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Journal articles on the topic 'Incunabula'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Alfonso, Esperanza, and Javier del Barco. "Hebrew Incunabula in Spanish Libraries: Recent Findings and Updated Census." Quaerendo 48, no. 3 (October 22, 2018): 233–57. http://dx.doi.org/10.1163/15700690-12341413.

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Abstract The authors report on the existence of three hitherto unknown copies of Hebrew incunabula printed in Soncino, provide a full description and discussion of a copy of an incunabulum from Leiria, and fragments of an incunabulum from Híjar, which they had previously identified, and offer an updated list of all the Hebrew incunabula extant in Spanish libraries and archives.

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2

Bolanča, Stanislav, Ivana Bolanča Mirković, and Ivan Pučić. "Technical Characteristics of Incunabulum in Europe." Tehnički glasnik 17, no. 3 (July 19, 2023): 414–23. http://dx.doi.org/10.31803/tg-20220920083951.

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Incunabula are printed materials created in Europe from the time of Johann Gutenberg's invention until 1500. Incunabula originate from the Latin language (lat. Incunabulum) and mean cradle or the beginning of something. In this paper, the representation of individual states and cities in the creation of incunabula is investigated and presented. The persons responsible for such development are also listed. Special attention is given to the presentation of Croatian incunabula. The mentioned works describe the characteristic features. Incunabula testify to a high level of culture, standards, and technological development of a particular area. The studied works reveal and confirm, as confirmed in this paper, the attitude of society towards literacy, education, and the national culture of each nation. This paper aims to comprehensively present the importance of incunabula for the development of European and Croatian culture, technological and comprehensive progress.

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3

Aldrich, S. J. "Incunabula." Library TBS-1, Part 1-2 (November 6, 2009): 107–22. http://dx.doi.org/10.1093/libraj/tbs-1.part_1-2.107.

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4

VAITKEVIČIŪTĖ, VIKTORIJA. "LIETUVOS NACIONALINĖS MARTYNO MAŽVYDO BIBLIOTEKOS RETŲ KNYGŲ IR RANKRAŠČIŲ SKYRIAUS PALEOTIPŲ RINKINYS." Knygotyra 56 (January 1, 2011): 135–48. http://dx.doi.org/10.15388/kn.v56i0.1507.

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Lietuvos nacionalinė Martyno Mažvydo bibliotekaGedimino pr. 51, LT-01504 Vilnius, LietuvaEl. paštas: viktorija.vait@gmail.comStraipsnyje nagrinėjami Lietuvos nacionalinės Martyno Mažvydo bibliotekos Retų knygų ir rankraščių skyriaus paleotipai: jų leidimo vieta, spaustuvininkai, tematika bei proveniencijos, dėmesį telkiant į retesnius, Lietuvos knygos kultūrai svarbesnius leidinius. Iš šiame skyriuje saugomų daugiau kaip 800 paleotipų analizuojama tik dalis jų, nes daugiau negu 200 knygų teturi kortelinį bibliografinį aprašą ir išsamiai juos ištirti šiuo metu neįmanoma. Dalies šių paleotipų analizė papildo jau esamus tyrimus, praplečia senosios knygos kultūros vaizdą.Reikšminiai žodžiai: knygotyra, paleotipai, retos knygos, spaustuvininkai, proveniencijos.THE COLLECTION OF POST-INCUNABULA IN THE MARTYNAS MAŽVYDAS NATIONAL LIBRARY OF LITHUANIAViktorija VAITKEVIČIŪTĖ AbstractPost-incunabula or the books printed in the first half of the 16th century (from January 1, 1501 to January 1, 1551), along with incunabula, are considered to be the oldest and most valuable publications in the world. Due to their likeness to incunabula and publishing specifics, post-incunabula are considered to be historical treasures and monuments of culture. The Rare Book and Manuscript Department of the National Library of Lithuania has in its holdings more than 800 post-incunabula, not including the ones kept at the Department of the National Archival Fund of Published Documents. The exact number is still unknown, since not all the books have been included into the electronic catalogue: more than 200 of them have only a card catalogue description and are awaiting a more detailed study. This article analyses specific features of part of the post-incunabula collection in the NLL Rare Book and Manuscript Department: their place of publication, publishers, thematics and provenances. Principal attention is accorded to the books that are rarer, more interesting and more important for Lithuania’s culture and book culture in general.The most of the post-incunabula kept in the Rare Book and Manuscript Department were published in Germany, many in Switzerland, France and Italy. There also is a small number of post-incunabula published in Poland (Cracow). Of the publications produced by Cracow’s printers, the article discusses those by Jan Haller (ca. 1467–1525), Hieronim Wietor (ca. 1480–1546) and Florian Ungler (d. 1536). It is necessary to mention Aldines – the publications by one of themost famous European printers, Aldo Manuzio (Lat. Aldus Manutius; ca. 1450–1515) and by his descendants. The article also touches upon the work of such acclaimed French publishers as Henri Estienne (lat. Henricus Stephanus, ca. 1460–1520), founder of the famous dinasty of printers, and the Lyonese printer Sébastien Gryphius (ca. 1493–1556). The Rare Book and Manuscript Department also keeps quite a few post-incunabula published by Johannes Frobenof Basel (1460–1537).As to the content aspect, the collection of post-incunabula in the department is versatile. For the most part, it is made up by religious literature: sermons, bibles, theological treatises, Church Fathers’ writings. There are many works by and commentaries on classical authors, of whom Cicero, at the time of the Renaissance viewed as the greatest authority on rhetoric, is the most famous one. The post-incunabula collection illuminates the emergence of the Reformations and the related spread of new ideas in the first half of the XVIth century. The Rare Book and Manuscript Department boasts a number of works by the founder of Protestantism, Martin Luther (1483–1546) and by the most acclaimed humanist of the times, Desiderius Erasmus (1469–1536).The provenances in the post-incunabula (manuscript inscriptions, stamps, bookplates) provide much interesting information. Most often found are ownership marks of the establishments that since the olden times had been preserving books: various monasteries, churches and priest seminaries,. The notable representative of the post-incunabulum culture is the Bernardine Order. According to the electronic catalogue, the Rare Book and Manuscript Departmenthas in its holdings 21 post-incunabula formerly kept by the library of the Tytuvėnai Bernardine Monastery. Most provenance inscriptions are from Kaunas Priest Seminary, the library of the Samogitian Priest Seminary, the library of the Vilnius Seminary and Kražiai College. Of the XIXth century personal libraries,particularly noteworthy are the collections of Jonas Krizostomas Gintila (1788–1857), XIXth-century bibliophile, hebraist and administrator of the Samogitian Diocese, and of Friedrich August Gotthold (1778–1858), educator and music theorist. A separate, rather abundant group of provenance inscriptions consists of the books that formerly belonged to Königsberg University. An in-depth study of all the post-incunabula kept in the NLL would significantly add to the existing research and broaden the understanding of old book culture.

