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Journal articles on the topic 'Indian Writers in English'

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Published: 3 June 2025

Last updated: 31 July 2025

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1

Hasina, Jabeen. "Indian writing in English A Brief Study of some Indian Female English Writers." International Journal of Trend in Scientific Research and Development 1, no. 1 (2016): 44–45. https://doi.org/10.31142/ijtsrd5883.

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English Language was introduced in India during British rule. Indians learned this colonial language and some Indian writers started writing in English. The first book written by an Indian in English was by Sake Dean Mahomet titled Travels of Dean Mahomet published in 1793. From that date that date the trend of English writing remained continue and today note male but female writers have made their own field. Female writers made their contribution through great novels poetry and prose. The paper provides a brief introduction of the writings and is based on secondary sources Hasina Jabeen &quot

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Akai, Joanne. "Creole… English: West Indian Writing as Translation." TTR : traduction, terminologie, rédaction 10, no. 1 (2007): 165–95. http://dx.doi.org/10.7202/037283ar.

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Abstract Creole... English: West Indian Writing as Translation — This paper looks at the use of language(s) in Indo-Caribbean (i.e., West Indian of East Indian descent) writings. West Indian writers are Creole, in every sense of the term: born in (former) British colonies, they have a hybrid culture and a hybrid language. They operate from within a polylectal Creole language-culture continuum which offers them a wide and varied linguistic range (Creole to Standard English) and an extended cultural base ("primitive" oral culture to anglicized written culture). Indo-Caribbean writers, however, h

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Nimavat, Dr Dushyant. "Indian Women Writers in English: An Overview." Global Journal For Research Analysis 3, no. 1 (2012): 27–28. http://dx.doi.org/10.15373/22778160/january2014/27.

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Bhanu Sk, Shakila. "A BRIEF OUTLOOK: SAADAT HASAN MANTO AS A PROGRESSIVE WRITER." JOURNAL OF ENGLISH LANGUAGE AND LITERATURE 10, no. 04 (2023): 09–12. http://dx.doi.org/10.54513/joell.2023.10402.

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In the nineteenth century, Indian novels were more directed towards the social interest with political consciousness as the younger generation was more aware of social and political happenings. Indian novels in English originated from different regions of the country by different vernacular writers. Despite geographical, cultural and social differences, themes depicted in the novels shared a common thread of nationalism, colonial rule and post-colonialism. The Progressive Writers’ Movement was majorly instrumented by authors like Mulkraj Anand, Syed Sajjad Zahir, Ahmed Ali, Rashid Jehan, Attia

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Jabeen, Hasina. "Indian writing in English: A Brief Study of some Indian Female English Writers." International Journal of Trend in Scientific Research and Development Volume-1, Issue-1 (2016): 44–45. http://dx.doi.org/10.31142/ijtsrd5883.

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Vikas, Sharma. "Echoes of Indian Tradition: Exploring Indian Sensibility and Knowledge System in Indian English Fiction." Criterion: An International Journal in English 16, no. 1 (2025): 22–40. https://doi.org/10.5281/zenodo.14973632.

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This research paper explores how Indian tradition and sensibility shape the narration style in Indian English fiction. It also aims to contemplate the deep connection between India’s ancient knowledge systems and the literary expression of Indian English Fiction writers. Indian writers in English have long steered between honouring traditional cultural wisdom and engaging with global literary forms, by examining the works of authors such as Raja Rao, R.K. Narayan, Rabindranath Tagore, Arundhati Roy, Amitav Ghosh, Vikram Seth, and the writer of this research paper. This analysis examines

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Dissanayake, Wimal. "Metaphoric Selves: Indian Writers in English." Anthropology Humanism Quarterly 16, no. 1 (1991): 17–20. http://dx.doi.org/10.1525/ahu.1991.16.1.17.

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Dr., Sarika Sinha, and Sharma Yashpal. "Creativity and Experience in the Pre and Post Independent Indian English Writers." International Journal of Advance and Applied Research 4, no. 24 (2023): 85–88. https://doi.org/10.5281/zenodo.8242435.

