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Dissertations / Theses on the topic 'Indian fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Durdana, Benazir. "Muslim India in Anglo-Indian fiction /." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487944660930967.

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2

Chakraborty, Kaustav. "Selected Indian - English fiction: a critique of Indian nationalism." Thesis, University of North Bengal, 2007. http://hdl.handle.net/123456789/1173.

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3

Choudhuri, Sucheta Mallick Kopelson Kevin Kumar Priya. "Transgressive territories queer space in Indian fiction and film /." Iowa City : University of Iowa, 2009. http://ir.uiowa.edu/etd/346.

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4

Amar, Shruti. "Folklore, myth, and Indian fiction in English, 1930-1961." Thesis, King's College London (University of London), 2018. https://kclpure.kcl.ac.uk/portal/en/theses/folklore-myth-and-indian-fiction-in-english-19301961(db116252-ebc3-44c9-b02d-c742a0f98c66).html.

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The thesis examines the complex relationship between folklore, myth, and Indian writing in English, with reference to a number of novels and short stories written between 1930 and 1961. I look in detail at the works of five writers: Raja Rao, Mulk Raj Anand, Sudhindra Nath Ghose, R.K. Narayan, and Balachandra Rajan. With the rise of the novel in India during the late nineteenth century, vernacular writers started to experiment with the form and style of fiction. Writing in various regional languages, they frequently drew on oral tales and devised new modes of narration. Such experimentation, h

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5

Choudhuri, Sucheta Mallick. "Transgressive territories: queer space in Indian fiction and film." Diss., University of Iowa, 2009. https://ir.uiowa.edu/etd/346.

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This dissertation argues that the representation of queer space in colonial and postcolonial Indian fiction and film counters the marginalization of the sexual dissidents, both in the Indian nation-state and the Indian diaspora. The spatial reclamation in these texts, I contend, also interrogates the received notion of queer empowerment by shifting the emphasis from visibility and inclusion to alternative agential modes such as secrecy and camouflage. This departure from liberal Eurocentric discourses defines the essence of my project. The main body of my dissertation consists of analysis of t

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6

Komalesha, H. S. "Issues of identity in Indian English fiction : a close reading of canonical Indian English novels /." Oxford : Peter Lang, 2008. http://catalogue.bnf.fr/ark:/12148/cb41328568g.

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7

Hasseler, Theresa A. ""Myself in India" : the memsahib figure in colonial India /." Thesis, Connect to this title online; UW restricted, 1995. http://hdl.handle.net/1773/9364.

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8

Potts, Henry M. "Native American values and traditions and the novel : ambivalence shall speak the story." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26754.

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The commitment to community shared by Native American authors such as N. Scott Momaday, James Welch, and Louise Erdrich is partially evinced by each author's readiness to inscribe in novel form the values and traditions of the tribal community or communities with which he/she is closely associated. Many students of the novel will attest to its pliant, sometimes transmutable nature; nevertheless, as this study attempts to make clear, there are some reasons why Native American authors should reconsider using the novel as a means to express their tribal communities' values and traditions. Unambiv

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9

Alexandru, Maria-Sabina. "Estrangement and return performances in contemporary Indian fiction in English." Thesis, University of East Anglia, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.435063.

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10

Malhotra, Ashok. "Making of British India fictions, 1772-1823." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/4504.

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This thesis investigates British fictional representations of India in novels, plays and poetry from 1772 to 1823. Rather than simply correlating literary portrayals to shifting colonial context and binary power relationships, the project relates representations to the impact of India on British popular culture, and print capitalism’s role in defining and promulgating national identity and proto-global awareness. The study contends that the internal historical development of the literary modes – the stage play, the novel and verse – as well as consumer expectations, were hugely influential in

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11

Omissi, Dominic. "The Mills and Boon memsahibs : women's romantic Indian fiction 1877-1947." Thesis, Lancaster University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282386.

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12

Meyer, Neele [Verfasser], and Bernhard [Akademischer Betreuer] Teuber. "Glocalizing genre fiction in the global South : Indian and Latin American post-millennial crime fiction / Neele Meyer ; Betreuer: Bernhard Teuber." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2017. http://d-nb.info/1198111828/34.

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13

Barber, Jennifer P. "Indian chick-lit : form and consumerism /." Electronic version (PDF), 2006. http://dl.uncw.edu/etd/2006/barberj/jenniferbarber.pdf.

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14

Devadawson, Christel Rashmi. "Indian thought, myth and folklore in the fiction of Rudyard Kipling and E.M.Forster." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240919.

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15

Ray, Sohomjit. "Neoliberalism and Same-Sex Desire in the Fiction and Public Cultures of India after 1991." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1374877786.

