Academic literature on the topic 'India in art'

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Journal articles on the topic "India in art"

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Dizaji, Farzaneh Maleki. "The Indian Tribal Art Market." Journal of Social and Development Sciences 7, no. 4(S) (2017): 23–28. http://dx.doi.org/10.22610/jsds.v7i4(s).1501.

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Abstract: In the study of art market of Indian tribal, creativeeconomy, cultural economy effect on consumer behavior, governmentprotection, changes of cultural believes and religion by tribal for increasing market, art economic etc. has been considered. In Indian tribal art economics, creative imagination coming from their culture, believes, religions etc. So it becomes more sensitive and restricted. The Field work was conducted in Bhopal (IGRMS), Madhya Pradesh, India. Data collection was performed by qualitative informal depth interview and quantitative data by questionnaire. Tools and techn
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Thakur, Meenakshi. "MITHILA- A GLOBALIZED ART FORM." International Journal of Research -GRANTHAALAYAH 5, no. 2 (2017): 208–12. http://dx.doi.org/10.29121/granthaalayah.v5.i2.2017.1725.

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India has long been a focal point of art. From the traditional to the contemporary, India is fast developing itself as a key destination for those who love art. India is marked by its rich traditional heritage of Tribal/Folk Arts and Culture. Since the days of remote past, the diversified art and cultural forms generated by the tribal and rural people of India have continued to evince their creative magnificence. Apart from their outstanding brilliance from the perspective of aesthetics, the tribal/folk art and culture forms have played an instrumental role in reinforcing national integrity, c
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Kumar, Vinay. "Fine Art Pedagogy in India And Impact of New Media Art." Paripex - Indian Journal Of Research 3, no. 1 (2012): 80–82. http://dx.doi.org/10.15373/22501991/jan2014/23.

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GUY, JOHN. "THE ART OF INDIA." Art Book 1, no. 2 (1994): 8. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00005.x.

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der Wateren, Jan van. "The National Art Library and the Indian Collections of the Victoria & Albert Museum, London." Art Libraries Journal 18, no. 2 (1993): 20–25. http://dx.doi.org/10.1017/s0307472200008300.

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The V&A Museum possesses the largest collection of Indian art outside the Indian sub-continent, dating from the acquisition of items from the Great Exhibition and of collections acquired by the Honourable East India Company. The Nehru Gallery of Indian Art, which opened in 1990, enabled a great deal of this material to be displayed. The Indian Collection is served by its own small research library, the records of which are currently being incorporated in the catalogue of the National Art Library at the Museum, while the National Art Library itself provides scholarly material on Indian art,
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Aaftab, Mohsina. "INSTALLATION ART IN INDIA: CONCEPTS AND ROOTS." International Journal of Research -GRANTHAALAYAH 4, no. 10 (2016): 16–20. http://dx.doi.org/10.29121/granthaalayah.v4.i10.2016.2483.

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Present study focuses on the new media Installation Art in India, its present scenario, and backgrounds. Essentially installation art has taken its heritage from conceptual art, which came into prominence in 1970s, when the concept or idea was prominent – when an artist uses a conceptual form of art which means that all of the arrangement and conclusion are made previously and the implementation is an obligatory concern. So, spontaneously idea became a machine that makes the art. An idea suddenly pops in his mind and he just implemented it, in his very own way. This kind of art does not narrow
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Gule, Ganesh Gorakhnath, and Saroj Kumar Sarkar. "Reframing of Ethics and Aesthetic Values of Rasasidhanta in the Contemporary Indian Art." ECS Transactions 107, no. 1 (2022): 7841–51. http://dx.doi.org/10.1149/10701.7841ecst.

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Natyashastra has discussed about drama as an art and it has a relation with other six classical art of India. Since ancient times to the present, Rasasiddhanta helps to develop aesthetical views with nine emotions in Indian art. (Ghosh Manomohan, 2002). It is observed that Indian art is less realistic but having more emotions. Under the influence of Western art, it moves from surrealism to abstract expressionism art. It is interesting to see how the implementation or reframing of these ethics and aesthetical judgments can work on the contemporary art of India(1). Conclusions and implications o
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Saba, Rafi, and Furqan Ahmad. "INTERDISCIPLINARY ART PRACTICES IN INDIA." International Journal of Research -GRANTHAALAYAH 4, no. 8 (2016): 168–75. http://dx.doi.org/10.29121/granthaalayah.v4.i8.2016.2576.