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The great Indian writers have made their mark in the pre independence, post-independence and modern Indian English Literature. In the present paper we are trying to cover creativity and experiences of our post Indian English Writers. The Indian Writers have explored all the dimensions of English Literature be it poetry, fiction, drama or any other literary form. In the post Independent India we see a lot of upheavals in the cultural and political level. Many Indian Writers tried their pen in throwing some creative pieces. We have noticed a wave of literary creativity in the post Independent In

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Dr., A. M. Jansi. "Social Activism in the Writings of Mahasweta Devi and Arundhati Roy." Social Activism in the Writings of Mahasweta Devi and Arundhati Roy 7, Sp 1 (2019): 1–5. https://doi.org/10.5281/zenodo.2588174.

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Mahasweta Devi and Arundhati Roy are the well-known Indian women writers of  post-colonial era. They are not only the  ction writers but also development critics as well as social activist writers. They have represented the marginalized section of the society in their writings. These two writers have been living their lives with the oppressed class to understand their problems and feel their dif culties and  ght for the fundamental rights of the oppressed community through their writings and social movements. The present research paper attempts to explore the social activism of the two

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Dr., T. S. Ramesh, and Bernath Carmel S. "A Room of their own: A teeny peek of Indian women writers of posterior 1970's." RESEARCH REVIEW International Journal of Multidisciplinary 03, no. 09 (2018): 168–71. https://doi.org/10.5281/zenodo.1412077.

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Indian women writing in English is being perceived as significant contemporary current in English dialect writing. Indian English writers are being perceived among the immense authors of the world and numerous universal honors have been presented on them in the interim Indian English women authors have given another measurement to the Indian English writing. In India where women weren't permitted to finish their instruction, these women writers have demonstrated their strength in field of writing, which at one point has been viewed as a man's activity. Our writing has certainly investi

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Tasnim, Zakiyah. "Transformation of English Language in Amitav Ghosh’s The Hungry Tide." Advances in Language and Literary Studies 9, no. 3 (2018): 145. http://dx.doi.org/10.7575/aiac.alls.v.9n.3p.145.

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With millions of non-native English language users, English has gained the position of ‘global language’ in the last century. English literature also has a significant number of non-native writers from around the world. While grasping their own cultures in English, these non-native writers have been transforming English language to a remarkable extent. On many occasions, these transformed varieties are recognised as versions of English language. This essay explores the notion of translingual writers and their use of English language, taking The Hungry Tide, a novel of the Indian translingual w

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Khan, Afsheen, and Dr Mona Dandwate. "Contribution of the British To Develop Indian English Literature." International Journal of Multidisciplinary Research Configuration 2, no. 1 (2022): 18–23. http://dx.doi.org/10.52984/ijomrc2102.

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Development of Indian English Literature in India gathered momentum with the consolidation of British imperialism in India. As we know the British sow the seed of Indian Writing in English during the period of the British rule in India. English language and literature in India starts with the advent of East India Company in India. It all started in the summers of 1608 when Emperor Jahangir, in the courts of Mughals, welcomed Captain William Hawkins, Commander of British Naval Expedition Hector. It was India's first tryst with an Englishman and English. Jahangir later allowed Britain to open a

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Kashyap, Aruni. "Northeast Indian or Assamese." Comparative Literature 74, no. 3 (2022): 289–92. http://dx.doi.org/10.1215/00104124-9722337.

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Abstract What does it mean to be a writer from Northeast India? What does it mean to write from the margins of India? What are the limitations of Indian English writing when it comes to depicting marginal, radical literary traditions that question the idea of India? The author of The House with a Thousand Stories and There Is No Good Time for Bad News, Aruni Kashyap, shares his formative experiences as a writer, including the influences of Indian writers such as Amitav Ghosh, Assamese literary culture, and Indigenous oral storytelling traditions.

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Jadhav, Swapna. "MANOHAR MALGONKAR - “THE INDIAN KIPLING”." International Journal of Research -GRANTHAALAYAH 4, no. 2 (2016): 62–65. http://dx.doi.org/10.29121/granthaalayah.v4.i2.2016.2813.

