Relevant bibliographies by topics / Indian pottery

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Indian pottery'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Indian pottery"

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Sharma, Shikha, and Pavel R. Kholoshin. "New Data on Traditional Pottery in India (Pune, Maharashtra)." Archaeology and Ethnography 20, no. 5 (2021): 154–65. http://dx.doi.org/10.25205/1818-7919-2021-20-5-154-165.

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Purpose. A brief survey of the pottery community in the Mundhwa area was conducted in March 2019 and February 2020 as part of the Russian-Indian anthropological expedition organized by the Paleoethnology Research Center, State Museum of Biology (Moscow, Russia) and Savitribai Phule Pune University (Pune, India). The purpose of the study was to provide an initial insight into how traditional pottery functions in these urbanized environments. Results. Various forms of pottery production have been identified. The most widespread was men’s pottery using a potter’s wheel. Only men are engaged in the manufacture of pottery here – Hinduism forbids women from working on a potter’s wheel. All craftsmen work almost all year round, reducing production during the rainy season. With the rapid urbanization and concentration of the population, the demand for pottery has increased. Potters buy practically all raw materials. The clay is brought by peasants from villages within a radius of 80 km by trucks several times a year. The preparation of raw materials, as well as kneading the clay paste, is carried out by most potters by hand. All potters use an electric potter’s wheel to create the vessels. The surface treatment of products by potters is carried out by smoothing using fingers or scrapers while the wheel is rotating. Firing is carried out in square ovens made of bricks. The firing of products begins in the evening, active combustion lasts two to three hours, after which the oven is left to cool until the morning, when the finished vessels are removed. One firing requires about 150 kg of wood. Potters who migrated here from Uttar Pradesh use open firing for their vessels. Conclusion. The authors found that: the traditional nature of the craft is preserved in the community: knowledge and skills are passed down through the family line, the potters use traditional raw materials, building techniques and firing devices; resettled potters demonstrate mixed skills in different levels of pottery production, for example using a mixture of different natural clays; under the pressure of economic conditions, the electric pottery wheel is spreading, the way firing is organized has slightly changed.
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Rosselló, Jaume García. "The Potter’s Wheel in the Chilean Central Valley: A Long-Term and Contextual Perspective on Technological Change." Interdisciplinaria Archaeologica Natural Sciences in Archaeology XII, no. 2 (December 30, 2021): 267–79. http://dx.doi.org/10.24916/iansa.2021.2.12.

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In this article the social and technological dynamics detected in the transition from hand-made pottery to wheel-thrown ware in a modern context is considered. The many different sources supplemented by fieldwork provide a long-term perspective and a depiction of its present consequences. It is specifically explained, how an indigenous, hand-made, domestic and female pottery-production system has turned into an essentially male, wheel-thrown and workshop activity. After a series of significant events, the Indian village of Pomaire gained a reputation as a potter’s village. The several changes underwent by its population as regards to pottery production makes it an interesting example to analyse the origin and development of a process of technological change which ended up with the displacement of women from pottery-making and the introduction of the means for mechanised production during the 1980s. Thus, the social and technical transformations which have taken place since colonial times (beginning of the 16th century), for the potters of Pomaire are explained, enlarged on their history in order to contribute to a general reflection.
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Winslow, Deborah. "Status and Context: Sri Lankan Potter Women Reconsidered After Field Work in India." Comparative Studies in Society and History 36, no. 1 (January 1994): 3–35. http://dx.doi.org/10.1017/s0010417500018879.

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In February 1989, in Pune, a city of a million people in the western Indian state of Maharashtra, I visited a simple outdoor pottery workshop. It consisted of a shallow pit kiln surrounded by eleven spaces shaded by gunny sacks on a flat area at the top of stairs leading down to a large river that ran through the city center. The families who used this space werekumbhars, members of a Hindu caste group found throughout the subcontinent. In India to teach, I thought that time spent with these potters might provide a perspective on Sinhalese potters I had known in a Sri Lankan village in the 1970s.The Indian potters were willing, so this first visit was followed by many more over the next four months.
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WALKER, MICHAEL J., and S. SANTOSO. "Romano-Indian Rouletted Pottery in Indonesia." Mankind 11, no. 1 (May 10, 2010): 39–45. http://dx.doi.org/10.1111/j.1835-9310.1977.tb01160.x.

