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Relevant bibliographies by topics / Indian women writers

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Academic literature on the topic 'Indian women writers'

Author: Grafiati

Published: 22 February 2023

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Journal articles on the topic "Indian women writers"

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Nimavat, Dr Dushyant. "Indian Women Writers in English: An Overview." Global Journal For Research Analysis 3, no. 1 (June 15, 2012): 27–28. http://dx.doi.org/10.15373/22778160/january2014/27.

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Birbalsingh, Frank. "Indian-Trinidadian Women Writers." Wasafiri 28, no. 2 (June 2013): 14–19. http://dx.doi.org/10.1080/02690055.2013.758929.

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KP, Krishnaveni. "The Indian Women Writers and their Contributions to Indian Literature." American Research Journal of English and Literature 7, no. 1 (May 28, 2021): 1–3. http://dx.doi.org/10.21694/2378-9026.21007.

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The Indian women writers are the one who mainly talks about the male ego and female desire for freedom. Through their writings women writer tries to oppose the male dominance over them. Indian women writers depict the injustices, the anguish and the despair they received in a male dominated society. Many of the writings can be considered as a mutiny against the restraints which the society thrust upon women. In this man-centered world they are trying to bring out the feminine identity through their works. Indian women writers never attempted to adopt any masculine roles to achieve themselves as equal as men, but through their writings they came across all the barrier of class, gender and space boundaries. They try to project masculinity and femininity as equal categories. Though through their works the Indian women writers tries to project women’s responses to gender questions. However, they tried to depict the fact that writings of women need not be differentiated by language or location.

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Dr. Shriya Goyal, Ms Bharti,. "Women Writers in India: Tracing Feminism." Psychology and Education Journal 58, no. 2 (February 10, 2021): 5493–98. http://dx.doi.org/10.17762/pae.v58i2.2965.

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From pre-Independence period to the contemporary times, women’s voice is gradually being heard and gaining momentum. It is hoped as well as expected that women would soon become a prominent voice making a mark in the society. Their point of view along with their decision making authority will have a definite and constructive impact on the society. This can be inferred from the literature by various Indian women writers such as Pandita Ramabai, Ismat Chughtai, Kamala Das and Shashi Deshpande. As we move from one decade to another entering the 21st century, we observe how women have been able to break the cocoon of domesticity, marking their presence in various socio-political spheres which have been usually dominated by men. Women have sought their space for expression and voicing opinion through literature. Depicting the oppression and discrimination faced in the patriarchal setup of Indian society, the women writers have pointed at the need for equality in practice as well as representation. The article will provide a discussion regarding Feminism in India, analysing each period or phase along with a women writer.

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Priydarshi, Ashok Kumar. "Manju Kapur’s ‘Home’: A Strong Voice of Protest." Journal of Advanced Research in English and Education 6, no. 03 (December 8, 2021): 3–5. http://dx.doi.org/10.24321/2456.4370.202105.

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Women’s issues in India are different from those in the western countries where a woman’s quest for identity and survival become major discourses. Writers who are conscious of the “othering” of women need to make ordinary women understand the possibility of power, of being able to control their own lives, and to have this power, not as mothers, not as devoted wives, but as ordinary women. But, Indian women writers have to first battle against the deeply ingrained critical prejudices that writing is an activity which belongs exclusively to men and if a woman writes at all, it is always a futile exercise. Manju Kapur’s ‘Home’ is a feminist discourse not only because the novelist is a woman writing about women but also because she understands women’s minds.

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S. V, Abisha, and Dr Cynthia Catherine Michael. "The Palace of Illusions-Voice of a Disillusioned Woman." SMART MOVES JOURNAL IJELLH 8, no. 12 (December 31, 2020): 77–84. http://dx.doi.org/10.24113/ijellh.v8i12.10861.

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Diaspora writing is a recent trend in literature. Many writers especially women writers excel in this field. These diasporic writers though they live in a foreign land always hold their love in their writings. India is a land of myth and legends and hence many Indian writers borrow their plot from Hindu mythology which is used as a literary device. Many writers of the independence and post-independence era used mythology to spread nationalism and to guide humanity in the right path. Chitra Banerjee Divakaruni is a diasporic writer who always holds a piece of her love for motherland in her writings. She extensively uses Hindu mythology in her works. She uses these myths to instill courage in her woman protagonists. She tries to prove how myths guide the immigrant women to overcome their conflicts in life. Her novels explain how myths instruct the humanity to lead a righteous life.