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Today in this fastest changing world of science, technology, inventions and information technology, every field is connected to one another in some way. Science technology and innovations are affecting almost all the facets of life and disciplines of knowledge hence art is not the exception. Today art is not limited to the paint and canvases instead it has different aspects. This study was conducted, referring to the changes in the art practices and examines some recent developments in contemporary Indian Arts. Interdisciplinary means combining, connecting or involving two or more academic, sc
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Cullen, Fintan. "India in art in Ireland." Journal of Visual Art Practice 17, no. 2-3 (2017): 234–36. http://dx.doi.org/10.1080/14702029.2017.1366694.

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Prakash Kumar, Om, and Amit Soni. "Representation of Indian Tribal Art and Heritage in Indian Museums: An Overview with Reference to Central India." Indian Journal of Research in Anthropology 7, no. 2 (2021): 71–79. http://dx.doi.org/10.21088/ijra.2454.9118.7221.7.

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Museums may apply intangible heritage to improve their visitors have a better grasp of the subject matter. Museums may bridge the gap between themselves and their non-visitors with the aid of physical and intangible cultural assets, respectively. Identifying, documenting, and representing intangible components of a museum's collections is essential for this purpose. Museums may encourage towns, organizations, and people to conserve their intangible cultural heritage by displaying it in their permanent collections. With local communities' assistance, museums may regularly organize exhibitions a
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Dissertations / Theses on the topic "India in art"

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Bernardini, Elena. "Interrogating installation art from India." Thesis, SOAS, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.664613.

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Chaplain, Josefina. "Gendered visions postcolonial Indian art." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31223928.

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Ramaswami, Siri. "Dance sculpture as a visual motif of the sacred and the secular: a comparative study of the BelurCennakesava and the Halebidu Hoysalesvara temples." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31240926.

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Wakankar, Vishnu Shridhar. "Painted rock shelters of India /." Bhopal : Directorate of Archaeology, Archives, and Museums, Govt. of Madhya Pradesh, 2005. http://catalogue.bnf.fr/ark:/12148/cb41099869t.

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Singh, Devika. "Modern India and the Mughal past : receptions, representations and the writing of Indian art history, 1920s-1960s." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648374.

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Fowler-Smith, Penelope Jane Art College of Fine Arts UNSW. "Peacock pilgrimage: an ode to India." Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/41230.

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The project entitled PEACOCK PILGRIMAGE comprises two components: the screenplay for a feature film, entitled Peacock Angel, and an exegesis, which explores the underlying influences on the screenplay. Peacock Angel is the story of a young girl, Deva, who grew up in India with a fascination for peacocks, especially the fictional peacock angel. After a time of isolation as a teenager in the West, she returns to India to reconcile with a tragic past and reconnect with her true longings. India is the place that mends her wounded heart. Within the symbolic realms of the screenplay Deva, as the cen
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Williamson, Daniel. "Modern Architecture and Capitalist Patronage in Ahmedabad, India 1947-1969." Thesis, New York University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10025620.

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<p> This dissertation examines the architectural patronage of a small cadre of industrialists, textile millowners, who controlled the city of Ahmedabad, India economically and politically between Indian independence in 1947 and 1968, the year communal riots shattered that city's self-image. It examines the role modern architecture played for these elites in projecting Ahmedabad as a modern, cosmopolitan city, though one steeped in a unique history and culture. On the one hand, modern architecture was used to promote the city as a node in the global network of capital and industry that develope
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Sridhar, Devi. "The art of the bank : nutrition policy and practice in India." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439319.

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Shirsalkar, Rucha. "An Exploration of Art Therapy with Street Children in Mumbai, India." Digital Commons at Loyola Marymount University and Loyola Law School, 2012. https://digitalcommons.lmu.edu/etd/104.

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This research project explores the work done by professionals who work with street children in Mumbai, India, and their perceptions of how art therapy could benefit this population. Ten organizations that serve street children in Mumbai, India participated in a qualitative interview and survey that aimed to gather information and explore the specific needs, psychological issues, and services provided to street children in Mumbai, India. The link between the surveys and the interviews strongly suggest an interest and desire from professionals to learn more about art therapy, and in corporate th
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Banerjee, Ruman. "Rock art of Central India : new discoveries, documentation, analysis and interpretation." Thesis, University of Bristol, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687451.