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Paliwal, Anju, and Dr Giriraj Sharma. "WOMEN ARTISTS IN CONTEMPORARY INDIAN CERAMICS." ShodhKosh: Journal of Visual and Performing Arts 3, no. 1 (June 3, 2022): 377–88. http://dx.doi.org/10.29121/shodhkosh.v3.i1.2022.120.

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Indian has a rich heritage of terracotta art. The history of terracotta/clay goes back to the Harappan Civilization. It is one of the oldest mediums of communication between people, whether for the barter system or as a medium of expression for the artists. ‘Pot’ in the Indian language is called a KUMBH and a person who makes it is called a KUMBHKAR. A different name of potter came to be known as 'Prajapati' creator of toys that came from Brahma who made man of clay. In traditional potter’s families, women were not allowed to work on the wheel. Women help in preparing the clay, making figures, and pain and decorating the ready pots. (Kempler, 2015)India is a patriarchal society, it is education that broke the age-old barriers and notions related to clay and brought self-sufficiency and self-consciousness for graceful living and honorable status in the society. Development of Art College in India after Independence encouraged many female students to learn different subjects like pottery, painting, sculpture, etc. All these subjects enhanced the technical knowledge of the students and paved their way into different art fields. Nirmala Patwardhan, Jyotsna Bhatt, Era Mukherjee, Shampa Shah, Dipalee Daroz, Manisha Bhattacharya, Kristine Michael, Madhavi Subramaniam are some of the artists who encouraged the future women ceramic artists in India.In the present study, we will discuss the contribution of women ceramic artists in contemporary Indian ceramics.
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Benco, Nancy L. "The Legacy of Generations: Pottery by American Indian Women:The Legacy of Generations: Pottery by American Indian Women." Museum Anthropology 22, no. 2 (September 1998): 66–69. http://dx.doi.org/10.1525/mua.1998.22.2.66.

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DUNCAN, RONALD. "Catawba Indian Pottery: The Survival of a Folk Tradition:Catawba Indian Pottery: The Survival of a Folk Tradition." Museum Anthropology 29, no. 1 (April 2006): 90–91. http://dx.doi.org/10.1525/mua.2006.29.1.90.

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Lansing, J. S., A. J. Redd, T. M. Karafet, J. Watkins, I. W. Ardika, S. P. K. Surata, J. S. Schoenfelder, M. Campbell, A. M. Merriwether, and M. F. Hammer. "An Indian trader in ancient Bali?" Antiquity 78, no. 300 (June 2004): 287–93. http://dx.doi.org/10.1017/s0003598x00112955.

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Kruckemeyer, Kate, Susan Peterson, D. Y. Begay, Kalley Keams, and Wesley Thomas. "The Legacy of Generations: Pottery by American Indian Women." Journal of American Folklore 113, no. 447 (2000): 94. http://dx.doi.org/10.2307/541271.

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Chaudhary, Avadhesh Kumar. "Study of Ancient Indian Pottery in a Geographical Context." RESEARCH REVIEW International Journal of Multidisciplinary 7, no. 6 (June 15, 2022): 90–93. http://dx.doi.org/10.31305/rrijm.2022.v07.i06.015.

