Academic literature on the topic 'Indian women writers'

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Journal articles on the topic "Indian women writers"

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V, Alagu Ponnu. "Cultural Diversity and Identity Crisis in the Selected Works of Jhumpa Lahiri." Shanlax International Journal of Arts, Science and Humanities, 6, S1 (2019): 109–11. https://doi.org/10.5281/zenodo.2551370.

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Jhumpa Lahiri was a greatest Indian woman writer and she discussed the practical life experiences except immigration. She writes about both male and female characters. but she gives importance to female characters. she writes women characters are not depicted as crushed under male supremacy but they miserably feel into their turbulent situation. she lets women characters to suffer, face the problem, adapt to it and to find modled and finally  they become power. In general, she writers about the womens love, marriage and their family. In pacticular lahiri spea
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KP, Krishnaveni. "The Indian Women Writers and their Contributions to Indian Literature." American Research Journal of English and Literature 7, no. 1 (2021): 1–3. http://dx.doi.org/10.21694/2378-9026.21007.

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The Indian women writers are the one who mainly talks about the male ego and female desire for freedom. Through their writings women writer tries to oppose the male dominance over them. Indian women writers depict the injustices, the anguish and the despair they received in a male dominated society. Many of the writings can be considered as a mutiny against the restraints which the society thrust upon women. In this man-centered world they are trying to bring out the feminine identity through their works. Indian women writers never attempted to adopt any masculine roles to achieve themselves a
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Dr., Pratibha Patel. "Different Facets of Women's Emancipation: A Study of Manju Kapur's Select Works." Criterion: An International Journal in English 15, no. 2 (2024): 202–9. https://doi.org/10.5281/zenodo.11103773.

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Indian women writers have projected women issues with their inner-aspiration as well as their peculiar responses to men and society. Contemporary Indian women writers are trying to trace assertion, identity consciousness as well as professional endeavor in women protagonists. Modern women portrayed in these writings try to become counterproductive to their real empowerment. In the present times these women characters are seen as more professional to become the official keepers of sexual equality. The study encompasses the works of an eminent Indian woman writer, whose writings are distinguishe
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Birbalsingh, Frank. "Indian-Trinidadian Women Writers." Wasafiri 28, no. 2 (2013): 14–19. http://dx.doi.org/10.1080/02690055.2013.758929.

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Nimavat, Dr Dushyant. "Indian Women Writers in English: An Overview." Global Journal For Research Analysis 3, no. 1 (2012): 27–28. http://dx.doi.org/10.15373/22778160/january2014/27.

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Kapoor, Rajshree Roselean. "Women in the eye of Indian Women Novel Writers." RESEARCH REVIEW International Journal of Multidisciplinary 8, no. 1 (2023): 161–65. http://dx.doi.org/10.31305/rrijm.2023.v08.n01.021.

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This paper aims to clarify the various representations of women that Indian-English women authors have offered. When it comes to women in Indian culture and tradition, independence, the pursuit of character, fighting, and the spirit of resistance have all remained foreign concepts. With the introduction of women's rights, however, Indian women's essayists have innately understood the worries and presented women as someone who battles against the cover-up and abuse of a man-centered society. Their paintings show how the advanced-age Indian woman is caught between tradition and innovation as she
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Palani, Dr N. "The Role of Women Writers in Empowering Modern Women." International Journal for Research in Applied Science and Engineering Technology 12, no. 11 (2024): 800–802. http://dx.doi.org/10.22214/ijraset.2024.65183.

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The Indian women writers charge consciousness to promulgate with definite impreciseness to the women in broad through their arts. Indian women writers are writing healthy and their endeavor is Brobdingnagian in the development of the national empowerment from the individual and collective hands of women through their ideological creations to create an ideological society where in which people are in celestial concerns. The writers picture their knowledge through their arts where in they live in and their insight towards the cycle of the society. The writers may teach the peoples the principles
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Gupta, Anjana. "Concept of ‘New Woman’ and Indian Women Fiction Writers." International Journal of Scientific & Engineering Research 12, no. 05 (2021): 743–53. http://dx.doi.org/10.14299/ijser.2021.05.09.

