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Journal articles on the topic 'Independent Rock Bands'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Davis, John R. "I want something new: Limp Records and the birth of DC punk, 1976‐80." Punk & Post Punk 9, no. 2 (2020): 177–204. http://dx.doi.org/10.1386/punk_00030_1.

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Recountings of the Washington, DC punk rock scene’s history often start with the founding of Dischord Records in 1980 and focus on the subsequent ascent of Dischord co-owner Ian MacKaye’s bands like Minor Threat and Fugazi. As seminal as Dischord remains in the narrative of DC punk ‐ a community still thriving today ‐ the years just prior to the label’s founding generated the scene’s true incunabula. Beginning with the self-released debut EP from the Slickee Boys in 1976, this first wave of DC bands ‐ also including Razz, Nurses, White Boy and others ‐ combined elements of art rock, surf, prot

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Pei, Jie, Li Wang, Ni Huang, Jing Geng, Jianhua Cao, and Zheng Niu. "Analysis of Landsat-8 OLI Imagery for Estimating Exposed Bedrock Fractions in Typical Karst Regions of Southwest China Using a Karst Bare-Rock Index." Remote Sensing 10, no. 9 (2018): 1321. http://dx.doi.org/10.3390/rs10091321.

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Karst rocky desertification (KRD) has become the primary ecoenvironmental problem in the karst regions of southwest China. The rapid and efficient acquisition of exposed bedrock fractions (EBF) is crucial for the monitoring and assessment of KRD degree and distribution within the highly heterogeneous landscapes. Remote-sensing indices provide a useful method for the quick mapping of the EBF at large scales. The currently available rock indices, however, are faced with insensitivity to bedrock change characteristics, which greatly limits their performances and suitability. To address this probl

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Bersani, Andò, Scrocco, et al. "Composition of Amphiboles in the Tremolite–Ferro–Actinolite Series by Raman Spectroscopy." Minerals 9, no. 8 (2019): 491. http://dx.doi.org/10.3390/min9080491.

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Amphiboles are an important family of rock forming minerals, whose identification is crucial in provenance studies as well as in many other fields of geology, archaeology and environmental sciences. This study is aimed to find a quick way to characterize Ca-amphiboles in the tremolite (Ca2Mg5Si8O22(OH)2)–ferro–actinolite (Ca2Fe5Si8O22(OH)2) series. Raman spectroscopy is established as technique to perform non-destructive and quick analysis, with micrometric resolution, able to give the composition in terms of Mg/(Mg + Fe2+) ratio. To exploit the method, a preliminary characterization is perfor

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Breton, André R., Antony W. Diamond, and Stephen W. Kress. "Adult Survival Estimates From Two Atlantic Puffin (Fratercula Arctica) Colonies in The Gulf of Maine." Auk 122, no. 3 (2005): 773–82. http://dx.doi.org/10.1093/auk/122.3.773.

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Abstract We report survival probabilities for 148 breeding adult Atlantic Puffins (Fratercula arctica) monitored through capture-mark-resight at two colonies for 11 years (1992–2003). The colonies, Eastern Egg Rock and Seal Island, are ∼42 km apart in the Gulf of Maine. Support for competing models in the program MARK suggests constant survival of 0.95 ± 0.01 (SE) that is independent of colony. Our high survival probability is consistent with published estimates for Atlantic Puffins and other long-lived seabirds. No time-variance contrasts with many long-term seabird studies, which often repor

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Hsu, Wendy F. "Troubling genre, ethnicity and geopolitics in Taiwanese American independent rock music." Popular Music 32, no. 1 (2013): 91–109. http://dx.doi.org/10.1017/s0261143012000578.

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AbstractThis paper examines the performances of Taiwanese American Jack Hsu and his New Jersey-based progressive erhu-rock band The Hsu-nami, in transnational contexts fraught by ethnonationalism and race. Through an ethnographic approach, this paper highlights the band's depoliticising practice to deflect the geopolitics across the Taiwan Strait. It also discusses how Hsu adapts the musical and gender ideologies in rock music culture to diffuse racial ideologies surrounding his ethnicity and instrument. Finally, an analysis of the band's deployment of cultural diplomacy discusses pragmatic mu

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Jacques, Tatyana de Alencar. "Estilo e autenticidade em bandas de rock de Florianópolis (SC)." Psicologia & Sociedade 20, no. 2 (2008): 208–16. http://dx.doi.org/10.1590/s0102-71822008000200008.

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Partindo de uma etnografia do rock independente da cidade de Florianópolis, SC, este artigo trata das concepções artísticas e visões de mundo dos músicos que integram este universo, tendo como foco a constituição dos estilos de suas bandas e seu processo de composição musical. A elaboração destes estilos age no sentido de configurar um território simbólico demarcado por uma percepção de mundo hedonista, que se opõe à racionalização da sociedade moderna e que é expressa não por um discurso verbal articulado, mas por uma forma específica de criar música.

