Relevant bibliographies by topics / Indian wood-carving

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Indian wood-carving'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Indian wood-carving"

1

Saha, Sudipa. "Cultural Resource Management of the Dying Ivory Craftsmanship as Reflected in the Wood Carving of Thiruvananthapuram, Kerala." Journal of Indo-Pacific Archaeology 43 (December 19, 2019): 25. http://dx.doi.org/10.7152/jipa.v43i0.14744.

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<p class="Default"><em>Ivory carving from Thiruvananthapuram, the capital of the Indian state of Kerala, was once appreciated internationally for its outstanding craftsmanship. The origin of the industry can be traced back to 17th century CE or before that, and grew as a full fledged industry under the patronage of the Maharajas of Travancore from the 19th century onwards. During the old period it was practiced by Brahmins and goldsmiths, and later by the carpenters (achary) as well. Though they are very few in number, some craftsmen are now continuing the art on alternatives to iv
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Menon, Sangeetha, and Mohan Varadharajan. "Plant growth promotional studies of novel PGPR strains isolated from the rhizosphere of Neolamarckia cadamba (Roxb.)Bosser plantations in Narasipuram, Tamil Nadu." Research Journal of Chemistry and Environment 26, no. 1 (2021): 19–27. http://dx.doi.org/10.25303/2601rjce019027.

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Forests of Indian subcontinent are one of the biodiversity hot spots of the world. They are the second-largest inland use next to agriculture, yet possess a high degree of endemism. Plantation forestry in India was initiated mainly for the production of industrial raw materials as well as fuelwood and fodder from exotic species. The increase in demand for industrial raw material has spurred the rise in plantations of fast-growing native tree species. Neolamarckia cadamba (Roxb.) Bosser is a native tree species whose wood has been largely used in the pulpwood and pencil industry for making boar
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Shahbaz Khan, Nadhra. "Persian-Punjabi/Urdu Identities of Traditional Geometrical Patterns Lost During the Colonial Rule of the Punjab (1849–1947)." Manazir Journal 3 (March 7, 2022): 45–63. http://dx.doi.org/10.36950/manazir.2021.3.4.

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Annexation of the Punjab by the British in 1849 brought about major modifications to the local visual culture. Expecting Indian crafts to remain frozen in time (for several reasons), the colonial administrators and art critics disapproved the changes employed by the craftsmen in their wares to cater to the new ruling class. Among the corrective measures adopted by the government to revive the ‘dying’ Indian art and craft, art schools were set up and surveys were conducted to publish illustrated monographs on individual crafts bringing once strictly guarded trade secrets out in the public. By t
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Watson, Robert. "E-Press and Oppress." M/C Journal 8, no. 2 (2005). http://dx.doi.org/10.5204/mcj.2345.

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 From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a teenage rebel icon. If by ‘print’ we mean a mechanically reproduced impression of a cultural symbol in a medium, then printing has been with us since before microdot security prints were painted onto cars, before voice prints, laser prints, network servers, record pressings, motion picture prints, photo prints, colour woodblock prints, before books, textile prints, and footprints. If we accept that higher mammals such as elepha
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Dissertations / Theses on the topic "Indian wood-carving"

1

Fisher, Lizanne. "Big beaver : the celebration of a contemporary totem pole by Norman Tait, Nishga." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25388.

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In April 1982, Nishga carver Norman Tait hosted the raising of a fifty-five foot totem pole named Big Beaver at the Field Museum of Natural History in Chicago, Illinois. Over the winter of 1981-82 in Vancouver, British Columbia, Tait and five apprentices had carved the pole with images inspired by a story given to Tait by his maternal uncle, Rufus Watts, a man Tait calls grandfather. In the early spring of 1962, Watts had taught dances and songs to Tait, Tait's apprentices and other family members and the dancers created costumes and ceremonial paraphernalia for the pole raising ceremony in Ch
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2

Wise, Heather M. "A studio project in woodcarving : the symbolism of the buffalo in art yesterday, today, and tomorrow." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1217379.

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This creative project interpreted and applied the buffalo in Native American culture - its symbolism, significance and virtues - to woodcarvings for the lives of people today. The carvings explored a range of styles, media and symbols but all use buffalo imagery and each piece represents how I have applied the buffalo to my life. Some pieces are based on historical events while others explore personal emotions. Wood surfaces differ from natural or bleached to painted. No style unifies the body of work. In each piece realism and abstraction, positive and negative space is handled differently. B
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3

Fortis, Paolo. "Carving wood and creating shamans /." Thesis, St Andrews, 2008. http://hdl.handle.net/10023/523.

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Brulotte, Ronda Lynn. "Revealing artifacts: prehispanic replicas in a Oaxacan woodcarving town." Thesis, 2006. http://hdl.handle.net/2152/2820.

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Books on the topic "Indian wood-carving"

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Sergio, Purini, and Johann Lévy (Gallery), eds. La sculpture en bois dans l'ancien Pérou. Somogy, 2006.

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2

N, Luvera Paul. How to carve totem poles. P.L. Ennes, 1992.

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3

Rosita, Worl, Miller Kathy, Dye Kathy, and Kelley Mark, eds. How to carve a Tlingit mask. Sealaska Heritage Institute, 2009.

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4

N, Luvera Paul. How to carve totem poles. 6th ed. Snohomish Pub. Co., 1986.

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5

1941-, Larink Walter, and Streum Ralf, eds. Raubwal und Sonnenfinder: Zeitgenössische indianische Kunst der kanadischen Nordwestküste : ein Ausstellungskatalog. Universitätsbibliothek Marburg, 1995.

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6

Powers, Steven S. North American burl treen: Colonial & Native American. S. Scott Powers Antiques, 2005.

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7

Jr, Levi Mendes, Lynne Reay, and Pascal Reuillard. Bancos indígenas do Brasil: Brazilian indigenous stools = Sièges des indiens du Brésil. BEI comunicação, 2015.

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8

Lelooska. Lelooska: The traditional art of the mask : carving a transformation mask. Schiffer Pub., 1996.

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9

Elijah, Angela. Pictograph canes. Kawenni:io/Gaweni:yo Language Preservation Project, 2006.

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10

Elijah, Angela. Pictograph canes. Kawenni:io/Gaweni:yo Language Preservation Project, 2006.

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Book chapters on the topic "Indian wood-carving"

1

Bird, Isabella L. "The Beauties of Nikkô—The Burial of Iyéyasu—The Approach to the Great Shrines — The Yomei Gate —Gorgeous Decorations—Simplicity of the Mausoleum—The Shrine of Iyémitsu—Religious Art of Japan and India —An Earthquake—Beauties of Wood-carving." In Unbeaten Tracks in Japan. Routledge, 2019. http://dx.doi.org/10.4324/9781315788715-9.

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