Academic literature on the topic 'Indian craft'

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Journal articles on the topic "Indian craft"

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Kumar, Sanjeev, and Nandini Dutta. "Weaving a knowledge tapestry of traditional crafts for modern fashion designers: an Indian experience." Art Libraries Journal 36, no. 2 (2011): 17–24. http://dx.doi.org/10.1017/s0307472200016874.

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Design innovations in India’s fashion products result from a fusion of modern technologies and traditional craft skills. This paper highlights the role of the National Resource Centre and the network of resource centres of the National Institute of Fashion Technology in collecting and preserving heritage resources using computer technology. Plans for a National Design Repository and for Shilpakala Jnana Kosha, a digital repository for the tacit craft knowledge of artisans, share the objectives of preserving endangered traditional skills, supporting a process of revival and optimising the use o
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Kumar, G. Jayanth. "Electronic Hover Craft." International Journal for Research in Applied Science and Engineering Technology 9, no. VI (2021): 4343–50. http://dx.doi.org/10.22214/ijraset.2021.35945.

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Electronic hovercraft is a device which can easily move on sand, water, hill areas and also muddy places. The main reason behind this project is to rescue the people in the flooded region. Our Indian army forces like Indian army, Indian navy will have greater use of this project. For example coming to our local areas just recently happened these situation is in Hyderabad we got floods so many people lose their houses, property.so many people were injuired. There is no such reliable system to rescue there. In that one senior citizen was died due to the helpless situation these type of situation
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Sachdev, Geetanjali. "Plant imagery in Indian craft practice: A pedagogical resource." Craft Research 12, no. 2 (2021): 247–73. http://dx.doi.org/10.1386/crre_00052_1.

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This research explores craft practices in India to understand how they could be used as cultural resources for studying plants. Existing scholarship on a range of craft practices across India reveals an extensive use of real plants, plant representations and plant references. Real plants are used as the primary base raw material, as part of making and production processes and as supporting resources within the wider ecology where craft traditions are practised. Plant representations are seen in three-dimensional ornaments and structures, as well as in two-dimensional decoration and surface pat
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Kumar, Sanjay. "Indian Mars craft prepares for orbit." Nature 513, no. 7518 (2014): 291. http://dx.doi.org/10.1038/513291a.

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Ballal, A. "A study of marketing strategies used by Indian artisans during the Covid-19 crisis." CARDIOMETRY, no. 23 (August 20, 2022): 635–40. http://dx.doi.org/10.18137/cardiometry.2022.23.635640.

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70% of the population lives in villages in India. Time and again, we have underestimated this part of our population while thinking about our country’s economic growth. However, the true spirit and skills of Indian crafts live in rural areas that are self-sufficient and self-reliant. Indian crafts have evolved from the Vedic Era to Indus Valley civilization to Mauryan Era to the Mughal Era, and currently the Modern Indian Era. However, with industrialization and the informal nature of the sector, Indian crafts had started losing relevance. Though 90% population is uneducated, Indian crafts are
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Shukla, Shailesh, and Abhimanyu Singh. "ABSORPTION OF DISPOSITION IN ARCHAIC INDIAN CRAFT AND ITS COMMUNAL PURPOSE." CURRENT RESEARCH JOURNAL OF HISTORY 02, no. 05 (2021): 21–22. http://dx.doi.org/10.37547/history-crjh-02-05-06.

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This article attempts to clarify the perspective as contained in the old Indian craftsmanship where disposition and human life are so weaved with one another that they become the fundamental piece of the other and this comprehensiveness gets back the point that they are not totally unrelated as is considered in present day times. Old Indian craftsmanship represents this coordinated methodology and one may discover the absorption of disposition in each structure considered and portrayed in that.
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Kumar, Dilip, and P. V. Rajeev. "Present Scenario of Indian Handicraft Products." Asian Journal of Managerial Science 2, no. 1 (2013): 21–27. http://dx.doi.org/10.51983/ajms-2013.2.1.1116.

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The epitome of India, lies in the art and craft, which symbolizes the culture, tradition and societal values. Indian handicraft industry is one of the oldest & biggest industries of India. It provides employment nearly sixty seven lakhs artisan and is one of the Important suppliers of Handicraft to the world Markets. The present research paper attempts to comprehend the essence of the art which hold the Indian craft in high esteem and demand in the international market. The paper primarily focuses on the immense opportunities that exist in the Indian handicraft industry and the impact of g
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Crepelle, Adam. "White Tape and Indian Wards: Removing the Federal Bureaucracy to Empower Tribal Economies and Self-Government." University of Michigan Journal of Law Reform, no. 54.3 (2021): 563. http://dx.doi.org/10.36646/mjlr.54.3.white.

