Relevant bibliographies by topics / Indian religious art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Indian religious art'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Indian religious art"

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Tiwari, Seema. "THE ORIGIN OF INDIAN PAINTINGS AND THE EMERGENCE OF MINIATURE SCHOOLS OF PAINTING IN INDIA." International Journal of Research -GRANTHAALAYAH 7, no. 11 (2019): 146–49. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3725.

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Indian traditional art has always been rich in its types, forms and tecniques. Apart from the sculptures, poetry, textile arts, pottery, drama, dance, music etc., paintings are also an inextricable form of Indian art. The origin Indian art can be traced to ore-historic settlements in the 3rd millennium BC. The Indian art has undergone inevitable changes as a result of the influences of cultures, traditions, religions, religious sentiments, climatic conditions, globalisation and multiple other factors. Thus, with the development of the Indian civilization over the years developed the numerous k
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Dr., Seema Tiwari. "THE ORIGIN OF INDIAN PAINTINGS AND THE EMERGENCE OF MINIATURE SCHOOLS OF PAINTING IN INDIA." International Journal of Research - Granthaalayah 7, no. 11(SE) (2019): 146–49. https://doi.org/10.5281/zenodo.3585116.

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Indian traditional art has always been rich in its types, forms and tecniques. Apart from the sculptures, poetry, textile arts, pottery, drama, dance, music etc., paintings are also an inextricable form of Indian art. The origin Indian art can be traced to ore-historic settlements in the 3rd millennium BC. The Indian art has undergone inevitable changes as a result of the influences of cultures, traditions, religions, religious sentiments, climatic conditions, globalisation and multiple other factors. Thus, with the development of the Indian civilization over the years developed the numerous k
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Dr., Komal. "Colors of Devotion: The Role of Drawing and Painting in Indian Religious Art." SIDDHANTA'S INTERNATIONAL JOURNAL OF ADVANCED RESEARCH IN ARTS & HUMANITIES 1, no. 4 (2025): 115–25. https://doi.org/10.5281/zenodo.15516895.

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This paper explores the integral role of drawing and painting in Indian religious art as expressions of devotion and spirituality. Indian art is deeply interwoven with religious traditions, where visual forms transcend aesthetic value to serve as tools of worship, instruction, and divine presence. Focusing on their use in temples, festivals, and rituals, this research highlights how paintings and drawings, from intricate temple murals to ephemeral ritual designs like <em>kolam</em> and <em>alpana</em>, convey religious narratives, invite divine blessings, and cultivate spiritual consciousness.
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Royo, A. L. y. "Indian Classical Dance: A Sacred Art?" Journal of Hindu Studies 3, no. 1 (2010): 114–23. http://dx.doi.org/10.1093/jhs/hiq008.

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Vikrant, Dr Vikrant Shah. "“SANJHYA” THE GODDESS TRADITIONAL ART FORM OF INDIAN ART." International Journal of Research -GRANTHAALAYAH 9, no. 9 (2021): 51–54. http://dx.doi.org/10.29121/granthaalayah.v9.i9.2021.4227.

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If there is any priority for mankind with bread, cloth and house then it will be said to be an expression of his art, his feelings. This is the reason why pre-historic man has also painted on the walls of caves, which today help historians to understand that ancient civilization are the center of interest of tourists. "Sanjhya" is a very ancient and the goddess traditional art form of Indian. Perhaps it is a spiritual image to connect the divine to the earth. Apart from Madhya Pradesh, "Sanjhya" is spread in the terrain of Punjab, Rajasthan, Uttar Pradesh, and Haryana etc. Most of the women an
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Karmakar, Goutam. "A Theological Study of Nissim Ezekiel’s Religious Outlook." Asian Journal of Humanity, Art and Literature 2, no. 2 (2015): 71–76. http://dx.doi.org/10.18034/ajhal.v2i2.296.

