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Books on the topic 'Indaba Music'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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1

Byerly, Ingrid Bianca. The Music Indaba: Music as mirror, mediator and prophet in the South African transition from apartheid to democracy. UMI, 1996.

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2

Amarnath. Indaura ke masīhā: Paṇḍita Amaranāthajī dvārā Ustada Amīra K̲h̲ām̐ sāhaba ke saṃsmaraṇa. Paṇḍita Amaranātha Maimoriyala Phāuṇḍeśana, 2008.

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3

India) Sree Ramaseba Mandali (Bangalore. Temple of music. Sree Ramaseba Mandali, 2000.

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4

Khāna, Mobāraka Hosena. Music and its study. Sterling Publishers, 1988.

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5

Kulaśreshtha, Sushamā. R̥tusaṃhāra-saṅgīta-surabhiḥ =: Musical rendition of R̥tusaṃhāra. Īsṭarna Buka Liṅkarsa, 1992.

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6

Kulaśreshtha, Sushamā. R̥tusaṃhāra-saṅgīta-surabhiḥ =: Musical rendition of R̥tusaṃhāra. Īsṭarna Buka Liṅkarsa, 1992.

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7

Līlā, Ōñcēri, and Bhalla Deepti Omchery, eds. The immortals of Indian music. Gyan Pub. House, 1998.

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8

Woodfield, Ian. Music of the Raj: A social and economic history of music in late eighteenth-century Anglo-Indian society. Oxford University Press, 2000.

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9

Malathi, Rangaswami, and Music Academy (Madras India), eds. Four score & more: The history of the Music Academy, Madras. East West, 2009.

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10

Pullela, Śrīrāmacandruḍu, Sathyanarayana R. 1929-, Śrīhari R. 1943-, and Tirumalai-Tirupati Devasthanam, eds. The Tirumala music inscription: Prathamōpalabdha svarasahita saṅkīrtana śilālēkhamu. Tirumala Tirupati Devasthanams, 1999.

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11

Walter, Kaufmann. The Ragas of North India. Oxford & IBH Publishing, 1993.

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12

Jacques, Duchesne-Guillemin, ed. The hymns of Zarathustra: Being a translation of the Gāthās together with introduction and commentary. C.E. Tuttle, 1992.

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13

Indiana University, Bloomington. Archives of Traditional Music. Early field recordings: A catalogue of cylinder collections at the Indiana University Archives of Traditional Music. Indiana University Press, 1987.

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14

M, Vijay Lakshmi. A critical study of Sangita makaranda of Narada. Gyan Pub. House, 1996.

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15

Roy, Bimal Kumar. Saṃgīti śabdakosha. 2nd ed. Paścimabaṅga Rājya Saṃgīta Ākādemi, 1992.

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16

Roy, Bimal Kumar. Saṅgīti śabda koṣa =: Dictionary of musical terms. Sharada Pub. House, 2004.

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17

Savāī Gandharva Saṅgīta Mahotsava (2002 Pune, India). Svarayajña: Savāī Gandharva Saṅgīta Mahotsavācī pannāsa varshe. Rājahãsa Prakāśana, 2002.

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18

Kr̥ṣṇadāsabaḍajenāmahāpātra. Gītaprakāśa: Gadādharadāsakr̥ta Gītaprakāśaboli sahita. Oḍiśā Saṅgīta Nāṭaka Ekāḍemī, 1995.

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19

Ganguly, Adwaita P. India, mystic, complex, and real: A detailed study of E.M. Forster's A passage to India, his treatment of India's landscape, history, social anthropology, religion, philosophy, music, and art. Motilal Banarsidass Publishers, 1990.

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20

Suhr, H. Cecilia. Evaluation and Credentialing in Digital Music Communities: Benefits and Challenges for Learning and Assessment. MIT Press, 2014.

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21

Devidayal, Namita. Music Room: A Memoir. St. Martin's Press, 2009.

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22

Rāgaracanāñjali: Rāgasaṅgīta meṃ nibaddha bandiśoṃ kī añjali. 2nd ed. Rājahaṃsa Prakāśana, 2005.

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23

Born, Georgina, ed. Music and Digital Media: A planetary anthology. UCL Press, 2022. http://dx.doi.org/10.14324/111.9781800082434.

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Anthropology has neglected the study of music. Music and Digital Media shows how and why this should be redressed. It does so by enabling music to expand the horizons of digital anthropology, demonstrating how the field can build interdisciplinary links to music and sound studies, digital/media studies, and science and technology studies. Music and Digital Media is the first comparative ethnographic study of the impact of digital media on music worldwide. It offers a radical and lucid new theoretical framework for understanding digital media through music, showing that music is today where the
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24

Palek, Theresa. I Always Hear Music. Xulon Press, 2007.

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25

The music room. Random House India, 2007.

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26

Sweany, Brian. Exotic Music of the Belly Dancer. Writer's Coffee Shop, The, 2013.