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Literature is one of human creativity that has universal meaning as one of the way to communicate each other about the emotional , spiritual and intellectual experiences that needed to build up intellectual and moral knowledge of mankind . A creative writer has the perception and the analytical mind of a sociologist who provides an exact record of human life, society, and social system. Fiction , being the most powerful form of literary expression today, has acquired a prestigious position in Indian literature. Indian women novelists in English and in other vernaculars try their best to deal w
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Dr., T. S. Ramesh, and Bernath Carmel S. "A Room of their own: A teeny peek of Indian women writers of posterior 1970's." RESEARCH REVIEW International Journal of Multidisciplinary 03, no. 09 (2018): 168–71. https://doi.org/10.5281/zenodo.1412077.

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Indian women writing in English is being perceived as significant contemporary current in English dialect writing. Indian English writers are being perceived among the immense authors of the world and numerous universal honors have been presented on them in the interim Indian English women authors have given another measurement to the Indian English writing. In India where women weren't permitted to finish their instruction, these women writers have demonstrated their strength in field of writing, which at one point has been viewed as a man's activity. Our writing has certainly investi
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Singh, Dr Abha. "Space and Identity of Women in Indian English Writings." SMART MOVES JOURNAL IJELLH 7, no. 11 (2019): 16. http://dx.doi.org/10.24113/ijellh.v7i11.10134.

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The women’s studies have been receiving increasing academic and disciplinary recognition throughout the globe. The writers are determined to narrate, respond and react to the place of women in society. The purpose of the present paper is to redefine the image of women in post colonial Indian English literature. The post colonial Indian English writers focus on major issues relating to woman such as her awakening to the realization of her individuality, her breaking away with the traditional image. The transformation of the idealized women into an assertive self willed woman, searching and disc
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Dissertations / Theses on the topic "Indian women writers"

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Banerji, Mithu. "Crossing the threshold : three nineteenth century Indian women writers and the construction of modernity." Thesis, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540102.

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Ponzanesi, Sandra. "Paradoxes of postcolonial culture : contemporary women writers of the Indian and Afro-Italian diaspora /." Albany : State university of New York press, 2004. http://catalogue.bnf.fr/ark:/12148/cb400414161.

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Ryan, Melissa Ann. "(Un)natural law: Women writers, the Indian, and the state in nineteenth-century America." Diss., The University of Arizona, 2004. http://hdl.handle.net/10150/290048.

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This project explores the intersecting discourses of the "Woman Question" and the "Indian Problem" from the market revolution of Jacksonian America through the early twentieth century. It examines how Indianness was legally and culturally constructed in the nineteenth century, from Jacksonian removal policy to the strategies of allotment and assimilation in later decades, identifying both legal and figurative parallels to the status of white women. As Native peoples were effectively erased under Anglo-American law, married women were likewise dispossessed by the laws of coverture, under which
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Basset, Stefania <1983&gt. "Interconnections and tensions between postcolonialism and feminism in South Asian women poets: the case of Meena Alexander, Suniti Namjoshi and Imtiaz Dharker." Doctoral thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4614.

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Questo lavoro è incentrato sul rapporto tra postcolonialismo e femminsmo nell'opera di tre poetesse provenienti dal subcontinente indiano: Meena Alexander, Suniti Namjoshi e Imtiaz Dharker, che si interrogano sui conflitti in atto nel posizionarsi come scrittrici non bianche in un mondo dominato da scrittori bianchi, a maggior ragione in virtù della loro compelssa geografia personale, frutto di molteplici migrazioni. Sempre a cavallo tra culture a volte in conflitto tra loro, queste scrittrici sono particolarmente sensibili all'intersecarsi di diversi assi - di genere, di provenienza geografic
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Gohain, Atreyee. "Where the Global Meets the Local: Female Mobility in South Asian Women's Fiction in India and the U.S." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1428022854.

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James, Ann Juli. "Figures in fine print and Hindustani hopes and fears : identity and expectations in the poetry of Kamala Das." Diss., University of Pretoria, 2010. http://hdl.handle.net/2263/27007.

