Relevant bibliographies by topics / Indian Cinema

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Indian Cinema'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Indian Cinema"

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Devasundaram, Ashvin. "Cyber Buccaneers, Public and Pirate Spheres: The Phenomenon of Bittorrent Downloads in the Transforming Terrain of Indian Cinema." Media International Australia 152, no. 1 (2014): 108–18. http://dx.doi.org/10.1177/1329878x1415200112.

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The polemic circumscribing the rise and regulation of new independent Indian cinema is a compelling example of vicissitudes in India's public sphere. This article locates a growing access to new independent Indian films through pirate spheres, reflected in the burgeoning popularity of BitTorrent websites, particularly among young, urban Indians, disenchanted by inaccessibility due to regulations and multiplex cinemas' expensive ticket-pricing system. It precipitates deeper discourses of ‘migrating’ cinema audiences, an ambivalent state of film and internet regulation, and civil resistance, exe
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Snehal, S. Warekar. "Representation Of The Queer Culture In Indian Cinema." International Journal of Advance and Applied Research 10, no. 3 (2023): 576 to 580. https://doi.org/10.5281/zenodo.7757341.

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<em>The present research paper is an overview of cinemas made about and on queer culture. It has been observed that Bollywood has stereotyped the queer culture. Hardly the Indian cinemas have featured queer culture in some of the movies. Mostly the queer culture has been shown in a poor light, therefore, the term Bollywood is not considered while analysing Indian Cinema as it includes the different industries present in India. It will throw light on the ideas in the cinema traditions in India about the love between women and the love between men. </em> <em>It is an attempt to understand that p
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Japee, Dr Gurudutta. "INDIAN FILMS IN GLOBAL CONTEXT - MONEY OR CREATIVITY!" GAP GYAN - A GLOBAL JOURNAL OF SOCIAL SCIENCES 1, no. 1 (2018): 24–29. http://dx.doi.org/10.47968/gapgyan.11003.

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‘Art does not go global because its creator is consciously working towards a worldwide impact.’ It ought to be straightforward to present a description of the ‘world’s biggest film industry’, but Indian film scholars find it difficult to come to terms with its diversity and seeming contradictions. The biggest single mistake that non-Indian commentators make is to assume that ‘Indian Film Industry ’ is the same thing as Indian Cinema. It is not. The Indian film industry is always changing and as traditional cinemas close in the South and more multiplexes open, there may be a shift towards main
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Mathur, Medha, Navgeet Mathur, Anjana Mathur, Nitika Keshri, and Dewesh Kumar. "Cine Medicine in Indian Scenario: A SWOT Analysis." Indian Journal of Community Medicine 49, no. 2 (2024): 255–59. http://dx.doi.org/10.4103/ijcm.ijcm_499_23.

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Cinema has the ability to convey important messages in an engaging and interesting manner. Cine medicine also known as cinema medicine or Cinemeducation has the potential to teach medical students and healthcare professionals about various aspects of medical conditions and illnesses. It is an innovative approach that can enhance empathy among the students and understanding toward patients with various medical conditions. Indian cinema has played a significant role in promoting health awareness and educating people about various medical conditions. Cinemeducation/Cine medicine can be instrument
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Vasudevan, R. "Indian commercial cinema." Screen 31, no. 4 (1990): 446–53. http://dx.doi.org/10.1093/screen/31.4.446.

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Kak, Dr Sabzaar. "Fort and Fortress in Indian Cinema: Study on the Role of Indian Historical Monuments on Indian Cinema." International Journal of Psychosocial Rehabilitation 24, no. 5 (2020): 1930–38. http://dx.doi.org/10.37200/ijpr/v24i5/pr201867.

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Kanojia, Atul Kumar. "Myth, History, and Resistance: Postcolonial Narratives in Bhojpuri and Awadhi Regional Cinemas." Integrated Journal for Research in Arts and Humanities 5, no. 3 (2025): 344–49. https://doi.org/10.55544/ijrah.5.3.43.

