consists of the books that formerly belonged to Königsberg University. An in-depth study of all the post-incunabula kept in the NLL would significantly add to the existing research and broaden the understanding of old book culture.

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Classen, Albrecht. "El esplendor de la producción del libro en la Edad Media. Del manuscrito al incunable. ¿Cómo de oscura era la Edad Media?" Futhark. Revista de Investigación y Cultura, no. 15 (2020): 33–51. http://dx.doi.org/10.12795/futhark.2020.i15.03.

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Abstract: In this study I pursue once again the development of the medieval manuscript to the incunabulum, focusing in particular on the progress of German medieval literature. The question being pursued here focuses on how much the manuscript tradition can tell us something about the popularity of individual works. Manuscript studies thus promote a literary-historical analysis Keywords: manuscripts, incunabula, medieval German literature, Codex Manesse, Ambraser Heldenbuch, Oswald von Wolkenstein,

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Iakerson, Semen M. "Hebrew Incunabula in the Russian Researchers’ Publications. Bibliographic Review." Bibliotekovedenie [Russian Journal of Library Science] 70, no. 1 (June 1, 2021): 21–34. http://dx.doi.org/10.25281/0869-608x-2021-1-1-21-34.

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Hebrew incunabula amount to a rather modest, in terms of number, group of around 150 editions that were printed within the period from the late 60s of the 15th century to January 1, 1501 in Italy, Spain, Portugal and Turkey. Despite such a small number of Hebrew incunabula, the role they played in the history of the formation of European printing cannot be overlooked. Even less possible is to overestimate the importance of Hebrew incunabula for understanding Jewish spiritual life as it evolved in Europe during the Renaissance.Russian depositories house 43 editions of Hebrew incunabula, in 113 copies and fragments. The latter are distributed as following: the Institute of Oriental Manuscripts of the Russian Academy of Sciences — 67 items stored; the Russian State Library — 38 items; the National Library of Russia — 7 items; the Jewish Religious Community of Saint Petersburg — 1 item. The majority of these books came in public depositories at the late 19th — first half of the 20th century from private collections of St. Petersburg collectors: Moses Friedland (1826—1899), Daniel Chwolson (1819—1911) and David Günzburg (1857—1910). This article looks into the circumstances of how exactly these incunabula were acquired by the depositories. For the first time there are analysed publications of Russian scholars that either include descriptions of Hebrew incunabula (inventories, catalogues, lists) or related to various aspects of Hebrew incunabula studies. The article presents the first annotated bibliography of all domestic publications that are in any way connected with Hebrew incunabula, covering the period from 1893 (the first publication) to the present. In private collections, there was paid special attention to the formation of incunabula collections. It was expressed in the allocation of incunabula as a separate group of books in printed catalogues and the publication of research works on incunabula studies, which belonged to the pen of collectors themselves and haven’t lost their scientific relevance today.

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Iakerson, Semen M. "Hebrew Incunabula in the Russian Researchers’ Publications. Bibliographic Review." Bibliotekovedenie [Russian Journal of Library Science] 70, no. 1 (June 1, 2021): 21–34. http://dx.doi.org/10.25281/0869-608x-2021-70-1-21-34.

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Hebrew incunabula amount to a rather modest, in terms of number, group of around 150 editions that were printed within the period from the late 60s of the 15th century to January 1, 1501 in Italy, Spain, Portugal and Turkey. Despite such a small number of Hebrew incunabula, the role they played in the history of the formation of European printing cannot be overlooked. Even less possible is to overestimate the importance of Hebrew incunabula for understanding Jewish spiritual life as it evolved in Europe during the Renaissance.Russian depositories house 43 editions of Hebrew incunabula, in 113 copies and fragments. The latter are distributed as following: the Institute of Oriental Manuscripts of the Russian Academy of Sciences — 67 items stored; the Russian State Library — 38 items; the National Library of Russia — 7 items; the Jewish Religious Community of Saint Petersburg — 1 item. The majority of these books came in public depositories at the late 19th — first half of the 20th century from private collections of St. Petersburg collectors: Moses Friedland (1826—1899), Daniel Chwolson (1819—1911) and David Günzburg (1857—1910). This article looks into the circumstances of how exactly these incunabula were acquired by the depositories. For the first time there are analysed publications of Russian scholars that either include descriptions of Hebrew incunabula (inventories, catalogues, lists) or related to various aspects of Hebrew incunabula studies. The article presents the first annotated bibliography of all domestic publications that are in any way connected with Hebrew incunabula, covering the period from 1893 (the first publication) to the present. In private collections, there was paid special attention to the formation of incunabula collections. It was expressed in the allocation of incunabula as a separate group of books in printed catalogues and the publication of research works on incunabula studies, which belonged to the pen of collectors themselves and haven’t lost their scientific relevance today.

