Relevant bibliographies by topics / Indian Festivals

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Indian Festivals'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Indian Festivals"

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Dharmalingam, B., M. S. Kanagathara, M. Muthumari, and P. Avanthraj. "Dance form of Karagattam - The Regional Folk Dance in Tamil Nadu." Shanlax International Journal of Arts, Science and Humanities 7, no. 1 (July 1, 2019): 71–75. http://dx.doi.org/10.34293/sijash.v7i1.485.

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India is a land of varied cultures and traditions, diversities in all spheres which make the Indian culture quite unique. Indian folk and tribal dances are the product of different socio-economic set up and traditions evolved over ages.. In India, we have festivals and celebrations virtually every day and dances are performed to express joy and festivity. This has added to the richness of Indian culture. Since every festival is accompanied by celebration of folk and tribal dances and almost all of them have continually evolved and improvised. In India, we have festivals and celebrations virtually every day and dances are performed to express joy and festivity. This has added to the richness of Indian culture. Since every festival is accompanied by celebration of folk and tribal dances and almost all of them have continually evolved and improvised. Folk dances are performed for every possible occasion – to celebrate the arrival of season’s birth of a child, a wedding and festivals which are plenty with minimum of steps or movements. Indian folk dances are full of energy vitality. Some dances are performed separately by men and women while in some performances, men and women dance together.
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Gaur, Sanjaya S., and Mandar Chapnerkar. "Indian festivals: the contribution they make to cultural and economic wellbeing." Worldwide Hospitality and Tourism Themes 7, no. 4 (August 10, 2015): 367–76. http://dx.doi.org/10.1108/whatt-03-2015-0017.

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Purpose – This paper aims to highlight an Indian festival’s contribution to cultural and economic well-being. Design/methodology/approach – This study utilizes a qualitative approach to analyze the impacts of Ganesh Chaturthi festival, which is annually celebrated over a period of two weeks across the nation. Findings – The study shows that the Ganesh Chaturthi festival fosters national cohesiveness, promotes communal harmony, preserves family values, helps maintain national identity, revitalizes the economy and fosters cultural tourism. Research limitations/implications – This paper provides useful insights for policy makers, local government, businesses and community leaders for deriving optimal benefits from the annual Ganapati festival. Originality/value – The Indian economy is developing very rapidly, and yet there is limited published literature available on the contribution of festivals to these developments.
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Kasugai, Shin'ei. "Indian Cosmology in Japanese Festivals." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 36, no. 1 (1987): 286–91. http://dx.doi.org/10.4259/ibk.36.286.

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Mathur, Surendra. "Similarities between festivals ‘Diwali’ in India and ‘Samhain’ in European civilizations." Dev Sanskriti Interdisciplinary International Journal 17 (January 31, 2021): 52–56. http://dx.doi.org/10.36018/dsiij.v17i.207.

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Diwali is an Indian festival which is still alive in European tradition in a different form. The ritual for celebrating the Diwali and its cultural significance has close similarities with Samhain in Europe to that of India. The present perspective looked into available evidences for similarities of ‘Diwali’ with Samhain in European civilization. The study has been analyzed by dividing this topic into four parts, 1) Name Similarities between Samhain and Diwali, 2) Dates similarities between Samhain and & Diwali, 3) the similarity in the way these both festivals are celebrated even today and, 4) lastly Similarities of ‘Samhain’ in European countries. It has also been the New Year of many sects of the world. These festivals are in the heart of all societies and sects in India and Europe and thus they can help re-emerge the mythological cultures of the world. Will India look its relation with European culture in the light of Diwali?
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Kalawapudi, Komal, Taruna Singh, Ritesh Vijay, Nitin Goyal, and Rakesh Kumar. "Effects of COVID-19 pandemic on festival celebrations and noise pollution levels." Noise Mapping 8, no. 1 (January 1, 2021): 89–93. http://dx.doi.org/10.1515/noise-2021-0006.

