Relevant bibliographies by topics / Indian music

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Indian music'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Indian music"

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Khan, Shazia, and Ajaya K. Sahoo. "The Sound of Diaspora: The Evolution and Transformation of Indo-Caribbean Music." Journal of Migration History 9, no. 2 (2023): 220–43. http://dx.doi.org/10.1163/23519924-09020004.

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Abstract Traditional North-Indian music has played a crucial role in creating a distinct identity for Indians in the Caribbean since the arrival of the first indentured migrants in 1838. The use of socio-cultural and political elements to connect with the homeland is one of the important features of Indo-Caribbean music. ‘Creolisation’ is indisputable in Caribbean music, which was a result of merging Indian music with local Caribbean music, giving rise to different styles of music, i.e., Baithak Gana, Chutney, and Chutney Soca. This article examines diasporic metamorphoses as a means to unders
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Verma, Shalini. "Indian Folk Music." RESEARCH REVIEW International Journal of Multidisciplinary 8, no. 4 (2023): 108–13. http://dx.doi.org/10.31305/rrijm.2023.v08.n04.013.

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Folk songs have been a medium for the common people to express their feelings and emotions. There is a simple introduction of folk life in folk songs. Along with the external life of a person, they are also the reflection of his mental feelings. Folk music is short, simple, clear, natural, beautiful, emotional and musical. The real introduction to the natural relationship between life and music is through folk songs. In Indian folk music, its different types have been classified as follows – folk songs, folk instruments, folk dances. Folk songs are classified as follows: - Nature related, fami
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Prof., Ashok Shevantrao Jadhav. "Indian Classical Music." International Journal of Advance and Applied Research S6, no. 18 (2025): 249–52. https://doi.org/10.5281/zenodo.15259476.

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<em>Indian classical music is one of the oldest and most complex musical traditions in the world. With its rich history dating back thousands of years, it forms a cornerstone of India's cultural identity. This research paper delves into the history, theory, forms, and cultural significance of Indian classical music, exploring its evolution, the main systems it follows, and its impact on contemporary music. Through a detailed analysis, aim to offer a comprehensive understanding of its unique features, such as ragas, talas, and the spiritual and philosophical underpinnings that define its perfor
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Chandi, Jasdeep Kaur, and Kulveen Trehan. "The cultural shareability of Korean popular media in India: A reflexive thematic analysis of BTS music videos." East Asian Journal of Popular Culture 8, no. 1 (2022): 27–52. http://dx.doi.org/10.1386/eapc_00061_1.

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In this article, the BTS phenomenon in India was examined by looking closely at the music of this South Korean band. A reflexive thematic analysis was performed on five BTS music videos followed by interviews with self-identified Indian BTS fans. Three salient themes were identified in the music videos and fans’ interview responses: the fusion of multiple music video genres, cultural hybridity and love as an evolutionary process. It is suggested that these identified themes are culturally shareable with Indian fans. The cultural shareability of the music of BTS has gradually created a mere-exp
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Sykes, Jim. "Towards a Malayan Indian sonic geography: Sound and social relations in colonial Singapore." Journal of Southeast Asian Studies 46, no. 3 (2015): 485–513. http://dx.doi.org/10.1017/s0022463415000351.

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From the mid-1920s, Indian music scenes developed in Singapore that were not just about the construction of regional and religious forms of Indian diasporic belonging. Drawing upon European, Chinese and Malay influences (musical and otherwise), and performing in contexts that were uncommon in India, Singaporean Indian musicians contributed to non-Indian musics, while incorporating non-Indian influences into Indian genres. Such musical–communal interactions functioned in colonial Singapore to locate the island as a hub for the constitution of a ‘Malayan Indian sonic geography’. By encouraging l
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Raman, Rachna, and W. Jay Dowling. "Real-Time Probing of Modulations in South Indian Classical (Carnātic) Music by Indian and Western Musicians." Music Perception 33, no. 3 (2016): 367–93. http://dx.doi.org/10.1525/mp.2016.33.3.367.

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We used Toiviainen and Krumhansl’s (2003) concurrent probe-tone technique to track Indian and Western musicians’ tonal-hierarchy profiles through modulations in Carnātic (South Indian classical) music. Changes of mode (rāgam) are particularly interesting in Carnātic music because of the large number of modes (more than 300) in its tonal system. We first had musicians generate profiles to establish a baseline for each of four rāgams in isolation. Then we obtained dynamic profiles of two modulating excerpts, each of which incorporated two of the four baseline rāgams. The two excerpts used the tw
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Kumari, Neha. "Music Genre Classification for Indian Music Genres." International Journal for Research in Applied Science and Engineering Technology 9, no. 8 (2021): 1756–62. http://dx.doi.org/10.22214/ijraset.2021.37669.