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Kamala Das is one of the best-known contemporary Indian women writers, albeit largely for the controversy that her candid, confessional writing has sparked in the relatively traditional context of Indian academia. Since the publication of her first collection of poetry, Summer in Calcutta (1965), Das has been considered an important voice of her generation. Her provocative poems are known for their unflinchingly honest explorations of the self and female sexuality, urban life, and women’s roles in traditional Indian society. Critics have expressed a range of opinions on her work: some laud her
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Raza, Rosemary. "British women writers on India between mid-eighteenth century and 1857." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285448.

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Raza, Rosemary. "In their own words : British women writers and India, 1740-1857 /." Oxford : Oxford university press, 2006. http://catalogue.bnf.fr/ark:/12148/cb40989385w.

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Saunders, Rebecca. "The politics of exile : links between feminism and imperialism (British and American women writers in India -- Sara Jeannette Duncan, Flora Annie Steel, Maud Diver, Margaret Wilson) /." Thesis, Connect to Dissertations & Theses @ Tufts University, 1990.

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Thesis (Ph.D.)--Tufts University, 1990.<br>Adviser: Martin Green. Submitted to the Dept. of English. Includes bibliographical references (leaves [263]-273). Access restricted to members of the Tufts University community. Also available via the World Wide Web;
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Mirza, Maryam. "L'Intimité inter-classes 5 : une étude de la littérature féminine anglophone contemporaine de l'Inde et du Pakistan." Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3048.

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En prenant appui sur dix romans anglophones contemporains par les auteures indiennes et pakistanaises, cette étude explore et évalue les enjeux politiques et poétiques de la représentation de l'amitié et de l'amour inter-classes dans une littérature souvent considérée comme essentiellement ‘élitiste'. Cette thèse s'écarte de l'approche habituelle dans les études postcoloniales qui privilégie l'idée d'hybridité conçue uniquement en termes binaires (Occident/Orient ou Nord/Sud) et au cœur de l'étude se trouvent la figure du subalterne et la négociation complexe des identités liées à la classe, à
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Books on the topic "Indian women writers"

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Jaydipsinh, Dodiya, and Surendran K. V, eds. Indian women writers: Critical perspectives. Sarup & Sons, 1999.

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Harold, Bloom, ed. Native American women writers. Chelsea House Publishers, 1998.

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1937-, Soraba Vēṇugōpāla, and Hēmalata Je, eds. Women writers in South Indian languages. B.R. Pub. Corp., 1995.

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Suresh, Kohli, ed. Savvy: Stories by Indian women writers. Arnold Publishers, 1992.

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Alessandro, Monti, and Dhawan R. K. 1943-, eds. Discussing Indian women writers: Some feminist issues. Prestige, 2002.

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Puri, Shiv Govind, 1977- author, ed. Contemporary Indian women writers: Concepts and contexts. Authorspress, 2014.

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Bai, K. Meera. Women's voices: The novels of Indian women writers. Prestige, 1996.

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Jehanara, Wasi, ed. A storehouse of tales: Contemporary Indian women writers. Srishti Publishers & Distributors, 2001.

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E, Erdrich Heid, and Tohe Laura, eds. Sister nations: Native American women writers on community. Minnesota Historical Society Press, 2002.

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Seshadri, Vijayalakshmi. The new woman in Indian-English women writers since the 1970s. B.R. Pub. Corp., 1995.

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Book chapters on the topic "Indian women writers"

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Kuhad, Urvashi. "Indian science fiction." In Science Fiction and Indian Women Writers. Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-2.

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Kuhad, Urvashi. "Contemporary Indian science fiction writers and their works." In Science Fiction and Indian Women Writers. Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-3.

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Kuhad, Urvashi. "Radical elements and the use of conjunctions." In Science Fiction and Indian Women Writers. Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-4.

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Kuhad, Urvashi. "Conclusion." In Science Fiction and Indian Women Writers. Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-6.

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Kuhad, Urvashi. "Contradictions through disjunctions." In Science Fiction and Indian Women Writers. Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-5.

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Kuhad, Urvashi. "Introduction." In Science Fiction and Indian Women Writers. Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-1.

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Chaudhuri, Nupur. "The Indian Other: Reactions of Two Anglo-Indian Women Travel Writers, Eliza Fay and A.U." In Women and the Colonial Gaze. Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230523418_11.