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Abstract India is a country where every religion and community celebrates their culture. Festivals have an important role in Indian culture and are celebrated whole-heartedly by the citizens. Most of these celebrations culminate to causing pollution especially noise pollution due to festivities and rituals. One such festival is Ganesh Chaturthi or Ganeshotsav which is magnificently celebrated in Maharashtra state of India. In the present study, noise pollution levels during Ganeshotsav at famous community pandals in Mumbai city were monitored in the year 2020. Noise level data was analyzed based on indices such as L 10, L 50, L 90, noise pollution level (LNP ) and noise climate (NC). Comparison of noise levels was carried out for the collected data during Ganesh Chaturthi in the previous years of 2018 and 2019. The city witnessed simple festival celebration in eco-friendly manner leading to significant decrease in noise levels due to CoVID-19 pandemic. The pandemic situation is an eye-opener for the city administration with demonstration in reduction of noise pollution. Many aspects of the pandemic can be carried forward in making new guidelines and policies to curtail pollution and eco-friendly celebration of festivals.
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Bavdekar, SB, and ME Yeolekar. "Indian festivals: Ethos and health impact." Journal of Postgraduate Medicine 53, no. 4 (2007): 219. http://dx.doi.org/10.4103/0022-3859.37507.

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Mason, Courtney W. "The Banff Indian Days tourism festivals." Annals of Tourism Research 53 (July 2015): 77–95. http://dx.doi.org/10.1016/j.annals.2015.04.008.

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Edmond, Murray. "A Saturated Time: Three Festivals in Poland, 2007." New Theatre Quarterly 24, no. 4 (November 2008): 307–21. http://dx.doi.org/10.1017/s0266464x08000468.

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What different kinds of festival are to be found on the ever-expanding international circuit? What companies are invited or gatecrash the events? What is the role of festivals and festival-going in a global theatrical economy? In this article Murray Edmond describes three festivals which he attended in Poland in the summer of 2007 – the exemplary Malta Festival, held in Poznan; the Warsaw Festival of Street Performance; and the Brave Festival (‘Against Cultural Exile’) in Wroclaw – and through an analysis of specific events and productions suggests ways of distinguishing and assessing their aims, success, and role in what Barthes called the ‘special time’ which festivals have occupied since the Ancient Greeks dedicated such an occasion to Dionysus. Murray Edmond is Associate Professor of Drama at the University of Auckland, New Zealand. His recent publications include Noh Business (Berkeley: Atelos Press, 2005), a study, via essay, diary, and five short plays, of the influence of Noh theatre on the Western avant-garde, and articles in Contemporary Theatre Review (2006), Australasian Drama Studies (April 2007), and Performing Aotearoa: New Zealand Theatre and Drama in an Age of Transition (2007). He works professionally as a dramaturge, notably for Indian Ink Theatre Company, and has also published ten volumes of poetry, of which the most recent is Fool Moon (Auckland: Auckland University Press, 2004).
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Booth, Alison. "Negotiating diasporic culture: festival collaborations and production networks." International Journal of Event and Festival Management 7, no. 2 (June 6, 2016): 100–116. http://dx.doi.org/10.1108/ijefm-02-2016-0016.

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Purpose Within New Zealand, cultural festivals play a vital role in the local representation of diasporic cultures. By analysing the production design of festivals, in Auckland, New Zealand representing Indian culture between 1995 and 2015, the purpose of this paper is to create a deeper understanding of collaborative networks and power relationships. Using Richard’s pulsar/iterative network theory and Booth’s notion of cultural production networks, a new theoretical model is proposed to visually track the collaborative networks that sustain and bridge cultures, empower communities and fulfil political agendas. Design/methodology/approach This ethnographic research draws upon event management studies, industry practice, ethnomusicology and sociology to take a multi-disciplinary approach to an applied research project. Using Richards’ pulsar and iterative event framework Castells’ network theory, combined with qualitative data, this research considers critical collaborative relationships clusters and how they might impact on the temporal nature of festivals. Findings The 1997 Festival of Asia and the subsequent Lantern Festival in 2000 and Diwali: Festival of Lights in 2002 were pulsar events that played a significant role in collaborative networks that expand across cultures, countries and traditions. The subsequent iterative events have played a vital role in the representation of Asian cultural identity in general and, more specifically, representing of the city’s growing – in both size and cultural diversity – Indian diaspora. Originality/value This research proposes a new conceptual model on festival management and diasporic communities in the Asia-Pacific region. Richards’ and Booth’s conceptual models are used, as a starting point, to offer a new way of considering the importance of looking at collaborative relationships through historical perspectives. The framework explored contributes a new approach to cultural festival network theory and a means to understand the complexity of networks required that engage actors from inside and outside both local and global communities.
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Fuller, C. J., and Penny Logan. "The Navarātri festival in Madurai." Bulletin of the School of Oriental and African Studies 48, no. 1 (February 1985): 79–105. http://dx.doi.org/10.1017/s0041977x00026987.