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5

Classen, Albrecht. "El esplendor de la producción del libro en la Edad Media. Del manuscrito al incunable. ¿Cómo de oscura era la Edad Media?" Futhark. Revista de Investigación y Cultura, no. 15 (2020): 33–51. http://dx.doi.org/10.12795/futhark.2020.i15.03.

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Abstract: In this study I pursue once again the development of the medieval manuscript to the incunabulum, focusing in particular on the progress of German medieval literature. The question being pursued here focuses on how much the manuscript tradition can tell us something about the popularity of individual works. Manuscript studies thus promote a literary-historical analysis Keywords: manuscripts, incunabula, medieval German literature, Codex Manesse, Ambraser Heldenbuch, Oswald von Wolkenstein,

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6

Iakerson, Semen M. "Hebrew Incunabula in the Russian Researchers’ Publications. Bibliographic Review." Bibliotekovedenie [Russian Journal of Library Science] 70, no. 1 (June 1, 2021): 21–34. http://dx.doi.org/10.25281/0869-608x-2021-1-1-21-34.

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Hebrew incunabula amount to a rather modest, in terms of number, group of around 150 editions that were printed within the period from the late 60s of the 15th century to January 1, 1501 in Italy, Spain, Portugal and Turkey. Despite such a small number of Hebrew incunabula, the role they played in the history of the formation of European printing cannot be overlooked. Even less possible is to overestimate the importance of Hebrew incunabula for understanding Jewish spiritual life as it evolved in Europe during the Renaissance.Russian depositories house 43 editions of Hebrew incunabula, in 113 copies and fragments. The latter are distributed as following: the Institute of Oriental Manuscripts of the Russian Academy of Sciences — 67 items stored; the Russian State Library — 38 items; the National Library of Russia — 7 items; the Jewish Religious Community of Saint Petersburg — 1 item. The majority of these books came in public depositories at the late 19th — first half of the 20th century from private collections of St. Petersburg collectors: Moses Friedland (1826—1899), Daniel Chwolson (1819—1911) and David Günzburg (1857—1910). This article looks into the circumstances of how exactly these incunabula were acquired by the depositories. For the first time there are analysed publications of Russian scholars that either include descriptions of Hebrew incunabula (inventories, catalogues, lists) or related to various aspects of Hebrew incunabula studies. The article presents the first annotated bibliography of all domestic publications that are in any way connected with Hebrew incunabula, covering the period from 1893 (the first publication) to the present. In private collections, there was paid special attention to the formation of incunabula collections. It was expressed in the allocation of incunabula as a separate group of books in printed catalogues and the publication of research works on incunabula studies, which belonged to the pen of collectors themselves and haven’t lost their scientific relevance today.

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7

Iakerson, Semen M. "Hebrew Incunabula in the Russian Researchers’ Publications. Bibliographic Review." Bibliotekovedenie [Russian Journal of Library Science] 70, no. 1 (June 1, 2021): 21–34. http://dx.doi.org/10.25281/0869-608x-2021-70-1-21-34.