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As the centuries passed by, the galaxy of Indian English Poetry become increasingly crowded. But the scenario was not like this during the early years. It is because only a few stars shine there, and Nissim Ezekiel is the pole star. His poetry contains so many aspects, themes, motives and symbols that sharpen and shape his poetic world. His poetry often shows irony, emotion, love, man-woman relationship, self- consciousness, a sense of discipline and self – criticism. He shows his concern for both modern and urban art and culture with the touch of Indian ethos and local colour. But as an India
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Ahmad, Nehaluddin. "An International View of Surgically Assisted Conception and Surrogacy Tourism." Medico-Legal Journal 79, no. 4 (2011): 135–45. http://dx.doi.org/10.1258/mlj.2011.011029.

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Modern medicine, specifically assisted reproductive technology (ART), has overtaken the law in many jurisdictions around the world. New technologies and practices open a Pandora's Box of ethical, religious, social and legal questions, and may present a variety of significant legal problems to the courts and legislators. Surrogate motherhood and pregnancy through ART have both attracted controversy. Some groups condemn ART and want it banned while its supporters acknowledge there is a need for legislative guidelines and regulations. A proposed statute, the Assisted Reproductive Technique Servic
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Yang, Yue, and Ensi Zhang. "Cultural thought and philosophical elements of singing and dancing in Indian films." Trans/Form/Ação 46, no. 4 (2023): 315–28. http://dx.doi.org/10.1590/0101-3173.2023.v46n4.p315.

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Abstract: Art is the embodiment of national culture and spirit. Singing and dancing are one of the earliest and richest forms of human art. It is not only the product of experience and emotional experience but also the transcendence of vulgar daily life. As the most distinctive feature of modern Indian films, the art of singing and dancing inherits the traditional Indian aesthetic ideas and religious philosophy in the modern audio-visual environment can be found. It maintains a distinctive national impression in the tide of internationalization. This kind of art form is of great significance t
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Rajarajan, R. K. K., and S. Palanikumar. "KHMER ART SAMPLINGS: IDEOLOGICAL INFLUENCE OF INDIAN KNOWLEDGE THROUGH HINDU DIVINITIES." International Journal of Research -GRANTHAALAYAH 11, no. 1 (2023): 66–82. http://dx.doi.org/10.29121/granthaalayah.v11.i1.2023.4980.

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The importance of the medieval art history of Southeast Asia is still a virgin site, which needs to be explored with multi-disciplinary approach and methodology. The transcultural aspects between India and Southeast Asia from ancient to late medieval period cannot be contemplated through a single medium, it need to be analyzed from various angles through religious sources, philosophical materials and visual contents. The main focus of the present study is on interlinks of religious arts. Few iconographical sample forms from the various monuments of Angkor are taken for critical analysis, such
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Kumari, Roshni, and Dr Om Prakash Mishra. "Analytical Discussion of Indian Aesthetic of Contemporary Art." REVIEW JOURNAL PHILOSOPHY & SOCIAL SCIENCE L, no. 1 (2025): 110–15. https://doi.org/10.31995/rjpss.2025.v50i01.015.

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Rasa is the essence of every work of art like dance, music and Literature that can only be suggested and not articulated. It is a type of thoughtful abstraction in which the world of physical forms is permeated by the interiority of the human feelings. However, the word may seem magical at first but it is not so in actuality because to experience rasa one does not need any magical spell but has to be sensitive enough to connect with the emotions of the work. It is the concept of emotions, connections and feelings, Indian art is the legacy of traditional skills, creativity and culture. Indian a
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Dissertations / Theses on the topic "Indian religious art"

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Dutillieux, Fanny. "La sculpture de l'Himachal Pradesh entre le VIIe et le XIVe siècle." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040198/document.

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La sculpture d’Himachal Pradesh connaît entre le septième et le quatorzième siècle un grand développement, dû à un bouleversement des conditions religieuses et politiques en Inde du Nord. Des souverains locaux légitiment alors leur pouvoir sur les vallées qui constituent cet état montagneux du nord de l’Inde en utilisant, entre autres procédés, la construction de temples et la dédicace d’images. Ces dernières révèlent, par leur iconographie et par leur style, certaines des conditions historiques et politiques dans lesquelles elles ont été créées. Grâce à une observation des oeuvres, regroupées
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Greaves, Laxshmi. "Brick foundations : north Indian brick temple architecture and terracotta art of the fourth to sixth centuries CE." Thesis, Cardiff University, 2015. http://orca.cf.ac.uk/87038/.