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Navarātri (Tam. Navarāttiri) is one of the most popular and important annual festivals in the south Indian city of Madurai. The same is true elsewhere in the state and, in somewhat different forms, the festival is also popular in many other regions of India, notably Bengal (where it is known as Durgā Pūjā) and Karnataka (where it is called Dasarā). Navarātri means ‘nine nights’ and throughout India the festival is celebrated on the first nine lunar days (tithi) of the bright fortnight (i.e. the fortnight ending on full moon) of the lunar month of āśvina. In the Tamil calendar, however, the year is divided into twelve solar months and Navarātri is said to occupy the nine lunar days beginning with the day after new moon in the solar month of puraṭṭāci (September-October). Very occasionally, the Tamil formula may supply the wrong date. In many years, the festival only lasts eight weekdays, as two lunar days may fall within one weekday. (In some parts of India, a Navarātri festival is celebrated in the spring, but that is not discussed here.)
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Dissertations / Theses on the topic "Indian Festivals"

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Beaubien, Brad M. "Community festivals and social capital." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1217382.

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This research examines the relationship between community festivals and social capital across time and place. Social capital includes the social networks, norms, and trust that enable groups of individuals to cooperate in pursuing shared objectives, and benefits accrue to both the individual and the community. Research shows the ancient Greek and American Indian civilizations relied on festivals for a variety of purposes relating to social capital, including the bridging of social divides, the transmission of cultural heritage, and the reinforcement of community identity. Today, research findings from five small town festivals in Indiana indicate a similar relationship with social capital. Festivals can bring a community together, offer a shared experience for a diverse group of people, build new relationships, and foster community pride and identity. As such, community festivals may serve as a tool for community planners in building or sustaining social capital in a community.
Department of Urban Planning
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Todd, Kevin M. "Local festivals and their community building capacity." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1266024.

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Many small towns in the state of Indianan hold yearly festivals. This thesis asks the question, "Do small town festivals have the capacity to build community?" The answer to this question was sought by first looking at prior research and then devising an Index to determine the primary components to community. The index identified Networks, Communion, Collaboration, and Behavior as the four primary components of community. Field study and data collection were conducted by the means of surveying festival visitors at seven small town festivals in Indiana and also by observing the visitors, events, and booths of each festival. Through statistical analysis of the data, it was determined that small town festivals do have the capacity to build community in that they possess and encourage the four main components of community.
Department of Urban Planning
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Bush, Ratimaya Sinha. "Festivals, rituals and ethnicity among East Indians in Trinidad /." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487944660929446.

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Sahney, Puja. "Cultural Analysis of the Indian Women's Festival of Karvachauth." DigitalCommons@USU, 2006. https://digitalcommons.usu.edu/etd/7343.

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The festival of Karvachauth is celebrated by upper class married women of North India and occurs in the month of October or early November. On this day married women fast to ensure the long lives of their husbands. They wake up before dawn and eat a meal. After sunrise they do not drink water or eat any food until they see the moon at night. The moon is watched through a sieve and prayed to before breaking the fast. An important part of Karvachauth is a ritual that is performed by women in the afternoon. This ritual is hosted by a woman of the neighborhood and other women assemble in the house where they form a circle. The narration of a folktale of a princess named Veeravati forms the center of the ritual. Women also dress up in festive bright saris and lots of jewelry for the ritual. Some part of the day is spent in putting intricate designs of henna on their hands and feet. Although women's act of fasting for their husbands might appear as a sign of subjugation, in my thesis I argue that it is not. Rather, festivals like Karvachauth temporarily liberate women from daily restrictions and give them a licensed freedom to break away from customs that confine them to the threshold of their households. I argue that Karvachauth gives women a chance to move out of their confined private worlds into the public world, dominated by men, and out of their reach in daily life. I do acknowledge that women must satisfy the serious aspects of the ritual first if they wish to enjoy the liberties. But once they are able to do so, the freedoms are easily manipulated by women to empower them, albeit temporarily, in various ways.
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Elkin, Courtney Carmel. "Clashes of cultural memory in popular festival performance in Southern California 1910s-present /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1495960481&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Carspecken, Lucinda Mary. "Finding new ground collective ownership, environmentalism, neopaganism and Utopian imagination at an Indiana festival site /." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3331244.