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16

Mhoumadi, Nassurdine Ali. "Le roman de Mohamed Toihiri : entre témoignage et fiction." Thesis, Lyon 2, 2010. http://www.theses.fr/2010LYO20062/document.

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Le roman de Mohamed Toihiri : roman fondateur et représentatif de la littérature comorienne. Son étude nous conduit à affirmer que c’est un roman d’analyse sociologique dans la mesure où il constitue un excellent document sur la vie quotidienne des Comoriens durant près de deux décennies (1975-1992). Mais il serait fort réducteur de le limiter à cela car ce roman ne se contente pas de présenter finement le fonctionnement de la société comorienne, il véhicule aussi une critique socio-politique radicale de celle-ci et de ses gouvernants. Ce roman inscrit son lecteur, de façon très subtile, dans

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17

Kapur, Vikram. "'The Scales of Remembrance : a Novel' and Indian Fiction Set Against a Political Backdrop'." Thesis, University of East Anglia, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518348.

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18

Chakravarty, G. "Imagining resistance : British historiography and popular fiction on the Indian Rebellion of 1857-59." Thesis, University of Cambridge, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.597394.

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The thesis is a study of British historiography and popular fiction on the Indian 'Mutiny' of 1857-59. The historical writings that I have considered are mainly those written between 1857 and the 1870s, and for the novels the period I have chosen is between 1857 and 1947, the year of Indian's political independence. The first chapter is a reading of the histories by John William Kaye and Charles Ball. Here I have tried to show the ways in which historiography makes sense of and narrates anti-colonial resistance. The discussion also offers an occasion for introducing some of those historical an

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19

Andrews, Gabriel M. "William Apess and Sherman Alexie: Imagining Indianness in (Non)Fiction." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/97.

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This paper proposes the notion that early Native American autobiographical writings from such authors as William Apess provide rich sources for understanding syncretic authors and their engagement with dominant Anglo-Christian culture. Authors like William Apess construct an understanding of what constitutes Indianness in similar and different ways to the master narratives produced for Native peoples. By studying this nonfiction, critics can gain a broader understanding of contemporary Indian fiction like that of Sherman Alexie. The similarities and differences between the strategies of the

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20

Lavery, Charne. "Writing the Indian Ocean in selected fiction by Joseph Conrad, Amitav Ghosh, Abdulrazak Gurnah and Lindsey Collen." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:bc0865da-1b17-47c6-8bb8-46a4fe0962bc.

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Tracked and inscribed across the centuries by traders, pilgrims and imperial competitors, the Indian Ocean is written into literature in English by Joseph Conrad, and later by selected novelists from the region. As this thesis suggests, the Indian Ocean is imagined as a space of littoral interconnections, nomadic cosmopolitanisms, ancient networks of trade and contemporary networks of cooperation and crime. This thesis considers selected fiction written in English from or about the Indian Ocean—from the particular culture around its shores, and about the interconnections among its port cities.

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21

Cappel, Morgan Morgan. "Indigenous Ghosts and Haunted Landscapes: The Anglo-Indian Colonial Gothic Fiction of B.M. Croker and Alice Perrin." Ohio University Honors Tutorial College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1524597175648086.

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22

Thompson, Sidney 1965. "Bass Reeves: a History • a Novel • a Crusade, Volume 1: the Rise." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc804965/.

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This literary/historical novel details the life of African-American Deputy US Marshal Bass Reeves between the years 1838-1862 and 1883-1884. One plotline depicts Reeves’s youth as a slave, including his service as a body servant to a Confederate cavalry officer during the Civil War. Another plotline depicts him years later, after Emancipation, at the height of his deputy career, when he has become the most feared, most successful lawman in Indian Territory, the largest federal jurisdiction in American history and the most dangerous part of the Old West. A preface explores the uniqueness of thi

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23

Kuske, Laura Eileen. "Border stories : race, space, and captivity in early national fiction /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/9395.

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24

Mathai, Kavita. "A question of identity : a study of three Indian novels in English of the nineteen eighties /." Thesis, Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B1886174X.

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25

Pauley-Gose, Jennifer H. "IMPERIAL SCAFFOLDING: THE INDIAN MUTINY OF 1857, THE MUTINY NOVEL, AND THE PERFORMANCE OF BRITISH POWER." Ohio : Ohio University, 2006. http://www.ohiolink.edu/etd/view.cgi?ohiou1147108754.

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26

Chanda, Geetanjali. "Indian women in the house of fiction : place, gender, and identity in post-independence Indo-English novels by women /." Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19736617.

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27

Roy, Reshmi. ""Saptapadi" -- the seven steps : a study of the urban Hindu arranged marriage in selected Indian-English fiction by women authors." Thesis, University of Canterbury. English, 2004. http://hdl.handle.net/10092/4690.