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This research paper explores the postcolonial narratives embedded in Bhojpuri and Awadhi regional cinemas, focusing on how myth, history, and resistance are employed as cinematic tools to articulate subaltern voices and challenge hegemonic narratives. While mainstream Indian cinema has received extensive scholarly attention, regional cinemas, particularly Bhojpuri and Awadhi, remain understudied despite their rich engagement with local cultures, oral traditions, and socio-political realities. These films serve not only as entertainment but also as repositories of collective memory and cultural
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Nefedova, Darya N. "Indian Cinema: Past and Present." Journal of Flm Arts and Film Studies 8, no. 3 (2016): 106–14. http://dx.doi.org/10.17816/vgik83106-114.

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Indian cinema is a unique, original phenomenon of world culture with a rich history and deep roots. The dawn of the era of cinema in India is referred up to 1913, when the film 'Raja Harishchandra' by J.G. Phalke was shot. Further development of cinema going in different directions in several chronologically successive stages, and the most famous center of the film industry has gradually led Bollywood in Northern India. The early cinema works are not enough accessible to study, and the first stage is clearly traced in the span of 1940-1960s, when the plot has become the basis of the social pro
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Dhanalakshmi, D., and S. Sobana. "Retelling Diaspora through Films." Kristu Jayanti Journal of Humanities and Social Sciences (KJHSS) 4 (December 18, 2024): 13–19. https://doi.org/10.59176/kjhss.v4i0.2412.

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Theorizing cinema from a national and transnational perspective is central to diasporic cinema, which also centers on questions of home, belonging, and nationality. Films provide a platform for the expression of multi-faceted identities rooted in doubt, as opposed to rigid allegiances to ethnicity and nationalism. The Indian Diaspora has used a variety of ways to portray its mindset. Topics such as identity, transnationality, migration, and nationalism are introduced through Diaspora as a technique in film presentation across disciplines when these human journeys are discussed. One of India's
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Mr., Rajendra Ashok Pradhan. "Transformation in Bollywood Cinema: A Socio-Cultural Perspective." International Journal of Advance and Applied Research 10, no. 3 (2023): 761–67. https://doi.org/10.5281/zenodo.8016437.

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<em>It is a common knowledge that Bollywood is one of the largest film industries in the world. It has a glorious history of origin and its development. After the independence, the Indian film industry passed through many changes. It handled several socio-cultural issues in its tremendous past. A sincere study of the Bollywood film industry and the cinema reveals that it was closely associated with the ancient Indian culture, customs, traditions and beliefs. However, the 21<sup>st</sup> century has seen a kind of paradigm shift in the Bollywood cinemas in many aspects. Cinema was not only the
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Dissertations / Theses on the topic "Indian Cinema"

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Mullik, Gopalan. "Cinema and wild meaning : phenomenology, classical Indian theories and embodiment in cinema." Thesis, University of East Anglia, 2015. https://ueaeprints.uea.ac.uk/63132/.

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The aim of this project has been to explore the possibility of applying Phenomenology and Classical Indian Theories to cinema with the hope that their systematic application would generate new insights in a deeper understanding of cinema. This need has been felt in the context of the existing film discourse having reached a stage of stagnation, even a “crisis”, in recent times. The reason for this moribund state of contemporary film discourse has been analyzed in my thesis as due to the failure of the existing film theories to incorporate film audiences‟ ordinary experiences of cinema, viz. th
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Athique, Adrian Mabbott. "Non-resident cinema transnational audiences for Indian films /." Access electronically, 2005. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060511.140513/index.html.

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Narain, Atticus Che deCaires. "The role of Indian cinema amongst Indo-Guyanese." Thesis, Goldsmiths College (University of London), 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445022.

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Ghosh, Sanjukta T. "Celluloid nationalism : cultural politics in popular Indian cinema /." The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487759914758891.

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Biswas, Moinak 1961. "Historical realism : modes of modernity in Indian cinema, 1940-60." Monash University, School of Literary, Visual and Performance Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/7582.

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Williams, Jennifer Ashley. "Vignettes of Bollywood 1990-present: a scholarly approach to Indian cinema." Thesis, Wichita State University, 2010. http://hdl.handle.net/10057/3340.