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Gupta, Anjana. "Concept of ‘New Woman’ and Indian Women Fiction Writers." International Journal of Scientific & Engineering Research 12, no. 05 (May 25, 2021): 743–53. http://dx.doi.org/10.14299/ijser.2021.05.09.

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Literature is one of human creativity that has universal meaning as one of the way to communicate each other about the emotional , spiritual and intellectual experiences that needed to build up intellectual and moral knowledge of mankind . A creative writer has the perception and the analytical mind of a sociologist who provides an exact record of human life, society, and social system. Fiction , being the most powerful form of literary expression today, has acquired a prestigious position in Indian literature. Indian women novelists in English and in other vernaculars try their best to deal with , apart from many other things , the pathetic plight of forsaken women who are fated to suffer from birth to death.

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Singh, Dr Abha. "Space and Identity of Women in Indian English Writings." SMART MOVES JOURNAL IJELLH 7, no. 11 (November 28, 2019): 16. http://dx.doi.org/10.24113/ijellh.v7i11.10134.

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The women’s studies have been receiving increasing academic and disciplinary recognition throughout the globe. The writers are determined to narrate, respond and react to the place of women in society. The purpose of the present paper is to redefine the image of women in post colonial Indian English literature. The post colonial Indian English writers focus on major issues relating to woman such as her awakening to the realization of her individuality, her breaking away with the traditional image. The transformation of the idealized women into an assertive self willed woman, searching and discovering her true self is described by various Indian Writers like Anita Desai, Sashi Deshpande, Nayantara Sahgal, Bharati Mukherjee, Kamla Markandaya, Manju Kapoor and many others have depicted females who are not silent sufferers but have learnt to fight against injustice and humiliation.

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Shivam Singh and Prof. Gunjan Sushil. "The Theme of Gender Violence in Manjula Padmanabhan’s Play Lights Out." Creative Launcher 5, no. 6 (February 28, 2021): 34–38. http://dx.doi.org/10.53032/tcl.2021.5.6.06.

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Many Indian women writers have contributed to the development of Indian writing in English and taken it to the respectable position. Manjula Padmanabhan is one of them. She was born in Delhi in 1953. She has spent early years of her life in Europe and Southeast Asia. Later, she returned to India. She is a playwright, journalist, comic strip artist and children's book author. In Indian writing in English, Manjula Padmanabhan emerges as a sensitive writer who aims at the presenting the realistic problems instead of portraying the romantic, fanciful notions. She is one of the Indian woman playwright who attempted to bring a positive behavioural change in women towards themselves as well as society toward women. Her plays are issues oriented and deal with social reality. Thus, her style and content are realistic in a believable manner. Her plays are majorly women centric and thus present their perspective and narrative. Thus, this paper is a study of Manjula Padmanabhan’s Lights Out (2000) in the light of gender insensitivity and violence.

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Sharma, Dr Rajni, and Mrs Poonam Gaur. "Women Predicament in 'A Journey on Bare Feet' by Dalip Kaur Tiwana." SMART MOVES JOURNAL IJELLH 8, no. 2 (February 11, 2020): 14. http://dx.doi.org/10.24113/ijellh.v8i2.10391.

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The autobiographical impulse and act is central to woman's writing in India. The range of Indian women's writing generates an unending discourse on personalities, woman's emotions and ways of life. In a way, it presents the socio-cultural state in India from a woman's stance. It affords a peep into Indian feminism too. Besides giving a historical perspective, it throws ample light on woman's psychic landscape. It takes us to the deepest emotions of a woman's inner being. The varied aspects of woman's personality find expression in the female autobiographical literature. We find that a deeper study of women’s autobiographies unravel the hidden recesses of feminine psyche of Indian society. Whatsoever the position of women maybe, behind every social stigma, there is woman, either in the role of mother-in-law, sister‑in‑law or wife. The women writers with sharp linguistic, cultural and geographical environment represented the problems and painful stories of Indian women from 19th century until date. However, they have not shared the contemporary time of the history, the problems of patriarchal society, treatment women, broken marriages and the identity crises for the women remained similar. Women writers have also been presenting woman as the centre of concern in their novels. Women oppression, exploitation, sob for liberation are the common themes in their fiction. Dalip Kaur Tiwana is one of the most distinguished Punjabi novelists, who writes about rural and innocent women’s physical, psychological and emotional sufferings in a patriarchal society. As a woman, she feels women’s sufferings, problems, barricades in the path of progress as well as the unrecognized capabilities in her. Dalip Kaur Tiwana has observed Indian male dominated society very closely and has much understanding of social and ugly marginalization of women. She can be considered a social reformer as she is concerned with human conditions and devises for the betterment of women's condition in Indian Punjabi families. This paper focuses on the theme of feminist landscape. It presents the miserable plight of women characters. She has come across since her childhood. Women, who felt marginalized, alienated, isolated and detached in their lives, but were helpless as no law was there in her time to punish the outlaws. Dalip Kaur Tiwana beautifully portrays the landscape of her mind. The paper shows how Dalip Kaur Tiwana presents the unfortunate image of her mother, grandmother aunts and some other obscure women who were unable to mete out justice during their life time.