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American Indians have the highest poverty rate in the United States, and dire poverty ensnares many reservations. With no private sector and abysmal infrastructure, reservations are frequently likened to third-world countries. Present-day Indian poverty is a direct consequence of present-day federal Indian law and policy. Two-hundred-year-old laws premised on Indian incompetency remain a part of the U.S. legal system; accordingly, Indian country is bound by heaps of federal regulations that apply nowhere else in the United States. The federal regulatory structure impedes tribal economic develo
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Rathore, Sumati, Usha Thakur, and Sarla Shashni. "POTTERY: A UNIQUE TRADITIONAL CRAFT IN INNER SIRAJ VALLEY OF NORTHWESTERN HIMALAYAN DISTRICT OF KULLU, HIMACHAL PRADESH." International Journal of Advanced Research 8, no. 9 (2020): 1106–11. http://dx.doi.org/10.21474/ijar01/11766.

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Pottery is a century old craft used by human and is one of the most tangible and iconic elements of Indian art. This craft system shows the lifestyle of native communities, their belief, faith, customs and tradition through their craft. This paper documents the traditional pottery art of the Sirajicommunity living in the inner Siraj Valley of Kullu district in Himachal Pradesh. The uniqueness of the art is wheels are not used for making different pots as in other parts of the country. Paper also documents the procedures involved in making the pots and its current status. Study revealed that th
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Jadhav, Ganesh Suresh, Urmi Salve, Rajender Kumar, et al. "Empirical study on design and development of hand-crafted footwear." International Journal of Experimental Research and Review 30 (April 30, 2023): 87–99. http://dx.doi.org/10.52756/ijerr.2023.v30.010.

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With its enormous potential in terms of employment, growth, and exports, the footwear industry is an important player in the Indian context, and can contribute to the nation's economic development. It is worth noting here that leather footwear in Kolhapuri style has a distinguished history spanning hundreds of years. This craft style is a labor-intensive production process in which the primitive nature of the tools and equipment are used. In the present context, this craft style is about to go extinct because of artisans' declining interest. The present study reports an attempt to improve the
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Dissertations / Theses on the topic "Indian craft"

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Strid, Josefin. "Globalising Local Craft : enhancing collaboration between Indian rural artisans and Swedish IKEA designers." Thesis, Konstfack, Industridesign, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5906.

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The aim of this project is to further enable emancipation of Indian craftswomen through the use of an alternative co-design process. As a designer working with textiles and fashion I was interested to explore how I could positively impact the production process of textiles. I spent five weeks in India, with the intent to understand the stakeholders and the project, but mainly focused on the Indian craftswomen’s involvement. The design research has been an iterative process based on qualitative research consisting of interactive partner visits, observations, conversations and workshops. Startin
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McVeigh, Corinne. "The Stockbridge-Munsee Tote at the National Museum of the American Indian." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/152.

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This thesis constructs the cultural biography of the National Museum of the American Indian’s Stockbridge-Munsee tote, a twentieth-century souvenir craft, in order to examine the tote’s cultural and cross-cultural associated meanings and how these associated meanings shift from one context to another. It follows the tote’s history including its production, purchase, and transfer. This thesis briefly recounts the Stockbridge-Munsee Indians’ history and focuses on a few examples of craft objects produced prior to the 1960s, when the Stockbridge-Munsee tote was made. Wisconsin Indian Craft, a cra
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Kalshoven, Petra Tjitske. "Plays on "the Indian" : representation of knowledge and authenticity in Indianist mimetic practice." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102244.

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Indian hobbyism, or Indianism, is an expression of a typically European fascination with Native American peoples which involves crafting "museum-quality replicas" of clothing and artifacts as well as reenactment of slices of Native American nineteenth-century life by non-Native practitioners in an effort to produce knowledge and meaningful experience through experimentation. Drawing on fieldwork data collected in 2003 and 2004 among play communities of Indian hobbyists in Germany, the Netherlands, Belgium, France, and the Czech Republic, I formulate an understanding of the social, performative
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Priante, Wagner Penedo 1969. "A cerâmica dos Tapajó e o desejo de formas : estudo de peças cerâmicas arqueológicas mirando potências criativas /." São Paulo, 2016. http://hdl.handle.net/11449/140279.