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The thesis aims to develop an understanding of the nature and evolution of brick temple architecture in the subcontinent, focusing in particular on terraced Hindu structures of the fourth to sixth centuries CE. It also seeks to advance understanding of the iconography and artistry of the terracotta relief panels that once graced the outer walls or platforms of Gupta period brick temples. To date, scholarship on Hindu temple architecture of the Gupta period has primarily focused on cave and structural stone temples, while brick temple architecture of the epoch, along with terracotta reliefs and
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Karlsson, Klemens. "Face to face with the absent Buddha : The formation of Buddhist Aniconic art." Doctoral thesis, Uppsala University, Department of Theology, 2000. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-421.

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<p>Early art in Buddhist cultic sites was characterized by the absence of anthropomorphicimages of the Buddha. The Buddha was instead represented by different signs, like awheel, a tree, a seat and footprints. This study emphasizes the transformation this artunderwent from simple signs to carefully made aniconic compositions representing theBuddha in a narrative context.</p><p>Buddhist aniconic art has been explained by a prohibition against images of theBuddha or by a doctrine that made it inappropriate to depict the body of the Buddha.This study rejects such explanations. Likewise, the pract
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Tavel, Iván. "Religion und Politik in der Ethnie Aymara /." München : Tuduv-Verlagsgesellschaft, 1989. http://catalogue.bnf.fr/ark:/12148/cb36660671n.

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Schmidt, Bettina E. "Caribbean diaspora in the USA : diversity of Caribbean religions in New York City /." Aldershot : Ashgate, 2008. http://catalogue.bnf.fr/ark:/12148/cb41326994n.

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Deol, Harnik. "Religion and nationalism in India : the case of the Punjab /." London : Routledge, 2000. http://catalogue.bnf.fr/ark:/12148/cb38917907t.

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Wessels-Mevissen, Corinna. "The gods of the directions in Ancient India : origin and early development in art and literature, until c. 1000 A.D. /." Berlin : D. Reimer, 2001. http://catalogue.bnf.fr/ark:/12148/cb38867430t.

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Texte remanié de: Ph.D.. Titre de soutenance : The formation and early development of the brahmanical group of directional guardian deities in Indian art, until c. 1000 A.D.<br>Bibliogr. p. 117-127. Index.
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Stoffle, Richard W., M. Nieves Zedeño, and David B. Halmo. "American Indians and the Nevada Test Site: A Model of Research and Consultation." U.S. Government Printing Office, Washington, D.C, 2001. http://hdl.handle.net/10150/276112.

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This book examines the long -term consultation partnership involving a federal agency, a group of American Indian tribes, and a team of anthropologists. This book highlights the history, evolution, dynamics, and results of the consultation relationship between the U.S. Department of Energy Nevada Operations Office (DOE/NV) and 20 tribes and organizations composed of ethnic Numic-speaking Western Shoshone, Southern Paiute, and Owens Valley Paiute -Shoshone people. A team of applied anthropologists currently affiliated with the Bureau of Applied Research in Anthropology at the University of Ariz
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Franz-Morawietz, Marion. "Krise und religiöse Bewegung : ein Beitrag zur Religionsgeschichte des Alten Ägypten der 1. Zwischenzeit und der Irokesen unter Handsome Lake /." Saarbrücken : Homo et religio, 1988. http://catalogue.bnf.fr/ark:/12148/cb366569753.

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Mallinson, William James. "The Khecarīvidyā of Ādinātha : a critical edition and annotated translation." Thesis, University of Oxford, 2003. http://ora.ox.ac.uk/objects/uuid:945071bf-3282-4492-8f18-159417f5d554.

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This thesis contains a critical edition and annotated translation of the Khecarīvidyā of Ādinātha, an early haṭhayogic text which describes the physical practice of khecarīmudrā. 31 witnesses have been collated to establish the critical edition. The notes to the translation adduce parallels in other works and draw on Ballāla's Bṛhatkhecarīprakāśa commentary and ethnographic data to explain the text. The first introductory chapter examines the relationships between the different sources used to establish the critical edition. An analysis of the development of the text concludes that its compile
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Books on the topic "Indian religious art"

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Parezo, Nancy J. Navajo sandpainting: From religious act to commercial art. University of New Mexico Press, 1991.