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Hebrew incunabula amount to a rather modest, in terms of number, group of around 150 editions that were printed within the period from the late 60s of the 15th century to January 1, 1501 in Italy, Spain, Portugal and Turkey. Despite such a small number of Hebrew incunabula, the role they played in the history of the formation of European printing cannot be overlooked. Even less possible is to overestimate the importance of Hebrew incunabula for understanding Jewish spiritual life as it evolved in Europe during the Renaissance.Russian depositories house 43 editions of Hebrew incunabula, in 113 copies and fragments. The latter are distributed as following: the Institute of Oriental Manuscripts of the Russian Academy of Sciences — 67 items stored; the Russian State Library — 38 items; the National Library of Russia — 7 items; the Jewish Religious Community of Saint Petersburg — 1 item. The majority of these books came in public depositories at the late 19th — first half of the 20th century from private collections of St. Petersburg collectors: Moses Friedland (1826—1899), Daniel Chwolson (1819—1911) and David Günzburg (1857—1910). This article looks into the circumstances of how exactly these incunabula were acquired by the depositories. For the first time there are analysed publications of Russian scholars that either include descriptions of Hebrew incunabula (inventories, catalogues, lists) or related to various aspects of Hebrew incunabula studies. The article presents the first annotated bibliography of all domestic publications that are in any way connected with Hebrew incunabula, covering the period from 1893 (the first publication) to the present. In private collections, there was paid special attention to the formation of incunabula collections. It was expressed in the allocation of incunabula as a separate group of books in printed catalogues and the publication of research works on incunabula studies, which belonged to the pen of collectors themselves and haven’t lost their scientific relevance today.

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8

Wellisch, Hans H. "Incunabula indexes." Indexer: The International Journal of Indexing: Volume 19, Issue 1 19, no. 1 (April 1, 1994): 3–12. http://dx.doi.org/10.3828/indexer.1994.19.1.2.

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Examination of nearly a thousand books printed before 1500 has revealed indexes, some printed, some manuscript, in 83 of them, enabling some conclusions to be made on late medieval indexing policy and practice. The likelihood of indexing in particular subject areas; whether the index (or registrum or tabula) is explained; and the structure of the indexes, are among topics covered. The vagaries of primitive alphabetization are outlined, and an attempt is made to assess quality. Some of the indexers of these indexes are known by name. There is much worthy of study in medieval indexes, which are not merely of antiquarian interest. A list of the examined items is given.

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9

Dissanayake, Ellen. "Aesthetic Incunabula." Philosophy and Literature 25, no. 2 (2001): 335–46. http://dx.doi.org/10.1353/phl.2001.0026.

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10

Mangas Navarro, Nataia Anaís. "El Valerio de las historias escolásticas y de España: edición y ejemplares." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 23, no. 23 (May 28, 2024): 25. http://dx.doi.org/10.7203/scripta.23.28846.

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Resumen: Este trabajo ofrece una descripción material de la edición incunable del Valerio de las historias escolásticas y de España, una obra de Diego Rodríguez de Almela impresa en Murcia en 1487. Se analizan aspectos como la estructura colacional de la edición, las filigranas o la tipografía. Asimismo, se atiende a la descripción interna, pues el impreso contiene importantes paratextos donde, además, se incluye una carta y un poema de Juan Manrique, arcediano de Valpuesta. En aras de ampliar el conocimiento sobre esta edición, también se ofrece un estudio material de nueve de los doce ejemplares que se conservan. Palabras clave: Valerio de las historias escolásticas y de España, imprenta incunable murciana, filología material, Diego Rodríguez de Almela Abstract: This work offers a material description of the incunabulum edition of the Valerio de las historias escolásticas y de España, a work by Diego Rodríguez de Almela printed in Murcia in 1487. Aspects such as the collational structure of the edition, the watermarks or the typography are analyzed. Likewise, the internal description is also considered, since the print contains important paratexts which, in addition, include a letter and a poem by Juan Manrique, archdeacon of Valpuesta. In order to broaden our knowledge of this edition, we also offer a material study of nine of the twelve copies that have been preserved. Keywords: Valerio de las historias escolásticas y de España, murcian incunabula printing, material philology, Diego Rodríguez de Almela

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11

HELLINGA, LOTTE. "CATALOGUES OF INCUNABULA." Library s6-13, no. 3 (1991): 267–71. http://dx.doi.org/10.1093/library/s6-13.3.267.

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12

King, J. J. "The New Incunabula." Third Text 21, no. 5 (September 2007): 599–602. http://dx.doi.org/10.1080/09528820701599735.

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13

Vaitkevičiūtė, Viktorija. "Peculiarities of Dissemination and Functioning of Incunabula: Cases of Collections of Lithuanian Memory Institutions." Knygotyra 74 (July 9, 2020): 7–34. http://dx.doi.org/10.15388/knygotyra.2020.74.45.