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Abstract: Due to the enormous expansion in the accessibility of music data, music genre classification has taken on new significance in recent years. In order to have better access to them, we need to correctly index them. Automatic music genre classification is essential when working with a large collection of music. For the majority of contemporary music genre classification methodologies, researchers have favoured machine learning techniques. In this study, we employed two datasets with different genres. A Deep Learning approach is utilised to train and classify the system. A convolution ne
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Aksanova, A. E. "MUSIC IN INDIAN CULTURE." Concept: philosophy, religion, culture 1, no. 9 (2019): 185–92. http://dx.doi.org/10.24833/2541-8831-2019-1-9-185-192.

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Prof., Aniruddha Sanjay Dalvi. "Contribution of Khayal Gharanas to Indian Classical Music." Journal of Research & Development 15, no. 21 (2023): 1–3. https://doi.org/10.5281/zenodo.10299579.

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<strong>Abstract-</strong>Indian classical music is an integral part of Indian music. The tradition of Indian classical music goes back to Bharat Muni's Natyashastra and before that the singing of Samaveda. Bharat Natya Shastra, written by Bharat Muni, is considered to be the first written evidence of the history of Indian music. There are many differences of opinion regarding the time of its composition. Many aspects of today's Indian classical music are mentioned in this ancient text. After Bharat Muni's Natyashastra, Matanga Muni's Brihaddeshi and Sharangdev's Sangeet Ratnakar are considere
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Meddegoda, Chinthaka Prageeth. "Hindustani Classical Music in Sri Lanka: A Dominating Minority Music or an Imposed Musical Ideology?" ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 6 (December 4, 2020): 41–50. http://dx.doi.org/10.30819/aemr.6-3.

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In Sri Lanka, the various groups of Tamils are jointly the largest minority group who migrated from different places of South India and in different time periods. South Indian music is widely appreciated and learnt by both the Sinhala including by large parts of the Tamil minority spread over Sri Lanka. Although a number of Sinhala people prefer and practice North Indian music geographically, and probably culturally, they are much closer to South India than to North India. Some historical sources report that Sinhalese are descendants of North Indians who are believed to be Aryans who migrated
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Dissertations / Theses on the topic "Indian music"

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Nadadur, Kannan Rajalakshmi. "Performing 'religious' music : interrogating Karnatic Music within a postcolonial setting." Thesis, University of Stirling, 2013. http://hdl.handle.net/1893/18272.

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This research looks at contemporary understandings of performance arts in India, specifically Karnatic Music and Bharatnatyam as ‘religious’ arts. Historically, music and dance were performed and patronized in royal courts and temples. In the early 20th century, increased nationalist activities led to various forms of self-scrutiny about what represented ‘true’ Indian culture. By appropriating colonial discourses based on the religious/secular dichotomy, Karnatic Music was carefully constructed to represent a ‘pure’ Indian, specifically ‘Hindu’ culture that was superior to the ‘materialistic’
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Bandopadhyay, Sanjoy. "Music and Music Star: Promotion and Musical Values. Presentation Focus: Indian Classical Music." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71808.

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Magriel, Nicholas Fairchild. "Sarangi style in North Indian art music." Thesis, University of London, 2002. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271640.

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Woolf, Rachel 1988. "Uncovering Aspects of Western and Indian Music in Vanraj Bhatia's Night Music for Solo Flute, and Selected Other Works." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248444/.

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Born in 1927 in Bombay, Vanraj Bhatia is an Indian composer of music for concerts, film, television, opera, meditation, and commercial jingles. His musical style is unique, stemming from his training in both Western and North Indian classical, or Hindustani, music. Little is known about Vanraj Bhatia in the Western classical world, and in India he is recognized primarily as a composer of film music. This dissertation aims to bring awareness of Vanraj Bhatia's significance as a Western classical composer, focusing on uncovering the cross-cultural influences of his only solo flute piece, Night M
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Oppenheim, Michael Hale. "Cross-cultural pedagogy in North Indian classical music." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/43062.

