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Books on the topic 'Indano'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Haithcock, Richard L. Indiana Indian Census. Red-tail Publication, 2009.

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2

Manjeshwar, Govinda Pai. Indiana: Studies in Indian culture, history, and civilisation. Edited by Prabhu M. Mukunda and Kr̥ṣṇa Bhaṭṭa Herañje 1942-. Rashtrakavi Govind Pai Samshodhana Kendra, 1997.

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3

Cristina, Del Mare, ed. Coral in Indian ethnic jewelry =: Il corallo nel gioiello etnico indiano. Electa Napoli, 1999.

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4

Monesi, Simonetta. Indaco. Marco Tropea, 1999.

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5

Bietoletti, Silvestra. Domenico Induno. Edizioni dei Soncino, 1991.

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6

El indiano. Áltera, 2014.

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7

Tabucchi, Antonio. Notturno indiano. 7th ed. Sellerio, 1990.

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8

Tabucchi, Antonio. Notturno indiano. Sellerio, 1993.

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9

Tabucchi, Antonio. Notturno indiano. 6th ed. Sellerio, 1990.

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10

Leal, Cirilo. El indiano. 2nd ed. Centro de la Cultura Popular Canaria, 1999.

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11

Gaibros, Manuel Ballesteros. Cultura y religión de la América prehispánica. Biblioteca de Autores Cristianos, 1985.

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12

José, Rodilla María, ed. El peregrino indiano. Iberoamericana, 2008.

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13

Il bambino indaco. Einaudi, 2012.

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14

Oré, Luis Jerónimo de. Symbolo Catholico Indiano. Australis, 1992.

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15

Derecho indiano: Estudios. Ediciones Universidad de Navarra, 1991.

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16

Guzmán, Antonio de Saavedra y. El peregrino indiano. Consejo Nacional para la Cultura y las Artes, 1989.

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17

Il cinema indiano. Carocci, 2009.

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18

Walters, Anna Lee. Talking Indian: Reflections on survival and writing. Firebrand Books, 1992.

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19

Hayes, John T. Tomahawks and sabers: Indians in combat against cavalry in the American Revolution, 1777-1778. Saddlebag Press, 1996.

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20

Fazio, Francisca Rosso de. Culturas aborígenes: Región cuyo centro oeste argentino : expresiones artísticas, manufactura cerámica prehispánica, recreaciones de originales indígenas. Cultura, Subsecretaría de Cultura, Gobierno de Mendoza, 2003.

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21

Meinrado, Hux, ed. Usos y costumbres de los indios de la Pampa: Segunda parte de las Memorias del ex cautivo Santiago Avendaño. Elefante blanco, 2000.

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22

Affairs, United States Congress House Committee on Interior and Insular. Modifying a portion of the south boundary of the Salt River Pima-Maricopa Indian Reservation in Arizona, and for other purposes: Report to accompany H.R. 5066). U.S. G.P.O., 1988.

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23

Sondereguer, César. Manual de iconografía precolombina y su análisis morfológico: Cronología, estética : Mesoamérica, Centroamérica, Suramérica 1300 a.C.-1532 d.C. Ediciones GeKa, 2003.

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24

Fisher, Maxine. A captive's story. M. Fisher, 2000.

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25

Carlos, Punta, ed. Ame rica precolombina: Si ntesis histo rica : antologi a y ana lisis de su arte pla stico : Norteame rica, Mesoame rica, Centroame rica, Surame rica. Nobuko, 2004.

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26

Problemática del arte, de la arquitectura y del urbanismo precolombino: Premisas para una historia del arte precolombino. Ediciones Universidad Mayor, 2004.

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27

Nihal, Singh S. Indian days, Indian nights. Arnold Publishers, 1990.

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28

Jogues, Isaac. Narrative of a captivity among the Mohawk Indians, and a description of New Netherland in 1642-3. Press of the Historical Society, 1985.

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29

Group, Scala, ed. Ancient American art =: Altamerikanische Kunst = L'art précolombien = Precolombiaasnse kunst. Scala Group, 2009.

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30

Solomon, Eva M. Come dance with me: The Thunder Bay Diocesan Native Pastoral Seminar: a medicine wheel model of Anishinaabe Catholic interculturation of faith and a means of healing, integrity, transformation, and reconciliation. [s.n.], 2005.