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Wellisch, Hans H. "Incunabula indexes." Indexer: The International Journal of Indexing: Volume 19, Issue 1 19, no. 1 (April 1, 1994): 3–12. http://dx.doi.org/10.3828/indexer.1994.19.1.2.

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Examination of nearly a thousand books printed before 1500 has revealed indexes, some printed, some manuscript, in 83 of them, enabling some conclusions to be made on late medieval indexing policy and practice. The likelihood of indexing in particular subject areas; whether the index (or registrum or tabula) is explained; and the structure of the indexes, are among topics covered. The vagaries of primitive alphabetization are outlined, and an attempt is made to assess quality. Some of the indexers of these indexes are known by name. There is much worthy of study in medieval indexes, which are not merely of antiquarian interest. A list of the examined items is given.

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Dissanayake, Ellen. "Aesthetic Incunabula." Philosophy and Literature 25, no. 2 (2001): 335–46. http://dx.doi.org/10.1353/phl.2001.0026.

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Mangas Navarro, Nataia Anaís. "El Valerio de las historias escolásticas y de España: edición y ejemplares." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 23, no. 23 (May 28, 2024): 25. http://dx.doi.org/10.7203/scripta.23.28846.

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Resumen: Este trabajo ofrece una descripción material de la edición incunable del Valerio de las historias escolásticas y de España, una obra de Diego Rodríguez de Almela impresa en Murcia en 1487. Se analizan aspectos como la estructura colacional de la edición, las filigranas o la tipografía. Asimismo, se atiende a la descripción interna, pues el impreso contiene importantes paratextos donde, además, se incluye una carta y un poema de Juan Manrique, arcediano de Valpuesta. En aras de ampliar el conocimiento sobre esta edición, también se ofrece un estudio material de nueve de los doce ejemplares que se conservan. Palabras clave: Valerio de las historias escolásticas y de España, imprenta incunable murciana, filología material, Diego Rodríguez de Almela Abstract: This work offers a material description of the incunabulum edition of the Valerio de las historias escolásticas y de España, a work by Diego Rodríguez de Almela printed in Murcia in 1487. Aspects such as the collational structure of the edition, the watermarks or the typography are analyzed. Likewise, the internal description is also considered, since the print contains important paratexts which, in addition, include a letter and a poem by Juan Manrique, archdeacon of Valpuesta. In order to broaden our knowledge of this edition, we also offer a material study of nine of the twelve copies that have been preserved. Keywords: Valerio de las historias escolásticas y de España, murcian incunabula printing, material philology, Diego Rodríguez de Almela

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Dissertations / Theses on the topic "Incunabula"

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Duggan, Mary Kay Conyers. "Italian music incunabula printers and type /." Berkeley ; Los Angeles ; Oxford : University of California press, 1992. http://ark.cdlib.org/ark:/13030/ft409nb31c.

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Davis, Patricia Dean. "Incunabula at the University of Arizona a descriptive catalogue /." Diss., The University of Arizona, 1992. http://books.google.com/books?id=4o7gAAAAMAAJ.

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Scully, Michael. "The Digital Incunabula: The Future of Storytelling in the Digital Age." Thesis, Salve Regina University, 2018. https://digitalcommons.salve.edu/dissertations/AAI10749063/.

