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Dissertations / Theses on the topic 'India Artists'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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1

Apte, Savita. "Unchallenged dichotomies : modernism and the Progressive Group in India." Thesis, SOAS, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504469.

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2

Maheshwari, Malvika. "Violent regulation and artists in India : the transformation of freedom of expression." Paris, Institut d'études politiques, 2011. http://www.theses.fr/2011IEPP0028.

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L'article 19 de la Constitution indienne garantit à tout citoyen le droit à la liberté d'expression. Cet article fut adopté en 1950 afin de poser les bases d'une démocratie laïque. Néanmoins, son interprétation connut d'importants changements à partir des années 1980 et des années 1990 lorsque les artistes et les œuvres d'art eurent à subir des violences continuelles. Cette thèse examine comment la liberté d'expression des artistes fut diversement interprété et comment elle fut régulé depuis les années 1950. Nous analysons ces évolutions en travaillant sur les rôles qu'on joués les instances d
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3

McLerran, Jennifer. "Inventing "Indian art" : New Deal Indian policy and the native artists as "natural" resource /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/6226.

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4

Kuizon, Jaclyn. "Fine Art and Clandestine Identity: American Indian Artists in the Contemporary Art Market." W&M ScholarWorks, 2011. https://scholarworks.wm.edu/etd/1539626648.

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5

Lysyk, Linda Marie. "Native art and school curriculum : Saskatchewan Aboriginal artists' perspectives." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/30166.

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This study presents Aboriginal artists' perspectives on the study of Native art in the school curriculum. The case study is a naturalistic inquiry that employs ethnographic techniques to interview nine Saskatchewan artists, five females and four males. Overall, the artists agree on having Native art content in school programs, especially for Native students. All the artists believe that Aboriginal peoples should be involved in the definition and presentation of their art in the school curriculum. The artists show that content, and materials, may or may not be traditional. The artists prefer
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6

Shope, Suzanne Alene. "American Indian artist, Angel Decora aesthetics, power, and transcultural pedagogy in the progressive era /." Diss., [Missoula, Mont.] : University of Montana, 2009. http://etd.lib.umt.edu/theses/available/etd-10132009-112300.

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7

Bidnall, Amanda M. ""The Birth pangs of a new nation": West Indian artists in London, 1945-1965." Thesis, Boston College, 2010. http://hdl.handle.net/2345/bc-ir:104400.

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Thesis advisor: Peter Weiler<br>This dissertation examines the careers and cultural productions of West Indian artists and entertainers working in London between 1945 and 1965, a period of large-scale West Indian migration to Britain. It argues that these artists espoused a collective cultural politics that was both ethnically aware and actively integrationist. Their work emphasized the historic cultural ties between the "mother country" and the Caribbean colonies, but did so in an effort to challenge prevailing media depictions of New Commonwealth migration as an unwanted foreign deluge. As a
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8

Tibbles, Kelsey Rose. "Exploring notions of cultural hybridity in contemporary American Indian art : Rick Bartow, a case study /." Connect to title online (Scholars' Bank), 2008. http://hdl.handle.net/1794/8085.

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9

Guha-Thakurta, Tapati. "Art, artists and aesthetics in Bengal, c.1850-1920 : westernising trends and nationalist concerns in the making of a new 'Indian' art." Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.352933.

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10

Emani, Sriram. "Application of bi-directional ICT channels to increase livelihoods for artisans in rural India." Thesis, Massachusetts Institute of Technology, 2013. http://hdl.handle.net/1721.1/90068.

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Thesis: M.B.A., Massachusetts Institute of Technology, Sloan School of Management, June 2014.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (page 29).<br>The handicraft industry is the second largest employer in rural India after agriculture, and has been the fastest-growing export growth sector since India's liberalization in 1991. Today, however, millions of artisans face a lack of infrastructure, stagnation and mis-alignment with a rapidly changing market, intense competition, decline of the natural materials on which they depend, and the lack of the inform
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11

Metze, Stefanie. "An imperial enlightenment? : notions of India and the literati of Edinburgh, 1723-1791." Thesis, University of Aberdeen, 2011. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=179528.