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Thesis (Ph.D.)--Indiana University, Dept. of Anthropology, 2008.
Title from PDF t.p. (viewed on Jul 23, 2009). Source: Dissertation Abstracts International, Volume: 69-11, Section: A, page: 4383. Adviser: Beverly J. Stoeltje.
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Mesana, Virginie. "De l’espace-diaspora indien à la confluence des rapports sociaux : cinéastes et héroïnes d'une communauté imaginée." Thesis, Université d'Ottawa / University of Ottawa, 2014. http://hdl.handle.net/10393/31847.

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Dans les industries filmiques majoritaires encore dominées par des voix et des regards masculins, la production des réalisatrices, notamment en diaspora, demeure souvent méconnue. Cette recherche étudie le cas des cinéastes en diaspora indienne et le regard que celles-ci portent sur leurs sociétés d’origine et hôte. L’objectif est d’examiner les mécanismes discursifs de production filmique et la circulation de leurs films en festival à l’occasion de leur premier visionnement. Nous cernons ainsi comment les réalisatrices participent de la formation de la diaspora indienne entendue comme une « communauté imaginée » et rendent compte de l’appartenance genrée à celle-ci. Notre thèse s’articule alors autour de la question suivante : comment la mise en scène d’héroïnes en diaspora contribue-t-elle à produire des récits alternatifs constitutifs d’un imaginaire de l’espace-diaspora indien? Alors que la production des réalisatrices n’appartient à aucune des industries filmiques majoritaires (Bollywood et Hollywood), tout en empruntant certains de leurs référents et influences, elle se situe dans un entredeux filmique que nous examinons à la lumière des dimensions « matérielle et idéelle » de leurs pratiques cinématographiques. Celles-ci étant comprises au titre d’« imagination comme pratique sociale », nous prêtons plus spécifiquement attention à l’exercice de monstration de rapports sociaux consubstantiels de sexe, ethniques et de classe, en et hors diaspora, au sein des sociétés hôtes nord-américaines qu’elles dépeignent. Pour ce faire, nous mobilisons une approche méthodologique qualitative articulant l’analyse de données de trois ordres : 1. l’analyse d’un corpus de dix films réalisés par des cinéastes en diaspora indienne en Amérique du Nord ; 2. une série de six entretiens semi-dirigés avec leurs auteures ; 3. une observation à dimension participative du festival de films de la diaspora indienne à New York (NYIFF) à deux reprises, en 2012 et en 2013. Notre encadrement théorique tire profit du croisement conceptuel de plusieurs contributions issues de trois champs d’étude, soit des apports théoriques en sociologie de la culture et des Cultural Studies, des contributions en sociologie des relations ethniques et des travaux féministes sur la consubstantialité des rapports sociaux. Cet encadrement théorique inusité nous permet d’analyser les pratiques des réalisatrices en diaspora indienne et d’entrevoir leurs (re)positionnements au sein de relations sociales majoritaires/minoritaires, donnant lieu à l’expression d’un « majoritaire idéalisé » en diaspora et à l’expérience d’un « entre-majoritaires ».
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Archer, Ken Joseph. "The Brooklyn Carnival a site for diasporic consolidation /." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1236386011.

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Kahlon, Raminder Kaur. "Performative politics : artworks, festival praxis and nationalism, with reference to the Ganapati Utsava in western India." Thesis, SOAS, University of London, 1998. http://eprints.soas.ac.uk/29520/.