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Love for beauty is an innate tendency of human beings. It is the consciousness of beauty that gives artistry to human interest. The preoccupation to express one's feelings has been there in humans since the primitive age. The stone paintings made of ocher or dhau stone (hamelite) on the walls of ancient caves are proof of the distraction of human expression of that era. Along with the development of civilization, the expression-ability of man also spread from various sources. When the power of imagination was coordinated with human's emotional and creative talent, its expression started touching the higher dimensions of artistry. This skill of expression is the mother of art. Man expressed his artistic feelings sometimes through literature, sometimes through music, sometimes through paintings, sometimes through sculptures and sometimes through architecture. Indus civilization is counted among the oldest civilizations of the world. The evidence of this civilization is about 5000 years old. Remains of the Indus civilization are earthenware jars, bronzes, seals made of alabaster, figures of soft stone, figures of humans and animals and birds made of clay, and idols of many mother goddesses made of clay. Whatever the craftsmen made on clay in illiterate ways of humans and animals and birds, whatever style they adopted, but even today it is surprising to the human being. Abstract in Hindi Language: सौन्दर्य प्रियता मानव की सहज प्रवृत्ति है। सौन्दर्य की चेतना ही मानव की अभिरुचि को कलात्मकता प्रदान करती है। अपनी अनुभूतियों को व्यक्त करने की व्याकुलता मानव में आदिम–युग से रही है। प्राचीन कन्दराओं की भित्तियों पर गेरू या धाउ पत्थर (हैमेलाइट) से बने प्रस्तर चित्र उस युग के मानव की भावाभिव्यक्ति की व्याकुलता के प्रमाण हैं। सभ्यता के विकास के साथ-साथ मनुष्य की अभिव्यक्ति-क्षमता भी विविध स्रोतों से प्रसारित हुई। मानव की भावयित्री और कारयित्री प्रतिभा के साथ जब कल्पनाशक्ति का समन्वय हुआ तो उसकी अभिव्यक्ति कलात्मकता के उच्च आयामों का स्पर्श करने लगी। अभिव्यक्ति की यही कुशलता कला की जननी है। मानव ने अपनी कलात्मक अनुभूतियों को कभी साहित्य‚ कभी संगीत‚ कभी चित्र‚ कभी मूर्ति तथा कभी स्थापत्य के माध्यम से व्यक्त किया। सिन्धु सभ्यता की गणना विश्व की प्राचीनतम सभ्यताओं में की जाती है। इस सभ्यता के प्रमाण लगभग 5000 साल पुराने है। सैन्धव सभ्यता के अवशेष मिट्टी से बने मृत्तिका जार, कांसे, सेलखड़ी की मुहरें, नर्म पत्थर की आकृतियां, मिट्टी की मानव व पशु-पक्षियों की आकृति और मृण्मयी अनेकों मातृदेवी की प्रतिमायें प्राप्त होते है । शिल्पकारों ने मृत्तिका पर जो भी मानव व पशु-पक्षियों की अनपढ़ तरीकों से बनाई, इन्होनें चाहे जो भी शैली को अपनाया पर आज भी यह मानव को चौंका देने वाली है। Keywords: भौगोलिक अध्ययन, गंगा के क्षेत्र का महत्व, सभ्यता, मानवीय भावना
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Dissertations / Theses on the topic "Indian pottery"

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Feathers, James K. "Explaining the evolution of prehistoric ceramics in southeastern Missouri /." Thesis, Connect to this title online; UW restricted, 1990. http://hdl.handle.net/1773/6542.

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Martelle, Holly Anne. "Huron potters and archaeological constructs researching ceramic micro-stylistics /." online access from Digital Dissertation Consortium access full-text, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?NQ69090.

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Pierce, Christopher. "Explaining corrugated pottery in the American Southwest : an evolutionary approach /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/6458.

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Kosakowsky, Laura J. "Preclassic Maya Pottery at Cuello, Belize." University of Arizona Press (Tucson, AZ), 1987. http://hdl.handle.net/10150/595479.

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"This monograph adds important data on the development of Preclassic period ceramics in northern Belize."—American Antiquity"This book contributes to our understanding of early Maya society during an era that has only new been revealed."—The Chesopiean"Kosakowsky's book, produced in the clear, easy-to-read and well designed format . . . is a substantive contribution to Maya ceramic studies."—Journal of Latin American Studies
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Johnson, David D. "An ethnographic inquiry into the cultural ethos and ceramic tradition of the Navajo." Virtual Press, 1986. http://liblink.bsu.edu/uhtbin/catkey/466396.

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Boulanger, Matthew T. O'Brien Michael J. "Pottery production at Fort Hill (27CH85) a seventeenth-century refugee community in northern New England." Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/6648.

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Title from PDF of title page (University of Missouri--Columbia, viewed on March 10, 2010). The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Thesis advisor: Dr. Michael J. O'Brien. Includes bibliographical references.
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Rinfret, Laurie P. "San Juan Evangelista a sixteenth-century Spanish colonial mission in Culhuacán, Mexico /." [Gainesville, Fla.] : University of Florida, 2005. http://purl.fcla.edu/fcla/etd/UFE0013372.

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Smith, Karen Y. O'Brien Michael J. "Middle and late woodland period cultural transmission, residential mobility, and aggregation in the deep South." Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/6839.