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Dissertations / Theses on the topic "Indian women writers"

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Banerji, Mithu. "Crossing the threshold : three nineteenth century Indian women writers and the construction of modernity." Thesis, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540102.

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Ponzanesi, Sandra. "Paradoxes of postcolonial culture : contemporary women writers of the Indian and Afro-Italian diaspora /." Albany : State university of New York press, 2004. http://catalogue.bnf.fr/ark:/12148/cb400414161.

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Ryan, Melissa Ann. "(Un)natural law: Women writers, the Indian, and the state in nineteenth-century America." Diss., The University of Arizona, 2004. http://hdl.handle.net/10150/290048.

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This project explores the intersecting discourses of the "Woman Question" and the "Indian Problem" from the market revolution of Jacksonian America through the early twentieth century. It examines how Indianness was legally and culturally constructed in the nineteenth century, from Jacksonian removal policy to the strategies of allotment and assimilation in later decades, identifying both legal and figurative parallels to the status of white women. As Native peoples were effectively erased under Anglo-American law, married women were likewise dispossessed by the laws of coverture, under which the identity of the wife was absorbed into that of her husband. Both white women and Native peoples experienced a form of "civil death"--or legal nonexistence--and both were deprived of personhood under the guise of protection. For women writers, then, Indian policy provided an opportunity to contemplate fundamental questions of citizenship, of personhood and property, of national and individual identity. Incorporating a wide range of texts, from the early nineteenth-century fiction of Lydia Maria Child and Catharine Maria Sedgwick to the later nineteenth-century writings of suffragist Matilda Joslyn Gage and anthropologist Alice Fletcher, this study explores the various tensions--between individual sovereignty and maternal moral authority, between the language of rights and the language of sentiment--that defined the relationship between nineteenth-century white women and their Indian others, and considers how the Anglo-American tradition of possessive individualism often prevented these women from making sense of their experience with Native cultures. This study concludes with an examination of how Native women writers responded to and made use of white women's constructions of the Indian Problem. S. Alice Callahan, author of the first known novel by a Native woman, and writer-activist Zitkala-Sa carefully constructed their stories in the terms set out by women's rights discourse, inviting a readership of white women to engage with the Indian cause as an extension of their own agenda. Ultimately, even as white women's rights activists sought to subordinate the Indian Problem or to appropriate the Indian, these Native writers found in the Woman Question a way of speaking for themselves.

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Gohain, Atreyee. "Where the Global Meets the Local: Female Mobility in South Asian Women's Fiction in India and the U.S." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1428022854.

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James, Ann Juli. "Figures in fine print and Hindustani hopes and fears : identity and expectations in the poetry of Kamala Das." Diss., University of Pretoria, 2010. http://hdl.handle.net/2263/27007.

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Kamala Das is one of the best-known contemporary Indian women writers, albeit largely for the controversy that her candid, confessional writing has sparked in the relatively traditional context of Indian academia. Since the publication of her first collection of poetry, Summer in Calcutta (1965), Das has been considered an important voice of her generation. Her provocative poems are known for their unflinchingly honest explorations of the self and female sexuality, urban life, and women’s roles in traditional Indian society. Critics have expressed a range of opinions on her work: some laud her boldness, compelling sincerity and striking originality, while others dismiss her work as sensationalist, limited in scope and unsophisticated. In this dissertation, issues of selfhood represented in the poetry of Kamala Das will be analysed with regard to various aspects of her identity, such as those of a housewife, a lover, an Indian, a female writer, and a confessional poet. Selected theories on identity formation posited by Erik Erikson and Norman Holland will be explored, as will relevant hypotheses on female identity by Nancy Chodorow and Judith Gardiner. I propose that selected aspects of these theories shed light on the themes, tones and subject matter of Das’s verse. Almost all of her poems are personal and are fuelled by an intense need for emotional fulfilment. I suggest that the poet’s search for love is central to her identity and I aim to show how this (largely unsuccessful) quest, as reflected in Das’ poems, stems from various expectations by and on her. The recurring theme of expectations and the resulting tones of despair (the ‘hopes and fears’) in her work will be traced and analysed. This research is valuable in that there has been little exploration into identity and expectations in Das’ work and there is almost no research on her emanating from Africa. Through close textual analysis I also aim to highlight how useful insights into identity formation and female writing can enable a more in-depth understanding of Das’s poetry. Both female identity and women’s writing are increasingly significant fields in academia today, and there has been a rise in autobiographical writing in recent years; thus this research will contribute to debates about these issues in contemporary poetry. A portfolio of my own creative writing will accompany the essay. Like Kamala Das, I am also a Malayalee woman (from the province of Kerala in India) and I identify with some of her concerns with regard to the roles of women. Although my writing is not confessional or as personal as Das’s, our shared experience of the socio-cultural expectations placed upon us (due to our gender and ethnic background) links this mini-dissertation to my poetry portfolio.
Dissertation (MA)--University of Pretoria, 2010.
English
unrestricted

