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Books on the topic 'Independent inventor'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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1

Ruben, Samuel. Necessity's children: Memoirs of an independent inventor. Breitenbush Books, 1990.

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2

Lamoreaux, Naomi R. The decline of the independent inventor: A Schumpterian story? National Bureau of Economic Research, 2005.

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3

Foreman, Louis J. The independent inventor's handbook. Workman Pub., 2009.

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4

Gilbert, Welytok Jill, ed. The independent inventor's handbook. Workman Pub., 2009.

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5

Foreman, Louis J. The independent inventor's handbook. Workman Pub., 2009.

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6

Barbieri, José Carlos. O inventor independente e o empreendedor no Brasil. Escola de Administração de Empresas de São Paulo, Fundação Getulio Vargas, Núcleo de Pesquisas e Publicacões, 1997.

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7

Accidental genius: How John Cassavetes invented American independent film. Miramax Books/Hyperion, 2005.

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8

Wright, Gordon. A model of aggregate period usage for independent demand inventory items. City University Business School, 1991.

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9

Rossum, M. C. Van. Inventory of the archives of the Independent Media Commission, 1993-1994. State Archives Service, 1995.

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10

Inventer la Corse: Dimensions de l'autonomisme politique. L'Harmattan, 1991.

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11

Carmen, Quintanilla, and University of Guam. Richard Flores Taitano Micronesian Area Research Center., eds. Inventory of the records of Guam's Commission on Self-Determination. Richard F. Taitano Micronesian Area Research Center, University of Guam, 2000.

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12

Goodall, Heather. Beyond Borders. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462981454.

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Beyond Borders: Indians, Australians and the Indonesian Revolution, 1939 to 1950 rediscovers an intense internationalism — and charts its loss — in the Indonesian Revolution. Momentous far beyond Indonesia itself, and not just for elites, generals, or diplomats, the Indonesian anti-colonial struggle from 1945 to 1949 also became a powerful symbol of hope at the most grassroots levels in India and Australia. As the news flashed across crumbling colonial borders by cable, radio, and photograph, ordinary men and women became caught up in in the struggle. Whether seamen, soldiers, journalists, act

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13

Montgomery, Erick. Duke Ellington: A life in music. Houghton Mifflin, 2004.

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14

Nash, Edgar M. Patent Your Idea Yourself ... Without an Attorney : A Guidebook For The Independent Inventor. E.M. Nash, 2000.

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15

American Intellectual Property Law Association., ed. How to protect and benefit from your ideas: A book intended to assist the independent or novice inventor in protecting, evaluating, and commercializing new ideas and inventions. American Intellectual Property Law Association, 2002.

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16

Godfrey, Donald G. American Visionary. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038280.003.0013.

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This chapter discusses C. Francis Jenkins' life and work, calling him a visionary for his breakthrough inventions in film and television. In a world of dramatic change in motion pictures and television, Jenkins was a pioneer. In film, he sold his controversial Phantoscope projector patent, which led to large-screen movie projection. In television, he bridged mechanical with electronic technology, later experiments related to fiberoptics, and electro-optical receivers. He was the only inventor who participated in the birth of both motion-picture photography and television. Over the period of 18

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17

1 Bright Idea (Zaner-Bloser independent readers). Zaner Bloser, 1989.

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18

Bátiz-Lazo, Bernardo. The British Are Coming! Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198782810.003.0003.

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Chapter 3 (‘The British Are Coming!’) explains the origins of the technology in the United Kingdom. It is widely assumed that the operation of a machine in the Enfield branch of Barclays was the ‘prime mover’ in this industry. However, the historical record fails to identify a hero inventor; rather multiple independent versions of the cash machine were launched at more or less the same time in different countries. Yet in spite of the great fanfare, there was no real race to market. There is no evidence the engineers responsible for them knew of each other’s existence before this launch (but ma

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19

Hintz, Eric S. American Independent Inventors in an Era of Corporate R&D. The MIT Press, 2021.

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20

Fine, Marshall. ACCIDENTAL GENIUS: HOW JOHN CASSAVETES INVENTED THE INDEPENDENT FILM. Miramax, 2006.

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21

Fine, Marshall. ACCIDENTAL GENIUS: HOW JOHN CASSAVETES INVENTED THE INDEPENDENT FILM. Miramax, 2006.

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22

Aggregate fluctuations from independent sectoral shocks: Self-organized criticality in a model of production and inventory dynamics. National Bureau of Economic Research, 1992.

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23

Rimai, Donald S. Guide for Implementing a Patent Strategy: How Inventors, Engineers, Scientists, Entrepreneurs, and Independent Innovators Can Protect Their Intellectual Property. Wiley & Sons, Incorporated, John, 2018.

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24

Rimai, Donald S. Guide for Implementing a Patent Strategy: How Inventors, Engineers, Scientists, Entrepreneurs, and Independent Innovators Can Protect Their Intellectual Property. Wiley & Sons, Incorporated, John, 2018.

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25

Maurer, Stephen M. Intellectual Property Incentives. Edited by Rochelle Dreyfuss and Justine Pila. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198758457.013.30.