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This work investigates three key issues in Central Indian rock art research. The first is the question of chronology. How old is this art? I deployed state of the art dating techniques, namely V-series and screening methods, to assign an absolute chronology to the rock art of Central India, with special reference to Mirzapur and Rewa. Apart from absolute ages, the possibilities of relative dating techniques have also been explored, taking into consideration the techniques of superimposition and colour scheme. A case study has been included to support my hypothesis complementary to the existing
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Books on the topic "India in art"

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Indian art. Oxford University Press, 2001.

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Albanese, Marilia. Divina India =: Sacred India. BE-MA Editrice, 1990.

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Art of India. Parkstone Press International, 2011.

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Baman, Parida, ed. Art and art libraries of India. Eastern Book Linkers, 2006.

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Metropolitan Museum of Art (New York, N.Y.), ed. India: Art and culture, 1300-1900. Metropolitan Museum of Art, 1985.

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Welch, Stuart Cary. India: Art and culture, 1300-1900. Metropolitan Museum of Art, 1993.

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Bindu, Gude Tushara, Alam Muzaffar, Los Angeles County Museum of Art, and Musée Guimet (Paris France), eds. India's fabled city: The art of courtly Lucknow. Los Angeles County Museum of Art, 2010.

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Winata, Kalim. Made in India. Chronicle Books, 2008.

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Artoholic's Gallery (New Delhi, India). Art vision. Artoholic's Gallery, 2009.

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Geel, Catherine. 100% India. Chronicle Books, 2005.

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Book chapters on the topic "India in art"

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Chakravarty, B. N., and S. Sharma. "India." In Quality Management in ART Clinics. Springer US, 2012. http://dx.doi.org/10.1007/978-1-4419-7139-5_12.

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Garnayak, Dibishada B. "Prehistoric Art and Living Traditions: A Study of Selected Rock Art Sites in Odisha." In Tribal Studies in India. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-32-9026-6_11.

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Shah, Anil V. "Postgraduate Education in India." In Psychiatry The State of the Art. Springer US, 1985. http://dx.doi.org/10.1007/978-1-4757-1853-9_38.

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Laine, Anna. "Artistic methods in urban South India." In Practicing Art and Anthropology. Routledge, 2020. http://dx.doi.org/10.4324/9781003086444-6.

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Devi, P. Binodini. "On the Discovery of Megalithic Art in Manipur." In Tribal Studies in India. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-32-9026-6_10.

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Minz, Seema Mamta. "Ethnography: An Emerging Trend in Rock Art Research." In Tribal Studies in India. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-32-9026-6_12.

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Dolan, Marion. "Hinduism and Cosmology in India." In Decoding Astronomy in Art and Architecture. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76511-8_7.

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Hawkins, Angus. "India: ‘A Startler’." In Parliament, Party and the Art of Politics in Britain, 1855–59. Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-08925-3_8.

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Laine, Anna. "Visual and visceral encounters with kolam in South India." In Practicing Art and Anthropology. Routledge, 2020. http://dx.doi.org/10.4324/9781003086444-2.

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Laine, Anna. "Art making as third space across India and Sweden." In Practicing Art and Anthropology. Routledge, 2020. http://dx.doi.org/10.4324/9781003086444-3.

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Conference papers on the topic "India in art"

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"[Cover art]." In 2012 AGILE India Conference. IEEE, 2012. http://dx.doi.org/10.1109/agileindia.2012.21.

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"Cover Art." In 2013 Texas Instruments India Educators' Conference (TIIEC). IEEE, 2013. http://dx.doi.org/10.1109/tiiec.2013.79.

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Jeevanand, S., Bhim Singh, B. K. Panigrahi, and Vaibhav Negi. "State of art on condition monitoring of induction motors." In 2010 Power India. IEEE, 2010. http://dx.doi.org/10.1109/pedes.2010.5712465.

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Hu, Rui, and Keping Tian. "Sino-Indian Relations Since the Launch of India s Look East Policy." In International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-14). Atlantis Press, 2014. http://dx.doi.org/10.2991/icelaic-14.2014.173.