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This dissertation highlights the influence of the extension of Empire in India on Enlightenment in Scotland. It argues, consistently, that an ever increasing contact with the Eastern parts of Empire over the eighteenth century created productive tensions between the personal, material and intellectual worlds of the Edinburgh literati. Scottish thinkers stood in close contact to one another and congregated in the Select Society and the Poker Club. Beyond the domestic boundaries, they had practical and personal interests in contemporary events in the East Indies. All had relatives or acquaintanc
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12

Banerji, Debashish. "Locating Abanindranath Tagore local, national and transnational concerns in a turn-of-the-century Indian artist /." Diss., Restricted to subscribing institutions, 2005. http://proquest.umi.com/pqdweb?did=1144180611&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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13

Strid, Josefin. "Globalising Local Craft : enhancing collaboration between Indian rural artisans and Swedish IKEA designers." Thesis, Konstfack, Industridesign, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5906.

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The aim of this project is to further enable emancipation of Indian craftswomen through the use of an alternative co-design process. As a designer working with textiles and fashion I was interested to explore how I could positively impact the production process of textiles. I spent five weeks in India, with the intent to understand the stakeholders and the project, but mainly focused on the Indian craftswomen’s involvement. The design research has been an iterative process based on qualitative research consisting of interactive partner visits, observations, conversations and workshops. Startin
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14

Bergdahl, Becky. "Yo ban? Rape rap and limits of free speech in India : An argument analysis of the debate about banning the artist Honey Singh." Thesis, Uppsala universitet, Teologiska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-200874.

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This thesis consists of an argument analysis of three columns published in the Indian newspaper The Indian Express in the aftermath of the gangrape and murder of a young woman in Delhi in December 2012, and the following debate about glorification of rape in Indian popular culture. One of the columnists is arguing in favour of including gender as a category in the Indian law on hate speech, thereby banning an artist called Honey Singh and his lyrics about rape. The two other columnists are arguing against new restrictions on free speech in India. The analysis of the columns shows that there ar
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15

Griffin, Joanna Mary. "Experience and viewpoints in the social domain of space technology." Thesis, University of Plymouth, 2014. http://hdl.handle.net/10026.1/3084.

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This thesis is about how space technology is experienced in the social domain and how its purpose is recast from different viewpoints. The author is an artist and the approach taken foregrounds qualities of experience and viewpoint in which artists have a particular investment. This approach opens up the ways that affect, agency and authorship cross social domains that are directly and indirectly associated with the production of space technologies. A key focus is a group project led by the author that was initiated in response to the launch in October 2008 of the Chandrayaan-1 spacecraft by t
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16

Maurice, Roland. "The otherings of Miss Chief : Kent Monkman's Portrait of the artist as hunter /." Address to access a reproduction of the painting on the Kent Monkman website (viewed Feb. 14, 2010), 2007. http://kentmonkman.com/works.php?page=painting&start=38.

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17

Barnd, Natchee Blu. "Inhabiting Indianness : US colonialism and indigenous geographies /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3307536.

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Thesis (Ph. D.)--University of California, San Diego, 2008.<br>Title from first page of PDF file (viewed July 23, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 214-232).
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18

Åström, Gustav. "Resan mot Sydneys operahus alternativt chips, öl och spela rock : En kvalitativ studie om hur aspirerande artister beskriver sina drömmar med musiken." Thesis, Högskolan Dalarna, Ljud- och musikproduktion, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27284.

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Som aspirerande artist är det ett nålsöga att infria sina drömmar med musiken, många försöker men desto färre lyckas. Syftet med denna kvalitativa studie är att undersöka hur aspirerande artister beskriver sina drömmar med musiken. Studien ämnar dessutom besvara huruvida genretillhörighet upplevs korrelera med hur drömmarna beskrivs. För undersökningen har åtta aspirerande artister intervjuats där hälften är pop-artister medan andra halvan består av alternativa artister (punk och indie). Forskningsresultatet visar att pop-artisterna i regel beskriver större drömmar än de alternativa artisterna
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19

Gaston, Anne-Marie. "Continuity and recreation in the performing arts of India - a study of two artistic traditions : part I, the makers of modern Bharata Natyam; part II, the musicians of Nathdvara." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315832.