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Orientadora: Geralda Mendes Ferreira Silva Dalglish<br>Banca: Carlos Augusto Nunes Camargo<br>Banca: Agnus Valente<br>Resumo: A pesquisa que resultou nesta dissertação teve como objeto de estudo a cerâmica dos Tapajó, em abordagem que privilegiou reconhecer o conjunto dessa produção e verificar, na análise estrutural de seus objetos, alguns elementos formais recorrentes. Também se buscou investigar como procedimentos inerentes ao fazer cerâmico possam ter sido empregados no processo, observando-se singularidades de algumas peças. Durante todo o percurso, procedeu-se ainda ao registro de impres
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Stoner, Wesley Durrell. "COARSE ORANGE POTTERY EXCHANGE IN SOUTHERN VERACRUZ: A COMPOSITIONAL PERSPECTIVE ON CENTRALIZED CRAFT PRODUCTION AND EXCHANGE IN THE CLASSIC PERIOD." Lexington, Ky. : [University of Kentucky Libraries], 2002. http://lib.uky.edu/ETD/ukyanth2002t00066/Stoner%5Fthesis2002.pdf.

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Thesis (M.A.)--University of Kentucky, 2002.<br>Title from document title page. Document formatted into pages; contains xi, 171 p. : ill. ; maps. Includes abstract. Includes bibliographical references (p. 158-169).
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Hein, Dawn Michelle. "The art and craft of the interior." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1209805.

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This thesis gives a voice to the call for a holistic approach to the preservation of commercial and particularly domestic architecture. Interior architecture is an important piece of the whole in need of consideration. Arts and Crafts interiors in the state of Indiana are considered in reference to this fact and the case studies chosen exemplify the connection between cultural history and the interior architecture and design.The Arts and Crafts Movement's philosophy worked to integrate the entire design with the surrounding site. The interior was the focus of the synthesized design and it is t
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Ranganathan, Aruna. "Working with your hands : essays on craft occupations in India." Thesis, Massachusetts Institute of Technology, 2014. http://hdl.handle.net/1721.1/90072.

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Thesis: Ph. D., Massachusetts Institute of Technology, Sloan School of Management, 2014.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 177-185).<br>Essay 1 : Professionalization And Market Closure: The Case Of Plumbing In India. Professionalization has long been understood as a process of establishing market closure and monopoly control over work; however, in this article I present a case in which professionalization erodes rather than establishes occupational closure. I demonstrate how the Indian Plumbing Association (IPA), a newly formed organization
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Fathers, James. "Design training strategies for the crafts sector in South India." Thesis, Cardiff Metropolitan University, 2012. http://hdl.handle.net/10369/4492.

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This study investigates the role that design and product development plays in crafts enterprises at a grass roots level in development contexts with a particular focus on South India. It argues that design training has a significant role to play in the development of crafts livelihoods by introducing modes of operation in new product development that lead to greater sustainability. A number of research and practical projects in recent decades have indicated the value of design to crafts people in development contexts. A critical review of publications since 1945 and recent practice relating to
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Bamforth, Nigel William. "The development of India's crafts and their implication upon Indo-european furniture." Thesis, Bucks New University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364467.

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Chambers, Thomas. "'Carving out niches' : informality, work and migration in a Muslim craft community of North India." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/54470/.

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Based on 18 months of fieldwork this thesis focuses on work, life and migration in a Muslim wood crafting community of Saharanpur (North India). Drawing on ethnographic and other material regarding Indian Muslims, artisans, informal economies and ‘informality' more broadly, the thesis addresses four primary questions: What does it mean to work in an economic space where moves towards labour informality, as played out in post-liberalisation economies globally, have always been the primary means of organisation? Are workers in such spaces better equipped to deal with informality? Where state reg
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Books on the topic "Indian craft"

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McAlister, Diane L. Native American crafts directory: A guide for locating craft shops and craft suppliers. Book Pub. Co., 1996.

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Johnson, E. Pauline. North American Indian silver craft. Subway Books, 2004.

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Johnson, E. Pauline. North American Indian silver craft. Subway Books·, 2003.

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Chandra, Das Kailash, ed. Information needs of Indian craft industries. SSDN Publishers & Distributors, 2013.

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Keith, Brandt. Indian crafts. Troll Associates, 1985.

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Fischer, Bobbi. Southwestern American Indian discovery. American Educational Press, 1991.

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Venkatesan, Soumhya. Craft matters: Artisans, development, and the Indian nation. Orient Blackswan, 2009.

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Montgomery, David R. Native American crafts and skills: A fully illustrated guide to wilderness living and survival. Lyons Press, 2000.

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), United States Congress Senate Committee on Indian Affairs (1993. To improve the cause of action for misrepresentation of Indian arts and crafts: Report (to accompany S. 2872). U.S. G.P.O., 2000.