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Manohar Malgonkar a versatile Indian fictional writer represents the life of pre independent and of post independent India that has left heavy memories of events which changed our nation’s history and society in the most profound ways. His novels “ Distant Drum” (1960), “Combat of Shadows “(1962),” The Princes” (1963), “A Bend in the Ganges” (1964), and “The Devil's Wind” (1972) witness a wonderful knock of weaving plots of singular originality. His themes such as the army life, the aristocracy, commonality, partition of India, violence, sex, hunting, betrayal and revenge actually provides sco

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Prof., Swapna K. Jadhav. "MANOHAR MALGONKAR - "THE INDIAN KIPLING"." International Journal of Research – Granthaalayah 4, no. 2 (2017): 62–65. https://doi.org/10.5281/zenodo.848069.

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Manohar Malgonkar a versatile Indian fictional writer represents the life of pre independent and of post independent India that has left heavy memories of events which changed our nation’s history and society in the most profound ways. His novels “ Distant Drum” (1960), “Combat of Shadows “(1962),” The Princes” (1963), “A Bend in the Ganges” (1964), and “The Devil's Wind” (1972) witness a wonderful knock of weaving plots of singular originality. His themes such as the army life, the aristocracy, commonality, partition of India, violence, sex, hunting, betrayal and revenge actually provides sco

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V, Alagu Ponnu. "Cultural Diversity and Identity Crisis in the Selected Works of Jhumpa Lahiri." Shanlax International Journal of Arts, Science and Humanities, 6, S1 (2019): 109–11. https://doi.org/10.5281/zenodo.2551370.

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Jhumpa Lahiri was a greatest Indian woman writer and she discussed the practical life experiences except immigration. She writes about both male and female characters. but she gives importance to female characters. she writes women characters are not depicted as crushed under male supremacy but they miserably feel into their turbulent situation. she lets women characters to suffer, face the problem, adapt to it and to find modled and finally  they become power. In general, she writers about the womens love, marriage and their family. In pacticular lahiri spea

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Subaha Benitta, N., and D. Srija. "A Postcolonial Study: Abolition of Native Language by Invaders in Munshi Premchand’s My Elder Brother." Shanlax International Journal of English 11, no. 1 (2022): 90–93. http://dx.doi.org/10.34293/english.v11i1.5317.

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Munshi Premchand was one of the prominent Indian Writers in Hindi and Urdu. His works were mainly focused on important social issues of his period. This study analyses his work “My Elder Brother” where he depicts the relationship of two brothers. He explains the divergence between them. This attitude indicates that he also had a different opinion than other writers. Because, other writers preferred to write in English language. But, he used to write in his native language. This study examines how Indians are easily adopted to English language. Through the character of Elder brother, it was und

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Suresh, More Hrishikesh. "A Post-Colonialism Study and Booker Prize Winning Novels by Indian Authors." Journal of Advances and Scholarly Researches in Allied Education 22, no. 01 (2025): 207–18. https://doi.org/10.29070/zrg15171.

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Within the framework of contemporary Indian literature, Indian writers who truthfully depict Indian reality write in English. Many things in the literary world may be attributed to them. Their work as anthropologists, sociologists, novelists, essayists, travel writers, and professors is impeccable, and they shoulder the responsibility of fostering global peace as ambassadors. The postmodern and postcolonial writers who raised the standard for international literature Salman Rushdie, Vikram Seth, Vikram Chandra, Sashi Tharoor, Arundhati Roy have been surpassed by them. Because of its rich colon

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Grobin, Tina. "The development of Indian English post-colonial women's prose." Acta Neophilologica 44, no. 1-2 (2011): 93–101. http://dx.doi.org/10.4312/an.44.1-2.93-101.

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Indian English post-colonial women's prose has seen many a change in the last sixty years since the pioneering writers gave voice to the Indian women. By breaking away from the burden of the colonial past and the traditional limitations of Indian society, the writers carved out a place for a distinct female identity in the Indian English literary sphere. The more recent women's prose addresses a wide range of universal issues of human experience, usually closely interwoven with the colourful heritage of the Indian subcontinent. As such it has become a highly acclaimed and internationally recog

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Dr.Gargee, Chakraborty. "Prominent Indian English Fiction Writers from North East--An Overview." Prominent Indian English Fiction Writers from North East--An Overview 3, no. 1 (2024): 58–60. https://doi.org/10.53413/IJTELL.2021.3113.