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Al-Nahmi, F., O. Saddiqi, A. Hilali, et al. "APPLICATION OF REMOTE SENSING IN GEOLOGICAL MAPPING, CASE STUDY Al MAGHRABAH AREA – HAJJAH REGION, YEMEN." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences IV-4/W4 (November 13, 2017): 63–71. http://dx.doi.org/10.5194/isprs-annals-iv-4-w4-63-2017.

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Remote sensing technology plays an important role today in the geological survey, mapping, analysis and interpretation, which provides a unique opportunity to investigate the geological characteristics of the remote areas of the earth's surface without the need to gain access to an area on the ground. The aim of this study is achievement a geological map of the study area. The data utilizes is Sentinel-2 imagery, the processes used in this study, the OIF Optimum Index Factor is a statistic value that can be used to select the optimum combination of three bands in a satellite image. It’s based

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Le Pourhiet, L., B. Huet, P. Agard, L. Labrousse, L. Jolivet, and K. Yao. "Strain localisation in mechanically Layered Rocks, insights from numerical modelling." Solid Earth Discussions 4, no. 2 (2012): 1165–204. http://dx.doi.org/10.5194/sed-4-1165-2012.

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Abstract. Small scale deformation in stratified rocks displays a large diversity of micro-structures, from the microscopic scale to the scale of orogens. We have designed a series of fully dynamic numerical simulations aimed at assessing which parameters control this structural diversity and which underlying mechanisms lead to strain localisation. The influence of stratification orientation on the occurrence and mode of strain localisation is tested by varying the initial dip of inherited layering versus the large scale imposed simple shear. The detailed study of the models indicates that (1)

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Le Pourhiet, L., B. Huet, L. Labrousse, K. Yao, P. Agard, and L. Jolivet. "Strain localisation in mechanically layered rocks beneath detachment zones: insights from numerical modelling." Solid Earth 4, no. 1 (2013): 135–52. http://dx.doi.org/10.5194/se-4-135-2013.

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Abstract. We have designed a series of fully dynamic numerical simulations aimed at assessing how the orientation of mechanical layering in rocks controls the orientation of shear bands and the depth of penetration of strain in the footwall of detachment zones. Two parametric studies are presented. In the first one, the influence of stratification orientation on the occurrence and mode of strain localisation is tested by varying initial dip of inherited layering in the footwall with regard to the orientation of simple shear applied at the rigid boundary simulating a rigid hanging wall, all sca

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10

L'Heureux, Ivan. "Self-organized rhythmic patterns in geochemical systems." Philosophical Transactions of the Royal Society A: Mathematical, Physical and Engineering Sciences 371, no. 2004 (2013): 20120356. http://dx.doi.org/10.1098/rsta.2012.0356.

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Chemical oscillating patterns are ubiquitous in geochemical systems. Although many such patterns result from systematic variations in the external environmental conditions, it is recognized that some patterns are due to intrinsic self-organized processes in a non-equilibrium nonlinear system with positive feedback. In rocks and minerals, periodic precipitation (Liesegang bands) and oscillatory zoning constitute good examples of patterns that can be explained using concepts from nonlinear dynamics. Generally, as the system parameters exceed some threshold values, the steady (time-independent) s

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Pour, A. B., M. Hashim, and Y. Park. "REGIONAL GEOLOGICAL MAPPING IN THE GRAHAM LAND OF ANTARCTIC PENINSULA USING LANDSAT-8 REMOTE SENSING DATA." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-4/W5 (October 16, 2017): 235–38. http://dx.doi.org/10.5194/isprs-archives-xlii-4-w5-235-2017.

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Geological investigations in Antarctica confront many difficulties due to its remoteness and extreme environmental conditions. In this study, the applications of Landsat-8 data were investigated to extract geological information for lithological and alteration mineral mapping in poorly exposed lithologies in inaccessible domains such in Antarctica. The north-eastern Graham Land, Antarctic Peninsula (AP) was selected in this study to conduct a satellite-based remote sensing mapping technique. Continuum Removal (CR) spectral mapping tool and Independent Components Analysis (ICA) were applied to

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12

Jones, Terry D. "Pore fluids and frequency‐dependent wave propagation in rocks." GEOPHYSICS 51, no. 10 (1986): 1939–53. http://dx.doi.org/10.1190/1.1442050.