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Incunabula are considered a particularly important part of the documentary heritage. 520 incunabula are preserved in eight different Lithuanian memory institutions. The engagement of Lithuanian libraries in the development of the international database of incunabula provenances, Material Evidence in Incunabula (MEI: https://data.cerl.org/mei/_search), intensified research on incunabulistics, as it led to a closer examination of the marks of the former owners. The article presents the latest data on the distribution of incunabula in different Lithuanian memory institutions, as well as analyzes various book marks that were not recorded in Nojus Feigelmanas’ catalog of Lithuanian incunabula or was revised and supplemented, and evaluates their significance in the printed book culture of the Grand Duchy of Lithuania. The analysis is performed using the provenance method, however is not limited to property marks, but also includes margins – marks left by a reader on the pages of books, and other marks not related to property or reading, providing significant information on book history, culture and peculiarities of reading at that time. In the 15th century, there were no printing houses in the Grand Duchy of Lithuania, so the main spread of books was by trade. The entries with prices identified in the incunabula reveal a relatively early time of purchase of the incunabula and testify that the books in the 16th-17th centuries were an expensive commodity. They usually mention groschen, the common currency in the territory of Lithuania-Poland, less often – florins or ducats. In this case, the large variety of prices does not allow to draw more specific conclusions on the prices of incunabula in the relevant period, but these data as a source of book history will serve in general when studying the value of the old books and the circumstances of their acquisition. Purchase records usually also provide information about a former owner of a book. The article focuses more on lesser-known owners on whom new information has been found or existing data have been updated, attention is also paid to female donators. The article also discusses the records left by the incunabula rubricators, which allows to determine the period of the book entry into the Grand Duchy of Lithuania, as well as to look at them as one of the first readers. Various inscriptions left by anonymous owners require the most effort. Entries of the 15th-16th centuries, mostly in Latin, many of which are abstracts of an existing book or notes on it, additions to the text, are still awaiting detailed reading and research. Identified Lithuanian words will be a valuable source of the language history for researchers of the old Lithuanian language. Various marginalia – reviews on a book, notes from everyday life, counting the year of the book, as well as graffiti, different drawings that can be seen as feather attempts, amateur illustrations, caricatures or even as an expression of reading boredom, will be an important material to describe a reader’s relationship to the book at the time, for which the incunabula, like books of other ages, were not only the object of study or research, but also a kind of notebook for important thoughts, synopses, everyday details.

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Squires, Catherine R. "Konrad Haebler’s Album of Incunabula in Moscow Libraries." Observatory of Culture 20, no. 4 (September 22, 2023): 396–406. http://dx.doi.org/10.25281/2072-3156-2023-20-4-396-406.

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The paper discloses the unusual treatment of duplicates and defective copies, characteristic of European libraries at the time when Haebler’s works were created and published (beginning of 20th century) and stresses the necessity of correct bibliographic treatment of the valuable printed materials in modern libraries. The paper also presents the famous album of West-European incunabula (Der westeuropäische Wiegendruck in Original-Typenbeispielen), compiled by Konrad Haebler in 1928, two copies of which are held in Moscow at the Russian State Library and the State Public Historical Library of Russia.This fundamental work in the history of typography by the prominent German expert on incunabula, one of the inventors of the Proctor-Haebler method in bibliography and founder of the world incunabula catalogue Gesamtkatalog der Wiegendrucke, is analyzed in the aspect of the specific early 20th-century bibliographic principles underlying the composition of the album and the way the original old prints are presented in it. The album consists of a collection of 15th-century original fragments enclosed in a 20th-century overall structure (text booklet, case and set of labeled passe-partouts).This unusual composition can present classification problems in some modern public libraries, when the album is recorded as a whole, whereas the separate incunabula fragments are not catalogued. Moreover, a comparative study of several copies of the album available for analysis on- and offline, carried out in the study, proved that their sample collections were composed of different authentic incunabula leaves, thus making each album unique.

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15

RAČIUS, VIDAS. "VILNIAUS UNIVERSITETO BIBLIOTEKOS INKUNABULAI: RINKINIO RAIDA IR SUDĖTIS." Knygotyra 56 (January 1, 2011): 124–34. http://dx.doi.org/10.15388/kn.v56i0.1508.

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Vilniaus universiteto bibliotekaUniversiteto g. 3, LT-01122 Vilnius, LietuvaEl. paštas: Petras.Racius@mb.vu.ltŠiuo metu Vilniaus universiteto bibliotekoje saugoma 315 spaudos pirmagimių knygų – inkunabulų. Fondo dydis įvairiuose šaltiniuose įvairuoja. Straipsnio siekis – išnagrinėti, kaip radosi ir kito Vilniaus universiteto bibliotekos inkunabulų fondas, kokie veiksniai darė įtaką tiems pokyčiams, kokia inkunabulų fondo apimtis, sudėtis, dabartinė būklė ir kokia inkunabulų reikšmė Lietuvos kultūrai.Reikšminai žodžiai: knyga, spauda, inkunabulas, paleotipas, biblioteka, katalogas, spaustuvininkas, raida.INCUNABULA IN VILNIUS UNIVERSITY LIBRARY: DEVELOPMENT AND STRUCTUREVIDAS RAČIUS SummaryThere are 315 incunabula in the Vilnius University Library now. The aim of the article was to examine how the fund of these incunabula was compiled and the amount of this fund was changing, what factors influenced changes of this fund, and what is the significance of these incunabula for Lithuanian culture. At the same time it was an attempt using incunabula to show at least passingly how Lithuania looked in European political, cultural and ideological context of that time, what events or processes influenced collection accession, who and by what ties related it to other countries. Lithuania was not a desert island on an European map, withdrawn from prevalent political cultural and ideological changes, neither it was a total barren, accepting no progress or novelties. It was inquired by what ways the incunabula emerged in our country, what was the demand and what impact they made, who and why acquired them, and what marks their activity had left so that we could judge by them about their circulation in Lithuanian cultural life and contemplate what still undiscovered treasures may be hidden in them waiting for researchers attention.

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16

Murphy, James J. "Trends in Rhetorical Incunabula." Rhetorica 18, no. 4 (2000): 389–97. http://dx.doi.org/10.1525/rh.2000.18.4.389.

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Abstract: This article analyses “Rhetorical Incunabla: A Short-Title Catalogue”, published in Rhetorica 15 (1997) pp. 355-470 by category of publication. It supplements that catalogue with full entries for six additional items.