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31

Erika, Wagner. Más de quinientos años de legado americano al mundo. Lagoven, 1991.

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32

National Institute for Occupational Safety and Health., ed. Indian Industries, Evansville, Indiana. U.S. Dept. of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1993.

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33

Indian Names in Indiana. Alan McPherson, 1993.

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34

Piatt, Dunn Jacob. True Indian Stories: With Glossary Of Indiana Indian Names. Kessinger Publishing, LLC, 2007.

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35

Piatt, Dunn Jacob. True Indian Stories: With Glossary Of Indiana Indian Names. Kessinger Publishing, LLC, 2006.

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36

Coward, John M. Illustrating Indian Lives. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040269.003.0003.

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This chapter looks at the work of William de la Montagne Cary and other artists who drew pictures of Indians living their lives—pictures of peaceful Indians that often drew less attention than more action-oriented pictures of war and conflict. It studies illustrations of activities such as dancing and hunting, as well as burial rites, male–female relations, and Indians engaged in work and play—topics often overlooked in studies of Indian illustrations. Artists made these pictures to fulfill a specific journalistic function: to show white Americans what Indians looked like and how they lived th

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37

Coward, John M. Posing the Indian. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040269.003.0002.

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This chapter examines Indian portraits, one of the earliest and most common ways that Indian faces and bodies came to the pages of the illustrated press. Stereotyping was a routine part of this representational process. Indian portraits emphasized Indian physiognomy, especially facial features that marked the subjects as Indians—dark skin, dark hair, prominent noses, and high cheekbones. These illustrations also highlighted cultural signs such as feathers, necklaces and beads, blankets, and buckskin clothing. In some cases, photographs were altered to remove non-Indians or to shift the subject

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38

Coward, John M. Making Sense of Savagery. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040269.003.0007.

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This chapter looks at Indian cartoons in the Daily Graphic, a New York paper that became the nation's first illustrated daily paper. It compares cartoon Indians before and after the Battle of the Little Bighorn, the fight that captured the public's imagination and quickly became the most famous battle between plains Indians and the U.S. Army. Like much of the press, the Graphic demonized the Sioux in the weeks following the battle, though it soon moderated its tone and published more tempered Indian images. Its editorials identified some good Indians, even among the hostile Sioux, and its anti

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39

Harmon, Alexandra J. Indians in the Marketplace. Edited by Frederick E. Hoxie. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199858897.013.33.

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This survey of economic history emphasizes American Indians’ varied and varying responses to profit-oriented economic practices introduced by non-Indians. It depicts aboriginal Indian economies as diverse and dynamic though modeled on kin relations and reciprocity. European colonial settlements and Euro-Americans’ ultimate hegemony, fueled by commercial market relations and capitalist development, eventually undermined every indigenous population’s self-sufficiency. Most Indians consequently fell into poverty, but not for lack of strategic and sometimes rewarding engagement with the new market

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40

Coward, John M. Conclusion. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040269.003.0010.

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This concluding chapter argues that Indians were portrayed in a number of ways across the last decades of the nineteenth century, most of them following familiar stereotypes and patterns of visual and linguistic representation. In general, the pictorial press represented Indians as racial outsiders and cultural curiosities, usually in an “us versus them” manner where Euro-American standards and values were the norm and Indian standards and values were abnormal and thus deviant. This was a journalistic form of racial simplification and cultural “othering” that almost always separated Indians fr

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41

Sleeper-Smith, Susan. Indigenous Prosperity and American Conquest. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469640587.001.0001.

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Examines the Ohio River valley though an environmental lens and explores the role that American Indian women played in creating a sedentary agrarian village world in this rich and fertile landscape. Focuses on the crescent of Indian communities located along the banks of the Wabash River valley, a major Ohio tributary, to trace the evolution of the agrarian-trading nexus that shaped village life. The agricultural work of Indian women and their involvement in an Indian-controlled fur trade provides a glimpse into a flourishing village world that has escaped historical attention and refutes the

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42

Coward, John M. Remington’s Indian Illustrations. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040269.003.0008.