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Sacoman, Beverly Jose. Beverly Jose Sacoman, paintings: [exhibition April 26 - June 5, 1998]. [U.S. Dept. of the Interior, Indian Arts and Crafts Board, Museum of the Plains Indian & Crafts Center, 1998.

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Book chapters on the topic "Indian craft"

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Wiesgickl, Simon. "‘To Read in an Indian Way’ (Johann Gottfried Herder): Pre-Emergent Colonial Epistemologies in Indian–German Entanglements, Showcased in Protestant Theology c.1800." In Palgrave Series in Asian German Studies. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-40375-0_2.

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AbstractIn this chapter, Simon Wiesgickl shows how, by the end of the eighteenth century, new epistemologies and a new Wissenschaftlichkeit were forming part of the colonial set-up in Germany. He discusses German identity by drawing comparisons between German and foreign cultures, with a focus on the theological discussions that were so central to many debates on German identity. He explains how Johann Gottfried Herder extolled the beauty and value of the Hebrew language and used new ideas and notions of India in his innovative interpretation of the Hebrew Bible as an introduction to the Orient. Herder identified the spirit of poetry and the ‘childhood of mankind’ with the Orient, especially India. By ‘reading in an Indian way’, Herder inspired the German debate about its origin and paved the way for a new ethnographic understanding of the Hebrew Bible. Eventually, he also helped to craft a picture of Indians as noble savages who were mild, close to nature, and fully sensuous.
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Lavery, Charne. "“Spoken Nowhere but on the Water”: Amitav Ghosh’s Sea of Poppies and Lost-and-Found Languages of the Indian Ocean World." In Maritime Mobilities in Anglophone Literature and Culture. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-91275-8_12.

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AbstractAmitav Ghosh’s fictional oeuvre makes a major contribution to contemporary sea fiction, particularly that written from a non-Eurocentric perspective. His Ibis trilogy, for instance, paints a vivid picture of historical oceanic mobility in the form of ship journeys and littoral interconnections, centered on and in the Indian Ocean world. This chapter explores one aspect of that mobility, a language “spoken only on the water,” a roving dialect that Ghosh both painstakingly and playfully recreates in the first novel of the trilogy, Sea of Poppies. Laskari is a dialect that was spoken among lascar sailors born of, and borne on, the Indian Ocean. This essay examines the ways in which two dominant areas of Ghosh’s experimentation and interest—language and the sea—intersect in Sea of Poppies, through a focus on laskari as a lingua franca of work. It argues that the intersection can be approached in three ways: through the lens of Ghosh’s production of Indian Ocean space, as a language of South-South mobility; through the lens of sailor speech as a vernacular associated particularly with the craft of sail, participating in a tradition of sea fiction that harks back to Conrad and Melville; and, briefly, through the lens of postcolonial ecology, as a language that has been lost and only partially recovered.
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Holmes, Shaina, and Laurie Powers Going. "The Craft." In Visual Effects for Indie Filmmakers. Routledge, 2023. http://dx.doi.org/10.4324/9781003295747-3.

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Desai, Jigna. "Decoding a Craft Habitat." In Indigenous Architecture in India. Routledge India, 2024. http://dx.doi.org/10.4324/9781003491262-5.

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Mubayi, Yaaminey. "Craft as intangible heritage." In Heritage Conservation in Postcolonial India. Routledge, 2020. http://dx.doi.org/10.4324/9781003109426-17.

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Choubey, Asha Shukla. "Locating Continuing Craft Traditions." In Crafts and Craftsmen in Pre-colonial Eastern India. Routledge India, 2021. http://dx.doi.org/10.4324/9781003096511-7.

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Sethi, Ritu. "The Building of Craft Policy in India." In A Cultural Economic Analysis of Craft. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02164-1_9.

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Buckland, Warren. "The Craft of Independent Filmmaking." In A Companion to American Indie Film. John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781118758359.ch18.

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Das, Soumen, and Pratu Chandra Kalita. "Exploring Bamboo Craft Works of North East Region for Developing Furniture & Equipment for School and Relationship to an Indian Design Institute for Being a Driver." In Innovative Design for Societal Needs. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-6468-0_12.

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Choubey, Asha Shukla. "Craft Production Systems, Marketing, and Financing Patterns." In Crafts and Craftsmen in Pre-colonial Eastern India. Routledge India, 2021. http://dx.doi.org/10.4324/9781003096511-5.

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Conference papers on the topic "Indian craft"

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Ghelani, Hiten, Tosapol Lathapreecha, and Albert Nazarov. "Specifics of Design and Construction of Small Composite Craft for Indian Market." In ICSOT India 2015. RINA, 2015. http://dx.doi.org/10.3940/rina.icsotin15.2015.13.