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17

McDonough, Max. "Incunabula Descending the Stairs." Ecotone 16, no. 2 (2020): 111–12. http://dx.doi.org/10.1353/ect.2020.0053.

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Murphy, James J. "Trends in Rhetorical Incunabula." Rhetorica 18, no. 4 (September 2000): 389–97. http://dx.doi.org/10.1353/rht.2000.0001.

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Graczyk, Waldemar. "DRUKI XV- WIECZNE W ZBIORACH BIBLIOTEKI KLASZTORU KARMELITÓW W CZERNEJ." Saeculum Christianum 23 (September 22, 2017): 125–30. http://dx.doi.org/10.21697/sc.2016.23.10.

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The monastery dedicated to St Elijah in Czerna was founded by Agnes of Teczynska Firlej in 1631. From its beginning the monastery collected works both for the celebration of liturgy and so as to deepen the knowledge and spirituality in the areas of asceticism, preaching and theology. Books usually came from donations and legacies. Currently in the resource library of old prints in Czerna there are 14 incunabula. Incunabula are not uniform provenance band books. They come from the ecclesiastical institutions, from individual person and from the clergy. Some of incunabula have an original binding, other have been replaced or refurbished. Though it is a small collection of books, in terms of quality it reflects the interests and needs of the environment. The smudged corners of the pages and the highlights made of part of the text can testify that these books were used by monks in deepening their knowledge.

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20

Dlabačová, Anna, and Patricia Stoop. "Incunabula in Communities of Canonesses Regular and Tertiaries Related to the Devotio Moderna." Quaerendo 51, no. 3 (September 8, 2021): 219–48. http://dx.doi.org/10.1163/15700690-12341488.

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Abstract This contribution discusses the hitherto overlooked ownership of the earliest printed books (incunabula) by Netherlandish female religious communities of tertiaries and canonesses regular connected to the religious reform movement of the Devotio moderna. Studies of book ownership and book collections in these communities have tended to focus on manuscripts. From the last decades of the fifteenth century onwards, however, these religious women increasingly came in contact with printed books, even though the involvement of the Devotio moderna with the printing press was limited. The discussion focuses on the channels via which tertiaries and canonesses acquired books produced by commercially operating printers, the ways in which incunabula affected what these (semi-)religious women read, as well as the ratio between printed books in Latin and the vernacular, and their function(s) within these communities. Thus the essay intends to sketch a preliminary image of the role of incunabula in female convents, and advocates a more inclusive approach of female religious book ownership.

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21

JENSEN, K. "INCUNABULA AT THE BAYERISCHE STAATSBIBLIOTHEK1." Notes and Queries 47, no. 1 (March 1, 2000): 1–4. http://dx.doi.org/10.1093/nq/47.1.1.

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22

Crous, E. "The General Catalogue of Incunabula." Library TBS-12, no. 1 (January 20, 2010): 87–100. http://dx.doi.org/10.1093/libraj/tbs-12.1.87.

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23

Nemoy, Leon, and S. M. Iakerson. "Iakerson's "Hebrew Incunabula in Leningrad"." Jewish Quarterly Review 77, no. 2/3 (October 1986): 238. http://dx.doi.org/10.2307/1454488.

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24

Bogataj, Jan Dominik. "Frančiškanska knjižnica in muzej s pinakoteko v Ljubljani." Clotho 5, no. 2 (March 4, 2024): 151–58. http://dx.doi.org/10.4312/clotho.5.2.151-158.

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The Franciscan Museum and Pinacotheca of the Franciscan Friary in the center of Ljubljana represent, together with the renovated library, a newly conceived cultural and art-historical section of the Friary as the mother house of the Slovenian Franciscan Province of the Holy Cross. The library currently holds ca. 70,000 book units, including precious books such as incunabula – one-seventh of all incunabula in the country – and can thus boast the title of Slovenia’s most extensive monastic library. The newly designed museum showcases some of the friary’s key cultural and artistic objects.

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Solana Pujalte, Julián. "A Sammelband of Incunabula of British Provenance Held at the Diocesan Library of Córdoba Containing the Only Known Copy of Elegantiae terminorum ex Laurentio Valla et aliis collectae, Antwerp: Gerard Leeu, 7.XI.1487 (GW M35200)." Quaerendo 52, no. 2 (June 8, 2022): 83–118. http://dx.doi.org/10.1163/15700690-20221136.

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Abstract In this article, we analyse a sammelband of incunabula held at the Diocesan Library of Córdoba, which we believe belonged to William Hewster († 1492), a clergyman and professor at Oxford. It contains six incunabula from Antwerp, Leuven, Paris and Oxford, printed in the workshops of Gerard Leeu (3), John of Westphalia, Antoine Caillaut, and Theodoric Rood & Thomas Hunte. Among the works is the only known copy of Elegantiae terminorum ex Laurentio Valla et aliis collectae, Antwerp: Gerard Leeu, 7.XI.1487 (GW M35200) and the only complete copy of Ars memorativa by Jacobus Publicius [Paris: Antoine Caillaut, 1483–90] (GW M36439).

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Bottura Scardina, Silvia, Filipe Themudo Barata, Alice Nogueira Alves, and Catarina Miguel. "Image processing methods integrated to imaging and material characterisation for the study of incunabula illustrations: an innovative multi-analytical approach on a case-study." Ge-conservacion 18, no. 1 (December 10, 2020): 362–74. http://dx.doi.org/10.37558/gec.v18i1.825.