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Indian Writing in English does not have a long history.Undeniably the British Education Policy helped to spreadEnglish Education in India. With time we have witnessedthe growth of Indian writing in English. This growth isseen as part of upgrading, opportunity, and also acceptanceall over the world. Till recently publishers were notinterested in writings from the North East beyond itspolitically turbulent environment. This paper attempts tomap the journey of the prominent Indian English Fictionwriters from the North East.

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Dr., Rajeev Kumar Sharma. "Chetan Bhagat's Vision of Life and His Youth Calling Approach." Criterion: An International Journal in English 15, no. 2 (2024): 73–80. https://doi.org/10.5281/zenodo.11103434.

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Chetan Bhagat is one of the most celebrated fiction writers in   Indian   Writing in   English.   His writings are considered as representative of issues disturbing   young generation.    He highlights the confusion, troubles and dilemmas that the youth is facing in modern society. Chetan Bhagat has merged both highbrow and lowbrow genres into one, which is now accepted as the best-seller genre of Indian English literature.  He takes the people from the real-life metropolis. His novels go around the lives of the youth. Bhaga

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Fadhil Hasobi, Dr Wael. "Indo-Anglian Novel: The impact of the west on Indian life from a sociological point of view." International Journal of Multidisciplinary Research and Growth Evaluation 4, no. 6 (2023): 77–81. http://dx.doi.org/10.54660/.ijmrge.2023.4.6.77-81.

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This paper is an attempt to describe briefly the contribution of Indian writers in the literature in English language. Many Indian writers believed that English language is a gateway to western knowledge. Contact with English language and literature was fruitful to the regional languages, as it led to the growth and development of creative literature in these tongues. The use of English led to the Indian Renaissance of the 19th century. In this paper, two novels, Music for Mohini and The Serpent and The Rope, have been discussed to prove that English has acted as a link language among various

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Patelia, Vinodkumar. "SOCIAL TRANSFORMATION IN INDIA THROUGH ENGLISH LITERATURE." VIDYA - A JOURNAL OF GUJARAT UNIVERSITY 1, no. 1 (2022): 86–88. http://dx.doi.org/10.47413/vidya.v1i1.111.

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The common forum to unite the whole world under a single language is majorly accelerated by English. Different countries with their diversities in culture, social structure, and literature gave expression to their ideas with a commonly recognized language –English. Indian writing in English has also established its identity worldwide with this globally accepted language itself. The main objective of this article is to analyse the role played by Indian writers and literature in bringing transformation in society. The bold step taken by women writers to express their views questioning patriarchy

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Chitra, P.M. "Influence of Western Literature on Indian English Writers: A Critical Analysis." International Journal of English Language Research Studies (IJELRS) 2, no. 1 (2025): 38–48. https://doi.org/10.5281/zenodo.15180295.

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This research examines the multifaceted influence of Western literary traditions on Indian English writers from the colonial period to the present day. Through close textual analysis of representative works and quantitative assessment of literary features, this study maps patterns of Western influence across generations of Indian writers in English. The research identifies three distinct phases of influence: colonial assimilation (1850-1947), postcolonial negotiation (1947-1980), and globalized hybridity (1980-present). Findings indicate that Indian English writers have evolved from early imit

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Balhara, Dr Linesh. "Blended Lexicons and Hybrid Tongues: Tracing Linguistic Innovation in Indian English Literature." International Journal of English Literature and Social Sciences 10, no. 3 (2025): 476–78. https://doi.org/10.22161/ijels.103.67.

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This paper dwells upon the complex phenomenon of the evolution of the English language in the context of Indian literature, presenting a detailed discussion of how Indian writers have creatively appropriated and Indianized English to suit their indigenous cultural and socio-political exigencies. It delves into the ways by which English, a language which was imposed on the colony, has been 'monkeyed' and transformed into an authentic medium of expression. At the heart of this transformation are a set of linguistic innovations—code-mixing, semantic reassignments, syntactic play, and the use of r

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R.K., Shangeetha. "Voices of Malaysian Indian Writers Writing in English." Kajian Malaysia 38, no. 2 (2020): 25–59. http://dx.doi.org/10.21315/km2020.38.2.2.