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This study explores the influence of the Indian socio-cultural hegemonic discourse on the urban Hindu arranged marriage. For this purpose, four novels in English by Indian women writers have been selected for their location within the specific urban Indian socio-cultural tradition. These novels are the avenues through which the Gramscian theories of hegemony and consensual control are observed. The study focuses on unravelling the damage caused by the hegemonic socio-cultural traditions within the marriages portrayed in the fiction. The interplay between the reader and the texts is vital in fu

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28

Breckon, Ian. ""The bloodiest record in the book of time" : Amy Horne and the Indian uprising of 1857, in fact and fiction." Thesis, Bath Spa University, 2012. http://researchspace.bathspa.ac.uk/1579/.

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This dissertation comprises a novel and a critical study. It is an exploration of the possible literary and historical representations of the Horne narratives, a collection of documents from the 1857 Indian uprising. Amy Horne, a young woman of mixed European and Indian descent, was a survivor of the massacre at Cawnpore. Converted to Islam and married to an Indian soldier, she spent ten months in captivity with the rebel forces, before returning to British-controlled territory. She subsequently produced several different accounts of her experiences. The critical study is a detailed examinatio

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29

Friedman, Amy Lynn. "Menippean satire or counter-realism? : questions of genre in contemporary Indian fiction in English by Menen, Desani, Rushdie, and Sealy." Thesis, Goldsmiths College (University of London), 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504777.

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The focus of my argument is that much of the counter-realist elements in postcolonial writing can be better u'nderstood in the more traditional terms of Menippean satire. I explore this premise in works by a cohort of four South East Asian authors of satire who have never previously been examined in concert as such: Aubrey Menen, G.V. Desani, Salman Rushdie, and I. Allan Sealy. My investigations have uncovered connections of influence and resonance which make an assiduous case for considering their work as Menippean satire, running counter to extant critical discussions of experimentalism in p

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30

Gohain, Atreyee. "Where the Global Meets the Local: Female Mobility in South Asian Women's Fiction in India and the U.S." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1428022854.

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31

Gemein, Mascha Nicola. "Multispecies Thinking from Alexander von Humboldt to Leslie Marmon Silko: Intercultural Communication Toward Cosmopolitics." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/293607.

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The concept of cosmopolitics identifies a multispecies political practice within the framework of multinaturalism. The dissertation, "Multispecies Thinking from Alexander von Humboldt to Leslie Marmon Silko: Intercultural Communication Toward Cosmopolitics," is concerned with understandings of multispecies relationships, with the human intercultural communication that could prepare for a cosmopolitical practice, and with the ways Native American fiction supports this endeavor. This research draws from Native American literary studies and ecocritical scholarship to illustrate the potential of t

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32

Rasevych, Peter. "Reading native literature from a traditional indigenous perspective, contemporary novels in a Windigo society." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ60865.pdf.

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33

Deuschle, Agnes Hübscher. "FIGURAÇÕES DO INDÍGENA NA FICÇÃO RIO-GRANDENSE." Universidade Federal de Santa Maria, 2008. http://repositorio.ufsm.br/handle/1/9791.

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The figure of the Indian has been a theme in many works and has been approached in multifaceted ways in Brazilian literature. The variegated focus given to the figure of the Indian in literature requires careful analysis. The Indians' Figurations in Rio-Grandense Fiction undertakes to investigate, in the context of the relationships between history and literature, the construction of the Indian in Rio-Grandense fiction. The hypothesis considers that, as it has been observed in the socio-historical reality, the Indian, in literature, is customarily silenced by the dominant culture. The basis fo

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34

Chand, Meira. "Encounters with India : neither self nor other and, Spectrum : a collection of short stories." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2009. https://ro.ecu.edu.au/theses/1855.

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This work comprises a collection of six short stories set in post-independence India and entitled Spectrum. The stories explore varied aspects of contemporary Indian society where, despite economic growth in the years after independence, the resulting prosperity continues to be unevenly distributed; poverty and deprivation are still the lot of many, and class and gender disparity appear as entrenched as ever. The stories encompass shifting points of view: most are constructed from the viewpoint of the 'insider', but the Indian panorama is also seen and experienced from the perspective of the '

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35

Peacock, Frances Louise. "My daddy's farm." Virtual Press, 1997. http://liblink.bsu.edu/uhtbin/catkey/1045628.

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My Daddy's Farm is a work of fiction about Clement J. Jones, a man, my great-grandfather, who committed suicide on November 19, 1924. In the early nineteen-twenties, this family man was a well respected, wealthy citizen of his county who--like one-third of his peers--had an active membership in the Indiana Ku Klux Klan. The story is narrated in part by a slightly sympathetic omniscient narrator, but mainly by Hazel Louise Jones, his daughter, who was in her teens when the Klan swept across Indiana in the nineteen-twenties; she was sixteen when her father committed suicide on November 19th, 192

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36

Consiglio, Amy M. "Five Days at India House." VCU Scholars Compass, 1999. http://scholarscompass.vcu.edu/etd/4446.