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The term "incunabula" refers to the transition period that took place 50 years after Johannes Gutenberg introduced his printing press to the publishing world (1455 to 1505). In this thesis, I compare the first incunabula to the current "Digital Incunabula," which I believe is the 50-year transition underway as we assimilate traditional storytelling practices to a digital platform (1996 to 2046). To illustrate this, I review the histories of the literal age, the secondary orality and the digital orality before making some observations about our transition into multimedia storytelling. The paper reviews several key experiments in multimedia storytelling produced by The New York Times, The Rocky Mountain News and The Guardian among others. The paper reviews the influences of consumer electronic devices including tablet computers, augmented reality, virtual reality and artificial intelligence. It also reflects upon nonfiction narrative forms for written and oral communication media. The paper also considers aspects of copyright policy, public media policy and the influences of the "digital disruption." The paper concludes with some observations about the future of long-form, nonfiction storytelling as we move through the 21st century.

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Kawalko, Anna. "A Story of Survival: Hebrew Manuscripts and Incunabula from the Saraval Collection in the Manuscriptorium - Digital Library of the Memoriae Mundi Series Bohemica Project." HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen, 2015. https://slub.qucosa.de/id/qucosa%3A34903.

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Giordano, Patrícia de Almeida. "Catálogo de incunábulos da biblioteca vinária de Juan Carlos Reppucci." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-28102009-151311/.

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propósito deste trabalho é a elaboração de um catálogo dos incunábulos de Juan Carlos Reppucci, que possui importante coleção particular de livros de temática vinária (vinhos, vinhedos, uvas, vindima, viticultura, vinicultura, embriaguez etc.). A partir de um histórico dos incunábulos e da imprensa no século XV, e de sucinta caracterização do acervo, cada um dos 72 incunábulos foi minuciosamente descrito, de acordo com normas destinadas a obras raras, de modo a compor um instrumento de referência para pesquisadores de diferentes áreas.
The aim of this work is to catalogue the incunabula collection of Juan Carlos Reppucci, owner of an extensive library on wine and related themes (wine, grape, vineyard, vintage, drunkenness etc.). After a panoramic view of incunabula and press in the 15th century, and a brief characterization of the whole collection, each of the 72 incunabula was thoroughly described according international rules for rare books, in order to create a reference guide for researchers of different areas.

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Tittle, Miles C. "Pen and Printing-Block: William Morris and the Resurrection of Medieval Paratextuality." Thesis, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/20581.

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My dissertation, Pen and Printing-Block: William Morris and the Resurrection of Medieval Paratextuality, considers William Morris’s influence on the rise of paratextual awareness, his negotiation strategies for Victorian England’s social identity, and his rhetorical construction of an idealized past through textual artifacts. The effect of Morris’s growing social awareness on his transition from illumination to print is reframed by considering his calligraphy as paratextual experiments, based on medieval examples, in combining graphic and discursive meanings with rhetorical and social dimensions. The varied and less ambitious agendas of those printers who followed Morris’s Kelmscott Press, however, limited Morris’s legacy in the book arts. The full significance of his illuminations’ meaningful interplay between text and image, and the social intent of these innovations applications in print, has received little critical attention. The opening chapter frames Morris’s visual work in light of his philosophies and introduces the major concerns of material art, the role of history, the limits of language, and the question of meaningful labour. The second chapter surveys select predecessors of Morris’s developing conception of the Gothic, the significance of architecture as its defining form, and the irreplaceability of the physical past. The third chapter considers the role of the illuminated manuscript in Pre-Raphaelite art, tracing Morris’s calligraphic experiments chronologically while identifying medieval inspirations and examining his artistic development. These experiments led to his final collaborative manuscript, the illuminated Æneid which is the fourth chapter’s focus. The sophistication of its paratextual elements is discussed in light of its unique physicality and limitations. The fifth chapter asserts the Kelmscott Press’s role in balancing craftsmanship and aesthetic paratextual strategies with reproducible models. The Kelmscott Chaucer is the culmination of these strategies, and it is compared to the visual rhetoric of its predecessors. The final chapter compares the philosophies and calligraphic elements of major private presses that followed Kelmscott’s legacy. This evolution of aesthetic, social, and practical considerations is also identified in the work of selected Canadian printers, and a final note considers the implications of the rise of immaterial digital text (radiant textuality) for the continuation of material paratextuality’s role in the future.

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Guerreiro, Dália Maria Godinho. "Bibliotecas digitais para as Humanidades: novos desafios e oportunidades." Doctoral thesis, Universidade de Évora, 2018. http://hdl.handle.net/10174/23282.