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Swan, Daniel C. Peyote religious art: Symbols of faith and belief. University Press of Mississippi, 1999.

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Indira Gandhi National Centre for the Arts, ed. The Indian temple: Mirror of the world. New Age Books, 2016.

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Sondereguer, César. Arte cósmico amerindio: 3000 años de conceptualidad, diseño y comunicación. Corregidor, 1999.

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Luna, Luis Eduardo. Ayahuasca visions: The religious iconography of a Peruvian shaman. North Atlantic Books, 1991.

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Dhar, Parul Pandya. The toraṇa in Indian and Southeast Asian architecture. D.K. Printworld, 2010.

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Dhar, Parul Pandya. The toraṇa in Indian and Southeast Asian architecture. D.K. Printworld, 2010.

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María, Llamazares Ana, Martínez Sarasola Carlos, and Alvarado P. Margarita, eds. El lenguaje de los dioses: Arte, chamanismo y cosmovisión indígena en Sudamérica. Biblos, 2004.

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Pomar, María Teresa. Danza-máscara y rito-ceremonia. 2nd ed. Fondo Nacional para el Fomento de las Artesanías, Secretaría de Educación Pública, 1986.

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Zvelebil, Kamil. Ānanda-tāṇḍava of Śiva-sadānr̥ttamūrti: The development of the concept of Āṭavallāṇ̲-Kūttaperumān̲aṭikal in the South Indian textual and iconographic traditions. 2nd ed. Institute of Asian Studies, 1998.

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Book chapters on the topic "Indian religious art"

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Schwaderer, Isabella. "Death and Transfiguration: Religion and Belonging in Felix Gotthelf’s Indian Opera Mahadeva (1910)." In Palgrave Series in Asian German Studies. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-40375-0_5.

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AbstractDoctor, composer, and Schopenhauer enthusiast Felix Gotthelf (1857–1930) created a symphonic drama Mahadeva (1910) in which he transformed a Goethe ballad into a religious–artistic manifesto. He combined Indian philosophy, as popularized by Paul Deussen, with Christianity and Schopenhauer’s philosophy. Inspired by Richard Wagner, he attempted an Indo-German national and religious revival in music based on a romantic conception of art and religion. It was in effect a conservative reorientation of a philosophical and artistic appropriation of Indian scriptures that betrayed attempts to e
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Kanhai, Parveen. "‘The Priestess of Hindu Dance’: Leila Sokhey’s Repertoire and Its Reception in the Netherlands and Germany (1927–38)." In Palgrave Series in Asian German Studies. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-40375-0_8.

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AbstractLeila Sokhey, who became known as Madame Menaka, is recognized as a protagonist in the so-called Indian dance revival of 1923–47. Her dance embodied a marked ambivalence, for while it was part of a nationalist cultural endeavour, it was soundly grounded in a Western form of the aesthetics of Oriental dance. A variety of sources indicate that this stemmed from her own hybrid identity, as well as from her wish to fulfil the expectations of European audiences. Her art was considered ancient and deeply spiritual in the Netherlands and Germany. Prominent Dutch reviewers considered themselve
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Schlaffke, Markus. "The Indian Parsifal: Revisiting Felix Gotthelf’s Forgotten Opera Mahadeva." In Palgrave Series in Asian German Studies. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-40375-0_6.

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AbstractIn this chapter, Markus Schlaffke describes a listening experiment designed to re-access the music of Felix Gotthelf’s Indian opera Mahadeva and to analyse the sounds of what had clearly been a significant cultural phenomenon. He approaches the Gesamtkunstwerk (total work of art) as a listening space in which differing experiences of the modern world were brought into harmony at the turn of the twentieth century and clarifies how, in 1910, the success and failure of an Indian opera depended not only on whether it produced an aesthetic innovation but also on whether it succeeded to brin
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Bhuiyan, Md Jahid Hossain. "Muslim Religious Minorities in India and the Citizenship Amendment Act." In Freedom of Religion and Religious Diversity. Routledge, 2024. http://dx.doi.org/10.4324/9781003458128-18.