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Martanovschi, Ludmila. "Reading Culture(s) in American Indian Women Writers’ Autobiographical Essays." In Women's Life Writing and the Practice of Reading. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75247-1_17.

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Rao Garg, Shweta. "Food Images and Identity in the Selected Writings of Three Indian American Women Writers." In The English Paradigm in India. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5332-0_15.

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Courtman, Sandra. "From Mary Prince to Joan Riley: Women Writers and the ‘Casual Cruelty’ of a West Indian Childhood." In Postcolonial Traumas. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137526434_3.

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Conference papers on the topic "Indian women writers"

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"The Evolution of Indian Women Psyche: A Chronological Study of Women and Woman Writers in India." In CABES-2017, DMCCIA-2017, FEBM-17, BDCMTE-17, LLHIS-17 and BMLE-17. Dignified Researchers Publication (DiRPUB), 2018. http://dx.doi.org/10.15242/dirpub.hdir1217027.

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Kumari, Urwashi. "Delineation of Inner Spaces and Angst: A Comparative Studyof Amrita Pritam’sPinjar and Bapsi Sidhwa’sIce – Candy –Man." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9040.

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The recent women writers from India, Pakistan, SriLanka and Bangla­desh exemplify the issue of gendered self-representation and feminist con­cern. Their works realize not only the diversity of women but the diversity within each woman. They are incorporating their experiences to make new, empowering image for women, instead of limiting the lives of woman to one ideal; they push the ideal towards the full expression of each woman’s poten­tial. Indian land is known for its unity and diversity. It has been a witness to the most horrific as well as terrible atrocities that have ever been committed
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Kumari, Urwashi. "Delineation of Inner Spaces and Angst: A Comparative Study of Amrita Pritam’s Pinjar and Bapsi Sidhwa’s Ice – Candy – Man." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8203.

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The recent women writers from India, Pakistan, SriLanka and Bangladesh exemplify the issue of gendered self-representation and feminist concern. Their works realize not only the diversity of wo-men but the diversity within each woman. They are incorporating their experiences to make a new, empowering image for women, instead of limiting the lives of women to one ideal; they push the ideal towards the full expression of each woman’s potential. Indian land is known for its unity and diversity. It has been a witness to the most horrific as well as terrible atrocities that have ever been committed
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Kumar, Neeraj. "Exploration of Womanhood and the Assertion of Self: A Comparative Study of Meghna Pant's One and a Half Wife and Bapsi Sidhwa's The Pakistani Bride." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8204.

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Feminism emerged as a worldwide movement to secure women's rights on the one hand and love, respect, sympathy and understanding from males on the other. It focused on women's struggle for recognition and survival and made them realise that the time has come when they should stop suffering silently in helplessness. The images of women in South Asian novels have also undergone a change in the last three decades. Earlier women were conceived as a symbol of self sacrifice and suffering. In due course of time women writers affected by Western Feminism have exp-lored the alternative ideal of self as
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Metreveli, Lili. "Three Medeas – Modernist and Postmodernist Reception of Medea Myth in Georgian Literature." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8436.

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Greek mythology has made character of Medea of Colchis the indivi-sible part of world cultural heritage. For centuries character of Medea has maintained its significance and comprised source of inspiration for the representatives of various spheres of fine arts. Of course, regarding the contexts of the epochs (conceptual and esthetic position) and author’s intent, some motifs of the Argonauts’ myth and character of the woman of Colchis have been changing. One part of the creators sees in it a murderous mother, the other part a vengeful wife or a traitor, while others see Medea as the first fem
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Reports on the topic "Indian women writers"

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Can goal setting help women in India use digital saving services more? Busara, 2024. http://dx.doi.org/10.62372/fkkp8467.

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Financial participation within households serves as an important indicator of women’s economic empowerment. While previous studies have explored household finances and savings, digital savings via online or mobile channels have been overlooked. This study looks to shed light here, particularly around goal setting as a process towards saving in women. We used semi-structured in-depth interviews (IDIs) and focus group discussions (FGDs) to explore topics like savings patterns, digital finance adoption, mental accounting, money allocation, expenses, and agency. Each FGD had 3-5 participants, enco
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