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This study explores regionally based perspectives on the broader nation-wide phenomena of the politicisation of Hinduism (Hindutva) in historical and contemporary times (van der Veer 1987; Basu et al 1993; Pandey 1993; Jaffrelot 1996). However, in contrast to these works, my focus is on the extent to which an annual religious festival, the Ganapati utsava, has been effected by the wider socio-political terrain in the cities of Mumbai and Pune, Maharashtra. The Ganapati utsava is a discursive arena for mutually reliant activities of a devotional, artistic, entertaining, and socio-political nature. The intertwining of the various constituent elements sustain and accentuate each other in the performative milieux of the festival, yet also lie outside of totalising political schemas. I note that the festival has become a site for the hegemonic strategies of several political parties, and sponsored media competitions who all vie for supremacy in the festive context. As a result, the festival represents an uneven field of consent and contestation (Laclau and Mouflfe 1985). The history, and contemporary praxis of the festival necessitates a consideration of the movement of nationalism(s) for which the festival played a significant part, particularly under the auspices of Bal Gangadhar Tilak since the 1890s. I propose that the efficacy of nationalism as a hegemonic strategy relies as much on public performative events, as on constitutional politics and social structures (eg. Gellner 1983), or on the print media, such as newspapers and novels (eg. Anderson 1983). By integrating Habermas' views on the 'public sphere' (Habermas 1991) and perspectives on public rituals or 'public arenas' (Freitag 1989), the study notes the interactive potency of both collective gatherings and media forms as sites for variant nationalist strategies. Mandap (shrine) tableaux, in particular, are considered as performative loci for socio-political variables, particularly in their audio-taped narratives and visualisation of versions of the nation.
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Ancín, Itziar. "The Kabir Project. Bangalore and Mumbai (India)." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23290.

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The Kabir Project (K.P.) was born in Bangalore, India, in 2002, after the Gujarat pogrom, which occurred in the same year. In the context of increasing divisions in Indian society, defined by religion, social class, caste and gender, this research explores how this initiative, through live concerts and documentary films, spreads the folk music traditions of the 15th century mystic poet Kabir along with his messages of unity and understanding between confronted identity groups. This study presents the context of violence between Muslims and Hindus since the Indian Partition and the reasons for gendered violence in the conflict. It focuses also on the connections between globalization and minorities’ prosecution in liberal democracies; on the colonial roots and socioeconomic reasons which led to the Gujarat massacre in 2002; and the social role of the mystic as bridging cultural and religious differences. Through two complementary methods: in-depth interviews to audiences and organizers at the K. P. festivals in Bangalore and survey questionnaires distributed to the Kabir Festival Mumbai audiences, this study tries to answer the following questions: What is the potential for social change of the K. P. in the world-views of today's Indian citizens? Are the messages presented by films and folk music capable of generating positive attitudes towards dialogue between confronted identity categories? In which ways?The research reveals the success of the K. P. to challenge audiences’ minds through communication for development events, whose objectives are reached by spreading Kabir values through artistic forms, and by creating shared spaces between confronted identity sections. Festivals in rural areas help to diminish the distance between those antagonized communities. In addition, urban festivals also generate positive attitudes in elites towards dialogue and coexistence, since that is the social profile of the audience.
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Books on the topic "Indian Festivals"

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Brandt, Keith. Indian festivals. Mahwah, N.J: Troll Associates, 1985.

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Lauridsen, Suzanne. Indian Hindu festivals. Singapore: Educational Pub. House, 2001.

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Jay, Miller. American Indian festivals. New York: Children's Press, 1996.

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Asad, Majda. Indian Muslim festivals and customs. New Delhi: Publications Division, Ministry of Information and Broadcasting, Govt. of India, 1988.

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Asada, Mājadā. Indian Muslim festivals and customs. New Delhi: Publications Division, Ministry of Information and Broadcasting, Govt. of India, 1988.

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S, Freed Ruth, and American Museum of Natural History., eds. Hindu festivals in a north Indian village. [Washington, D.C.]: American Museum of Natural History, 1998.

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Freed, Stanley A. Hindu festivals in a north Indian village. [New York]: American Museum of Natural History, 1998.

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Brahmbhatt, Sudhir. Glimpses of Indian heritage: Indian culture. Ballwin, Missouri, USA: Desktop Publishing and Graphic design, 1998.

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Enduring harvests: Native American foods and festivals for every season. Old Saybrook, Conn: Globe Pequot Press, 1995.

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Dimension of religion, magic, and festivals of Indian tribe the Munda. New Delhi: Kanishka Publishers, Distributors, 2002.