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MAYAKUNTLA, JOSEPH. "Socio –Political Concept In Rohinton Ministry’s A Fine Balance." Think India 22, no. 2 (2019): 199–203. http://dx.doi.org/10.26643/think-india.v22i2.8719.

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‘Holding this book in your hand, sinking back in your soft arm-chair, your will say to yourself: perhaps it will amuse me and after you have read this story of great misfortunes, you will no doubt dine well, blaming the author for your own insensitivity, accusing him of wild exagger-tragendy is not a fiction all is true’. Honor’s de Balzac, le p’ere Goriot Rohinton Mistry is an important figure in contemporary common wealth s literature and he occupies a significant position among the writers of Indian diaspora. Mistry like Rushdie and many other Indian English writer is an “émigré” who

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Rani, Ratna Prabha K. V. "Feminism as a Literary Movement in Indian English Literature: A Theoretical Assimilation with Reference to Dalit Feminist Writers." International Journal of Advance and Applied Research 4, no. 24 (2023): 89–96. https://doi.org/10.5281/zenodo.8242439.

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This theoretical study examines feminism as a significant literary movement in Indian English literature, with a specific focus on the contributions of Dalit feminist writers. The paper aims to provide a comprehensive understanding of how feminism has emerged and evolved within the context of Indian English literature, with particular attention to the intersectionality of caste and gender. Through a critical analysis of literary works authored by Dalit feminists, this study explores the unique challenges and perspectives they bring to the feminist discourse in India. By assimilating various th

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S., Manjunatha, and Kumaraswamy Raju M. "A STUDY OF THE WOMEN NOVELIST OF THE EARLY DECADE OF THE 21ST CENTURY." Shanlax International Journal of Arts, Science and Humanities 6, S2 (2019): 104–12. https://doi.org/10.5281/zenodo.2806494.

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<em>Women are inherently artistic. Women and Literature are closely related to each other because it requires a lot of artistic creativity to be good at literature and women are too good when it comes to artistic creativity. Women novelists from India are the one to add a new dimension to the English literature of India. Obviously, the current Indian English literature is due to the effort of many prolific writers. The best part is that most of these writers are women. Common examples include Sarojni Naido, Nayantra Sehgal, and Rama Mehta.</em>

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Dr., Nidhi Mishra. "Growth of Feminism in Indian English Fiction: Major Nuances." 'Journal of Research & Development' 15, no. 11 (2023): 74–75. https://doi.org/10.5281/zenodo.8046125.

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Men in India always had a privileged position in Indian society.  They are the torch bearers of the patriarchal system existing in Indian society. They have been in an advantageous position in gaining upper hand over women in almost all matters. Broadly speaking there are three phases in the growth of feminism in India, British Period, Freedom Movement and Post Independence. “Real talk “ about Feminism in India can be attributed to the decades of the 1970s. Feminism, female power, women rights and such terms started to have gravity and seriousness of its own. Men started to he

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Navsangeet, Singh. "Exploring the Evolution and Impact of English Language Literature by Indian Authors." International Journal For Multidisciplinary Research 5, no. 4 (2023): 1–12. https://doi.org/10.5281/zenodo.8377259.

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The depiction of post-colonial India and its efforts to decolonize the mind is a common theme among Indian authors who write in English. The objective of Indian English literature is to present the noteworthy pieces of Indian English writing that are progressively challenging to locate. A distinct form of expression has emerged in India known as Indian English, which reflects a unique cultural identity and is not limited to a local phenomenon. The realm of global literature has been enriched by Indian writers, spanning various genres such as poetry, novels, essays, and dramas, even before the

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Singh, Dr Abha. "Space and Identity of Women in Indian English Writings." SMART MOVES JOURNAL IJELLH 7, no. 11 (2019): 16. http://dx.doi.org/10.24113/ijellh.v7i11.10134.

