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Journal articles on the topic 'Indian writings in english'

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Published: 7 June 2025

Last updated: 2 August 2025

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1

Hasina, Jabeen. "Indian writing in English A Brief Study of some Indian Female English Writers." International Journal of Trend in Scientific Research and Development 1, no. 1 (2016): 44–45. https://doi.org/10.31142/ijtsrd5883.

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English Language was introduced in India during British rule. Indians learned this colonial language and some Indian writers started writing in English. The first book written by an Indian in English was by Sake Dean Mahomet titled Travels of Dean Mahomet published in 1793. From that date that date the trend of English writing remained continue and today note male but female writers have made their own field. Female writers made their contribution through great novels poetry and prose. The paper provides a brief introduction of the writings and is based on secondary sources Hasina Jabeen &quot

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Dr., Suruchi Upadhyay. "K. R. Srinivasa Iyengar: A Poet with Paradigm Shift." Criterion: An International Journal in English 15, no. 2 (2024): 90–98. https://doi.org/10.5281/zenodo.11103476.

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K. R. Srinivasa Iyengar (1908-1999) was primarily known as a critic, than as a poet. He was the first one who acknowledge and give Indian English Writings a distinct place in Literature, by writing a voluminous book, Indian Writings in English in (1973). The current paper aims to put forth the idea that he was significant critic yet most neglected poet in the Post-Modern Era of Indian English Poetry. Further, to trace out the qualities from his poetical texts namely: <em>Microcosmographia Poetica </em>(1978), <em>Sitayana </em>(1987) and <em>Krishna-Geetam</em> (1994) and lastly highlights his

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3

qaid, rashid, and Dr shaifali Rachna puri. "SIGNIFICANCE OF INDIAN WRITINGS IN ENGLISH." IDC International Journal 10, no. 2 (2023): 33–35. http://dx.doi.org/10.47211/idcij.2023.v10i02.009.

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English language is inseparable with regard to India and its growth as a prosperous nation. India , which has twenty-three official regional Languages and two thousand regional languages more in it. This paper examines ‘literature’ in the context of Indian This paper analyses 'writing' with regards to Indian Writing in English and territorial writing of India in the illumination of Indian English. As IWE is not a separate entity, it is combination of Indian Diaspora fiction in English which contributes a lot to Indian English

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Khan, Afsheen, and Dr Mona Dandwate. "Contribution of the British To Develop Indian English Literature." International Journal of Multidisciplinary Research Configuration 2, no. 1 (2022): 18–23. http://dx.doi.org/10.52984/ijomrc2102.

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Development of Indian English Literature in India gathered momentum with the consolidation of British imperialism in India. As we know the British sow the seed of Indian Writing in English during the period of the British rule in India. English language and literature in India starts with the advent of East India Company in India. It all started in the summers of 1608 when Emperor Jahangir, in the courts of Mughals, welcomed Captain William Hawkins, Commander of British Naval Expedition Hector. It was India's first tryst with an Englishman and English. Jahangir later allowed Britain to open a

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SURISETTY, RAJESWARI, and M. MARY MADHAVI. "Reflection Of Indian English And Philosophy In Writings Of R.K Narayan In English Literature." Think India 22, no. 2 (2019): 494–97. http://dx.doi.org/10.26643/think-india.v22i2.8756.

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Rasipuram Krishnaswami Iyer Narayanaswami, a well-known South Indian writer, creator of a fictional town ‘Malgudi” developed a sense of interest among middle- class people in India to read short stories in English. He is the spell caster of encompassing Indianism into English literature through his writings. This celebrated Indian novelist brought an aroma of Southern Indian Coffee into English and indianized it through his fictional stories which connect with real time situations of a common Indian. This distinguished writer captivated readers through his meticulous mastery over foreign langu

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Dr.Gargee, Chakraborty. "Prominent Indian English Fiction Writers from North East--An Overview." Prominent Indian English Fiction Writers from North East--An Overview 3, no. 1 (2024): 58–60. https://doi.org/10.53413/IJTELL.2021.3113.

