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Relevant bibliographies by topics / Indian Ocean (Musical group)

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Journal articles

Academic literature on the topic 'Indian Ocean (Musical group)'

Author: Grafiati

Published: 29 July 2024

Last updated: 30 July 2024

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Journal articles on the topic "Indian Ocean (Musical group)"

1

KABIR, ANANYA JAHANARA. "Rapsodia Ibero-Indiana: Transoceanic creolization and the mando of Goa." Modern Asian Studies 55, no. 5 (2021): 1581–636. http://dx.doi.org/10.1017/s0026749x20000311.

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AbstractThe mando is a secular song-and-dance genre of Goa whose archival attestations began in the 1860s. It is still danced today, in staged rather than social settings. Its lyrics are in Konkani, their musical accompaniment combine European and local instruments, and its dancing follows the principles of the nineteenth-century European group dances known as quadrilles, which proliferated in extra-European settings to yield various creolized forms. Using theories of creolization, archival and field research in Goa, and an understanding of quadrille dancing as a social and memorial act, this

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2

Mallet, Julien. "Insularity and Musical Horizons in Madagascar. Local Networks, Global Connection and Vice Versa." Youth and Globalization 4, no. 2 (2023): 178–94. http://dx.doi.org/10.1163/25895745-04020010.

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Abstract In Madagascar, musical genres that were previously exclusively regional have been broadcast nationwide for a few years. One of the notable changes concerning representations lies in the transition from identity referents linked to regional and/or ethnic affiliations to referents (assigned by the capital’s media) belonging to a globalizing register: mafana music (“hot music”). Artists, taken in this category, have migrated to the capital and are building new musical forms combining regional or ethnic repertoires and international modern forms, in particular by affirming and claiming a

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3

Parent, Marie-Christine. "“MUSIC OF THE SLAVES” IN THE INDIAN OCEAN CREOLE ISLANDS: A PERSPECTIVE FROM THE SEYCHELLES." African Music: Journal of the International Library of African Music 11, no. 2 (2020): 1–24. http://dx.doi.org/10.21504/amj.v11i2.2311.

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This article examines the development and expression of the moutya from Seychelles, in relation to the sega from Mauritius and the maloya from Reunion. These musical styles and their associated practices are recognised as evidence of an African heritage in the archipelagos. To better understand their connections and singularities, I utilise a diachronic and synchronic approach, at local and regional levels. The purpose is to demonstrate the mobility of musicians and the permeability of musical practices in these islands over time, using history and narratives from the colonial period (from the

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4

Pujolràs-Noguer, Esther, and Felicity Hand. "Indian Ocean Imaginaries. The Academic Trajectory of the Ratnakara Research Group." Revista Canaria de Estudios Ingleses, no. 82 (2021): 13–26. http://dx.doi.org/10.25145/j.recaesin.2021.82.02.

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This article outlines the academic trajectory of the Ratnakara Research Group through a description of the research conducted in each of the financed research projects it has been awarded. Ratnakara. Indian Ocean Literatures and Cultures is the only Spanish research group that specializes in the study of the literary and cultural productions of the Indian Ocean area and has contributed to the creation and consolidation of Indian Ocean imaginaries.

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Singh, D. D. "Rayleigh-Wave Group-Velocity Studies beneath the Indian Ocean." Bulletin of the Seismological Society of America 95, no. 2 (2005): 502–11. http://dx.doi.org/10.1785/0120000296.

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6

P B, Manjunatha, Fathima Nuzhat, Gnanashri K V, Haidery Zehra, and Lakshmi Kruthi H K. "RAGA DETECTION." International Research Journal of Computer Science 9, no. 8 (2022): 245–49. http://dx.doi.org/10.26562/irjcs.2022.v0908.18.

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The Indian music genre bestows an artist to offer their own particular flavor to a raga makes it delicate for a neophyte to spot two contrasting performances of the identical raga. The importance of Raga identification in Indian music cannot be inflated. The analysis must begin with relating the underpinning raga. There are various attempts made in relating the raga in an exceedingly music. The identification of ragas is intelligible and comes only after respectable quantum of revelation. For automated identification, several the attributes of ragas must be converted into applicable features.

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7

Wong, Patrick C. M., Alice H. D. Chan, Anil Roy, and Elizabeth H. Margulis. "The Bimusical Brain Is Not Two Monomusical Brains in One: Evidence from Musical Affective Processing." Journal of Cognitive Neuroscience 23, no. 12 (2011): 4082–93. http://dx.doi.org/10.1162/jocn_a_00105.

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Complex auditory exposures in ambient environments include systems of not only linguistic but also musical sounds. Because musical exposure is often passive, consisting of listening rather than performing, examining listeners without formal musical training allows for the investigation of the effects of passive exposure on our nervous system without active use. Additionally, studying listeners who have exposure to more than one musical system allows for an evaluation of how the brain acquires multiple symbolic and communicative systems. In the present fMRI study, listeners who had been exposed

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8

NAG, SK. "Surface Wave Dispersion and Crustal Structure in the Indian Ocean." MAUSAM 18, no. 1 (2022): 119–22. http://dx.doi.org/10.54302/mausam.v18i1.4401.

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Dispersion of Rayleigh waves along several paths in the Indian Ocean have been studied by means of records from Shillong. From the observed group velocity data it was found that the average thickness of the crust under the Indian Ocean is about 5.10 km. It was also found that the bottom of the Indian Ocean is likely to be covered, by a series of ridges.

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9

Das, R., L. Granat, C. Leck, P. S. Praveen, and H. Rodhe. "Chemical composition of rainwater at Maldives Climate Observatory at Hanimaadhoo (MCOH)." Atmospheric Chemistry and Physics 11, no. 8 (2011): 3743–55. http://dx.doi.org/10.5194/acp-11-3743-2011.

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Abstract. Water-soluble inorganic components in rain deposited at the Maldives Climate Observatory Hanimaadhoo (MCOH) were examined to determine seasonality and possible source regions. The study, which is part of the Atmospheric Brown Cloud (ABC) project, covers the period June 2005 to December 2007. Air mass trajectories were used to separate the data into situations with transport of air from India and adjacent parts of the Asian continent during the months December and January (Indian group) and those with southerly flow from the Indian Ocean during the summer monsoon season June to Septem

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10

Blench, Roger. "Using Diverse Sources of Evidence for Reconstructing the Past History of Musical Exchanges in the Indian Ocean." African Archaeological Review 31, no. 4 (2014): 675–703. http://dx.doi.org/10.1007/s10437-014-9178-z.

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