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Raza, Rosemary. "British women writers on India between mid-eighteenth century and 1857." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285448.

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Raza, Rosemary. "In their own words : British women writers and India, 1740-1857 /." Oxford : Oxford university press, 2006. http://catalogue.bnf.fr/ark:/12148/cb40989385w.

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Saunders, Rebecca. "The politics of exile : links between feminism and imperialism (British and American women writers in India -- Sara Jeannette Duncan, Flora Annie Steel, Maud Diver, Margaret Wilson) /." Thesis, Connect to Dissertations & Theses @ Tufts University, 1990.

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Thesis (Ph.D.)--Tufts University, 1990.
Adviser: Martin Green. Submitted to the Dept. of English. Includes bibliographical references (leaves [263]-273). Access restricted to members of the Tufts University community. Also available via the World Wide Web;

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Mirza, Maryam. "L'Intimité inter-classes 5 : une étude de la littérature féminine anglophone contemporaine de l'Inde et du Pakistan." Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3048.

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En prenant appui sur dix romans anglophones contemporains par les auteures indiennes et pakistanaises, cette étude explore et évalue les enjeux politiques et poétiques de la représentation de l'amitié et de l'amour inter-classes dans une littérature souvent considérée comme essentiellement ‘élitiste'. Cette thèse s'écarte de l'approche habituelle dans les études postcoloniales qui privilégie l'idée d'hybridité conçue uniquement en termes binaires (Occident/Orient ou Nord/Sud) et au cœur de l'étude se trouvent la figure du subalterne et la négociation complexe des identités liées à la classe, à la caste et au sexe dans le sous-continent indien. Si les textes examinés révèlent la précarité des rapports humains qui transgressent les diverses frontières sociales, ils soulignent également leurs possibilités contestataires. Cette étude s'intéresse aussi aux enjeux éthiques des choix formels dont témoignent les textes examinés et à la manière dont ces choix peuvent à la fois confirmer et contredire le projet politique du texte
This dissertation is a detailed analysis of ten contemporary Anglophone novels by women writers from India and Pakistan. It explores and evaluates the politics as well as the poetics of the literary depiction of cross-class love and friendship in Anglophone literature of the Indian sub-continent, which is often considered ‘elitist'. The figure of the subaltern lies at the heart of our study and by focusing on the portrayal of the negotiation of class, caste and gender identities in the Indian sub-continent, this dissertation moves away from postcolonial studies' customary focus on the notion of hybridity, often conceived solely in East/West or North/South terms. The texts examined reveal not only the tenuousness of cross-class relationships but also underscore their subversive possibilities. The ethical ramifications of questions of form are also explored as are the ways in which the poetics of a text can both confirm and contradict its politics

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Singh, Jaspal K. 1951. "Indian women rewriting themselves : the representation of "madness" by women writers." Thesis, 1993. http://hdl.handle.net/1957/36467.

