Academic literature on the topic 'Indian mythology'

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Journal articles on the topic "Indian mythology"

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Badola, Anukriti, and Ambuj Kumar Sharma. "Indian Mythology and Ecocriticism." Integrated Journal for Research in Arts and Humanities 4, no. 5 (2024): 95–97. http://dx.doi.org/10.55544/ijrah.4.5.14.

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According to Indian philosophy, human body is said to be formed of five elements – Panchtattva, namely earth (prithvi), water (apas), fire (agni), air (vayu) and aether (akasha). From the birth of an individual till his death, the Indian way of life is closely connected to nature. From home hearths to the funeral pyres, wood and fire are predominantly present. A newborn is consecrated with the holy waters of Ganges and the ashes of the dead are immersed in the same holy water. Indians have long had an intense connection with nature. This connection is clearly reflected in the Indian mythology.
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Md., Amir Hossain. "Rethinking Greek Mythology and Indian Mythology." Literary Druid 4, Special Issue 1 (2022): 9–14. https://doi.org/10.5281/zenodo.6945380.

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<em>This paper aims to look at Greek mythology, the &ldquo;Iliad&rdquo; and Indian mythology, &ldquo;Ramayana&rdquo; as a comparative study to foster common similarities based on plot construction and art of characterization. For this purpose, it would like to examine male and female characters in Greek mythology; myth in gender studies, gender in myth studies; truth, falsehood, and human knowledge; Ramayana as a reflection of social life; its impact on human life, culture and literature. The paper aims to motivate emerging scholars and novice researchers by making a comparative study between
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Nachimuthu, P. "Mentors in Indian Mythology." Management and Labour Studies 31, no. 2 (2006): 137–51. http://dx.doi.org/10.1177/0258042x0603100203.

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Mentoring is the widely discussed topic in the business world of today. But this mentoring had its origin in India, thousands of years ago, in the form of Guru-Shisya relationship or the ‘Gurukul’ system of education of India. Mentoring is a relationship, which gives people the opportunity to share their professional and personal skills and experiences, and to grow and develop in the process. Since it is generally presumed that the concept and practice of mentoring originated from that country and this country, this article tries to bring out the truth that the practice of Mentoring had its ro
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Munna, Kanhu Charan. "From Myth to Mythya: A Study on the Metamorphosis of Ramayana in Modern India." International Journal of English Literature and Social Sciences 9, no. 2 (2024): 247–51. http://dx.doi.org/10.22161/ijels.92.37.

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This article explores the enduring impact of Indian mythology on contemporary literature, particularly through the reinterpretation of ancient epics like the Ramayana. It delves into recent literary works that reimagine these timeless tales, offering fresh perspectives that resonate with modern audiences. Beginning with an overview of Indian mythology's rich tapestry, the article highlights its universal themes and relatable characters, from the noble prince Rama to the resilient Sita. It discusses notable works such as Amish Tripathi's Sita: Warrior Of Mithila, P. Lalita Kumari’s The Liberati
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Rehman, Shazia. "INDIAN MYTHOLOGICAL HYBRID FORMS IN CONTEMPORARY INDIAN ARTWORKS." International Journal of Research -GRANTHAALAYAH 4, no. 12 (2016): 155–69. http://dx.doi.org/10.29121/granthaalayah.v4.i12.2016.2405.

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In this paper I have highlighted those art works which have hybrid/composite imagery. These images are not only appealing visually but also have strong connections with Indian Mythology. In Indian Myths these are considered as heavenly being and are mentioned in mythological stories in many forms such as aerial or atmospheric mythical animals, terrestrial mythical animal, and aquatic mythical animals etc. I have provided analysis of these types of images which are a part of Indian contemporary paintings with a new interpretation of meaning. I have included variety of these images and distribut
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Shazia, Rehman. "INDIAN MYTHOLOGICAL HYBRID FORMS IN CONTEMPORARY INDIAN ARTWORKS." International Journal of Research -GRANTHAALAYAH 4, no. 12 (2016): 155–69. https://doi.org/10.5281/zenodo.223833.

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In this paper I have highlighted those art works which have hybrid/composite imagery. These images are not only appealing visually but also have strong connections with Indian Mythology. In Indian Myths these are considered as heavenly being and are mentioned in mythological stories in many forms such as aerial or atmospheric mythical animals, terrestrial mythical animal, and aquatic mythical animals etc. I have provided analysis of these types of images which are a part of Indian contemporary paintings with a new interpretation of meaning. I have included variety of these images and distribut
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Shamasundar, C. "Therapeutic Wisdom in Indian Mythology." American Journal of Psychotherapy 47, no. 3 (1993): 443–50. http://dx.doi.org/10.1176/appi.psychotherapy.1993.47.3.443.