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This study focuses on the application of a multi-analytical approach combining image processing techniques, imaging studies and material characterisation of a French late fifteen-early sixteen century incunabulum – the BPE, Inc.438. The first study goal was to verify the potential of computational methods in NIR imaging to retrieve accurate reconstructions of the engraving printings by Germain Hardouyn. For this aspect, two representative scenes were chosen: Trinity, f.8r; Saint Anthony the Abbot, f.61v. The applied methodology allowed faster creation of digital reconstructions while the material analysis proved the use of azurite, malachite, vermilion, lead white and ochres, and their NIR response was assessed in the context of the digital processing. The second goal was to make a comparison between chosen illuminations and engraved references of the same representations from two incunabula of the British Library, unravelling the illuminator’s intentional iconographic alteration based on visual and theological criteria.

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Mann, David G., and Aloisie Poulickova. "Incunabula and perizonium of Neidium (Bacillariophyta)." Fottea 9, no. 2 (September 1, 2009): 211–22. http://dx.doi.org/10.5507/fot.2009.022.

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Boorman, Stanley, and Mary Kay Duggan. "Italian Music Incunabula: Printers and Type." Notes 50, no. 1 (September 1993): 68. http://dx.doi.org/10.2307/898689.

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Davies, Martin. "Encoding incunabula : the progress of ISTC." Gazette du livre médiéval 22, no. 1 (1993): 20–26. http://dx.doi.org/10.3406/galim.1993.1229.

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JENSEN, KRISTIAN. "INCUNABULA AT THE BAYERISCHE STAATSBIBLIOTHEK 1." Notes and Queries 47, no. 1 (March 1, 2000): 1–4. http://dx.doi.org/10.1093/nq/47-1-1.

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BOGHARDT, MARTIN. "Pinhole Patterns in Large-Format Incunabula." Library 1, no. 3 (September 1, 2000): 263–89. http://dx.doi.org/10.1093/library/1.3.263.

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Cleminson, R. M. "Incunabula at the Manchester Grammar School." Bulletin of the John Rylands Library 98, no. 2 (November 30, 2022): 111–16. http://dx.doi.org/10.7227/bjrl.98.2.4.

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The article describes copies of three early-printed books at the Manchester Grammar School, which have not previously been noted in the bibliographies. These are the Missale Romanum (Venice, 1494), De Re Militari (Rome, 1494), and Aquinas, Summa contra Gentiles (Cologne, 1501). Two of the books have Hungarian connections, as is shown by inscriptions in them. They appear to have been at the grammar school since the late nineteenth or early twentieth century, but their detailed provenance remains obscure.

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Schmelzer, Menahem. "Hebrew Incunabula: an Agenda for Research." Judaica Librarianship 2, no. 1-2 (January 1, 1986): 68–71. http://dx.doi.org/10.14263/2/1985/895.

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Kachur, Iryna. "Collection of Incunabula from the Vasyl Stefanyk National Scientific Library of Ukraine in Lviv: main provenancestock-keeping units." Z Badań nad Książką i Księgozbiorami Historycznymi 14, no. 2 (July 6, 2020): 213–33. http://dx.doi.org/10.33077/uw.25448730.zbkh.2020.218.

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The article contains characteristics of incunabula from Vasyl Stefanyk Lviv National Scientific Library of Ukraine (LNSLU) collection. The author provides sources from which the collection of 15th century prints gathered in LNSLU has been obtained: the Ossoliński National Institute, including family deposit collections of the Pawlikowski and Chrzanowski families; the Dzieduszycki family book collection; the library of the People’s House in Lviv including Anton Petrushevich’s collection; the library of Shevchenko Scientific Society; collection of the Byzantine library „Studion” founded by Andrey Sheptytsky, as well as book collections from Basilian monasteries and church libraries. The article describes the history of the dissemination of incunabula in previous centuries, their circulation in the Galician millieu (in the lands under the Austrian partition), gives the names of their owners and characterizes provenance forms.

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35

Boldan, Kamil. "Nově nalezené tisky z knihovny českokrumlovského humanisty Martina Mareše." Acta Musei Nationalis Pragae – Historia litterarum 68, no. 3-4 (2023): 5–17. http://dx.doi.org/10.37520/amnpsc.2023.002.

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From 1487, Martin Mareš studied with the financial support of his brother-in-law Václav of Rovné, a chancellor of the South Bohemian Rožmberk family, at the University of Bologna, where he received the degree of Doctor of Canon Law in 1494. He was one of the favourite students of the leading Italian Humanist Filippo Beroaldo the Elder, who dedicated the first edition of his collection Orationes et poemata to him in 1491. Martin Mareš worked as a parish priest in his native Český Krumlov from 1496 until 1498 while developing his ecclesiastical career in Wrocław, Silesia, where he had been, already as a student, appointed canon and, later in 1498, vicar general of the diocese. Nevertheless, he died there the next year, in 1499, before the age of thirty. Mareš’s library is one of the most interesting Humanist collections of the Jagiellonian period. It mainly consists of Italian printed books, which he purchased during his studies. The reconstruction of Mareš’s scattered library was carried out more than 50 years ago by the classical philologist Josef Hejnic. In the appendix, the author of the paper presents descriptions of six recently discovered incunabula and a complemented description of one previously known incunabulum (four are part of the collections of the National Library of the Czech Republic, one is deposited in the collections of the National Széchényi Library in Budapest, one in the Lobkowicz Library at Nelahozeves Castle and one in the Schwarzenberg Library at Český Krumlov Castle). In total, we know of one manuscript and almost seventy incunabula from Mareš’s library. Most of them are editions of works by ancient authors, especially Roman poets. New discoveries have enriched Mareš’s collection with Virgil, Horace and Justin. The equally large collection of works by Italian Humanists included i.a. Naldo Naldi and Francesco Filelfo. Surprisingly enough, Mareš’s library contained only a few juristic and theological titles. We now know that he owned collected works of St Augustine and also the Digest, which was part of the codification of Roman law.