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Binder, Stefan. "On the ‘Impossibility’ of Atheism in Secular India." In The Nation Form in the Global Age. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-85580-2_3.

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AbstractThis chapter examines two cinematic representations of atheism in Bollywood cinema and probes the precarious location of atheism as an ‘impossibility’ within the framework of religious nationalism and state secularism as two interrelated aspects of Indian nationalism. The historical genesis of secularism as a political principle in India is conceptually closely entwined with religious nationalism in so far as it tends to take the religious or spiritual nature of the Indian nation for granted. While public and academic debates tend to focus on the relationship between majoritarian Hindu
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Amaladass, Anand. "Aesthetics and Religion from the Indian Perspective." In Aesthetics and Philosophy of Art. Springer Netherlands, 2007. http://dx.doi.org/10.1007/978-1-4020-5069-5_4.

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Kabir, Humayun. "Minorities in a Democracy." In Liberal Islam. Oxford University Press, 1998. http://dx.doi.org/10.1093/oso/9780195116212.003.0017.

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Abstract The partition of the British colonies in South Asia in 1947 left I 00 million Muslims in the newly independent nation of India, but Muslim Indians comprise only 12 percent of the population of India. The Muslims of India are therefore keenly interested in protection of the rights of minorities.1 This theme is prominent in the work of Humayun Kabir (India, 1906-1969), one of the premier political and intellectual leaders of the Muslim community of India. Born and raised in the West Bengal region and educated both in India and at Oxford University, Kabir supported the Indian nationalist
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Thurner, Mathias. "The Indian Challenge: Indology and New Conceptions of Christianity as ‘Religion’ at the End of the Nineteenth Century." In Palgrave Series in Asian German Studies. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-40375-0_4.

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AbstractThis chapter argues that religion as a universal concept was not a European invention but had a global history. In the late-nineteenth century, a new understanding of ‘religion’(This contribution uses terms like ‘religion’, ‘science’, ‘history’, or ‘Europe’ not as ontological self-evident entities and unchangeable concepts. They are rather understood in a strictly historical sense—as names produced and used within a global discourse) emerged as a reaction against a physiological materialism that criticized ‘religion’ in the name of ‘science’. This new understanding regarded religion as
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Dash, Sarita. "Religious Diplomacy." In Cultural Dimensions of India’s Look-Act East Policy. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-3529-9_4.

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Shaban, Abdul, and Zinat Aboli. "Socio-spatial Segregation and Exclusion in Mumbai." In The Urban Book Series. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-64569-4_8.

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AbstractIndian society is characterised by significant horizontal (religious, regional, linguistic) and vertical (income, occupation, caste) divisions. These socio-economic fragmentations significantly shape the production of space in cities. In fact, all major cities in the country are pervaded by socio-spatial divides, which often become sources of conflict, violence, exclusion and, also, solidarity. Mumbai is the industrial, commercial and financial capital of the country. Bollywood has, over the years, helped in carving out a distinct (pan) Indian identity for itself and the city, both wit
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Conference papers on the topic "Indian religious art"

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Lavanya, Bennabhaktula. "BEYOND BORDERS: THE LEGACY OF INDIAN MINIATURE PAINTINGS IN THE BRITISH MUSEUM." In SSHRA 2025 – Social Science & Humanities Research Association International Conference, 21-22 April, London. Global Research & Development Services Publishing, 2025. https://doi.org/10.20319/icssh.2025.112.

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"Beyond Borders: The Legacy of Indian Miniature Paintings in the British Museum" explores the journey of Indian miniature paintings from their origins in the courts of Indian rulers to their placement in one of the world's foremost museums. This paper examines the cultural, historical, and artistic value of these paintings, shedding light on their role in shaping global perceptions of Indian art. By analysing select pieces in the British Museum's collection, this study reflects on the legacy and continuing influence of Indian miniature art in contemporary museum practices. By exhibiting these
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Faria, Patricia Souza de. "O sagrado e o monstruoso: a arte religiosa indiana na imaginação de cronistas europeus do século XVI." In Encontro da História da Arte. Universidade Estadual de Campinas, 2008. http://dx.doi.org/10.20396/eha.4.2008.3847.