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The women’s studies have been receiving increasing academic and disciplinary recognition throughout the globe. The writers are determined to narrate, respond and react to the place of women in society. The purpose of the present paper is to redefine the image of women in post colonial Indian English literature. The post colonial Indian English writers focus on major issues relating to woman such as her awakening to the realization of her individuality, her breaking away with the traditional image. The transformation of the idealized women into an assertive self willed woman, searching and disc

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Bhat, Sami Ullah. "Indian English Fiction: Seeding to Efflorescence." International Journal of English Literature and Social Sciences 9, no. 2 (2024): 195–200. http://dx.doi.org/10.22161/ijels.92.28.

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Indian English literature began as an interesting by-product of an eventful encounter in the late eighteenth century between a vigorous and enterprising Britain and a stagnant and chaotic India. As a result of this encounter as F.W. Bain puts it ‘India a withered trunk… suddenly shot out with foreign foliage’. The first problem that confronts the historian of Indian English literature is to define its nature. The question has been made rather complicated owing to two factors: first this body of writing has, from time to time, been designated variously as ‘Indo-Anglian literature’, ‘Indian Writ

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Chandni, Kataria. "Leveraging Myth and Folklore to View the Present via the Lens of the Past." International Research Journal of Scientific Studies August 2024, no. 1 (2024): 24–31. https://doi.org/10.5281/zenodo.13306164.

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<em>Selecting myth, legend, and folklore as a topic is not a simple task; in order to connect the historical account or mythological reality with the current situation, extensive and thorough study and brainstorming are necessary. Moreover, creating people from gods requires a great deal of effort and commitment. Furthermore, a writer's true skill is shaping the myth that seems to be shared by all of them in accordance with the goal they are attempting to achieve. Mythological literature is frequently associated with historical realities, but with easily verifiable facts not necessarily. Mostl

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., Tamanna. "Mulk Raj Anand: A Pioneer Novelist in Indo-Anglian Literature." SMART MOVES JOURNAL IJELLH 7, no. 11 (2019): 7. http://dx.doi.org/10.24113/ijellh.v7i11.10102.

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India is a Hindi reign country, it is difficult for an Indian writer to struggle oversea language i.e. English in their literary cosmos. English language was considered as a burden in pre independence period which was imposed in our education system by Lord Macaulay to get advantage for British administration in India. But Indian writers took it as a challenge in valorous way and achieved their destination with more efficiency. They drafted Indian civilization and religion thoughts through their literary pieces in a decent manner. This paper points out Anand’s efforts to raise voices against h

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Malviya, Dr Gajanan. "‘From Tagore to Tharoor: The Evolution of Indian English Prose and Its Global Reception’." International Journal of Research in Social Sciences & Humanities 12, no. 3 (2022): 634–51. https://doi.org/10.37648/ijrssh.v12i03.035.

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This paper explores the evolution of Indian English prose from the works of Rabindranath Tagore to the contemporary writings of Shashi Tharoor, analysing the progression of literary themes, stylistic developments, and global reception. It traces the journey of Indian English prose through colonial, postcolonial, and modern periods, emphasizing how the genre has been shaped by historical, social, and political changes in India. The study delves into the contributions of early writers such as Tagore, R.K. Narayan, and Mulk Raj Anand, and examines the post-independence literary landscape dominate

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M.P.Ganesan and R.Chitra. "A Study of East - West Colonialism in Jhabvala's A New Dominion." Shanlax International Journal of English 7, no. 1 (2019): 46–49. https://doi.org/10.5281/zenodo.3269039.

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The Indian writers regard the East-West problem not so much on Indian –British aspects of dilemma but as the Indian— Indian con ict. The two cultures have probably proved a challenge for many creative writers in Indo-English Literature. G.V.Desani views the encounter of the two cultures on more mundane plane and against of background of colonialism where there are meaningful attempts to blend Western and Indian cultures. The encounters take several forms such as social, cultural, political or religion-philosophical, Ruth Prawer Jhabvala in her “A New Dominion” also dea

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Dr., Sheela Narwade. "Indian Woman: Empowerment and Indian English Literature." International Journal of Advance and Applied Research 4, no. 30 (2023): 72–74. https://doi.org/10.5281/zenodo.8394451.