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Bhakar, Rohit, Narayan Prasad Padhy, and Hari Om Gupta. "State of art of the regulatory process in India." In Energy Society General Meeting. IEEE, 2008. http://dx.doi.org/10.1109/pes.2008.4596909.

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Kumar, Rajan, and S. K. Patra. "Spatial Multribution - The Art of Multiple Attribution." In SPE India Oil and Gas Conference and Exhibition. Society of Petroleum Engineers, 1998. http://dx.doi.org/10.2118/39599-ms.

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Vasanthi, S. "MARKETING OF THE HERITAGE PUGUR HAND EMBROIDERY ART IN INDIA." In Bridging Asia and the World: Globalization of Marketing & Management Theory and Practice. Global Alliance of Marketing & Management Associations, 2014. http://dx.doi.org/10.15444/gmc2014.04.09.05.

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"Corporate Social Responsibility Settings in Indonesia and India As A Comparison." In International Conference of Science Management Art Research Technology. RSF Press & RESEARCH SYNERGY FOUNDATION, 2020. http://dx.doi.org/10.31098/ic-smart.v1i1.40.

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Rani, Usha. "“Creative Expression of Native Folk Art”(Folk women of Northern India)." In 2nd International Conference on Modern Research in Social Sciences. Global, 2019. http://dx.doi.org/10.33422/2nd.icmrss.2019.09.614.

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Gupta, Akhilesh Kr, Paulson Samuel, and Deepak Kumar. "A state of art review and challenges with impedance networks topologies." In 2016 IEEE 7th Power India International Conference (PIICON). IEEE, 2016. http://dx.doi.org/10.1109/poweri.2016.8077211.

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Reports on the topic "India in art"

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Cox, Robert D. India and the Operational Art of War. Defense Technical Information Center, 1991. http://dx.doi.org/10.21236/ada240408.

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Sarna, Avina, Damodar Bachani, Mary Sebastian, Ruchi Sogarwal, and Madhusudana Battala. Factors affecting enrolment of PLHIV into ART services in India. Population Council, 2010. http://dx.doi.org/10.31899/hiv11.1004.

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Ramkumar, Bharath, and Rebecca Dias. Sustaining Indigenous Textile Artisans and Their Art in the North Eastern Region of India. Iowa State University. Library, 2019. http://dx.doi.org/10.31274/itaa.8330.

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Sarraf, Saket, Shilpi Anand, Yash Shukla, Paul Mathew, and Reshma Singh. Building Energy Benchmarking in India: an Action Plan for Advancing the State-of-the-Art. Office of Scientific and Technical Information (OSTI), 2014. http://dx.doi.org/10.2172/1171348.

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Singh, Reshma, Baptiste Ravache, and Dale Sartor. Transforming State-of-the-Art into Best Practice: A Guide for High-Performance Energy Efficient Buildings in India. Office of Scientific and Technical Information (OSTI), 2018. http://dx.doi.org/10.2172/1433127.

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Buiter, Willem, and Urjit Patel. Fiscal Rules in India: Are They Effective? National Bureau of Economic Research, 2010. http://dx.doi.org/10.3386/w15934.

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Jayachandran, Seema, and Rohini Pande. Why Are Indian Children So Short? National Bureau of Economic Research, 2015. http://dx.doi.org/10.3386/w21036.

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Rajnovich, G. Reading rock art: interpreting the Indian rock paintings of the Canadian Shield. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2002. http://dx.doi.org/10.4095/216231.

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Kukreja, Prateek, Havishaye Puri, and Dil Rahut. Creative India: Tapping the Full Potential. Asian Development Bank Institute, 2023. http://dx.doi.org/10.56506/kcbi3886.

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We provide the first reliable measure on the size of India’s creative economy, explore the many challenges faced by the creative industries, and provide recommendations to make India one of the most creative societies in the world. India’s creative economy—measured by the number of people working in various creative occupations—is estimated to contribute nearly 8% of the country’s employment, much higher than the corresponding share in Turkey (1%), Mexico (1.5%), the Republic of Korea (1.9%), and even Australia (2.1%). Creative occupations also pay reasonably well—88% higher than the non-creat
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Stacy, Jerry. The India-Pakistan Nuclear Dilemma: Are Nuclear Ambiguity and Crisis Stability Compatible. Defense Technical Information Center, 1996. http://dx.doi.org/10.21236/ada441119.

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