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Attenuation is the anelastic process which dissipates seismic energy by conversion to heat, thus decreasing the amplitude and modifying the frequency and phase content of a propagating wavelet. Laboratory measurements show seismic phase velocity and attenuation are dependent upon the fluid saturation and the product of frequency and pore‐fluid viscosity, with a peak in attenuation between the seismic and sonic bands. The dominant mechanism by which seismic energy is dissipated in the upper crust is local viscous fluid flow in pores of small aspect ratio. Phenomenologically, this behavior is mo

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Beiranvand Pour, Amin, Yongcheol Park, Laura Crispini, et al. "Mapping Listvenite Occurrences in the Damage Zones of Northern Victoria Land, Antarctica Using ASTER Satellite Remote Sensing Data." Remote Sensing 11, no. 12 (2019): 1408. http://dx.doi.org/10.3390/rs11121408.

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Listvenites normally form during hydrothermal/metasomatic alteration of mafic and ultramafic rocks and represent a key indicator for the occurrence of ore mineralizations in orogenic systems. Hydrothermal/metasomatic alteration mineral assemblages are one of the significant indicators for ore mineralizations in the damage zones of major tectonic boundaries, which can be detected using multispectral satellite remote sensing data. In this research, Advanced Spaceborne Thermal Emission and Reflection Radiometer (ASTER) multispectral remote sensing data were used to detect listvenite occurrences a

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14

Mansouri, Edris, Faranak Feizi, Alireza Jafari Rad, and Mehran Arian. "Remote-sensing data processing with the multivariate regression analysis method for iron mineral resource potential mapping: a case study in the Sarvian area, central Iran." Solid Earth 9, no. 2 (2018): 373–84. http://dx.doi.org/10.5194/se-9-373-2018.

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Abstract. This paper uses multivariate regression to create a mathematical model for iron skarn exploration in the Sarvian area, central Iran, using multivariate regression for mineral prospectivity mapping (MPM). The main target of this paper is to apply multivariate regression analysis (as an MPM method) to map iron outcrops in the northeastern part of the study area in order to discover new iron deposits in other parts of the study area. Two types of multivariate regression models using two linear equations were employed to discover new mineral deposits. This method is one of the reliable m

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15

Minder, Justin R., Theodore W. Letcher, and Changhai Liu. "The Character and Causes of Elevation-Dependent Warming in High-Resolution Simulations of Rocky Mountain Climate Change." Journal of Climate 31, no. 6 (2018): 2093–113. http://dx.doi.org/10.1175/jcli-d-17-0321.1.

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The character and causes of elevation-dependent warming (EDW) of surface temperatures are examined in a suite of high-resolution ([Formula: see text] km) regional climate model (RCM) simulations of climate change over the Rocky Mountains using the Weather Research and Forecasting Model. A clear EDW signal is found over the region, with warming enhanced in certain elevation bands by as much as 2°C. During some months warming maximizes at middle elevations, whereas during others it increases monotonically with elevation or is nearly independent of elevation. Simulated EDW is primarily caused by

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16

Herbst, Jan-Peter. "The Recording Industry as the Enemy? A Case Study of Early West German Metal Music." International Journal of the Sociology of Leisure, September 22, 2021. http://dx.doi.org/10.1007/s41978-021-00098-z.

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AbstractRock and metal music have a complex relationship with the entertainment industries. They rely on commodified products but are also cautious towards the capitalist system with its instrumentalist mechanisms. This article examines early metal music from West Germany in the 1980s with its rock precursors in the 1970s to shed light on the music industry’s positive side other than the commonly portrayed enemy or villain image. Using journalistic sources, including magazines, biographies, documentaries, besides the music release database Discogs, the research reconstructs the independent rec

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17

Jeziński, Marek, and Łukasz Wojtkowski. "To Grunge or Not to Grunge on the Periphery? The Polish Grunge Scene of the 1990s and the Assimilation of Cultural Patterns." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1479.

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Introduction – Polish GrungeThe main objective of this article is to examine the grunge scene of the 1990s in Poland in the context of acculturation and assimilation processes. Polish grunge was, on the one hand, the expression of trends that were observable in music industry since the late 1980s. On the other hand, it was symptomatic of a rapid systemic transformation. Youth culture was open for the diffusion of cultural patterns and was ready to adopt certain patterns from the West.Thus, we suggest that the local grunge scene was completely modelled on the American one: the flow of cultural

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18

Costa, Artur Mendes, Marcos Vinícius de Freitas Reis, and Glaucia Maria Tinoco Barbosa. "Underground em Macapá: a construção de uma via alternativa para as produções de rock independente." Cadernos de Pesquisa do CDHIS 31, no. 1 (2018). http://dx.doi.org/10.14393/cdhis.v31n1.2018.46272.