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This thesis is an investigation of pedagogy in North Indian classical music. Historical, cultural, and philosophical elements of pedagogy in the Hindustani musical tradition are addressed in an overview of music education in traditional Indian contexts, the twentieth century, and in cross-cultural contexts. Themes include orality in Indian culture, the traditional guru-shishya parampara, the role of nationalism in twentieth century educational reforms, and the impact of technology in the latter half of the twentieth century. Trends in music education in India are then compared and contrasted w
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Farrell, Gerard James. "Indian music and the west : a critical history." Thesis, Goldsmiths College (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.309508.

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Damm, Robert J. 1964. "American Indian Music in Elementary School Music Programs of Oklahoma : Repertoire, Authenticity and Instruction." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278099/.

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The purpose of this study was to determine the instructional methods of Oklahoma's elementary school music educators with respect to the inclusion of an authentic repertoire of American Indian music in the curriculum. The research was conducted through two methods. First, an analysis and review of adopted textbook series and pertinent supplemental resources on American Indian music was made. Second, a survey of K-6 grade elementary music specialists in Oklahoma during the 1997-1998 school year was conducted.
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Samuels, David William. "A sense of the past : music, place, and history on the San Carlos Apache Reservation /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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Tjerned, Veronica. "Granatäppleblomknopp : rytm som dramatisk båge." Thesis, Stockholms konstnärliga högskola, Institutionen för skådespeleri, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-492.

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ABSTRACT How can I as a Swedish dancer devoted to the Indian classical dance form, kathak, re root it into my own cultural sphere? And express topics beyond the Sub Indian continent without diluting the essence of the art form? I don’t want to create a new dance style.I don’t want to add anything. I want to explore and investigate how I within the tradition of kathak dance and Hindustani music can shuffle the classical format in order to create a longer narrative.  To create a dramaturgical nerve in the performance and take it further than the traditional short dances and compositions connecte
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Cook, Pat Moffitt. "Ghost healer : music healing in a north Indian village /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/11230.

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Books on the topic "Indian music"

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RAMA, Swami. Indian music. Himalayan International Inst., 1989.

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Pingle, Bhavanrav A. Indian music. Sri Satguru Publications, 1989.

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1927-1998, Śarmā Premalatā, and Sangeet Research Academy (Calcutta, India), eds. Indian music. Sangeet Research Academy, 1995.

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Rama. Indian music. Himalayan International Institute of Yoga Science and Philosophy of the USA, 1989.

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Khan, Ali Akbar. Indian classical music. Films for the Humanities & Sciences, 2004.

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Bose, Sunil. Indian classical music. Vikas Pub. House, 1993.

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Chauduri, Debu. On Indian music. Sanjay Prakashan, 2005.

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author, Tarkaswar Venus, ed. Fusion music to Indian classical music. Navjeewan Publication, 2015.

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Browning, Robert H. Festival of India: Masters of Indian music. Edited by World Music Institute. World Music Institute, 1985.

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Singh, Jagjit. Indian music, traditions & trends. Unistar Books, 2009.

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Book chapters on the topic "Indian music"

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Khaengkhan, Rangsiphan. "Understanding Thai Music Through Indian Music." In India-Thailand Cultural Interactions. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-3854-9_7.

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Dorf, Samuel N., Heather MacLachlan, and Julia Randel. "North Indian Classical Music." In Anthology to Accompany Gateways to Understanding Music. Routledge, 2020. http://dx.doi.org/10.4324/9781003041542-18.

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Jackson, William J. "Indian philosophy of music." In History of Indian Philosophy. Routledge, 2017. http://dx.doi.org/10.4324/9781315666792-47.

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Manuel, Peter, and Andre Fludd. "Indian music and transnationalism." In Routledge Handbook of Indian Transnationalism. Routledge, 2019. http://dx.doi.org/10.4324/9781315109381-7.

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Ray, Sitansu. "European Scholars on Indian Music." In Life the Human Quest for an Ideal. Springer Netherlands, 1996. http://dx.doi.org/10.1007/978-94-009-1604-3_24.

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Mukherji, Somangshu. "Musicological method and Indian music." In Rītigaula. Routledge, 2021. http://dx.doi.org/10.4324/9781003171225-4.

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Chakraborty, Soubhik, Guerino Mazzola, Swarima Tewari, and Moujhuri Patra. "An Introduction to Indian Classical Music." In Computational Musicology in Hindustani Music. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-11472-9_1.

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Sarrazin, Natalie. "Concept and Style in Indian Music." In Focus: Popular Music in Contemporary India. Routledge, 2019. http://dx.doi.org/10.4324/9780429505249-3.

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Golding, Rosemary. "W. Ouseley, ‘Anecdotes of Indian Musick’." In Music in Nineteenth-Century Britain. Routledge, 2022. http://dx.doi.org/10.4324/9781003003915-28.