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Indian Writing in English does not have a long history.Undeniably the British Education Policy helped to spreadEnglish Education in India. With time we have witnessedthe growth of Indian writing in English. This growth isseen as part of upgrading, opportunity, and also acceptanceall over the world. Till recently publishers were notinterested in writings from the North East beyond itspolitically turbulent environment. This paper attempts tomap the journey of the prominent Indian English Fictionwriters from the North East.

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Akai, Joanne. "Creole… English: West Indian Writing as Translation." TTR : traduction, terminologie, rédaction 10, no. 1 (2007): 165–95. http://dx.doi.org/10.7202/037283ar.

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Abstract Creole... English: West Indian Writing as Translation — This paper looks at the use of language(s) in Indo-Caribbean (i.e., West Indian of East Indian descent) writings. West Indian writers are Creole, in every sense of the term: born in (former) British colonies, they have a hybrid culture and a hybrid language. They operate from within a polylectal Creole language-culture continuum which offers them a wide and varied linguistic range (Creole to Standard English) and an extended cultural base ("primitive" oral culture to anglicized written culture). Indo-Caribbean writers, however, h

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Sugunalatha, G. "Exploring the Multiculturalism in Indian Writings." International Journal of Research 11, no. 3 (2024): 204–16. https://doi.org/10.5281/zenodo.10837130.

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<em>India is home to several literary languages that are among the most advanced in the world. Both languages have rich histories of literature. Since the Indian Constitution recognizes English as an "official language," it is presumed to be the primary literary language. Indian literature's multiculturalism stands apart from other examples of postcolonial English writing. This Paper's Primary Goal is to examine Multiculturalism's Function in Indian English Literature. A person of Indian ancestry will always be bilingual and likely fluent in many other languages. He has the innate ability to a

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Dr. Anuradha, Dr Anuradha. "Critical Analysis of Manju Kapur's “Custody” and “Home”." International Journal of English Literature and Social Sciences 6, no. 2 (2021): 469–70. http://dx.doi.org/10.22161/ijels.62.70.

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It is a well-known fact that Indian Literature is rich and diverse and it covers literature written in multiple languages of India. With the diversity in the Indian regional languages, the literature in India also becomes diverse and rich. From Sanskrit to Hindi to Bengali to Gujarati, to Punjabi to Marathi literature have given several gems to the world. But with the ever growing globalization English language and its literature also became and integral part of the Indian literary consciousness and it mingled with the richness of Indian Literature in general. The most prominent use of English

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Thakur, Asha Rani. "NISSIM EZEKIEL: Father of Contemporary English Poetry." International Journal of Advanced And Applied Sciences 1, no. 2 (2023): 91–94. https://doi.org/10.5281/zenodo.7956136.

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Nissim Ezekiel (16 December 1924- 19 January 2004) an Indian actor, a playwright, poet, editor and critic. His writings contained wit and satire. He dealt with the common themes and had a realistic approach towards life dealing with the social issues, customs, traditions and political issues like poverty and corruption in India. He was the father of postmodernism and modern poetry of India. Nissim was a prolific dramatist, broadcaster and a social commentator. He was a professor of English and a reader of American literature at Mumbai. He taught at various universities in India and abroad. He

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Khokhar, Sonika. "Modern Indian Literature in Translation." International Journal of English Literature and Social Sciences 7, no. 4 (2022): 274–77. http://dx.doi.org/10.22161/ijels.74.40.

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The translation is essential to communicate the meaning of one language into another without disturbing the originally felt emotions. It has been noticed that translation has always been primary to Indian literature, and especially Indian English literature. Encouraging translation talent in India is also a relatively new and interesting space. Since the vernacular writings have been translated into English, it’s getting easier for the audiences to understand the point of view of the writers. It is the strength of this vernacular pen that makes writings so dynamic in Indian languages. In the I

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Dr., Sarika Sinha, and Sharma Yashpal. "Creativity and Experience in the Pre and Post Independent Indian English Writers." International Journal of Advance and Applied Research 4, no. 24 (2023): 85–88. https://doi.org/10.5281/zenodo.8242435.