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As bibliotecas digitais são cruciais à investigação em Humanidades, exigindo maior eficácia e personalização no acesso à informação. No caso dos incunábulos e livro antigo disponibilizados em linha, as exigências da investigação apresentam requisitos específicos de pesquisa e acesso ao conteúdo, de transcrição e marcação do texto, criação de pontos de ligação, nomeadamente, através de sumários com o conteúdo textual e iconográfico das obras e ainda de ferramentas para a tradução do texto. A revisão da literatura teve como referência o domínio emergente das Humanidades Digitais e o das bibliotecas digitais, permitindo caracterizar o estado da investigação, complementada com a investigação em estudos do livro para a descrição de incunábulos e livro antigo. A observação direta de bibliotecas digitais e de coleções de incunábulos e livro antigo disponibilizadas permitiu coletar informação sobre modelos de edição digital e de pesquisa e recuperação da informação, bem como identificar e avaliar as particularidades inerentes a essas obras e a forma como estas afetam a sua disponibilização em linha. O método de investigação incluiu ainda a interação com um grupo focal com investigadores em Humanidades com o objetivo de recolher dados acerca da forma como utilizam as bibliotecas digitais, das vantagens ou desvantagens que reconhecem na utilização das bibliotecas digitais face às congéneres físicas e das expectativas que têm para a sua otimização e maior adequação à investigação, e a validação dos resultados por um painel de investigadores em Humanidades; Digital library for Humanities: new challenges and opportunities Abstrat: Digital libraries are crucial to the research in Humanities, requiring more efficiency and flexibility in tailoring the access to the information. The body of incunabula and antique books available on line is expressive and tends to correspond to the Humanities research demands, stressing the need to improve instruments to the research and access to the works content: text transcription and text markers; creation of connection points, such as summaries with the works textual and iconographic content; implementation of translation tools. Literature review about digital libraries was articulated with the Digital Humanities issues, consenting to characterise the current state research and to identify new projects in this domain; it was complemented with the research in book studies to describe incunabula and antique books concepts. The direct observation of digital libraries websites and incunabula and antique books collections available in digital libraries allowed to collect data about digital edition and research and retrieval data models, as well as to identify the incunabula and antique books specific features and the way how these interferes in making them available online. The research method included the interaction with a focal group with Humanities researchers with the goal of collect data about the way how they use digital libraries, the advantages and disadvantages towards their physical congeners and their expectations for improvement and better correspondence to the research. The results were validated by a Humanities researcher’s panel.

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Romanzin, Ilaria. "Gli incunaboli miniati nella Biblioteca Civica di Trieste." Bachelor's thesis, Università degli Studi di Trieste, 1997. http://hdl.handle.net/10077/21884.

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Zabeo, Claudia <1982&gt. "Incunaboli e cinquecentine della biblioteca Arrigoni degli Oddi." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16493.

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Oggetto della presente tesi magistrale è la catalogazione del fondo antico, ovvero incunaboli e cinquecentine, della biblioteca un tempo appartenente alla nobile famiglia padovana Arrigoni degli Oddi, da gennaio 2019 riunificata all'archivio di famiglia conservato presso l'Archivio di Stato di Padova. La descrizione degli esemplari, catalogati in OPAC SBN, è preceduta da un'introduzione storico-istituzionale riguardante il casato Arrigoni degli Oddi, dalle origini medievali all'istituzione della Fondazione Culturale sorta per tutelare i beni di famiglia, fino alla destinazione statale del patrimonio culturale. Segue un'analisi storico-bibliografica che approfondisce la storia della biblioteca, la sua consistenza e gli strumenti catalografici realizzati nel corso del tempo, anche in relazione alle carte d'archivio, insieme ad un approfondimento sulla presenza delle biblioteche negli Archivi di Stato. Infine viene affrontato lo studio puntuale del fondo antico sulla base dei dati ricavati durante il processo di catalogazione, esaminandone gli aspetti editoriali e materiali, analizzando le precedenti collocazioni rilevate sui volumi ed evidenziando gli esemplari rari. Il catalogo è arricchito da un elenco dei possessori, un prospetto sullo stato di conservazione dei beni, indici finali ed appendici iconografiche e documentarie.