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Representations of "madness" in literature written by women have been the focus of feminist studies in the western world since the Victorian Era. When Charlotte Gilman Perkins wrote "The Yellow Wallpaper" in 1892, she "met with consternation of disapproving males ...[and] it was virtually ignored for thirty years" (Kasmer 1). Glman herself had gone through a "rest cure" which had brought her "perilously close to having a nervous breakdown" (Kasmer 1). Kasmer holds that the treatment of "rest cure" was commonly prescribed to women diagnosed with hysteria, to help them through "reintegration [into her proper] position as wife by forcing her to focus only on her home and children" (Kasmer 1). Adrienne Rich calls for re-visionary readings of all feminist texts. "Revision--the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction" (483) is, for women, an act of survival. When we re-read female texts and re-write ourselves, we see "how our language has trapped as well as liberated us, how the very act of naming has been until now a male prerogative, and how we can begin to see and name--and therefore live--afresh" (Rich 483). Gilbert and Gubar, in their revision of Gilman's text, hold that the narrator "effects" her own liberation from the "textual/architectural confinement" of patriarchal constructs by tearing down the wallpaper when she discovers her double behind it, enabling the double to escape to freedom" (91). Thus, when female authors write about madness, they are "naming" themselves in their own language--the language of the body, which leads to freedom from the patriarchal construct and discourse. When women enter into this medium, they break free from the symbolic order, and only women who speak the same language, and listen with "another ear," (Irigaray) can interpret them. Interpreting this language through our bodies "involves a recognition of difference, a force different from the patriarch. This force points towards liberation" (Kasmer 13). My discussion of the representation of madness in Anita Desai's Cry. The Peacock and Bharati Mukherjee's Wife supports feminists' reading of madness. In both the books, the heroines break free from the patriarchal construct into another world where they can choose to name themselves. They rewrite and rename their experiences which leads them to liberation. This escape from the patriarchal construct and discourse is named "madness," but feminists claim this experience as empowering by questioning the very construct of madness. They claim that madness is actually a liberation from the patriarchal construct that keeps us in a subordinated and oppressed position in society.
Graduation date: 1994

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Books on the topic "Indian women writers"

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Women writers and Indian diaspora. New Delhi: Authorspress, 2011.

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Women on women: Indian women writers' perspectives on women. Jaipur: Aadi Publications, 2011.

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Transforming spirit of Indian women writers. New Delhi: Authorspress, 2012.

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Anglophone Indian women writers, 1870-1920. Burlington, VT: Ashgate, 2013.

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Puri, Shiv Govind, 1977- author, ed. Contemporary Indian women writers: Concepts and contexts. New Delhi: Authorspress, 2014.

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Bai, K. Meera. Women's voices: The novels of Indian women writers. New Delhi: Prestige, 1996.

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Jehanara, Wasi, ed. A storehouse of tales: Contemporary Indian women writers. New Delhi: Srishti Publishers & Distributors, 2001.

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Desi girls: Stories by Indian women writers abroad. London: HopeRoad Publishing, 2015.

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E, Erdrich Heid, and Tohe Laura, eds. Sister nations: Native American women writers on community. St. Paul: Minnesota Historical Society Press, 2002.

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Seshadri, Vijayalakshmi. The new woman in Indian-English women writers since the 1970s. Delhi: B.R. Pub. Corp., 1995.

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Book chapters on the topic "Indian women writers"

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Kuhad, Urvashi. "Indian science fiction." In Science Fiction and Indian Women Writers, 24–57. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-2.

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Kuhad, Urvashi. "Contemporary Indian science fiction writers and their works." In Science Fiction and Indian Women Writers, 58–130. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-3.

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Kuhad, Urvashi. "Radical elements and the use of conjunctions." In Science Fiction and Indian Women Writers, 131–47. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-4.

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Kuhad, Urvashi. "Conclusion." In Science Fiction and Indian Women Writers, 155–65. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-6.

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Kuhad, Urvashi. "Contradictions through disjunctions." In Science Fiction and Indian Women Writers, 148–54. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-5.

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Kuhad, Urvashi. "Introduction." In Science Fiction and Indian Women Writers, 1–23. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-1.

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Chaudhuri, Nupur. "The Indian Other: Reactions of Two Anglo-Indian Women Travel Writers, Eliza Fay and A.U." In Women and the Colonial Gaze, 125–34. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230523418_11.

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Martanovschi, Ludmila. "Reading Culture(s) in American Indian Women Writers’ Autobiographical Essays." In Women's Life Writing and the Practice of Reading, 289–305. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75247-1_17.

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Rao Garg, Shweta. "Food Images and Identity in the Selected Writings of Three Indian American Women Writers." In The English Paradigm in India, 205–13. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5332-0_15.

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Courtman, Sandra. "From Mary Prince to Joan Riley: Women Writers and the ‘Casual Cruelty’ of a West Indian Childhood." In Postcolonial Traumas, 30–47. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137526434_3.

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Conference papers on the topic "Indian women writers"

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"The Evolution of Indian Women Psyche: A Chronological Study of Women and Woman Writers in India." In CABES-2017, DMCCIA-2017, FEBM-17, BDCMTE-17, LLHIS-17 and BMLE-17. Dignified Researchers Publication (DiRPUB), 2018. http://dx.doi.org/10.15242/dirpub.hdir1217027.

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