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20

Priante, Wagner Penedo [UNESP]. "A cerâmica dos Tapajó e o desejo de formas: estudo de peças cerâmicas arqueológicas mirando potências criativas." Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/140279.

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Submitted by WAGNER PENEDO PRIANTE null (wagnerpriante@gmail.com) on 2016-06-30T17:23:42Z No. of bitstreams: 1 Wagner Penedo Priante - Dissertação Mestrado - Unesp-IA.pdf: 24482645 bytes, checksum: a04d26709c7d47ae1c3253b2bb09dd3c (MD5)<br>Approved for entry into archive by Ana Paula Grisoto (grisotoana@reitoria.unesp.br) on 2016-07-04T17:46:24Z (GMT) No. of bitstreams: 1 priante_wp_me_ia.pdf: 24482645 bytes, checksum: a04d26709c7d47ae1c3253b2bb09dd3c (MD5)<br>Made available in DSpace on 2016-07-04T17:46:24Z (GMT). No. of bitstreams: 1 priante_wp_me_ia.pdf: 24482645 bytes, checksum: a04
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21

Imbert, Isabelle. "La peinture de fleurs persane et indienne de la période moderne (XVIe-XVIIIe siècles)." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040170.

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Le présent travail porte sur les peintures de fleurs produites en Iran et en Inde entre le XVIe et le XVIIIe siècles et destinées à être montées dans des albums alliant peintures et calligraphies. Cette étude s'organise autour de trois axes de recherche. En premier lieu, l'étude de l'évolution des pratiques picturales au sein des ateliers de peinture, ainsi que la mise en évidence des différences formelles entre les centres de production. La taxonomie des peintures de fleurs a permis de mettre en évidence certains régionalismes, mais également des modes de représentation partagés entre l'Iran
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22

Sevilla, Seguí Clara María. "Forma y Consciencia: Fundamentos para una Teoría Yántrica del Dibujo." Doctoral thesis, Universitat Politècnica de València, 2016. http://hdl.handle.net/10251/63259.

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[EN] This PhD in Fine Arts is the introduction to a Yantric Theory of Drawing as a result of researching plastic forms from the universal principles present in perceptive reality. Based on the yantra as an active element in the drawing of a integral mandalic vision, Drawing re-presents a vision of the world based on aesthetic distance, in which the sum and multiplication of all the parts is contemplated from one point of view, a naked eye. This perspective is transdimensional, whereby co-creative man is capable of making his own vision real, enjoying the aesthetic experience through the practi
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23

Veloupoulé, Aurélie. "Les mouvements de la "Réforme de la Vie" au contact de la culture et des traditions corporelles indiennes." Thesis, La Réunion, 2017. http://www.theses.fr/2017LARE0043.

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Dès la fin du XIXe siècle, la Lebensreform (« réforme de vie ») recouvre trois aspects qui sont la modernité (ère industrielle), la crise des valeurs et l'émergence de nouvelles pratiques artistiques, culturelles et sociales dans les pays de l'espace germanophone. La Lebensreform est une réponse aux ruptures de la modernité ; de nouvelles formes de vie collectives voient le jour. Les espaces d'accueil fondent leur propre mode de vie autour du programme d'une réconciliation avec la nature, en adoptant plusieurs réformes de la vie. Parallèlement, l'Inde artistique et spirituelle évolue et influe
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24

Bouvet, Phaedra. "Interactions culturelles entre l’Asie du Sud-Est et l’Inde aux 4e-2e s. av. J.-C. : étude technologique des céramiques de Khao Sam Kaeo (Thaïlande péninsulaire, province de Chumphon)." Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100087/document.