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37

McCracken, David E. "The Great Plains trilogy. Book one, These God-forsaken lands. Part one (of three), Wayward horse." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1391232.

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This is the first of three parts in the first of three planned novels, collectively called The Great Plains Trilogy, which takes place between 1841 and 1845. Set against such historical events as the Battle of Plum Creek and the Texas Council House Fight, Part One follows Lock (a.k.a. Aidan Plainfield) in 1841, whose wife and daughter were killed by Comanches during the Victoria raid of 1840. Since the raid, Lock has left his life behind, surviving alone in the Great Plains. One morning he discovers that Comanches have stolen his horse, and he sets off to recover it. Along the way, he meets Mr

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38

Green, Thomas Andrew 1953. "Irony and Indians: A collection of original fiction." Thesis, The University of Arizona, 1991. http://hdl.handle.net/10150/291722.

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The last in a long line of Mesoamerican cultures, the Aztecs massed in the metropolis of Tenochtitlan-Tlatelolco and neighboring cities in the Valley of Mexico, with bureaucracies and royal houses as cosmopolitan as those of their eventual conquerors, the Spaniards. In North America, however, tribal cultures developed organizations based not on the state, but on kin and family relations. The basis of this paper is a comparison of the values fostered by tribalism and those propounded by bureaucracy, whether Mexican or European or even Ming Chinese. The method employed is that of a series of six

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39

Horstmann, Sebastian [Verfasser]. "Images of India in British Fiction: Anglo-India vs. the Metropolis / Sebastian Horstmann." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2016. http://d-nb.info/1102805165/34.

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40

Karmakar, Indrani. "Maternal fictions : the representation of motherhood in Indian women's writing." Thesis, University of York, 2018. http://etheses.whiterose.ac.uk/20279/.

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This project seeks to examine and analyse motherhood as presented by selected Indian women writers, paying particular attention to selected works by Ashapurna Debi, Mahasweta Devi, Shashi Deshpande, Anita Desai, Jhumpa Lahiri, Chitra Banerjee Divakaruni and Nandita Bagchi. My research engages with their literary representation of motherhood for a number of reasons. First, their works are illustrative of the discursive norms of the particular society and culture ‒ or intersection of cultures – in which they were produced. Second, and perhaps more importantly, their creative portrayals provide a

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41

Bilkha, Shubika. "Stories of the cities by the sea : representing society through fiction from Bombay and Karachi /." Connect to online version, 2006. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2006/134.pdf.

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42

Hayball, Constance Nora May. "Some aspects of the treatment of India in modern English fiction." Thesis, Loughborough University, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328816.

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43

Muller, Kathryn V. "The Two Row Wampum : historic fiction, modern reality." Master's thesis, Université Laval, 2004. http://hdl.handle.net/20.500.11794/17832.

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44

Roye, Susmita. "Confrontation and coalescence : women's fiction in English in colonial India, 1870-1947." Thesis, University of Bristol, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546217.

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45

Cundy, Catherine. "'Indias of the mind' : the construction of post-colonial identity in Salman Rushdie's fiction." Thesis, University of Kent, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320511.

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46

Solomon, Benjamin M. "Who Cycles Into Our Valley." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_theses/130.

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The twelve stories in this collection chart a course between the United States and India. Some are set wholly in one country, while others form a bridge between the two. Uniting them is a shared attention to memory, isolation, and loss. In their own idiosyncratic ways, each of the characters in these small fictions is struggling for human connection in a hostile and lonely world.

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47

Marsh, Catherine L. "Fictions of 1947 : representations of Indian decolonization in French-language literary, journalistic and political texts." Thesis, University of Liverpool, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416101.

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48

GÖNC, MOAČANIN Klara. "NĀṬTYAMAṆḌAPA: A Real or a Fictional Performing Space of the Classical Indian Theatre". 名古屋大学大学院文学研究科インド文化学研究室 (Department of Indian Studies, Graduate School of Letters, Nagoya University), 2003. http://hdl.handle.net/2237/19239.

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49

Morey, Peter Gareth. "Re-reading the Raj : narrative and power in British fictions of India." Thesis, University of Sussex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260894.

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50

Zydenbos, Robert J. "The calf became an orphan : a study in contemporary Kannada fiction /." Pondichéry : [Paris] : Institut français de Pondichéry ; Ecole française d'Extrême-Orient, 1996. http://catalogue.bnf.fr/ark:/12148/cb361665233.

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