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The great Indian writers have made their mark in the pre independence, post-independence and modern Indian English Literature. In the present paper we are trying to cover creativity and experiences of our post Indian English Writers. The Indian Writers have explored all the dimensions of English Literature be it poetry, fiction, drama or any other literary form. In the post Independent India we see a lot of upheavals in the cultural and political level. Many Indian Writers tried their pen in throwing some creative pieces. We have noticed a wave of literary creativity in the post Independent In

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Dr. Shreeja Tripathi Sharma. "META-NARRATIVE OF SANSKRIT IN INDIAN ENGLISH WRITINGS." International Journal of Innovations in Engineering Research and Technology 11, no. 2 (2024): 44–48. http://dx.doi.org/10.26662/ijiert.v11i2.pp44-48.

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Sanskrit has been the primary language and the receptacle of sublime expressions in early India. The language became an object of engagement for Indologists and Orientalists who began a series of translations of Sanskrit works in English and initiated an association that subsequently culminated in form of Indian English Writings. The gradual absorption of English in Indian culture became partly accountable for rendering original works of Sanskrit inaccessible due to incomprehensibility as well as distortions in translations and cultural misrepresentations. Yet, it was also the chief reason why

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Madavi, Dr Manoj Shankarrao. "Exploring the Unexplored- Postcolonial Issues in the novels of Upmanyu Chatterjee and Arvind Adiga." International Journal of Teaching, Learning and Education 2, no. 4 (2023): 28–32. http://dx.doi.org/10.22161/ijtle.2.4.5.

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Indian English fiction writings have flourished after the post-independence period. Most of the Indian English novels were dealing with post-partition, changing social-political values and impact of colonial rule on Indian Psyche. Upmanyu Chatterjee wrote some of the prominent novels focusing on changing values of Indian society in postcolonial India were having high education and all comforts of life, characters in novels finds themselves in a cultural dilemma. Postcolonial literature of India which deals with the decolonization of the minds of colonized communities. Important issues like soc

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Dr., Sheela Narwade. "Indian Woman: Empowerment and Indian English Literature." International Journal of Advance and Applied Research 4, no. 30 (2023): 72–74. https://doi.org/10.5281/zenodo.8394451.

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The present paper is the analysis of the status of women empowerment through Indian English Literature. The paper will focus on the status of Indian woman in freedom struggle, political place, acceptance of unequal gender norms. For the empowerment of women, women should get the opportunity for education, should aware towards their rights, should get permission to make life-determining decisions. The constitution of India provided women equal social position with men. But still, she is struggling for equality in many ways.  Literature is the mirror of society. The female writers depict th

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Singh, Dr Abha. "Space and Identity of Women in Indian English Writings." SMART MOVES JOURNAL IJELLH 7, no. 11 (2019): 16. http://dx.doi.org/10.24113/ijellh.v7i11.10134.

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The women’s studies have been receiving increasing academic and disciplinary recognition throughout the globe. The writers are determined to narrate, respond and react to the place of women in society. The purpose of the present paper is to redefine the image of women in post colonial Indian English literature. The post colonial Indian English writers focus on major issues relating to woman such as her awakening to the realization of her individuality, her breaking away with the traditional image. The transformation of the idealized women into an assertive self willed woman, searching and disc

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Sharma, Susheel Kumar. "Indo-Anglian: Connotations and Denotations." East European Journal of Psycholinguistics 5, no. 1 (2018): 45–69. https://doi.org/10.5281/zenodo.1435964.

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<strong>Abstract. </strong>A different name than English literature, ‘Anglo-Indian Literature’, was given to the body of literature in English that emerged on account of the British interaction with India unlike the case with their interaction with America or Australia or New Zealand. Even the Indians’ contributions (translations as well as creative pieces in English) were classed under the caption ‘Anglo-Indian’ initially but later a different name, ‘Indo-Anglian’, was conceived for the growing variety and volume of writings in Eng

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18

Bai, Dr K. Lalitha. "Rising feminine sensibility in Indian women writings – A Kaleidoscopic view." International Journal of English Literature and Social Sciences 10, no. 3 (2025): 741–47. https://doi.org/10.22161/ijels.103.102.