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27

Sweany, Brian. Exotic Music of the Belly Dancer. The Writer's Coffee Shop, 2013.

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28

Life of Music in South India. Wesleyan University Press, 2023.

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29

Life of Music in South India. Wesleyan University Press, 2023.

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30

Life of Music in South India. Wesleyan University Press, 2023.

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31

Mayr, Ilsa. The Music Murders. Thomas & Mercer, 2012.

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32

Strohm, Reinhard, ed. The Music Road. British Academy, 2019. http://dx.doi.org/10.5871/bacad/9780197266564.001.0001.

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The book, derived from the Balzan musicology project ‘Towards a global history of music’, describes cultural traditions and communication patterns of music, dance and theatre in the world region between India and the Mediterranean in the last 2000 years. The new metaphor of the ‘Music Road’—the western half of the ‘Silk Road’—refers to the travels of musical songs, instruments and ideas across both space and time. The book has an introduction and 16 chapters, each by a different author. Highlighted are the following cultural traditions: ancient Gandhāra (first centuries ce); traditions of the
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33

Music Commodities, Markets, and Values in India: Music As Merchandise. Taylor & Francis Group, 2016.

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34

From the Tanjore Court to the Madras Music Academy: A Social History of Music in South India. Oxford University Press, USA, 2006.

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35

Khan, Mobarak Hossain. Music and Its Study. Stosius Inc/Advent Books Division, 1988.

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36

Massey, Reginald. Music of India. Pro Am Music Resources, 1988.

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37

Zubin Mehta: A Life in Music. Penguin Books, Limited, 2016.

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38

The music room: A memoir. Thomas Dunne Books, 2009.

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39

Nettl, Bruno. Landmarks in the Study of Improvisation. Edited by Benjamin Piekut and George E. Lewis. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199892921.013.009.

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Historically, research on improvisation has been related to the discovery of non-Western musics, folk music, and jazz, and has depended on the development of recording techniques for its principal kinds of data. The concept of improvisation is not unitary, but includes many vastly different kinds of un-notated music-making, which casts some doubt on the efficacy of the term itself. In the history of Western art music, improvisation was originally ignored or seen as craft rather than art, but since ca. 1980 it has occupied increased attention. The association of improvisation with oral transmis
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40

Bultman-Deardurff, JaLeen. Creager Farm: A Sequel to The Music Teacher. PublishAmerica, 2007.

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41

Hale, Christopher Dicran. Are Western Christian Bhajans “Reverse” Mission Music? Edited by Jonathan Dueck and Suzel Ana Reily. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199859993.013.10.

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This chapter contrasts the contextualization of the Hindu bhajan in Christian churches in North India with its recontextualization as a medium of worship in North America. The author discusses his engagement with “Yeshu bhakti,” a North Indian Hindu modality of devotion (bhakti) focused on Jesus Christ (Yeshu) as the “God of choice.” The band Aradhna, composed of the children of missionaries to India and Nepal, draws on its members’ multiple musical backgrounds to present a “third” religious domain, derived from Hinduism and Christianity. The chapter shows how Aradhna’s music tries to draw tog
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42

Ragas in Indian classical music. Gian Pub. House, 1989.

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43

Massey, Reginald, and Jamila Massey. The Music of India. Kahn & Averill Publishers, 1993.

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44

Harding, Valentine. Children Singing: Nurture, Creativity, and Culture. A Study of Children’s Music-Making in London, UK, and in West Bengal, India. Edited by Graham Welch, David M. Howard, and John Nix. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199660773.013.65.

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This chapter considers children’s music-making in London, UK, and in rural West Bengal, India. While learning styles within these communities differ considerably, folk music is the basis of learning in both, with nursery rhymes and children’s songs considered within this category of “folk” music. The role of parents in both communities is a crucial factor in the learning process. In the Bengali context, parents often continue to teach music to their child into adulthood. The chapter considers the process of nurturing in early years, the role of nursery rhymes, teaching styles, introducing chil
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45

Linden, Bob Van Der. Arnold Bake: A Life with South Asian Music. Taylor & Francis Group, 2018.

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46

Linden, Bob Van Der. Arnold Bake: A Life with South Asian Music. Taylor & Francis Group, 2018.

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47

Dahan, Charlie B., and Linda Gennett Irmscher. Gennett Records and Starr Piano. Arcadia Publishing, 2016.

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48

Dahan, Charlie B., and Linda Gennett Irmscher. Gennett Records and Starr Piano. Arcadia Publishing, 2016.

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49

Dahan, Charlie B., and Linda Gennett Irmscher. Gennett Records and Starr Piano. Arcadia Publishing, 2016.

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50

Woodfield, Ian. Music of the Raj: A Social and Economic History of Music in Late Eighteenth Century Anglo-Indian Society. Oxford University Press, USA, 2001.

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