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This chapter examines the Indian illustrations of Frederic Remington, widely acclaimed today as the most famous Western illustrator and painter. Remington, who was too young to cover the major Indian wars, nevertheless created a number of significant Indian war images, including important but highly fictionalized Last Stand illustrations that shaped ideas about Indian fighting for several generations of Americans. Remington's Indian illustrations were clearly shaped by his belief in a racial hierarchy that placed whites atop the ladder of civilization. For Remington, Indians were a barbarous a

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43

Ekberg, Carl J., and Sharon K. Person. End of an Era. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038976.003.0011.

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This chapter reflects on Louis St. Ange de Bellerive's diplomatic work with various Indian tribes during his lifetime. From the time that St. Ange was stationed with his father at Fort St. Joseph until he arrived at St. Louis as commandant in October 1765, he dealt with Indians of one tribe or another on a daily basis. His entire adult life was all about Indians, not only in the public arena, but also about the Indian women who bore his children. In discussing Indian affairs, St. Ange never once suggested employing force of any kind as an instrument of policy. Although a military man, his pass

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44

Pai, Manjeshwar Govinda. Indiana: Studies in Indian culture, history, and civilisation. Rashtrakavi Govind Pai Samshodhana Kendra, 1997.

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45

Roopnarine, Lomarsh. The Indian Caribbean. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496814388.001.0001.

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This book tells a distinct story of Indians in the Caribbean—one concentrated not only on archival records and institutions, but also on the voices of the people and the ways in which they define themselves and the world around them. The book explores previously marginalized Indians in the Caribbean and their distinct social dynamics and histories, including the French Caribbean and other islands with smaller South Asian populations. It pursues a comparative approach with inclusive themes that cut across the Caribbean. In 1833, the abolition of slavery in the British Empire led to the import o

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46

Ramsaran, Dave, and Linden F. Lewis. Caribbean Masala. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496818041.001.0001.

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In 1833, the abolition of slavery in the British Empire led to the import of exploited South Asian indentured workers in the Caribbean under extreme oppression. This book concentrates on the Indian descendants' processes of mixing, assimilating, and adapting while trying desperately to hold on to that which marks a group of people as distinct. In some ways, the lived experience of the Indian community in Guyana and Trinidad represents a cultural contradiction of belonging and non-belonging. In other parts of the Caribbean, people of Indian descent seem so absorbed by the more dominant African

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47

Tahmahkera, Dustin. American Indians in Popular Culture. Edited by Frederick E. Hoxie. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199858897.013.16.

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Contemporary scholars are shaping the field of indigenous popular cultural studies through multiple critical approaches and explorations of new areas of analysis. This scholarship seeks to emphasize narratives of Native agency, negotiation, contestation, and reconfiguration in interdisciplinary sites of cultural production, representation, and reception. These efforts have opened a space for critical dialogue about the formations of topics in American Indian popular culture studies that transcend mere description and surface analysis. The goal of this new approach is to place American Indians

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48

Ilaria, Bonacossa, and Manacorda Francesco, eds. Subcontingent: Il subcontinente indiano nell'arte contemporanea : the Indian subcontinent in contemporary art. Electa, 2006.

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49

Lief, Shane, and John McCusker. Jockomo. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825896.001.0001.

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This book represents the very first publication to explore how Native American traditions have influenced the history of New Orleans music over the past three centuries, specifically how this connection has culminated in the Mardi Gras Indian cultural system. In addition to including the perspectives of the cultural participants themselves, this book draws upon manuscripts and archives from the earliest days of the French colony of Louisiana, providing a range of views on how the Mardi Gras Indian tradition developed. A number of linguistic analyses focus on Native terms which are significant

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50

Ekberg, Carl J., and Sharon K. Person. Slaves: African and Indian. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038976.003.0008.

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This chapter examines the role played by African and Indian slaves in early St. Louis. Indians had practiced slavery long before European explorers, traders, and colonizers arrived on North American shores. Profitable, market-oriented agriculture developed in the Illinois Country as early as the 1720s, and slaves (especially Africans) were used as field hands. In French Illinois, Indian as well as African slaves had been present since the early eighteenth century, and especially at the founding of St. Louis in 1764. Slaves appear only marginally in most studies of colonial St. Louis, which ten

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