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In the middle of the 19th century the fiction of women novelists in English obtained a separate identity and many renowned women novelists like Jane Austen, George Eliot, Bronte Sisters, and Virginia Woolf proved greater than men qualitatively. They established their own great tradition. Through their novels they described their powers, their inspirations, their weaknesses and their self-realization. Indian women writers writing in English have raised their voice against gender bias and male chauvinism in the patriarchal Indian society. In fiction there is a plentiful expression of feminine se

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19

Anjaria, Ulka. "Literary Histories and Literary Futures:." Crossings: A Journal of English Studies 6 (December 1, 2015): 12–19. http://dx.doi.org/10.59817/cjes.v6i.181.

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The debate between authors who write in English and those who write in the South Asian vernaculars – or bhashas – is well known in South Asian literary studies. The debate is not only about language, but about a writer’s desired audience and her commitment (or lack thereof) to cosmopolitanism on one hand and nationalism on the other. This paper traces some of the key moments in this debate in order to suggest that in contemporary Indian literature we are witnessing the beginnings of a new relationship between English and the bhashas that requires a complication of the cosmopolitanism/nationali

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20

Mukherjee, Ayesha. "The Discovery of English Wants: Dearth and Plenty in Early Modern Anglo-Indian Exchanges." Journal of Medieval and Early Modern Studies 54, no. 3 (2024): 559–91. http://dx.doi.org/10.1215/10829636-11333400.

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English experiences of late-Elizabethan economic crises coincided with national ambition to engage in global trade, marking a shift in the discourse of “needs” and “wants” in the English commonwealth. English travelers and traders documented in different modes of writing the topography, climate, food resources, markets, and roadways of Mughal India to better understand local abundance, needs, and wants. Travel through food insecure regions in India, interaction with local inhabitants, and encounters with famine created hybrid chorographic modes: forms of writing about travel and place within E

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21

D.Manoharan and K.Anbuselvi. "Myth, History and Realism in Githa Hartharan's Thousand Faces of Night and in Times of Siege:A Study." Shanlax International Journal of Arts, Science and Humanities 6, no. 2 (2018): 79–84. https://doi.org/10.5281/zenodo.1473231.

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Women  writers  in  India  were  moving  forward  with  their  strong  and  sure  strides, matching the pace of the world. They were recognized for their originality, versatility and the indigenous flavor of the soil that they brought to their work. Hariharan occupies the outstanding place in the world of Indian English fictions since 2002. Mythology in the Indian context is perhaps the most utilized and most admired for every generation and genre. History bears proof of ever fitness that Indians from every age, time and place and dyn

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Jain, Gunjan. "SIGNIFICANCE OF MARRIAGE AS SOCIAL INSTITUTION IN INDIAN ENGLISH WRITINGS." Social Values and Society 1, no. 1 (2019): 17–22. http://dx.doi.org/10.26480/svs.01.2019.17.22.

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Ramteke, Dr Damodhar Govinda. "The Subaltern Writings in India and Overview of Dalit Literature." International Journal for Research in Applied Science and Engineering Technology 13, no. 7 (2025): 1823–30. https://doi.org/10.22214/ijraset.2025.69601.

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The Dalit and subaltern class of Dr. Mulk Raj Anand's time in India are portrayed realistically and sympathetically in his novels, which focus on the class's struggle to make ends meet and the ways in which the upper class and well-to-do people in society exploit and deny them any opportunities. Anand is a famous English-language critic of the Indian literary scene. Anand is a prolific writer who writes in both English and Hindi. His works include novels, short tales, and articles on the arts. Anand was among those who translated Hindustani idioms into English. His picture of India's poor is s

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Bakshi, Raj N. "Indian English." English Today 7, no. 3 (1991): 43–46. http://dx.doi.org/10.1017/s0266078400005757.