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Title from PDF of title page (University of Missouri--Columbia, viewed on Feb 24, 2010). The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Dissertation advisor: Michael J. O'Brien. Vita. Includes bibliographical references.
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Curtis, Jenneth Elizabeth. "Processes of cultural change : ceramics and interaction across the Middle to Late Woodland transition in south-central Ontario." online access from Digital Dissertation Consortium access full-text, 2004. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=80112&T=F.

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McCullough, Robert G. "A reanalysis of ceramics from the Bowen site : implications for defining the Oliver phase of central Indiana." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/770939.

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The mixture of Late Woodland and Fort Ancient ceramics found on sites in central Indiana has presented a problem for archaeologists for over fifty years. This unique combination of ceramic traits has become known as the Oliver Phase. Materials recovered from the Bowen Site, (Dorwin 1971) have in the past been used to define this phase. Originally, the Bowen Site was believed to represent the excavation of an entire synchronically occupied prehistoric site. A reanalysis of the distribution of diagnostic ceramic attributes from the Bowen Site suggests multicomponent occupations resulting from diachronic settlement. Therefore, the full range of ceramic variation originally attributed to this phase needs to be reexamined in the light of this new information, and it's usefulness as a diagnostic assemblage should be carefully evaluated.
Department of Anthropology
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Books on the topic "Indian pottery"

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Fitzgerald, Bill. First potters of Ontario. Edited by Chilton Meredith and George R. Gardiner Museum of Ceramic Art. Toronto: George R. Gardiner Museum of Ceramic Art, 1986.

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Wheelwright Museum of the American Indian., ed. Painted perfection: The pottery of Dextra Quotskuyva. Santa Fe, N.M: Wheelwright Museum of the American Indian, 2001.

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Mishra, Ashoka K. The Indian black wares, first millenium B.C. Delhi: Prabha Prakashan, 1989.

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Barbara, Kramer. Nampeyo and her pottery. Albuquerque: University of New Mexico Press, 1996.

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Jan, Musial, and Trimble Stephen 1950-, eds. Navajo pottery: Traditions & innovations. Flagstaff, Ariz: Northland Press, 1987.

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Cultura, Peru Ministerio de, ed. Cerámica tradicional kichwa lamas de wayku. Lima, Perú: Ministerio de Cultura, 2017.

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Anthropology, Maxwell Museum of, ed. New dates from pottery mound. Albuquerque, N.M: Maxwell Museum of Anthropology, University of New Mexico, 2008.

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Chaves, Alvaro. Gotas de antaño: Introducción a la cerámica en Colombia. [Bogotá]: Centro Colombo-Americano de Bogotá, 1985.

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Trimble, Stephen. Talking with the clay: The art of Pueblo pottery in the 21st century. 2nd ed. Santa Fe, N.M: School for Advanced Research Press, 2007.

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Sondereguer, César. Manual de iconografía precolombina y su análisis morfológico: Cronología, estética : Mesoamérica, Centroamérica, Suramérica 1300 a.C.-1532 d.C. Buenos Aires: Ediciones GeKa, 2003.

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Book chapters on the topic "Indian pottery"

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Shirole, Devyani, Wricha Mishra, and Debayan Dhar. "User-Centered System Design for Indian Small-Scale Industries: Case Study on Pottery Industry." In Design Science and Innovation, 353–64. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-9054-2_40.

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Moeller, Roger. "7. The Transitional Dilemma in Pennsylvania. Hearths, Fish, and Pottery." In The Nature and Pace of Change in American Indian Cultures, 121–36. Penn State University Press, 2016. http://dx.doi.org/10.1515/9780271077369-010.

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Fitts, Mary Elizabeth. "Working Groups and Fashion Signals." In Fit for War. University Press of Florida, 2017. http://dx.doi.org/10.5744/florida/9781683400059.003.0006.

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According to the model of coalescence discussed in chapter 4, the political process of merging previously distinct communities should result in the integration of labor and collective identities. In this chapter, mid-eighteenth-century Catawba pottery and items of personal adornment are enlisted to assess whether this was the case for the people living around Nation Ford. Ceramic analysis is used to delineate constellations of practice, thereby providing information about the size of the work groups making pottery as well as the character of interaction between them. Next, patterns in the distribution of artifacts associated with mid-eighteenth-century Catawba adornment, including glass beads and metal fasteners, are examined in an effort to determine if they were being used to communicate generalized Southeastern Indian identities, matrilocal community identities, or both.
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"5. Possession and Pottery: Serving the Divine in a South Indian Community." In Gods of Flesh, Gods of Stone, 89–102. Columbia University Press, 1985. http://dx.doi.org/10.7312/wagh91314-008.