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Investigamos como os cronistas portugueses e viajantes do século XVI foram tomados pelo impacto da arquitetura e da escultura religiosas que encontraram na Índia, através da análise dos escritos ou das ilustrações que acompanharam suas obras. As considerações de F. Haskell em History and its images foram inspiradoras, pois o autor demonstrou como as imagens do passado, tal como as ruínas – incluindo as demais fontes visuais – aguçaram a imaginação de eruditos e estimularam a produção de conhecimento histórico. Joan-Pau Rubiés identificou como missionários e viajantes europeus tentaram compreen
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Sharma, Srishti Pandey. "Precious Murals in the Religious Building of Pothimala, District Firozpur, Punjab, India." In – The European Conference on Arts & Humanities 2022. The International Academic Forum(IAFOR), 2022. http://dx.doi.org/10.22492/issn.2188-1111.2022.11.

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Thakur, Anil, and Pursotam Kumar. "Sociolinguistic Aspects of Linguistic Visuals in Varanasi." In GLOCAL Conference on Asian Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/cala2022.4-4.

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The paper presents a sociolinguistic study of the linguistic visuals (including shop signages, product descriptions, wall-posters, advertisements, graffiti, etc) of the major tourist localities in the Indian city of Varanasi. Varanasi is one of the most ancient and continuously thriving Indian cities, with rich and diverse religious, cultural, and commercial traditions. Consequently, the multi-cultural and multilingual landscape of Varanasi is the reflection of a city which has remained as one of the most sought-after pilgrimage destinations, from ancient times and until the present. The city
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Valiev, Lochin Azamatovich. "Pedagogical views of Aurobindo Ghosh." In III All-Russian Scientific Conference with International Participation "Science, technology, society: Environmental engineering for sustainable development of territories". Krasnoyarsk Science and Technology City Hall, 2022. http://dx.doi.org/10.47813/nto.3.2022.6.727-730.

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Today, many world-famous and leading companies employ professionals who are products of the Indian education system. The number of foreign students coming to study at Indian universities is also increasing every year. It is noted that this indicates that the country's education system has a strong position and high quality of student training. The article provides an overview of the achievements of modern Indian scientists in the field of education development. The Ghosh philosophy of studying a religious concept that affects a person and manifests itself through a person, its structure and te
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Ghosh, Sanjukta. "Pragmatics of Translating Tourism Texts: A Case of Spiritual Tourism in India." In GLOCAL Conference on Asian Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/cala2022.7-6.

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English texts are often deliberately enveloped with mysticism to arouse curiosity of the foreign tourists, whereas the Hindi texts remind the readers about the religious and cultural heritage. The culture-specific terms related to these places have not been translated successfully in the English texts, which provide the readers a half-baked spiritual and cultural view of the places. This paper analyzes and compares the English and Hindi texts describing and promoting two significant religious and spiritual tourist places of Uttar Pradesh, India, viz., Mathura-Vrindavan and Varanasi, by taking
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Reznikova, Kseniya. "INDIAN MAUSOLEUMS AS THE REPRESENTATIVES OF THE ISLAMIC RELIGION IN THE ERA OF THE GREAT MUGHALS." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s22.003.

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Andrews, Libin. "Sacred Rituals and Crisis of Faith in Requiem for the Living." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8407.

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Without risk there is no faith. Faith is precisely the contradiction between the infinite passion of the individual’s inwardness and the objective uncertainty (Kierkegaard, 1936). Faith which is the cornerstone of the religious life cannot be grasped by any means of concepts other than the religious experience of the faithful. The sacred rituals are the greatest exam-ple of one’s faith in God. It is the symbol of highest form of love – agape – the love to God and love to thy neighbour. Requiem for the Living presents a “Mother of Faith”, Juana Mammanji (Grand Mother), the matriarch of a Luso–I
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Kumari, Urwashi. "Delineation of Inner Spaces and Angst: A Comparative Study of Amrita Pritam’s Pinjar and Bapsi Sidhwa’s Ice – Candy – Man." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8203.