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Classical proofs for the efficiency of markets do not apply to innovation. Since the 1960s, economists have worked to construct a theoretical framework for deciding when patent incentives do and do not make society better off. This chapter reviews the literature’s main findings and asks how well the legal system implements them. It begins by reviewing how patents balance the benefits of faster innovation against the burden of monopoly. It then shows how these arguments change in more complicated models where patents must also coordinate effort across multiple independent inventors. It also ask

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26

P, Strickland Stephen, Goodman Jac H, Thaler-Carter Ruth E, and National Peace Foundation (U.S.), eds. Inventory of international conflict resolution programs: Emphasizing Eastern Europe, Russia, and the Commonwealth of Independent States, the Middle East and programs in Northern Ireland, Central America, and South Africa. National Peace Foundation, 1996.

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27

Archer, Harriet. Thomas Blenerhasset’s Second Part of the Mirror for Magistrates (1578). Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806172.003.0004.

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Chapter 3 considers the relationship between Thomas Blenerhasset’s enabling isolation on the island of Guernsey and his treatment of the personification Memory in his Second Part of the Mirror for Magistrates. Blenerhasset represents an anomaly in the story of the Mirror’s expansion, since his supplementary complaint collection was not printed by Thomas Marshe, and not reprinted in Higgins’s 1587 edition as part of the ‘official’ corpus. As such, his necessarily extrinsic contribution draws on the imaginative freedom afforded by his independence from the text’s primary print community to refle

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28

Jackson, Robert. Fade In, Crossroads. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190660178.001.0001.

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Fade In, Crossroads is a history of the relations between southerners and motion pictures from the silent era to midcentury. In providing a narrative of the South’s contributions to the film medium from the late nineteenth century through the golden age of Hollywood, it considers the many southerners who worked as inventors, executives, filmmakers, screenwriters, performers, and critics during this period. It explores early production centers within the South as well as the effects of the migration of millions of black and white southerners beyond the region to such destinations as Los Angeles

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29

Melamed, Daniel R. Listening to the Christmas Oratorio with a Calendar. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190881054.003.0005.

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Johann Sebastian Bach’s Christmas Oratorio has six parts that Bach performed on six days from Christmas to Epiphany. We usually experience it as a unified work, and Bach considered it one, but in some ways, its designation as a single oratorio was more conceptual than real. Our best tool for understanding the Oratorio’s original context might be a calendar. The work’s place in the church year helps us understand its construction and scoring, stimulates our thinking about the independence of its parts, and aids in examining the musical elements that make it a unified work. Despite modern attemp

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30

Hart, D. G. Benjamin Franklin. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198788997.001.0001.

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Benjamin Franklin grew up in a devout Protestant family with limited prospects for wealth and fame. By hard work, limitless curiosity, native intelligence, and luck (what he called “providence”), Franklin became one of Philadelphia’s most prominent leaders, a world-recognized scientist, and the United States’ leading diplomat during the War for Independence. Along the way, Franklin embodied the Protestant ethics and cultural habits he learned and observed as a youth in Puritan Boston. This book follows Franklin’s remarkable career through the lens of the trends and innovations that the Protest

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31

Hornby, Louise. Still Modernism. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190661229.001.0001.

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Still Modernism offers a critique of the modernist imperative to embrace motion, speed, and mobility. In the context of the rise of kinetic technologies and the invention of motion pictures, the book claims that stillness is nonetheless an essential tactic of modernist innovation. More specifically, the book looks at the ways in which photographic stillness emerges as a counterpoint to motion and to film, asserting its own clear visibility against the blur of kinesis. Combining objects and methods from art history, film studies, and literary studies, Louise Hornby reveals how photographers, fi

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32

Richardson, Henry. Articulating the Moral Community. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190247744.001.0001.

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As this highly original work explains, morality is not fixed objectively, independently of all human judgment, nor is it something that we “invent.” Rather, working within zones of objective indeterminacy, the moral community—the community of all persons—has the authority to introduce new moral norms. These further specify the preexisting moral norms, making an objective difference to individuals’ moral rights and duties. The moral community, so-called, could not exercise authority unless it had some structure whereby it could act. Unlike political communities, which are centralized, noninclus

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33

Holt, Frank L. When Money Talks. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197517659.001.0001.

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This book tells the story of numismatics, the study of coins, as part of the larger history of money. It explains why and where coinage was invented and how this monetary revolution spread around the world. By examining sources ranging from Aristotle and the Gospels to modern novels and TV sitcoms, this book highlights how historians, philosophers, poets, and religious leaders have used coinage to investigate, teach, and preach about human societies. It uses new ideas about memes and object agency to ask whether coins can act as though independent of human oversight. It details how numismatist

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34

Resolution Trust Corporation: Status of loans and other assets inventory system : briefing report to congressional requesters. The Office, 1992.

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35

Resolution Trust Corporation: Status of loans and other assets inventory system : briefing report to congressional requesters. The Office, 1992.

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36

Dean, Andrew. Metafiction and the Postwar Novel. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198871408.001.0001.

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This book examines the origins, poetics, and capacities of self-reflexive fiction across the globe after World War II. Focusing on three authors’ careers—J. M. Coetzee, Janet Frame, and Philip Roth—it seeks to circumvent the large-scale theoretical paradigms (such as ‘postmodernism’) that have long been deployed to describe this writing. The book does so by developing new terms for discussing the intimacies of metafictional writing, derived from the writing of Miguel de Cervantes and J. L. Borges. The ‘self of writing’ refers to the figure of the author that a writer may imagine exists indepen

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