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Kamble, Miss Suman Prabhakar. "CONTRIBUTIONS IN VARIOUS FIELDS BY RAJARSHI CHHATRAPATI SHAHU MAHARAJ." In Futuristic Trends in Social Sciences Volume 3 Book 19, 247–51. Iterative International Publishers, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/v3bjso19p2ch9.

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This study paper attempts to explore the contributions of Chhatrapati Shahu Maharaj in social, political, economic, educational, and agricultural domains, among others. Additionally, Chhatrapati Shahu Maharaj, the emperor of Kolhapur area, and his innovative ideas that the Indian government and the rest of the globe have used for their progress are showcased in this research paper. The socially revolutionary Rajarshi Chhatrapati Shahu Maharaj of Kolhapur (1874–1922) is well-known in India. Rajarshi Chhatrapati Shahu Maharaj purposefully used his influence in politics, business, and law to advance the interests of the Bahujan people in Kolhapur state as a whole. He enacted legislation in 1902 designating half of the seats in state government employment for members of the backward classes. Thus, basic education became both free and required in his state in 1917. Rajarshi Chhatrapati Shahu Maharaj implemented numerous initiatives to support the social, economic, and educational advancement of the pottery community. The goal of the current study paper is to conduct a clinical analysis of Rajarshi Shahu Maharaj's contributions to the general improvement of the pottery community. About twenty hostels for kids from various castes and religions were founded in Kolhapur by Rajarshi Chhatrapati Shahu Maharaj. During his tenure, Shahu Maharaj, an accomplished leader, was linked to numerous progressive initiatives. From the time of his coronation in 1894 until his death in 1922, he actively promoted the interests of his state's lower caste subjects. One of his top concerns was providing basic education to everyone, regardless of caste or creed.
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Nelson, Erin Stevens, Ashley Peles, and Mallory A. Melton. "A Mississippian Example of Harvest Renewal Ceremonialism." In Ancient Foodways, 152–82. University Press of Florida, 2023. http://dx.doi.org/10.5744/florida/9780813069494.003.0008.

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Long practiced among American Indian people of the American Southeast, maize harvest ceremonialism centers themes of purification, renewal, and cultural continuity. Material signatures of the practice include structured deposits of soil, ash, food remains, and other artifacts. This chapter integrates analyses of pottery, paleoethnobotany, zooarchaeology, and depositional processes associated with a Mississippian (AD 1050–1550) “ash heap” to argue that aspects of maize harvest ceremonialism have origins at least as early as the fourteenth century AD. Eighteenth- and nineteenth-century ethnohistoric accounts and modern practitioners from Muscogee (Creek) Nation further contextualize the archaeological findings. Multiple lines of evidence demonstrate continuity in ceremonial practices geared toward world renewal and maintenance of community ties among Mississippian people and their descendants that persist despite a relentless and ongoing history of colonialism in southeastern North America.
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Kumar, P. Girish, Arati Pannure, and James M. Carpenter. "Potter Wasps (Hymenoptera: Vespidae: Eumeninae) of India." In Indian Insects, 187–200. CRC Press, 2019. http://dx.doi.org/10.1201/9780429061400-12.

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Pratap, Ajay. "Rock Art as an Indigenous Historical Tradition, Northern Vindhyas, India." In From Megaliths to Maritime Landscapes: Perspectives on Indo-Pacific Archaeology, 157–77. SEAMEO SPAFA, 2024. http://dx.doi.org/10.26721/spafa.p663o83rkr-12.