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The present paper is the analysis of the status of women empowerment through Indian English Literature. The paper will focus on the status of Indian woman in freedom struggle, political place, acceptance of unequal gender norms. For the empowerment of women, women should get the opportunity for education, should aware towards their rights, should get permission to make life-determining decisions. The constitution of India provided women equal social position with men. But still, she is struggling for equality in many ways.  Literature is the mirror of society. The female writers depict th

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Rai, Swati. "Focus on Women Education in Early Indian English Novels." International Journal of English Literature and Social Sciences 7, no. 4 (2022): 029–31. http://dx.doi.org/10.22161/ijels.74.5.

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The paper focuses on the works written by early Indian writers throwing light on the condition, need and concern for women’s education. Keeping the patriarchy as root, the Indian women novelists made a debut after independence and started producing novels dealing with themes of family, dowry, child marriage, superstitious practices, education, purdah system and widow remarriage. With their personal experiences and suffrage women novelists have paved down the path for modern writers of the time. They represented their vision of a ‘New Women’, a woman who is courageous, educated, independent and

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Ghosh, Debarati. "The Language Question in the Indian English Novel." Research Review Journal of Social Science 2, no. 2 (2022): 01–05. http://dx.doi.org/10.31305/rrjss.2022.v02.n02.001.

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The discourse of nation, nationalism and its derivatives has become inseparable from literature and language. In order to define and give expression to one’s self, one needs a language, a medium. Since the colonial process itself begins in language, language being the colonizer’s gift to the colonised, it remains a fundamental site of debate and struggle for the nationalistic writers. In India, English as a medium of expression of the self has found its place in novels, poetry, songs etc. Initially, the use of English by the Indians remained confined to writing or drafting pamphlets, speeches

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Dr., Umesh Sharma. "Postmodernism and Salman Rushdie." 'Journal of Research & Development' 15, no. 13 (2023): 183–84. https://doi.org/10.5281/zenodo.8149514.

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            Salman Rushdie has established himself as one of the most powerful modern writers. With his famous novels Grimus (1975), Midnight's Children (1981), Shame (1983) and Satanic Verses (1988), he has emerged as a novelist of repute. The theme in his novels is fairly varied. Rushdie is a trend setter. He has conjured up a new trend by mixing free-flight-fairy tale with savage political indictment. The concept of postmodernism includes a wide variety of subjects, including art, architecture, music, film, literature, sociolog

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Mangal, Astha. "Feminism in the Novels of Shobha De." NOTIONS 9, no. 2 (2018): 13–17. http://dx.doi.org/10.31995/notions.2018v09n2.03.

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Feminism, Self-realization, Indian Women, New Women, Indian literature in English has journeyed a long way to achieve its present glory and grandeur present a good number of women writers offering through their writings the penetrative insight into the complex issues of life. The novels of these women writers analyze the world of women, their sufferings as victims of male hegemony, they also express social, economic and political upheavals in Indian society.

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Medhi, Tezpur University, India, Hemjyoti. "Gender and Identity Politics: Arupa Patangia Kalitaâ€™s <i>Felanee </i>(The Story of Felanee) and Rita Chowdhuryâ€™s <i>Ei Samay Sei Samay </i>(Times Now and Then)." Asiatic: IIUM Journal of English Language and Literature 10, no. 1 (2016): 43–53. http://dx.doi.org/10.31436/asiatic.v10i1.773.

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This paper explores how two contemporary women writers in Asamiya refract the question of identity politics through a gendered prism in a multiethnic and multilingual landscape of the Brahmaputra valley in the late twentieth and early twenty first centuries. The period since the late 1970s has been one of intense sociopolitical movements, armed rebellions and state supported armed repressions in large parts of northeastern India. While a few women (including the writer Rita Chowdhury (1960-) discussed in this paper) have been at the forefront of some of these movements such as the Assam Moveme

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Talekar, P. R. "Panoramic View of Indian English Literature." International Journal of Advance and Applied Research 5, no. 23 (2024): 197–99. https://doi.org/10.5281/zenodo.13622231.

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Abstract:  The term literature has undergone a great widening of meaning and has come to mean anything in print or anything written. Literature in the true sense of the term is that land of writing. It is charged with human interest and characterized by permanence of imagination and artistic establishment. It deals with the life of man and his destinies on earth. It is the permanence and universality which distinguishes literature from Journalism or advertisement. Sometimes it may contain brilliant pieces of descriptions and thoughtful discussions. 