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Prajakta, B. Deshmukh, Narayan Misal Ashutosh, Pawar Satish, Gundawar Prashant, and Patil Shripada. "Impact of Indian Mythology on modern Management." Empirical Economics Letters 22, September Special Issue 4 (2023): 15–36. https://doi.org/10.5281/zenodo.8417840.

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<strong>Abstract: </strong>This research paper delves into the intricate interplay between Indian Mythology and modern management practices, unveiling the extent to which mythological elements are employed by contemporary businesses and the profound impact they wield. Through a comprehensive quantitative analysis of responses from 300 participants across diverse industries, the study investigates the integration of Indian Mythological symbols, narratives, and principles in organizational strategies. The findings illuminate the active utilization of mythological elements in branding, leadership
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Sanap, Sarala Kisan. "The Impact of Indian Mythology and Folklore in Indian English Drama: A Study of Girish Karnad's Works." International Journal for Social Studies 10, no. 1 (2024): 83–88. https://doi.org/10.5281/zenodo.14167953.

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<em>Indian English drama has grown into a vibrant literary tradition, often drawing upon the cultural, historical, and mythological traditions of India. One of the foremost dramatists in this tradition is Girish Karnad, whose works blend the complexities of modern theatrical forms with the richness of Indian mythology and folklore. This paper examines the impact of Indian mythology and folklore on Karnad's plays, focusing on how he incorporates traditional myths, stories, and cultural motifs into his plays to explore contemporary concerns. Through a close reading of some of his most prominent
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Mahabel, Ashish. "Mythology, Cosmogonies, and Indian Science Fiction." Culture and Cosmos 27, no. 0102 (2023): 287–302. http://dx.doi.org/10.46472/cc.01227.0235.

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This paper examines the cultural significance of the intersection between Indian mythology, cosmogonies, and science fiction. India has a rich history of diverse religious traditions and corresponding world views, many of which have influenced each other. The Hindu pantheon has included the Sun from early times. With the planets also gaining in importance after the rise of astrology, the need to predict their paths saw the development of astronomical observations and spherical trigonometry. These serve as examples of how scientific and religious ideas have interacted throughout Indian history.
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Dissertations / Theses on the topic "Indian mythology"

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Felix, Robert. "Finding God and gospel in the foundations of native American myths and beliefs." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.

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Kendall, George Henry. "The healing power : mythology as medicine in contemporary American Indian literature." Master's thesis, University of Cape Town, 1998. http://hdl.handle.net/11427/20184.

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Bibliography: pages 124-132.<br>This study explores the symptoms of alienation witnessed in Indian characters and the healing they achieve through myth in three contemporary American Indian novels. In James Welch's historical novel, Fools Crow, I explore the methods through which Welch tells the story of Fools Crow. I draw comparisons between oppositions such as oral and written language, oral and written history, and history and narrative. I examine the ideas of many theorists, including Walter J. Ong's Orality and Literacy and Hayden White's inquiry into historiography in Tropics of DiscouT'
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Anderson, Vera. "Numerology as the base of the myth of creation, according to the Mayas, Aztecs, and some contemporary American Indians." Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186236.

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This dissertation intends to demonstrate the impact of numerology in every aspect of the lives of ancient precolombian people as well as several contemporary American Indian tribes. For this reason numerology may be viewed as a true science, that is both an esoteric and a philosophical one. Thus, numbers may be looked upon not only as abstract signs, but as all inclusive entities in and of themselves. To the ancients, numerical symbols had an occult connotation that transcended the restrictive boundaries of simple computation. For instance, numerology had an integral role in Maya, Aztec, and s
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Nagel, David. "The development of the faith life of children and adults in a residential school setting through the liturgical year and its celebrations." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.

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Dewey, Janice Laraine. "The myth of the Amazon woman in Latin American literatures and cultures." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185579.

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This study explores evocations of the concept of the "Amazon Woman" and her female tribe, from cross-continental prehistoric sources to contemporary ritual practice within native amerindian belief systems of the rain forests of South America. The designation "Amazon" for the world's largest river has often been considered a grand "mistake" made by sixteenth century explorers; imaginative portrayals of Amazons had invigorated the reports of numerous early travelers, including Marco Polo, Columbus, and Hernan Cortes. This analysis establishes the importance of a reconsideration of the Amazon "mi
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Sá, Lara Caldas Medeiros de. "O simbolismo da morte na mitologia indígena brasileira: uma abordagem Junguiana." Pontifícia Universidade Católica de São Paulo, 2011. https://tede2.pucsp.br/handle/handle/15043.