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While the study of rock art has been conventionally the concern of prehistory, much of its content in the Northern Vindhyas, India, is in the historical period and requires a historical interrogation. While the early Holocene rock art here is contextually associated with non or semi-geometric microliths and can be regarded as Upper Palaeolithic, the more emphatic, extensive, and skilled rock art exposition is during the Mesolithic. Mesolithic North Vindhyan rock art also has more geometric microliths, large numbers of shelter-dwellings, prepared stone-floors, human and faunal remains, corded incised handmade mesolithic pottery, grinding stones and occasional and Iron Age tools. On the scarps, paintings of large antelopes, cattle, buffalo, elephants, rhinos, turtles, varanus, and smaller deer species dominate the Mesolithic, while neolithic-chalcolithic and Iron Age depictions contain more human figures, domesticated cattle, buffalo, sheep, goat, and greater dress, hair-style, self-images, palm-prints, iron tools, three-dimensional perspectives, landscape simulations, superimpositions and narrative structure. Paintings show cognitively advanced choices in surface selection, the use of templates like three dimensionality, perspective, and movement, in the selection and narrative rendering of historically oriented themes. Inter-group, identity-based differences between the several groups inhabiting the uplands and their conflicts are also represented. Historically structured materials like pastoral corrals, stelae, memorial stones, historical sculpture, and Brahmi inscriptions contextual to rock art, are found in the valleys and the foothills. Early historic trans-Indian trade routes occur in the Vindhyas and these routes are dotted with early historic inscriptions in the Brahmi script and its variants like Mauryan, Siddhamatrika, Shankha, proto-Nagari and Nagari. Their symbolic unity and continuity with upland symbolic traditions are many. Distinctly medieval rock art includes themes like soldiers, flag marches, hunting, and elephant capture by feudal lords. The final period of north Vindhyan rock art is colonial when paintings made by indigenes of the area depict the looting of colonial horse-carts and buggies after which rock art declines and disappears.
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Marak, Queenbala. "Pottery technology in Garo Hills." In Oral Traditions, Continuities and Transformations in Northeast India and Beyond, 91–108. Routledge India, 2020. http://dx.doi.org/10.4324/9781003142430-8.

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Huler, Scott. "The Anthropocene and the Catawba." In A Delicious Country, 91–110. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469648286.003.0006.

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This chapter explores Lawson’s observation of nature and the history of the Catawba. Huler reviews Lawson’s recordings of birds, particularly the Carolina parakeet and the passenger pigeon. During Huler’s stay in Catawba, he takes interest in the pottery displays at the Native American Studies Center. Huler compares the land from Lawson’s period to modern time and describes Lawson’s experience with the Indians there and their loss of territory.
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Conference papers on the topic "Indian pottery"

1

Холошин, П. Р., and Ш. Шарма. "WOMEN’S POTTERY IN THE MODERN INDIAN CITY." In Вестник "История керамики". Crossref, 2023. http://dx.doi.org/10.25681/iaras.2021.978-5-94375-343-5.226-246.

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В статье излагаются результаты обследования женской мастерской по производству традиционных глиняных печей-тандуров в г. Пуна (Ин дия, штат Махараштра). Производство тандуров оказалось тесно связано с гончарством. У мастериц зафиксирован навык составления формовочной массы по рецепту «глина + конский навоз + зола». Конструирование производится жгутами или лентами по кольцу с последующим выбиванием. Мастерицы владеют навыком изготовления сосудов с донно-емкостным монолитным начином. Для формовки используется каменный поворотный столик с подвижной осью. Готовые изделия подвергаются очажному обжигу, типичному для местных гончарных традиций. В результате исследования был сделан вывод, что даже в условиях урбанизации женщины из касты гончаров сохраняют наиболее архаичные черты домашнего лепного гончарства. Однако зафиксированные навыки труда находятся в неустойчивом состоянии вследствие экономического давления и интенсивных культурных контактов. Некоторые навыки, такие как обжиг изделий, использование поворотного столика, формовочная масса с навозом, вероятно, были привнесены в производство тандуров из местных гончарных традиций. A survey of a women’s workshop for the production of traditional clay ovens (tandoor) was conducted in Pune, Maharashtra, India. Tandoor making was closely associated with pottery. The skill in making the pottery paste with the recipe “clay + horse manure + ash” was documented. The building was performed with coils or massive bands placed in a circle, with a subsequent beating. Female artisans preserved a skill in making proper vessels with the bottom to wall solid seed-body. A stone turntable with a rotating pivot was used both in tandoor and pottery making. The finished pieces were fired in an oven typical of the local pot tery tradition. A conclusion was made that, even in an urbanising world women of the caste of potters retained the most archaic traits of a domestic hand-building pottery. However, the skills recorded are in an unstable state due to economic pressure and intense cultural contacts. Some skills, such as the firing, the use of a turntable, and the usage of manure for paste, were probably transferred into tandoor-making from the local pottery traditions.
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Jayasankar, G., and M. Suresh. "Assessment Framework for Lean-Sustainability Practices in Pottery Industry." In 2nd Indian International Conference on Industrial Engineering and Operations Management. Michigan, USA: IEOM Society International, 2022. http://dx.doi.org/10.46254/in02.20220209.