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This project highlights the importance of the Indian film industry as a legitimate field of scholarly and academic research. Through interdisciplinary eyes, the Indian film industry and its byproducts are examined through a multitude of different approaches including gender, film, and cross-cultural studies. The films mentioned in this research are the highest grossing, have the most famous actors and actresses, and are from the 1990s to present. Films were watched with a critical eye to see what exactly was shown and examined. Other scholars’ and critics’ work was read, films discussed, and c
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Valančiūnas, Deimantas. "Construction of Identity in British and Indian Cinema: a Postcolonial Approach." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2013~D_20131129_114315-79626.

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The object of the dissertation is British and Indian popular (commercial) cinema and the construction of identity there. The problem of identity construction in Indian and British films was researched employing three approaches found in the postcolonial theory: the critique of colonial discourse, anticolonial nationalism and the construction of national identity and the problematics of diasporic identity. The comparative analysis of the films from the two industries of the countries which were bounded by colonial relationships in the past let us see the complex ways of how identity is articula
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Kumar, Akshaya. "Provincialising Bollywood : Bhojpuri cinema and the vernacularisation of North Indian media." Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6520/.

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This thesis is an investigation of the explosive growth of Bhojpuri cinema alongside the vernacularisation of north Indian media in the last decade. As these developments take place under the shadow of Bollywood, the thesis also studies the aesthetic, political, and infrastructural nature of the relationship between vernacular media industries – Bhojpuri in particular – and Bollywood. The thesis then argues that Bhojpuri cinema, even as it provincialises Bollywood, aspires to sit beside it instead of displacing it. The outrightly confrontational readings notwithstanding, the thesis grapples wi
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Saini, Roopa. "Crossing boundaries : Indian diasporic screen culture in the USA and UK." Thesis, Goldsmiths College (University of London), 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.517894.

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Roy, Srabanti. "Changing trends of new wave cinema in India and the emergence of an "unconventional" Indian cinema in the early phase of the twenty-first century." Thesis, University of Wales Trinity Saint David, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683056.

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Books on the topic "Indian Cinema"

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Kirstie, Gormley, ed. Indian cinema: Le cinéma indian. Asiexpo Edition, 2008.

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Reym, Binford Mira, ed. Indian cinema. Harwood, 1989.

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Oommen, M. A. Economics of Indian cinema. Oxford & IBH Pub. Co., 1991.

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K, Karanjia B., and Narwekar Sanjit, eds. Genres of Indian Cinema. Film Federation of India, 1998.

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Magdum, Prakash, and Binayak Bhattacharya. Women in Indian cinema. Publications Division, Ministry of Information and Broadcasting, Government of India, 2018.

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Mohan, Joshi Lalit, ed. Bollywood: Popular Indian cinema. 2nd ed. Dakini Books, 2002.

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Rajadhyaksha, Ashish. Encyclopedia of Indian cinema. British Film Institute, 1998.

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Bhowmik, Someswar. Indian cinema colonial contours. Papyrus, 1995.

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Rajadhyaksha, Ashish. Encyclopaedia of Indian cinema. Oxford University Press, 1995.

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Vasudev, Aruna. The new Indian cinema. Macmillan India, 1986.

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Book chapters on the topic "Indian Cinema"

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Mukherjee, Madhuja. "Aspirational Cinema." In Indian Cinema Today and Tomorrow. Routledge India, 2024. http://dx.doi.org/10.4324/9781003491651-16.

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Raj, Sony Jalarajan, and Adith K. Suresh. "Conceptualizing People's Cinema." In The Routledge Handbook of Indian Indie Cinema. Routledge India, 2025. https://doi.org/10.4324/9781003612902-6.

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Sen, Sudarshana. "Anglo-Indian Women in Indian Cinema." In Women in Bengal. Routledge, 2024. http://dx.doi.org/10.4324/9781003473930-21.

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Mubarki, Meraj Ahmed. "Indian Cinema and Ideology." In The Horror in Hindi Cinema. Routledge India, 2024. https://doi.org/10.4324/9781003588856-1.

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Sreedhar Mini, Darshana. "Where is cinema?" In Indian Cinema Today and Tomorrow. Routledge India, 2024. http://dx.doi.org/10.4324/9781003491651-8.

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Biswas, Moinak. "Is It Post-Cinema?" In Indian Cinema Today and Tomorrow. Routledge India, 2024. http://dx.doi.org/10.4324/9781003491651-3.