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Col, Norbert. "Gentis incunabula nostrae, Burke et la France." Commentaire Numéro83, no. 3 (1998): 773. http://dx.doi.org/10.3917/comm.083.0773.

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Freshwater, M. Felix. "Plastic incunabula — A tale of Carpue’s Tagliacozzi’s." Journal of Plastic, Reconstructive & Aesthetic Surgery 65, no. 1 (January 2012): 1–7. http://dx.doi.org/10.1016/j.bjps.2011.08.028.

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Abramsky, Chimen, and S. M. Yakerson. "Yakerson's "Hebrew Incunabula in Moscow and Leningrad"." Jewish Quarterly Review 80, no. 3/4 (January 1990): 363. http://dx.doi.org/10.2307/1454976.

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Poulíčková, Aloisie, Shigeki Mayama, Victor A. Chepurnov, and David G. Mann. "Heterothallic auxosporulation, incunabula and perizonium inPinnularia(Bacillariophyceae)." European Journal of Phycology 42, no. 4 (November 2007): 367–90. http://dx.doi.org/10.1080/09670260701476087.

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40

Köbler, Gerhard. "Incunabula. The Printing Revolution in Europe 1455-1500. Units 34-39 Law Incunabula. Introduction and selection Douglas Osler." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 119, no. 1 (August 1, 2002): 596. http://dx.doi.org/10.7767/zrgga.2002.119.1.596.

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Berrouët-Oriol, Robert, Carrol F. Coates, and Robert Berrouet-Oriol. "Incunabulum/Incunable." Callaloo 15, no. 2 (1992): 512. http://dx.doi.org/10.2307/2931268.

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Pfotenhauer, Bettina. "Luxuswaren und Wissensobjekte." Internationales Archiv für Sozialgeschichte der deutschen Literatur 46, no. 1 (June 1, 2021): 157–69. http://dx.doi.org/10.1515/iasl-2021-0009.

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Abstract The Venetian incunabula and post-incunabula traced in the library of the Nuremberg humanist Willibald Pirckheimer express the significant influence of the two cities’ relationship on shaping early modern culture in North-alpine Europe: The books, traded by Franconian merchants as luxury goods and, due to the miniatures added by Albrecht Dürer, examples of the influence of Italian Renaissance art north of the Alpes, also shaped the development of Greek humanism in the north and played an important role in constituting learned networks. The ambivalent and always shifting relation of their status as luxury goods or as objects of intellectual knowledge continued after Pirckheimer’s death as they became part of important English book collections and in the 1920 s precious pieces of the stocks of the famous Munich antiquarians Jacques and Erwin Rosenthal, the latter studying as an art historian the artistic importance of Dürer’s miniatures in Pirckheimer’s Venetian books.

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Pedraza Gracia, Manuel José, Maria Gioia Tavoni, Nicolás Bas Martín, and Antonio Carpallo Bautista. "Reseñas." Titivillus 2 (October 18, 2018): 213–28. http://dx.doi.org/10.26754/ojs_titivillus/titivillus.201603137.

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Manuel José Pedraza Gracia = Incunabula universitatis: los incunables de las bibliotecas universitarias españolas. Edición a cargo de Ramón Rodríguez Álvarez. Oviedo, Universidad de Oviedo, 2015. 313 p. ISBN: 978-84-16046-82-9. Maria Gioia Tavoni = Atti del convegno Incunabula. Printing, Trading, Collecting, Cataloguing, 10-12 settembre 2013, La Bibliofilia, 116, n. 1/3 (2014). ISSN 0006-0941. Nicolás Bas Martín = Rosa M. GREGORI ROIG, La impressora Jerònima Galés i els Mey (València, segle XVI), Valencia, Biblioteca Valenciana, 2012. 611 p. ISBN 978-84-482-5722-4. Nicolás Bas Martín = Juan GOMIS COLOMA, Menudencias de imprenta. Producción y circulación de la literatura popular (Valencia, siglo XVIII), Valencia, Institució Alfons el Magnànim, 2015. 557 p. ISBN 978-84-7822-2015. Antonio Carpallo Bautista = José Luis GONZALO SÁNCHEZ-MOLERO, Leyendo a Edo. Madrid, Consejo Superior de Investigaciones Científicas, 2013, 163 p. ISBN: 978-84-00-09660-1.