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Longtemps, l’indianisation a été considérée comme un phénomène historique de transfert d’éléments artistiques, politiques et religieux de l’Inde vers l’Asie du Sud-Est. Or, de plus en plus, la protohistoire de l’Asie du Sud-Est apparaît comme une période clef du processus d’acculturation. C’est ce que suggère l’interprétation sociale des transferts techno-morpho-stylistiques d’origine indienne identifiés au sein de l’assemblage céramique de Khao Sam Kaeo. En effet, elle conduit à penser que le passage de traits culturels indiens a résulté d’une assimilation sélective de la part des autochtones
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25

Pillay, Thavamani. "The artistic practices of contemporary South African Indian women artists : how race, class and gender affect the making of visual art." Diss., 2014. http://hdl.handle.net/10500/18736.

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In view of the scarcity of Indian women in the South African art field, this study investigates how issues of race, class and gender can affect the decision to become and sustain a career as a professional artist. By exploring the historical background of the Indian community and their patriarchal mind set it becomes clear that women's roles in this community have always been prescribed by tradition and cultural values, despite western influence. Moreover the legacy of apartheid created a situation in which black artists, especially women. have not always benefitted in terms of career opportu
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26

Wang, Yi-Jen, and 王怡人. "A Case Study of Indie Graphic Artist." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/49010578241109533851.

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碩士<br>國立中央大學<br>資訊管理學系<br>104<br>With the fierce growth of Internet and Entertainment industry, through connection of Internet and common language, any art requirement of any company can be done by any artist anywhere on earth. Also, through the Internet, artists’ personal work can be sold without the need of mediums, and publishers; Crowdfunding sites also help artists get financial support directly for their continuous creating. However it’s also the Internet helped knowledge and know-how spreading, and the price down of creating devices (pen tablet and art software), anyone can claim themse
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27

Chung, Jina. "Rembrandt redefined : making the “global artist" in seventeenth-century Amsterdam." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-3570.

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Rembrandt’s two dozen copies of Mughal paintings that he created between the years 1654 and 1660, remains an obscure collection of drawings within the artist’s extensive body of work. In the scholarship, these drawings are usually framed as his interest in costumes and gestures. This interpretation, however, does not fully take into account Rembrandt’s sensitivity towards cultural and religious tolerance, as exhibited in all aspects of his artistic practice. Prior to his Mughal drawings, Rembrandt already exhibited a curiosity for foreign peoples and places. As a resident of Amsterdam, the glo
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28

Layton, Myrna June. "Illusion and reality : playback singers of Bollywood and Hollywood." Thesis, 2014. http://hdl.handle.net/10500/13240.

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Text in English<br>India’s film production industry, referred to commonly as Bollywood, and the film production industry of America, referred to as Hollywood, have created a large number of musical films since sound was introduced into motion pictures. Both create fictional stories—illusions, if you will—through the use of prerecorded sound and playback technology coupled with lip-synching interpolated onto filmed images. While studies exist that treat the music of both production centres, there is very little research that compares both, and very little research on playback singers. Playback
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29

Berry, Alexandra Michele. "Becoming affected with artistic memoir: entanglements with arts-based education in India." Thesis, 2017. http://hdl.handle.net/1828/8021.

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Drawing loosely on feminist and post-human notions of learning as an “untamed” and “more-than-multiple” experience (Deleuze & Guattari, 1987, p. 154), I play with the use of Artistic Memoir as a method to explore my affectual experiences (Braidotti, 2002; Springgay, 2008) as a British Columbian, school-based Child and Youth Counsellor working as a visitor in the context of a shanti-school in Goa, India. Well practiced in traditionally Western paradigms of education, my intention is to move beyond my familiar understandings of what it means to be educated in North America to heighten awareness
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30

Cadge, Catie Anne. "Paradigms of collecting from ethnography to documenting the individual artists: Grace Nicholson and the art history of Native Nortwestern California basketry during the Arts and Crafts period, 1880-1930." Thesis, 2000. https://dspace.library.uvic.ca//handle/1828/9419.