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Spyra, Ulrike. "Das "Buch der Natur" Konrads von Megenberg die illustrierten Handschriften und Inkunabeln /." Köln : Böhlau, 2005. http://books.google.com/books?id=LuXaAAAAMAAJ.

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Books on the topic "Incunabula"

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vaticana, Biblioteca apostolica. Incunabula. Città del Vaticano: Biblioteca apotolicae vaticanae, 1997.

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(Firm), Heribert Tenschert. Incunabula. Rotthalmünster: Heribert Tenschert, 1991.

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vaticana, Biblioteca apostolica. Incunabula. Città del Vaticano: Biblioteca apostolicae vaticanae, 1997.

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vaticana, Biblioteca apostolica. Incunabula. Città del Vaticano: Biblioteca apostolica vaticana, 1997.

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vaticana, Biblioteca apostolica. Incunabula. Città del Vaticano: Biblioteca apostolica vaticana, 1997.

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Martin, Harrison. Francis Bacon: Incunabula. London: Thames & Hudson, 2008.

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1966-, Daniels Rebecca, ed. Francis Bacon: Incunabula. London: Thames & Hudson, 2008.

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Vaticana, Bibliotheca Apostolica. Bibliothecae Apostolicae Vaticanae incunabula. Città del Vaticano: Biblioteca Apostolica Vaticana, 1997.

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vaticana, Biblioteca apostolica. Bibliothecae apostolicae vaticanae incunabula. Città del Vaticano: Biblioteca apostolica vaticana, 1997.

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Vaticana, Bibliotheca Apostolica. Bibliothecae Apostolicae Vaticanae incunabula. Città del Vaticano: Biblioteca Apostolica Vaticana, 1997.

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Book chapters on the topic "Incunabula"

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Bijker, Alie. "Incunabula." In Riedel Horatiana: A Catalogue of the Horace Collection in Groningen University Library, 3–6. BRILL, 1996. http://dx.doi.org/10.1163/9789004616295_006.

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Goldfinch, John, and Karen Limper-Herz. "The Incunabula Short Title Catalogue (ISTC)." In Printing R-Evolution and Society 1450-1500. Venice: Edizioni Ca' Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-332-8/033.

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From its foundation in 1980, the ISTC has been one of the most important international reference sources for incunabula studies. Based on a merger of F.R. Goff’s Incunabula in North American Libraries: A Third Census and the Indice Generale degli Incunaboli delle Biblioteche d’Italia, it aimed to be a comprehensive list both of 15th-century editions and of surviving copies of incunabula. While maintaining its original purpose, it has striven to take advantage of new partnerships and technical innovations to ensure its continued utility as a cornerstone of incunabula research. Managed by the British Library in London and hosted by CERL, the ISTC continues to rely on cooperation and partnership from holding institutions and researchers worldwide. Free since 2003, the ISTC can be used as a simple guide to editions and copies, but also as a dataset enabling researchers to look at 15th-century printing in new ways. After briefly looking at the ISTC’s history, this essay focuses on new developments made to the database, highlighting its continued relevance and potential to support traditional incunabula research as well as new projects, and its managers’ intention and flexibility to improve the file in response to its users’ feedback.

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"Ad incunabula:." In Belief and Cult, 244–90. Princeton University Press, 2022. http://dx.doi.org/10.2307/j.ctv24q54rp.14.

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"Incunabula, 1958." In The Collected Poems of Charles Olson, 484–85. University of California Press, 2023. http://dx.doi.org/10.2307/jj.5973115.275.

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Mackey, Jacob L. "Ad incunabula." In Belief and Cult, 244–90. Princeton University Press, 2022. http://dx.doi.org/10.23943/princeton/9780691165080.003.0008.

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This chapter assesses the cognitive agency exercised by Roman children, both individually and jointly, in their own religious learning. Roman children can best be described not as students, for they typically did not receive formal instruction, but as apprentices in cult. The chapter begins by sketching very briefly the ontogeny, that is, the development and maturation, of some aspects of social cognition relevant to this account of Roman children's religious learning. It then explores imitation as an individualistic mode of social learning in which Roman children learned to pray by observing others in prayer. The chapter also looks at the Roman child's participatory learning through sharing Intentionality and agency in collaborative ritual actions. Finally, it takes up the question of formal religious pedagogy by examining some evidence for children's choral training.