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Guha, Pujita. "The Grounds of Cinema." In Indian Cinema Today and Tomorrow. Routledge India, 2024. http://dx.doi.org/10.4324/9781003491651-12.

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Eswaran, Swarnavel. "Indian Cinema, Hunger, and Food." In The Routledge Companion to Caste and Cinema in India. Routledge India, 2022. http://dx.doi.org/10.4324/9781003343578-14.

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Nishant, Vaidyanath. "Populism and South Indian Cinema." In Encyclopedia of New Populism and Responses in the 21st Century. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-16-9859-0_325-1.

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Raj, Sony Jalarajan, and Adith K. Suresh. "Diasporic Nostalgia in Indian Cinema." In The Routledge Handbook of Nostalgia. Routledge, 2024. http://dx.doi.org/10.4324/9781003364924-48.

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Conference papers on the topic "Indian Cinema"

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Sujatha, C., Prathamesh Jadi, N. B. Shubham, Sakshi Narayan Habib, U. M. Chaitanya, and Padmashree Desail. "Improved Indian Regional Sign Language Recognition with Extended IRKSL Dataset." In 2024 6th International Conference on Computational Intelligence and Networks (CINE). IEEE, 2024. https://doi.org/10.1109/cine63708.2024.10881001.

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Thakur, Ramesh Kumar, Jiten Agarwal, Hardik Chauhan, Saumyadeep Mahanta, Uzaif Ali, and Shreya Mondal. "Benchmarking of Machine Learning algorithms for Indian Premier League matches." In 2024 6th International Conference on Computational Intelligence and Networks (CINE). IEEE, 2024. https://doi.org/10.1109/cine63708.2024.10881667.

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Yashmin Rohman, Farha. "BOLLYWOODISATION OF SPORTS IN INDIAN CINEMA." In World Conference on Media and Mass Communication. The International Institute of Knowledge Management (TIIKM), 2019. http://dx.doi.org/10.17501/24246778.2019.5106.

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Pal, Joyojeet. "Rajnikant's laptop: Computers and development in popular Indian cinema." In 2009 International Conference on Information and Communication Technologies and Development (ICTD). IEEE, 2009. http://dx.doi.org/10.1109/ictd.2009.5426687.

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Gladkova, Anna G. "INDOLOGY AND AUDIOVISUAL TRANSLATION." In II All-Russian scientific-practical conference with international participation "Translation and foreign languages in the global dialogue of cultures". St. Petersburg State University, 2024. http://dx.doi.org/10.21638/11701/9785288064289.08.

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Research on audiovisual translation is becoming more and more numerous, but the problems of Indology in film translation are not reflected in them, which determines the relevance of this work, since recently Asian and, in particular, Indian content has begun to penetrate en masse into the Russian market. The article examines the problem of sociolinguistic competence of an audiovisual translator and raises the question of the need for expert knowledge of language and culture of the source material to perform high-quality translation. The author provides examples of translation of Indian cinema
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Tripathi, Priyanka. "‘Continuity in Discontinuity’: Interpreting the Practice of ‘Narrative Care’ for Alzheimer’s in Select Indian Literary Texts." In 8th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2025. https://doi.org/10.62422/978-81-981590-2-1-003.

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Arthur Kleinman’s distinction between illness and disease in The Illness Narratives (1980) redefined the understanding of illness by shifting focus from biomedical definitions to the lived experiences of affected individuals. His emphasis on suffering, healing, and the human condition underscored the necessity of integrating palliative care into medical practice, laying the foundation for “narrative medicine.” This approach, encompassing literature, cinema, and art, seeks to interpret and respond empathetically to the narratives of individuals with illnesses and their caregivers. In the contex
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Kaur, Avneet, and Dr Gur Pyari Jandial. "Rediscovering the Notion of Self in Post-1990s Indian Cinema with special reference to Deepa Mehta’s Fire, Mahesh Manjrekar’s Astitva and Nagesh Kukunoor’s Dor." In 2nd Annual International Conference on Language, Literature and Linguistics (L3 2013). Global Science and Technology Forum Pte Ltd, 2013. http://dx.doi.org/10.5176/2251-3566_l313.45.