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During the Arts and Crafts period, from about 1880 to 1930, popular perceptions of Native Americans and their basketry emphasized pristine cultures prior to the effects of contact with Europeans. Pasadena basketry collector and dealer Grace Nicholson used an ethnographic approach, along with mass-marketing, when selling Native Northwestern California baskets in order to cater to Arts and Crafts period collectors' expectations of traditional Indian baskets. In addition, Nicholson expanded her collecting methods to include documenting individual weavers in the field, though she rarely used this
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31

Cruz, Maria Elena active 2013. "Wixárika art and artists : resisting neocolonialism while crossing visible and invisible borders." 2013. http://hdl.handle.net/2152/21627.

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My dissertation, Wixárika Art and Artists: Resisting Neocolonialism While Crossing Visible and Invisible Borders is an ethnographic study of the Wixáritari who have lived in the region of Northern Central Mexico known as El Gran Nayar or the Sierra Madre Occidental, with a specific focus on the Wixáritari who live in Huejuquilla el Alto, Guadalajara, and Zacatecas, Mexico. This dissertation examines the legal, cultural and historical influences as well as the sociopolitical and economic circumstances that have pushed Wixárika (Huichol) art and artists out of their original homeland in Mexi
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32

Helweg, Priya Anne. ""Why shouldn’t we live in technicolor like everybody else..."¹ evolving traditions : Professional Northwest coast First Nations women artists." Thesis, 1995. http://hdl.handle.net/2429/3570.

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In this study I interviewed fourteen professional, First Nations women artists who work predominantly in the so-called men's style of Northwest Coast art. I conclude that these artists challenge the rigid dichotomy set forth in the literature between men's and women's art by successfully working as carvers and designers in the formline style.
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33

Miller, Lorrie. "Learning to be proud : First Nations women’s stories of learning, teaching, art and culture." Thesis, 1995. http://hdl.handle.net/2429/4323.

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Six First Nations women artists tell their stories about learning their art and culture. Previous research has paid little attention to the learning experiences of First Nation women artists. Ethnographic research methods were used in this qualitative study. Field research included video and audio recorded intensive open-ended interviews with three Coastal Salish women from Sechelt, British Columbia, and three Cree women from Pukatawagan, Manitoba, as they tel l how essential learning and teaching, art and culture are to them, their children and their communities. This stud
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34

Basole, Amit. "Knowledge, gender, and production relations in India's informal economy." 2012. https://scholarworks.umass.edu/dissertations/AAI3498329.

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In this study I explore two understudied aspects of India's informal economy, viz. the institutions that sustain informal knowledge, and gender disparities among self-employed workers using a combination of primary survey and interview methods as well as econometric estimation. The data used in the study come from the Indian National Sample Survey (NSS) as well as from fieldwork conducted in the city of Banaras (Varanasi) in North India. The vast majority of the Indian work-force is "uneducated" from a conventional point of view. Even when they have received some schooling, formal education ra
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35

"Brummett Echohawk: Chaticks-si-chaticks." Doctoral diss., 2012. http://hdl.handle.net/2286/R.I.15821.

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abstract: There exists a significant overlap between American Indian history and American history, yet historians often treat the two separately. The intersection has grown over time, increasingly so in the 20th and 21st centuries. Over time a process of syncretism has taken place wherein American Indians have been able to take their tribal histories and heritage and merge them with the elements of the dominant culture as they see fit. Many American Indians have found that they are able to use their cultural heritage to educate others using mainstream methods. Brummett Echohawk, a Pawnee India
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Chen, Lee-jane, and 陳莉榛. "The Artistic Style and Iconographical Characteristics of the Great Departure as Illustrated in Early Indian Buddhist Art: A Comparative Study with the Texts Concerning the Biography of the Buddha." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/91824521753162355796.

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37

Brulotte, Ronda Lynn. "Revealing artifacts: prehispanic replicas in a Oaxacan woodcarving town." Thesis, 2006. http://hdl.handle.net/2152/2820.

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