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"incunabula, n." In Oxford English Dictionary. 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/1512753311.

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"Italian Music Incunabula." In Italian Music Incunabula, 42–76. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8501501.10.

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"Incunabula [ELIS Classic]." In Encyclopedia of Library and Information Sciences, Third Edition, 2254–65. CRC Press, 2009. http://dx.doi.org/10.1081/e-elis3-120008990.

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"Incunabula [ELIS Classic]." In Encyclopedia of Library and Information Science, Fourth Edition, 1966–77. CRC Press, 2017. http://dx.doi.org/10.1081/e-elis4-120008990.

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"The Next Incunabula." In If Only We Knew, 231–50. Routledge, 2002. http://dx.doi.org/10.4324/9780203905159-12.

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Conference papers on the topic "Incunabula"

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Neji, Hala, Javier Nogueras-Iso, Javier Lacasta, Mohamed Ben Halima, and Adel M. Alimi. "Adversarial Autoencoders for Denoising Digitized Historical Documents: The Use Case of Incunabula." In 2019 International Conference on Document Analysis and Recognition Workshops (ICDARW). IEEE, 2019. http://dx.doi.org/10.1109/icdarw.2019.50112.

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Covaci, Marinela. "SHARING THE DIGITAL RESOURCES." In eLSE 2018. Carol I National Defence University Publishing House, 2018. http://dx.doi.org/10.12753/2066-026x-18-269.

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The National Library of Romania shares digital resources, providing access to knowledge and cultural heritage, through three online platforms. These are: a) The Traditional Virtual Catalog for the books published before 1993. It is the virtual image of the traditional catalog which is organized alphabetically by author name in the appropriate folders physical drawers. 1,600,000 sheets are structured in 1600 folders, and a folder contains on average 1,000 sheets scanned catalog. Book-to-Book Platform, a crowd-cataloguing tool, provides both search and retrieval of bibliographic information in virtual catalog of books traditionally published before 1993 and the possibility to learn and contribute voluntarily in the development of the catalog by creating associated metadata catalog sheets scanned. Book-to-Book is a collaborative project.Through specialized internships and specialized seminars in National Library of Romania, students from Faculty of Letters are better prepared for integration in labor market, achieving skills and abilities, a good level of professional preparation The platform and database was designed by the students from the Techical University Bucuresti. Accessible at http://bookathon.bibnat.ro/ b) The Online Catalog. The online catalog web component is offered determined by the integrated library system, Aleph and contains bibliographic informations about documents in the library collections since 1993: books, periodicals, multimedia documents, periodical articles culture. In the online catalog, defined by logical databases, The doctoral theses Referential, which provides access to online content thereof (by digitizing paper or archiving electronic content of CD attached by author) and digital library for blind (project Sound of pages) that disabled users have access to requested digitized works. Accessible http://alephnew.bibnat.ro:8991/F . c) The National Digital Library Started in 2009, it was conducted on dedicated library software, Digitool. It is comprised of digital collections created by digitizing special collections of documents in the National Library of Romania, organized by themes or after events. Currently includes the following collections: Historical Archive, Incunabula, Old Romanian books and bibliophile, Potographs of personalities, romanian illustrated postcards, picture postcards, manuscripts, old maps, musical scores, albums with engravings, exlibris, japanese prints, drawings Romanian etc. These collections are the result of research on copyright of items. The metadata and the thumbnails of the digital collections was harvested via OAI-PMH protocol and published in Europeana, keeping the source of the original URL and a digital objects, after a careful analysis of the metadata and a data migration process. Accessible at http://digitool.bibnat.ro/R . Databases have grown steadily and have become e-learning tools for some categories of users. The systems provide open resources, learning and navigating tutorials and contribute to the knowledgeable and creative society.

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Reul, Christian, Marco Dittrich, and Martin Gruner. "Case Study of a highly automated Layout Analysis and OCR of an incunabulum." In DATeCH2017: 2nd International Conference on Digital Access to Textual Cultural Heritage. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3078081.3078098.

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