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Book chapters on the topic "Indian Festivals"

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Mathews-Salazar, Patricia. "Chapter 4. Becoming All Indian: Gauchos, Pachamama Queens and Tourists in the Remaking of an Andean Festival." In Festivals, Tourism and Social Change, edited by David Picard and Mike Robinson, 71–83. Bristol, Blue Ridge Summit: Multilingual Matters, 2006. http://dx.doi.org/10.21832/9781845410490-006.

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Battaglia, Giulia. "Film festivals, small media and online networks." In Documentary Film in India, 159–77. New York : Routledge, 2017. | Series: Routledge contemporary South Asia series: Routledge, 2017. http://dx.doi.org/10.4324/9781315147727-7.

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O’Shea, Janet. "Festivals and Local Identities in a Global Economy: The Festival of India and Dance Umbrella." In Choreography and Corporeality, 85–102. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-54653-1_6.

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Battaglia, Giulia. "The Development of Documentary Film Festivals in India: A Small-Media Phenomenon." In Documentary Film Festivals Vol. 1, 221–39. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-17320-3_14.

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Ravindra Kumar, R., K. G. Sulochana, and T. Sajini. "Optimized Multi Unit Speech Database for High Quality FESTIVAL TTS." In Information Systems for Indian Languages, 204–8. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-19403-0_33.

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Singh, Shamsher. "Naghui Tewhaar and Deity Worship: A Folk Festival at the Goddess Chandi Temple in Machail Village of Padar Region." In Understanding Culture and Society in India, 195–216. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-1598-6_10.

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Saxena, Pallavi, Anju Srivastava, Shivangi Verma, Shweta, Lakhwinder Singh, and Saurabh Sonwani. "Analysis of Atmospheric Pollutants During Fireworks Festival ‘Diwali’ at a Residential Site Delhi in India." In Energy, Environment, and Sustainability, 91–105. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-15-0540-9_4.

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Garaga, Rajyalakshmi, and Sri Harsha Kota. "Characterization of PM10 and Its Impact on Human Health During Annual Festival of Lights (Diwali) in Northeast India." In Urban Air Quality Monitoring, Modelling and Human Exposure Assessment, 305–23. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-5511-4_22.

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Barclay, Katie, and François Soyer. "‘How the Mohammedans Keep the Festival of Mohurrim’, in The World’s Story: a History of the World in Story, Song and Art, Vol. II: India, Persia, Mesopotamia, and Palestine." In Emotions in Europe 1517–1914, 182–89. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003175537-29.

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"~~ Indian festivals." In Colloquial Hindi, 200–213. Routledge, 2002. http://dx.doi.org/10.4324/9780203134337-17.

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Conference papers on the topic "Indian Festivals"

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Narendra, N. P., K. Sreenivasa Rao, Krishnendu Ghosh, Vempada Ramu Reddy, and Sudhamay Maity. "Development of Bengali screen reader using Festival speech synthesizer." In 2011 Annual IEEE India Conference (INDICON). IEEE, 2011. http://dx.doi.org/10.1109/indcon.2011.6139376.

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Fiterman, Doron. "Aditya Birla group India." In ACM SIGGRAPH 2007 computer animation festival. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1281740.1281752.

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Singh, Ramesh P., and Manish Sharma. "Enhancement of BC concentration associated with Diwali festival in India." In IGARSS 2012 - 2012 IEEE International Geoscience and Remote Sensing Symposium. IEEE, 2012. http://dx.doi.org/10.1109/igarss.2012.6350616.

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Mukherjee, Rukmini. "Temporary Architecture as Cultural Heritage: Durga Puja Festival in Kolkata, India." In Annual International Conference on Architecture and Civil Engineering. Global Science & Technology Forum (GSTF), 2013. http://dx.doi.org/10.5176/2301-394x_ace13.53.

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Kumar, Akhilesh, Vineet Pratap, Pradeep Kumar, and Abhay Kumar Singh. "Effect on Aerosol Optical Depth during Diwali Festival in Varanasi, India." In 2020 URSI Regional Conference on Radio Science ( URSI-RCRS). IEEE, 2020. http://dx.doi.org/10.23919/ursircrs49211.2020.9113524.

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"Assessment of Noise pollution during Deepawali Festival in Raipur City of Chhattisgarh, India." In International Conference on Chemical, Environmental and Biological Sciences. International Institute of Chemical, Biological & Environmental Engineering, 2015. http://dx.doi.org/10.15242/iicbe.c0315137.

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