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The recent women writers from India, Pakistan, SriLanka and Bangladesh exemplify the issue of gendered self-representation and feminist concern. Their works realize not only the diversity of wo-men but the diversity within each woman. They are incorporating their experiences to make a new, empowering image for women, instead of limiting the lives of women to one ideal; they push the ideal towards the full expression of each woman’s potential. Indian land is known for its unity and diversity. It has been a witness to the most horrific as well as terrible atrocities that have ever been committed
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Kumari, Urwashi. "Delineation of Inner Spaces and Angst: A Comparative Studyof Amrita Pritam’sPinjar and Bapsi Sidhwa’sIce – Candy –Man." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9040.

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The recent women writers from India, Pakistan, SriLanka and Bangla­desh exemplify the issue of gendered self-representation and feminist con­cern. Their works realize not only the diversity of women but the diversity within each woman. They are incorporating their experiences to make new, empowering image for women, instead of limiting the lives of woman to one ideal; they push the ideal towards the full expression of each woman’s poten­tial. Indian land is known for its unity and diversity. It has been a witness to the most horrific as well as terrible atrocities that have ever been committed
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Reports on the topic "Indian religious art"

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Thompson, Stephen, Brigitte Rohwerder, and Clement Arockiasamy. Freedom of Religious Belief and People with Disabilities: A Case Study of People with Disabilities from Religious Minorities in Chennai, India. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/creid.2021.003.

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India has a unique and complex religious history, with faith and spirituality playing an important role in everyday life. Hinduism is the majority religion, and there are many minority religions. India also has a complicated class system and entrenched gender structures. Disability is another important identity. Many of these factors determine people’s experiences of social inclusion or exclusion. This paper explores how these intersecting identities influence the experience of inequality and marginalisation, with a particular focus on people with disabilities from minority religious backgroun
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Howard, Joanna. Vulnerability and Poverty During Covid-19: Religious Minorities in India. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/creid.2021.014.

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The Covid-19 pandemic has had direct and indirect effects on religiously marginalised groups, exacerbating existing inequities and undermining the ambitions of Sustainable Development Goals (SDGs) to reach (and include) those ‘furthest behind’. Religious inequalities intersect with other inequalities to compound vulnerabilities, particularly the convergence of low socioeconomic status, gender inequality, and location-specific discrimination and insecurity, to shape how people are experiencing the pandemic. This policy briefing, written by Dr Joanna Howard (IDS) and a co-author (who must remain
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Tadros, Mariz, ed. What About Us? Global Perspectives on Redressing Religious Inequalities. Institute of Development Studies, 2022. http://dx.doi.org/10.19088/creid.2021.005.

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How can we make religious equality a reality for those on the margins of society and politics? This book is about the individual and collective struggles of the religiously marginalised to be recognised and their inequalities, religious or otherwise, redressed. It is also about the efforts of civil society, governments, multilateral actors, and scholars to promote freedom of religion or belief (FoRB) whatever shape they take. The actors and contexts that feature in this book are as diverse as health workers in Israel, local education authorities in Nigeria, indigenous movements in India, Ugand
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Yilmaz, Ihsan, Raja M. Ali Saleem, Mahmoud Pargoo, Syaza Shukri, Idznursham Ismail, and Kainat Shakil. Religious Populism, Cyberspace and Digital Authoritarianism in Asia: India, Indonesia, Malaysia, Pakistan, and Turkey. European Center for Populism Studies, 2022. http://dx.doi.org/10.55271/5jchdy.

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Turkey, Pakistan, India, Malaysia, and Indonesia span one of the longest continuously inhabited regions of the world. Centuries of cultural infusion have ensured these societies are highly heterogeneous. As plural polities, they are ripe for the kind of freedoms that liberal democracy can guarantee. However, despite having multi-party electoral systems, these countries have recently moved toward populist authoritarianism. Populism —once considered a distinctively Latin American problem that only seldom reared its head in other parts of the world— has now found a home in almost every corner of
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Yilmaz, Ihsan, Raja M. Ali Saleem, Mahmoud Pargoo, Syaza Shukri, Idznursham Ismail, and Kainat Shakil. Religious Populism, Cyberspace and Digital Authoritarianism in Asia: India, Indonesia, Malaysia, Pakistan, and Turkey. European Center for Populism Studies (ECPS), 2022. http://dx.doi.org/10.55271/rp0001.