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Made available in DSpace on 2016-04-28T20:37:42Z (GMT). No. of bitstreams: 1 Lara Caldas Medeiros de Sa.pdf: 380673 bytes, checksum: 67df906a4b6289278fb24a5392da387c (MD5) Previous issue date: 2011-09-23<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>The objective of this study is to explore the death symbolism from Brazilian Indian mythology, based on the analytical perspective of C. G. Jung. The nature of the research is to analyze documents from bibliography review, which focuses on the analysis of selected indigenous myths. Considerations are given to the symbols rel
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Azevedo, Amandine d'. "Cinéma indien, mythes anciens, mythes modernes : résurgences, motifs esthétiques et mutations des mythes dans le film populaire hindi contemporain." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030126.

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Le cinéma populaire indien est à la fois un lieu de création de mythes filmiques puissants et un univers qui interagit avec un autre corpus, celui des mythes et des épopées classiques, plus particulièrement le Ramayana et le Mahabharata. Si ces derniers ont souvent été l’objet d’adaptations, surtout dans les premières décennies du cinéma indien, le cinéma contemporain compose des rapports complexes et singuliers vis-à-vis des héros et de leurs hauts faits. Les mythes traditionnels surgissent au détour d’un plan, à la manière d’une résurgence morale, narrative et/ou formelle, tout comme – dans
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Vukovic, Kresimir. "The Roman festival of the Lupercalia : history, myth, ritual and its Indo-European heritage." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:2765ebe9-20ef-47c0-9d48-63c7e8a2fb34.

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The Roman festival of the Lupercalia is one of the most discussed issues in the field of pre-Christian Roman religion. Hardly a year goes by without an article on the subject appearing in a major Classics journal. But the festival presents a range of issues that individual articles cannot address. This thesis is an attempt to present a modern analysis of the phenomenon of the Lupercalia as a whole, including literary, archaeological and historical evidence on the subject. The first section presents the ancient sources on the Lupercalia, and is divided into five chapters, each analysing a parti
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Losonczy, Anne Marie. "Les Saints et la forêt: système social et système rituel des Négro-Colombiens :échanges inter-ethniques avec les Emberã du Chocó (Colombie)." Doctoral thesis, Universite Libre de Bruxelles, 1992. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212878.

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Keener, Candis Michelle. "The Baby Jaguar Series a comparative analysis /." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1259607927.

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Thesis (M.A.)--Kent State University, 2009.<br>Title from PDF t.p. (viewed April 22, 2010). Advisor: Fred Smith. Keywords: Baby Jaguar; Chaak; Maya ceramic painting; Yum Cimil; Codex Vessels. Includes bibliographical references (p. 86-90).
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Books on the topic "Indian mythology"

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Ions, Veronica. Indian mythology. Reed International Books for Prakash Books, 1992.

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Ions, Veronica. Indian mythology. Bounty Books, 2004.

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Levin, Judith. Indian mythology. The Rosen Pub. Group, 2007.

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Burland, C. A. North American Indian mythology. Newnes, 1985.

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K, Rachlin Carol, ed. American Indian mythology. New American Library, 1986.

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Marriott, Alice Lee. Plains Indian mythology. New American Library, 1985.

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K, Rachlin Carol, ed. Plains Indian mythology. Penguin Meridian, 1985.

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Burland, C. A. North American Indian mythology. P. Barnes & Noble Books, 1996.

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Gaman, ed. Treasury of Indian mythology. Shree Book Centre, 2006.

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Mohanty, Muralidhar. Indra in Indian mythology. Punthi Pustak, 2008.

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Book chapters on the topic "Indian mythology"

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Bindal, Amit. "Mythology as/and History in Indian Courtrooms." In Freedom of Religion and Constitutional Law. Routledge, 2025. https://doi.org/10.4324/9781003398561-5.

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Asghari, Bibiaghdas, and Annapurna M. "Contrastive Study of "Time" in Iranian-Indian Mythology." In Antrocom: Journal of Anthropology, edited by Marco Menicocci and Moreno Tiziani. Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463235413-003.

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Shashank, Dara, and Tarun Kumar. "Itihasa-An Interactive Learning Experience of Indian Mythology." In Lecture Notes in Networks and Systems. Springer Nature Singapore, 2025. https://doi.org/10.1007/978-981-97-9529-1_13.

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Ovla, Arman. "Myth and Mythology Related to Water in Indian and Iranian Culture." In Art and Architectural Traditions of India and Iran. Routledge India, 2021. http://dx.doi.org/10.4324/9781003229421-8.