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O surgimento dos "Movimentos Undergrounds" é em fenômeno social quevem crescendo, principalmente desde meados da primeira década do séculoXXI, proporcionado pelo avanço tecnológico dos aparelhos de reproduçãosonora e da internet. Diante disso, torna-se possível que os seus músicosreajam a um mercado que antes era exclusivo para os selecionados daIndústria Fonográfica, isto é, os artistas Pop's. Assim, o objetivo desteartigo é divulgar os resultados da pesquisa realizada em Macapá- AP entre2014 a 2016 que analisa essa nova dinâmica de divulgação de trabalhomusicais independentes refletidos nos

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Brabazon, Tara, and Stephen Mallinder. "Off World Sounds: Building a Collaborative Soundscape." M/C Journal 9, no. 2 (2006). http://dx.doi.org/10.5204/mcj.2617.

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There are many ways to construct, shape and frame a history of popular music. From a focus on performers to a stress on cities, from theories of modernity to reveling in ‘the post,’ innovative music has been matched by evocative writing about it. One arc of analysis in popular music studies focuses on the record label. Much has been written about Sun, Motown, Factory and Apple, but there are many labels that have not reached this level of notoriety and fame but offer much to our contemporary understanding of music, identity and capitalism. The aim of this article is to capture an underwritten

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Dawson, Andrew. "Reality to Dream: Western Pop in Eastern Avant-Garde (Re-)Presentations of Socialism's End – the Case of Laibach." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1478.

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Introduction: Socialism – from Eternal Reality to Passing DreamThe Year of Revolutions in 1989 presaged the end of the Cold War. For many people, it must have felt like the end of the Twentieth Century, and the 1990s a period of waiting for the Millennium. However, the 1990s was, in fact, a period of profound transformation in the post-Socialist world.In early representations of Socialism’s end, a dominant narrative was that of collapse. Dramatic events, such as the dismantling of the Berlin Wall in Germany enabled representation of the end as an unexpected moment. Senses of unexpectedness res

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21

Bauder, Amy. "Keeping It Real? Authenticity, Commercialisation and Family in Australian Country Music." M/C Journal 18, no. 1 (2015). http://dx.doi.org/10.5204/mcj.939.

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Getting the Family Together: A Fieldwork Account The final gig of Bob Corbett and the Roo Grass Band’s 2013 tour is a hometown show at New Lambton Community Hall in Newcastle on the coast of New South Wales, Australia. The tour had already covered Newcastle and surrounds at various locations within 50 to 100km of the Newcastle CBD. In addition to lead singer and guitarist Bob Corbett, there are three main members of the Roo Grass Band, Sue Carson on fiddle and mandolin, Dave Carter on banjo, bass and bagpipes and Robbie Long on guitar, mandolin and bass. I enter the building and at the top of

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Jones, Steve. "Seeing Sound, Hearing Image." M/C Journal 2, no. 4 (1999). http://dx.doi.org/10.5204/mcj.1763.

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“As the old technologies become automatic and invisible, we find ourselves more concerned with fighting or embracing what’s new”—Dennis Baron, From Pencils to Pixels: The Stage of Literacy Technologies Popular music is firmly rooted within realist practice, or what has been called the "culture of authenticity" associated with modernism. As Lawrence Grossberg notes, the accelleration of the rate of change in modern life caused, in post-war youth culture, an identity crisis or "lived contradiction" that gave rock (particularly) and popular music (generally) a peculiar position in regard to notio

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Hoad, Catherine, and Samuel Whiting. "True Kvlt? The Cultural Capital of “Nordicness” in Extreme Metal." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1319.

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IntroductionThe “North” is given explicitly “Nordic” value in extreme metal, as a vehicle for narratives of identity, nationalism and ideology. However, we also contend that “Nordicness” is articulated in diverse and contradictory ways in extreme metal contexts. We examine Nordicness in three key iterations: firstly, Nordicness as a brand tied to extremity and “authenticity”; secondly, Nordicness as an expression of exclusory ethnic belonging and ancestry; and thirdly, Nordicness as an imagined community of liberal democracy.In situating Nordicness across these iterations, we call into focus h

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Nairn, Angelique. "Chasing Dreams, Finding Nightmares: Exploring the Creative Limits of the Music Career." M/C Journal 23, no. 1 (2020). http://dx.doi.org/10.5204/mcj.1624.

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In the 2019 documentary Chasing Happiness, recording artist/musician Joe Jonas tells audiences that the band was “living the dream”. Similarly, in the 2012 documentary Artifact, lead singer Jared Leto remarks that at the height of Thirty Seconds to Mars’s success, they “were living the dream”. However, for both the Jonas Brothers and Thirty Seconds to Mars, their experiences of the music industry (much like other commercially successful recording artists) soon transformed into nightmares. Similar to other commercially successful recording artists, the Jonas Brothers and Thirty Seconds to Mars,

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