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Sugandha Agnihotri. "Sexual Anarchy Versus Sexual Tranquility- An Insight in the Select Works of Kamala Das." Journal of Advanced Zoology 44, S6 (2023): 6–9. http://dx.doi.org/10.17762/jaz.v44is6.1944.

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Anglo-Indian Literature is written by Englishmen who are interested in Indian themes and subjects. Indo-Anglian literature and Indian English literature are closely related. Indo-Anglian literature frequently addresses social and domestic themes. It's an English-language genre created by Indian writers. There is a distinction between Indo-Anglian and Anglo-Indian literature. A few contemporary genius authors, like Mulk Raj Anand, R. K. Narayan, Kamala Das, Raja Rao, and Nirad Chaudhuri, are accountable for giving Indo-Anglian literature its specific label, standing, and renown even if it is se

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PANDEY, ASMITA. "EVOLUTION OF ENGLISH LANGUAGE IN INDIAN WRITING THROUGH THE POSTCOLONIAL LENS." INTERNATIONAL JOURNAL OF ADVANCED RESEARCH IN COMMERCE, MANAGEMENT & SOCIAL SCIENCE 07, no. 02(I) (2024): 152–56. http://dx.doi.org/10.62823/7.2(i).6615.

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English as a language has undergone many fundamental and linguistic changes over the ages. From Old English, or Anglo-Saxon that was spoken in England and Scotland in the early Middle ages, to the Middle English, which underwent a lot of changes after the Norman conquest until the late fifteenth century. English saw many changes during the Renaissance all through to the modernist period to finally become what it is today. English, consequently, emerged as a language that is ever-changing in nature, a language that adapts and accommodates all. One such evolution in the language can be seen thro

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Chandran, K. Narayana. "To the Indian Manner Born: How English Tells its Stories." Hermēneus. Revista de traducción e interpretación, no. 20 (December 13, 2018): 87–104. http://dx.doi.org/10.24197/her.20.2018.87-104.

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Writing from outside the Anglo-American world is appreciated largely for the social life of English in worlds elsewhere, the linguistic oddities of its non-native cast of characters that spot poor translations. While English is easily granted inordinate powers of cultural assimilation, the languages of erstwhile colonies, the bhashas of India for example, from which this ‘translation’ presumably takes place, are seen to be rather weak and ill-equipped to meet the challenging demands of western narrative gambits. This essay offers three concrete examples of English fiction where its Indian writ

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Kapoor, Rajshree Roselean. "Women in the eye of Indian Women Novel Writers." RESEARCH REVIEW International Journal of Multidisciplinary 8, no. 1 (2023): 161–65. http://dx.doi.org/10.31305/rrijm.2023.v08.n01.021.

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This paper aims to clarify the various representations of women that Indian-English women authors have offered. When it comes to women in Indian culture and tradition, independence, the pursuit of character, fighting, and the spirit of resistance have all remained foreign concepts. With the introduction of women's rights, however, Indian women's essayists have innately understood the worries and presented women as someone who battles against the cover-up and abuse of a man-centered society. Their paintings show how the advanced-age Indian woman is caught between tradition and innovation as she

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Arun, Kumar Mukhopadhyay. "The Gloom and a Gleam Beyond: Problematising Violence in Mitra Phukan's The Collector's Wife & Kiran Desai's The Inheritance of Loss." postScriptum: An Interdisciplinary Journal of Literary Studies 3, no. 1 (2018): 44–52. https://doi.org/10.5281/zenodo.1318886.

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Subaltern study has been an important derivative of the postcolonial discourse of ‘writing back’ to the ‘grand narratives’ of the colonial West and some of the modern fictions by Indian English writers tackle among other themes, the disturbing issues such as the condition of dalits writhing under the burden of double colonialism and a resultant eruption of ethnic insurgency. The fictional representation of ethnic violence serves a twin purpose for the Indian English writer in so far as, it helps him/her not only to situate human experience in the matrix of veritable soc

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Parameswaran, Uma, and Malashri Lal. "The Law of the Threshold: Women Writers in Indian English." World Literature Today 69, no. 3 (1995): 649. http://dx.doi.org/10.2307/40151578.

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