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Turkey, Pakistan, India, Malaysia, and Indonesia span one of the longest continuously inhabited regions of the world. Centuries of cultural infusion have ensured these societies are highly heterogeneous. As plural polities, they are ripe for the kind of freedoms that liberal democracy can guarantee. However, despite having multi-party electoral systems, these countries have recently moved toward populist authoritarianism. Populism —once considered a distinctively Latin American problem that only seldom reared its head in other parts of the world— has now found a home in almost every corner of
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Howard, Jo. Understanding Intersecting Vulnerabilities Experienced by Religious Minorities Living in Poverty in the Shadows of Covid-19. Institute of Development Studies, 2021. http://dx.doi.org/10.19088/creid.2021.012.

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The purpose of this study, conducted during the Covid-19 pandemic between November 2020 and March 2021 in India and Nigeria, is to explore the direct and indirect effects of Covid-19 on religiously marginalised groups experiencing intersecting vulnerabilities. The findings provide recognition of the impact of Covid-19 on targeting and encroachments faced by these groups in order to inform policy so that it includes their perspectives in building back better and promoting inclusive development. Policymakers need to understand both the direct and indirect impacts of Covid-19 in order to coordina
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Bharadwaj, Sowmyaa, Jo Howard, and Pradeep Narayanan. Using Participatory Action Research Methodologies for Engaging and Researching with Religious Minorities in Contexts of Intersecting Inequalities. Institute of Development Studies, 2021. http://dx.doi.org/10.19088/creid.2020.009.

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While there is growing scholarship on the intersectional nature of people’s experience of marginalisation, analyses tend to ignore religion-based inequalities. A lack of Freedom of Religion and Belief (FoRB) undermines people’s possibilities of accessing services and rights and enjoying wellbeing (World Bank 2013; Narayan et al. 2000, Deneulin and Shahani 2009). In this paper, we discuss how religion and faith-based inequalities intersect with other horizontal and vertical inequalities, to create further exclusions within as well as between groups. We offer our experience of using participator
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Bhan, Gautam, Divya Ravindranath, Antara Rai Chowdhury, et al. Deficits in Decent Work: Employer Perspectives and Practices on the Quality of Employment in Domestic Work in Urban India. Indian Institute for Human Settlements, 2022. http://dx.doi.org/10.24943/ddweppqedwui11.2022.

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The key question of this study is to ask: what is the quality of employment of paid domestic work in urban India? We measured quality by looking at income security (wages, bonus, increments); employment and work security (terms of termination, terms of assistance in illness or injury); and social security (terms of paid leave, medical insurance, and maternity entitlements). We additionally assessed channels of recruitment of paid domestic workers. We did so for 3,067 households in two large metropolitan Indian cities– Bengaluru and Chennai – with variations across socio-economic status, caste,
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Bhan, Gautam, Divya Ravindranath, Rashee Mehra, Divij Sinha, Amruth Kiran, and Teja Malladi. Deficits in decent work : employer perspectives and practices on the quality of employment in domestic work in urban India. ILO, 2022. http://dx.doi.org/10.54394/alhg1042.

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This study report contributes towards understanding employers’ perspectives on existing working conditions and practices relating to recruitment, income security, employment security and social security available to domestic workers. To do so, this report draws upon data from 3,067 households in two large metropolitan Indian cities– Bengaluru and Chennai – with variations across socio-economic status, caste, religion, neighborhood type and across households with and without women working for wages. This report is the second of a three-part series, with the first report looking at the total num
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Editors, Intersections. Everyday Religion and Sustainable Environments in the Himalayas. Intersections, Social Science Research Council, 2024. http://dx.doi.org/10.35650/int.4046.d.2024.

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This article describes the multi-year effort by the India and China Institute at the New School to study the practice of Hinduism, Buddhism, Jainism, Sikhism, and the indigenous Bon tradition of Tibet by Himalayan populations.
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