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Guimarães, Camila Cristina Canhestro, Heber Martins de Paula, and Antover Panazzolo Sarmento. "Efeito sinérgico das cinzas de biomassa: avaliação do potencial pozolânico." In VIII ENCONTRO NACIONAL DE APROVEITAMENTO DE RESÍDUOS NA CONSTRUÇÃO. ANTAC, 2023. http://dx.doi.org/10.46421/enarc.v8i00.2909.

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O uso de adições minerais ativas tem sido uma alternativa promissora. A substituição parcial do cimento Portland nos produtos cimentícios por resíduos agroindustriais que possuem em sua composição química a sílica reativa e se caracterizam como materiais cimentícios suplementares (MCS), reduz o consumo de recursos não renováveis e diminui o passivo ambiental. Destarte, o presente artigo objetivou avaliar a atividade pozolânica, por meio do método Chapelle modificado, das cinzas de biomassa e do efeito sinérgico, através das combinações da cinza da casca de arroz (CCA), cinza do bagaço de cana-
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Batista, Rafael Rodrigo do Carmo, and Thiago Henrique Bragato Barros. "Indexação e gêneros cinematográficos: análise da categorização de filmes de terror em plataformas de video on demand." In VI Workshop de Informação, Dados e Tecnologia - WIDAT. Instituto Brasileiro de Informação em Ciência e Tecnologia, 2023. http://dx.doi.org/10.22477/vi.widat.24.

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Introdução: A pesquisa buscou compreender a organização (representação e recuperação) da informação audiovisual através da categorização de filmes de terror em serviços Video on Demand (VOD), indicando as características e desafios presentes na representação da informação de filmes. Objetivos: Avaliar a categorização de filmes de terror em três serviços VOD: Netflix, Amazon Prime Video e Globoplay. Apresentando a informação presente em filmes através do conceito de gênero cinematográfico, discutem-se sobre visões dentro da pesquisa de cinema sobre gêneros cinematográficos e a sua importância.
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Moura, Alan, Cristina Nobre, Antônio Cabral, and Lucas Babadopulos. "EFEITO DA ENERGIA DE COMPACTAÇÃO NA RESISTÊNCIA MECÂNICA DE CONCRETOS SECOS COM ADIÇÃO DE CINZA PESADA E USO DE ADITIVO PLASTIFICANTE." In XVIII ENCONTRO NACIONAL DE TECNOLOGIA DO AMBIENTE CONSTRUÍDO. UFRGS, 2020. http://dx.doi.org/10.46421/entac.v18i.1043.

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A utilização de concreto seco na confecção de peças pré-fabricadas tem ganhado relevância no mercado da construção civil, evidenciando a necessidade de pesquisas sobre este tema. Nesse sentido, este artigo pretende analisar o efeito da energia de compactação na resistência à compressão de concretos secos, utilizando como variáveis de entrada a variação da energia de compactação aplicada na moldagem (10, 20 ou 30 golpes), a substituição ou não de 30% da areia natural por cinza de fundo e a utilização ou não de aditivo plastificante. Os corpos de prova foram moldados por meio de compactação util
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Reports on the topic "Indian Cinema"

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Carvalho Pereda, Paula, Maria Dolores Montoya Diaz, Fabiana Rocha, Gabriel Facundes Monteiro, and Jesús Mena-Chalco. Diferenças de gênero no financiamento acadêmico: evidências do Brasil. Banco Interamericano de Desenvolvimento, 2022. http://dx.doi.org/10.18235/0004059.

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Este estudo investiga se há diferença na distribuiço de recursos entre pesquisadores homens e mulheres para financiar a pesquisa academica no Brasil nas áreas de Cincia, Tecnologia, Engenharia e Matemática acrescidas da área de Economia (STEEM). Verificamos se a probabilidade de conseguir financiamento para pesquisa difere entre homens e mulheres e testamos se o montante de recursos para a pesquisa difere entre as cientistas mulheres e os cientistas homens. Utilizamos dados das distribuiçes de bolsas de produtividade em pesquisa do Conselho Nacional de Desenvolvimento Científico e Tecnológico
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