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Putcha, Rumya S. "Disembodiment and South Asian Performance Cultures." In Music and Democracy. mdwPress / transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839456576-008.

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This chapter exposes the role of expressive culture in the rise and spread of late twentieth-century Hindu identity politics. Rumya S. Putcha examines how Hindu nationalism is fueled by affective logics that have crystallized around the female classical dancer and have situated her gendered and athletic body as a transnational emblem of an authentic Hindu and Indian national identity. This embodied identity is represented by the historical South Indian temple dancer and has, in the postcolonial era, been rebranded as the nationalist classical dancer. The author connects the dancer to transnati
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Conference papers on the topic "Indian music"

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Korade, Soham, and Suswara Pochampally. "A Notation Dataset for Indian Raga Music." In 2025 IEEE International Conference on Acoustics, Speech, and Signal Processing Workshops (ICASSPW). IEEE, 2025. https://doi.org/10.1109/icasspw65056.2025.11011153.

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Kumar, Sumit, Parampreet Singh, and Vipul Arora. "Confidence-Enhanced Models for Indian Art Music Analysis." In 2025 IEEE International Conference on Acoustics, Speech, and Signal Processing Workshops (ICASSPW). IEEE, 2025. https://doi.org/10.1109/icasspw65056.2025.11011163.

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Puttegowda, Kiran, Kay Hooi Keoy, R. Deepak, Vinaye Armoogum, and B. D. Parameshachari. "Automated Music Classification using Machine Learning for Indian Songs." In 2024 Second International Conference on Networks, Multimedia and Information Technology (NMITCON). IEEE, 2024. http://dx.doi.org/10.1109/nmitcon62075.2024.10698871.

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Sankaranarayanan, Raghavasimhan, and Gil Weinberg. "A Novel Violin Playing Robot for South Indian Classical Music." In 2025 20th ACM/IEEE International Conference on Human-Robot Interaction (HRI). IEEE, 2025. https://doi.org/10.1109/hri61500.2025.10973912.

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Surapally, Swathi, Siva Ramakrishna Jeevakala, and Sriya Pranathi Aluri. "Hybrid CNN and RNN Variant Model for Indian Music Genre Classification." In 2025 3rd International Conference on Smart Systems for applications in Electrical Sciences (ICSSES). IEEE, 2025. https://doi.org/10.1109/icsses64899.2025.11009650.

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Barve, Omkar, and Akhtar M. Shaikh. "Exploring N-Gram Modelling for Automatic Melody Generation in Indian Classical Music." In 2024 First International Conference on Technological Innovations and Advance Computing (TIACOMP). IEEE, 2024. http://dx.doi.org/10.1109/tiacomp64125.2024.00092.

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Balamurugan, V. T., J. Hrithick Sundar, and V. V. Meenakshi. "Computational Analysis and Classification of the Pannisai system of Indian Classical Music." In 2025 IEEE International Conference on Acoustics, Speech, and Signal Processing Workshops (ICASSPW). IEEE, 2025. https://doi.org/10.1109/icasspw65056.2025.11011268.

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K, Arathi, Hotha Durga Swetha, V. G. Vaishali, et al. "On Investigating a Better Audio Representation for Mood Classification in Indian Popular Music." In 2025 IEEE International Conference on Acoustics, Speech, and Signal Processing Workshops (ICASSPW). IEEE, 2025. https://doi.org/10.1109/icasspw65056.2025.11011156.

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Joby, Ashwin P., Allen Mammen Abraham, Sona Philip, Tessa Ann Josy, M. S. Sinith, and Rajeev Rajan. "Teaching Indian Classical Music Using Web-Based Interactive Platform and Real-Time Audio Analysis." In 2024 32nd European Signal Processing Conference (EUSIPCO). IEEE, 2024. http://dx.doi.org/10.23919/eusipco63174.2024.10715210.

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Govindarajan, Priya, Shubhada M. Mothi, and Abebe Tesfahun. "An AI Model for Recognization of Raagas in Indian Classical, Carnatic Music – A Review Article." In 2023 IEEE International Conference on Cloud Computing in Emerging Markets (CCEM). IEEE, 2023. http://dx.doi.org/10.1109/ccem60455.2023.00025.

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Reports on the topic "Indian music"

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Delyea, Cole. Indian Classical Music Sound Characteristics (Various artists). ResearchHub Technologies, Inc., 2024. http://dx.doi.org/10.55277/researchhub.hjxx3acj.

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