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3

Kumar, Awadhesh, Monica Sharma, Govind Sharan Dangayach, and Anand Kumar K. "Design of Blue Pottery Working Table for Indian Population Using Taguchi Approach." In The 2nd World Congress on Mechanical, Chemical, and Material Engineering. Avestia Publishing, 2016. http://dx.doi.org/10.11159/icmie16.111.

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4

Холошин, П. Р. "EXPERIMENTAL APPROACH TO THE STUDY OF VESSEL SHAPES IN WEST EUROPEAN ARCHAEOLOGY." In Вестник "История керамики". Crossref, 2023. http://dx.doi.org/10.25681/iaras.2022.978-5-94375-369-5.189-200.

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Больше десяти лет международная группа исследователей-археологов и представителей смежных наук (Энора Гэндон, Валентина Ру, Тельма Койл, Рейнауд Ботсма и др.) активно развивают экспериментальное направление в изучении навыков труда гончаров в области придания сосудам определенной формы. Серии продуманных научных экспериментов с гончарами Франции, Индии, Непала и Палестины позволили выяснить ряд важных особенностей ручного труда по вытягиванию сосудов на гончарном круге. Экспериментальная задача состояла преимущественно в воспроизведении гончарами-профессионалами привычных форм и форм-подражаний. Исследователи анализировали как формы готовых изделий, так и сами приемы работы гончаров. В результате удалось получить новые данные о величинах случайных колебаний при изготовлении разных форм в разных условиях, особенностях адаптации трудовых навыков для решения новых задач, составе и устойчивости отдельных трудовых операций, применяемых при вытягивании сосудов. Данные статья имеет своей целью ознакомить российского читателя с результатами этих исследований. For more than ten years, an international group of researchers in archaeology and related sciences (Enora Gandon, Valentina Roux, Šelma Coyle, Reinoud Bootsma and others) have been actively developing an experimental trend in the study of potters’ work skills in giving vessels a certain shape. A series of elaborate scientic experiments involving potters from France, India, Nepal and Palestine allowed them to find out a number of important features of throwing vessels on a potter’s wheel. Experimental task was mainly the reproduction of familiar and unfamiliar shapes by professional potters. the researchers analyzed both the shapes of the tnished vessels and the potters’ motor skills. As a result, they obtained new data on the random variations when making different shapes under di¨erent conditions, the mechanism of adapting labor skills to perform new tasks, the composition and stability of individual sequences of gestures used for throwing vessels. This article aims at presenting the results of this research to the Russian reader.
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Kumar, Amit, and Rabindranath Sarma. "Preserving the pottery in India: A traditional medium of science communication." In 2ND INTERNATIONAL CONFERENCE ON FUTURISTIC AND SUSTAINABLE ASPECTS IN ENGINEERING AND TECHNOLOGY: FSAET-2021. AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0153894.

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Musthafa, A. Mohamed, G. Velraj, P. M. Champion, and L. D. Ziegler. "Micro Raman Analysis of Megalithic Pottery Shreds Recently Excavated At Gachibowli Archaeological Site, Andhra Pradesh, India." In XXII INTERNATIONAL CONFERENCE ON RAMAN SPECTROSCOPY. AIP, 2010. http://dx.doi.org/10.1063/1.3482525.

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Glaser, Vanessa, Matthew Gorring, Gregory Pope, Peter Siegel, Zachary Beier, Sherene James-Williamson, and Simon Mitchell. "PETROGRAPHIC ANALYSIS OF POTTERY FROM THE WHITE MARL ARCHAEOLOGICAL SITE, ST. CATHERINE PARISH, JAMAICA, WEST INDIES." In Joint 72nd Annual Southeastern/ 58th Annual Northeastern Section Meeting - 2023. Geological Society of America, 2023. http://dx.doi.org/10.1130/abs/2023se-386103.

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