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R R, Sweta, and Banumathy Sundararaman. "A Case Study on Sustainable Business of Indian Art and Craft Industry." In Proceedings of the First International Conference on Combinatorial and Optimization, ICCAP 2021, December 7-8 2021, Chennai, India. EAI, 2021. http://dx.doi.org/10.4108/eai.7-12-2021.2314520.

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Chirravuru, Laya. "Organizing the 'Unorganized' Indian Craf Industry - Systemic Issues in Scarling-up Social Impact to Produce Craft-based 'Sustainable' Fashion." In Design × Nachhaltigkeit. Jahrestagung der DGTF 2022. Technische Universität Dresden, 2022. http://dx.doi.org/10.25368/2022.289.

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Ahuja, Anil K., Sanjay Pande, Vivek Gangwar, Yogesh Sharma, and Anubhav Dahiya. "A Study of Indian Power Plant MRO (Maintenance Repair Overhaul) Industry." In ASME 2008 Power Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/power2008-60023.

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Indian power sector has made significant progress despite legacy industry constraints. The current installed capacity is 140,000 MW and is growing at about 10% annually. The capacity utilization is beyond known benchmarks i.e. national average is over 78% and while NTPC over 92%. Traditional Indian MRO strategy is based on strategic improvisations to obtain the best out of prevailing industry and restricted maintenance windows. Power plant MRO in India faces issues of service and quality response. It presents an area which has scope for systemic improvements. The subject is also important due
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Chhajlani, Avani. "Sustainable Design through Up-Cycling Crafts in the Mainstream Fashion Industry of India." In 8TH SUSTAINABLE DEVELOPMENT CONFERENCE. Tomorrow People Organization, 2021. http://dx.doi.org/10.52987/sdc.2021.006.

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Abstract Fashion is considered to be the most destructive industry, second only to the oil rigging industry, which has a greater impact on the environment. While fashion today, banks upon fast fashion to generate higher turnover of designs and patterns in apparel and relate accessories, crafts push us towards a more slow and thoughtful approach with culturally identifiably unique work and slow community centred production. Despite this strong link between indigenous crafts and sustainability, it has not been extensively researched and explored upon. In the forthcoming years, the fashion indust
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Kumari, Nutan, and Arnab Chakraborty. "A Numerical Study of Flow Around Different Hydrofoil Systems In Presence of the Free Surface." In ASME 2021 Gas Turbine India Conference. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/gtindia2021-75821.

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Abstract The hydrofoils are essential element in tidal current turbine and in high speed marine crafts. Hence, the study of hydrodynamic characteristics of hydrofoils are important as they play a vital role in improving the performance of these propulsion devices (hydro-kinetic turbine, marine craft). In the present study, the dynamics of unsteady and viscous flow around a two hydrofoil system is investigated for two different configuration: (a) tandem, and in (b) stagger arrangement. The incompressible Navier-Stokes equations were solved using Finite Volume Solver in STAR-CCM+ commercial soft
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Minder, Bettina. "Involving craft know-how and traditions in design education: Cases of Switzerland, Turkey and India." In DRS2022: Bilbao. Design Research Society, 2022. http://dx.doi.org/10.21606/drs.2022.211.

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Gera, Prerna, Sayan Sarkar, Rameshwaranand Jha, et al. "Design, Fabrication and Industrial Application of a Miniature Hovercraft." In ASME 2009 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2009. http://dx.doi.org/10.1115/detc2009-86177.

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The difficult lives of workers in a manufacturing industry can be improved by the use of a simple ‘Hovercraft’. This vehicle runs on air from the pressure lines in any industry. Since there is zero resistance between the smooth surface and the craft, the effort to move very heavy bodies is reduced significantly. The craft with a specially designed skirting shape will allow it to lift the load placed on it with ease. There would be eddy formation and stability would need to be taken into account. Hovercraft has been designed before but its application in industries is of the level of innovation
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Frost, Christopher, and Joseph Hartley. "Indium triflate: An Efficient Catalyst For The Friedel-Crafts Acylation of Aromatics." In The 4th International Electronic Conference on Synthetic Organic Chemistry. MDPI, 2000. http://dx.doi.org/10.3390/ecsoc-4-01846.

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RANE, Mandar, Ravi Mokashi PUNEKAR, and Avinash SHENDE. "Design of an entrepreneurial model in product development and strategy for marketing of handicraft products in the northeast of India: Shken.in – craft community collectives." In 10th International Conference on Design History and Design Studies. Editora Edgard Blücher, 2016. http://dx.doi.org/10.5151/despro-icdhs2016-03_004.

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