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Bailey, Greg. "Mythology." In Hinduism in India: The Early Period. SAGE Publications, Inc., 2017. http://dx.doi.org/10.4135/9789352809950.n5.

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Valančiūnas, Deimantas. "Re-imagining Hindu Mythology in the Twenty-First Century: Amish Tripathi and Indian Fantasy Fiction in English." In The Palgrave Handbook of Global Fantasy. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-26397-2_13.

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Torri, D. "The Coral Tree at the End of the World: Introductory Notes to Coralline Mythology and Folklore from the Indian and Pacific Oceans." In Perspectives on the Marine Animal Forests of the World. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57054-5_1.

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Singh, M. Rameshwor. "Mythology, Contemporary Issues and Writers' Response." In Literatures from Northeast India. Routledge India, 2022. http://dx.doi.org/10.4324/9781003272946-13.

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Strenski, Ivan. "Legitimacy, Mythology and Irrational Violence in Hindu India." In Ethical and Political Dilemmas of Modern India. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-23057-0_1.

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Tag, Hui, P. Kalita, Ranjay K. Singh, and A. K. Das. "Biocultural Resources and Traditional Food Systems of Nyishi Tribe of Arunachal Pradesh (India): An Empirical Learning on the Role of Mythology and Folklore in Conservation." In Social-Ecological Diversity and Traditional Food Systems. CRC Press, 2021. http://dx.doi.org/10.1201/9781003246220-7.

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Conference papers on the topic "Indian mythology"

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Padiyar, Smitha S., and Sanjay Singh. "Word based thematic game on Indian mythology." In 2017 International Conference on Advances in Computing, Communications and Informatics (ICACCI). IEEE, 2017. http://dx.doi.org/10.1109/icacci.2017.8126074.

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Varenov, Andrey. "Ritual Bronzes of Sanxingdui and Ancient Indian Mythology." In ВОСТОК-ФОКУС: актуальные вопросы изучения истории, международ ных отношений и культур стран Востока: материалы VII Международной научно-практической конференции. IPC NSU, 2024. https://doi.org/10.25205/978-5-4437-1701-2-1.

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The bronze skirt-wearing human figure, with talons instead of feet holding two snake-like creatures, was discovered in 1986 at JK2 sacrificial pit of the Sanxingdui site. It belongs to the Bronze Age culture spread in the Sichuan province of the PRC. The statue being discussed can be interpreted with the help of ancient Indian myths about Garuda. The discovery in Sanxingdui of big bronze wheels featuring five spokes each supports such an interpretation. The statue can easily pass between the spokes of every wheel. The results of new excavations at Sanxingdui in 2020–2022 are briefly mentioned.
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BARAGA, Victoria. "Magic vehicles in world mythology." In Probleme ale ştiinţelor socioumanistice şi ale modernizării învăţământului. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.46728/c.v3.25-03-2022.p18-24.

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The plurality of mythical thinking allows for a wide range of perspective approaches. We propose a direction related to the technologies evoked in the coordinates of the mythical universe, namely magical vehicles. We will focus on the most commonly used means of transportation, such as the flying chariot, the magic carpet, the Indian Vimana, etc., but also on the original technologies such as the caduceus, the golden ram or the flight shoes. In investigating the topic, we used texts from universal as well as from Romanian mythology. This research allows us to reconfirm the precious polysemous
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hui, Peng Shao. "The Metamorphic Motif in Indian Myths and its Ethnic Culture." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8952.

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Metamorphosis, which refers to the metamorphosis and alteration of diverse objects, is a common motif throughout world mythology. Humans, gods, demons, animals, as well as plants and inanimate objects, can turn into each other in Indian myths, expressing the imaginative and majestic manner of Indian myths. In this study, we will quickly outline the metamorphic motifs in Indian myths and explore the causes behind the metamorphic motifs, particularly the effect of Indian ethnic culture on the metamorphic motifs. There are three sorts of metamorphic motifs in Indian myths: reincarnation, deity in
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Metreveli, Lili. "Three Medeas – Modernist and Postmodernist Reception of Medea Myth in Georgian Literature." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8436.

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Greek mythology has made character of Medea of Colchis the indivi-sible part of world cultural heritage. For centuries character of Medea has maintained its significance and comprised source of inspiration for the representatives of various spheres of fine arts. Of course, regarding the contexts of the epochs (conceptual and esthetic position) and author’s intent, some motifs of the Argonauts’ myth and character of the woman of Colchis have been changing. One part of the creators sees in it a murderous mother, the other part a vengeful wife or a traitor, while others see Medea as the first fem
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