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44

Łukaszewski, Jakub. "Michał Spandowski, Catalogue of Incunabula in the National Library of Poland, in collaboration with Sławomir Szyller, description of bookbindings prepared by Maria Brynda, translation: Elżbieta Olechowska, vol. I, Warszawa: Biblioteka Narodowa 2020, s. 694 [1]. ISBN 978-83-7009-833-6." Biblioteka, no. 25 (34) (December 30, 2021): 265–80. http://dx.doi.org/10.14746/b.2021.25.14.

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Recenzja: Michał Spandowski, Catalogue of Incunabula in the National Library of Poland, in collaboration with Sławomir Szyller, description of bookbindings prepared by Maria Brynda, translation: Elżbieta Olechowska, vol. I, Warszawa: Biblioteka Narodowa 2020, s. 694 [1]. ISBN 978-83-7009-833-6

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45

Acciai, Serena. "Developing Deroko's theories: Looking for the "incunabula" of Byzantine housing." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 71–96. http://dx.doi.org/10.5937/saj1901071a.

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Looking at the Byzantine palaces that have survived through centuries until today, such as the Palace of the Porphyrogenitus (Palace of Belisarius) in Istanbul, Aleksandar Deroko has underlined the essential distinction between two fundamental genres of Byzantine houses: monumental palaces made of stone and bricks and everyday houses made with a wooden structure. For centuries, the ordinary Byzantine house was considered as a "Turkish type". Deroko maintained that this classification was erroneous, as the Ottomans actually inherited "the Byzantine house" when they conquered the vast territory of the Byzantine Empire. The Byzantine house was adopted by the Ottomans and the people under their domination, and over the centuries it spread over a broad geographical area - from Anatolia to North Africa and to the Balkans. Unsurprisingly, it did not reflect a single heritage; instead, it mirrored the various cultures that fell under its rule. Based on Deroko's theories, one could consider locations such as Mount Athos, Ioannina, Prizren, Ohrid, Elena and even certain villages of Arbëreshë (Italo-Albanian) communities of South Italy as the "incunabula (the first examples, the origins) of Byzantine housing". Probably, thanks to their morphological characteristics and geographical isolation, some elements of this building type are still visible in these locations, even though they have been integrated into the local housing cultures. These buildings give subtle glimpses of the everyday Byzantine house.

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Colombo Timelli, Maria. "Lotte Hellinga, Incunabula in Transit. People and Trade." Studi Francesi, no. 195 (LXV | III) (December 1, 2021): 590. http://dx.doi.org/10.4000/studifrancesi.46964.

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Copinger, W. A. "Notes by Dr. Copinger on Catalogues of Incunabula." Library TBS-2, Part 1 (January 20, 2010): 87–90. http://dx.doi.org/10.1093/libraj/tbs-2.part_1.87.

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48

GLOMSKI, JACQUELINE. "Incunabula Typographiae: Seventeenth-Century Views on Early Printing." Library 2, no. 4 (December 1, 2001): 336–48. http://dx.doi.org/10.1093/library/2.4.336.

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Kozjek, Andreja. "PRIPRAVA IN DIGITALIZACIJA INKUNABUL ZA PROJEKT INCUNABULA SLOVENICA." Moderna arhivistika 2023 (6), no. 1 (November 7, 2023): 1–16. http://dx.doi.org/10.54356/ma/2023/lidf8016.

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Prispevek predstavlja projekt INCUNABULA SLOVENICA, ki ga kot nosilec vodi Narodna in univerzitetna knjižnica. Projekt zajema digitalizacijo inkunabul različnih dediščinskih ustanov v Sloveniji. Namen članka je predstaviti omenjeni projekt, priporočila in obrazce, ki so bili sprejeti v ta namen, ter vlogo konservatorja-restavratorja v procesu. Pri digitalizaciji se žal še vedno premalo časa posveča fizičnemu stanju gradiva, zato lahko med procesom pride do nepovratnih poškodb na gradivu in tudi do izgube pomembnih zgodovinskih informacij. Vloga konservatorja-restavratorja je tako bistvenega pomena pri ozaveščanju ustanov, ki se z digitalizacijo ukvarjajo, kot tudi pri neposredni pomoči izvajalcu digitalizacije. S sodelovanjem v procesu, pravilnim izborom gradiva, njegovo pripravo, popisom materialnega stanja, vrste poškodb in urejeno dokumentacijo želimo konservatorji-restavratorji zmanjšati tveganja za nastanek novih poškodb gradiva med transportom, shranjevanjem in med samim digitaliziranjem. S tem želimo objektom ohraniti vrednost ter jim podaljšati življenjsko dobo in uporabnost.

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50

Nash, Penelope. "Illuminated manuscripts and incucabula in Cambridge: A catalogue of western book illumination in the Fitzwilliam museum and the Cambridge colleges, part five: Illuminated incunabula, volume one: Books printed in Italy [Book Review]." Journal of the Australian Early Medieval Association 15 (November 1, 2019): 127–29. http://dx.doi.org/10.35253/jaema.2019.1.6.

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Review(s) of: Illuminated manuscripts and incucabula in Cambridge: A catalogue of western book illumination in the Fitzwilliam museum and the Cambridge colleges, part five: Illuminated incunabula, volume one: Books printed in Italy, by Andriolo, Azzura Elena and Reynolds, Suzanne, (London and Turnhout: Harvey Miller, 2017) hardcover, 288 pages, RRP 149 pounds/Euro175; ISBN: 9781909400856.

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