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Kachru (1965, 1966) has presented a detailed analysis of the idiosyncratic vocabulary items of Indian English (hereafter IE). He observes that “in India an idiom of English has developed which is Indian in the sense that there are formal and contextual exponents of Indianness in such writing, and the defining-context of such idiom is Indian setting” (1965:396). To illustrate how IE has become culture bound in India, he mentions many formations, such as confusion of caste, dung wash, saltgiver, rape-sister, etc., drawn from IE fiction, and calls them Indianisms.

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Tripathi, Prof Shubhra. "Sensitive Relationships, Subtle Satire and Startling Irony: Keki N Daruwalla’s Short Fiction." SMART MOVES JOURNAL IJELLH 9, no. 1 (2021): 110–22. http://dx.doi.org/10.24113/ijellh.v9i1.10884.

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Ghosh, Subho. "Modern Indian Literature in Translation: Bama’s Karukku and Sangati." International Journal of English Literature and Social Sciences 8, no. 6 (2023): 182–87. http://dx.doi.org/10.22161/ijels.86.27.

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As a discipline, Translation studies is comparatively new and is still in the process of mapping its territory because the mode of transmitting cultural elements through literary translation is a complicated task encompassing a compendium of experiences: including history, social structure, religion, traditional customs and everyday usage. The translation is indispensable to enquire about the tenor of one language into another without doling the central felt sentiments. It has been discerned that translation has ever been elementary to Indian English literature. Manifesting translation sagacit

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Ghosh, Subho, and Namrata Chakrabortty. "Modern Indian Literature in Translation: Bama’s Karukku and Sangati." International Journal of English Literature and Social Sciences 8, no. 6 (2023): 182–87. http://dx.doi.org/10.22161/ijels.86.28.

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As a discipline, Translation studies is comparatively new and is still in the process of mapping its territory because the mode of transmitting cultural elements through literary translation is a complicated task encompassing a compendium of experiences: including history, social structure, religion, traditional customs and everyday usage. The translation is indispensable to enquire about the tenor of one language into another without doling the central felt sentiments. It has been discerned that translation has ever been elementary to Indian English literature. Manifesting translation sagacit

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Malviya, Dr Gajanan. "‘From Tagore to Tharoor: The Evolution of Indian English Prose and Its Global Reception’." International Journal of Research in Social Sciences & Humanities 12, no. 3 (2022): 634–51. https://doi.org/10.37648/ijrssh.v12i03.035.

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This paper explores the evolution of Indian English prose from the works of Rabindranath Tagore to the contemporary writings of Shashi Tharoor, analysing the progression of literary themes, stylistic developments, and global reception. It traces the journey of Indian English prose through colonial, postcolonial, and modern periods, emphasizing how the genre has been shaped by historical, social, and political changes in India. The study delves into the contributions of early writers such as Tagore, R.K. Narayan, and Mulk Raj Anand, and examines the post-independence literary landscape dominate

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Rana, Mayur, and Deepika Pant. "Kamala Das: A Radical Voice in Indian English Confessional Poetry." Shanlax International Journal of English 13, no. 2 (2025): 19–24. https://doi.org/10.34293/english.v13i2.8486.

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A seminal figure in the domain of Indian English poetry, Kamala Das is recognized as one of the prominent authors emerging from the third phase of Indian English Literature. Noted for her contentious yet widely acclaimed contributions, she is particularly distinguished for her confessional approach to writing. The exploration of identity has consistently been a predominant focus within her literary oeuvre. In her personal existence, her sense of identity remained perpetually unsettled. Her profound longing for self-identity and her aspirations for love constitute the central motifs present in

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Mahato, Samir Kumar, and Gautam Bandyopadhyay. "The relevance of Swami Vivekananda's uses of English language in today's teaching-learning situation- A socio-linguistic enquiry." Sikshachintan: A Journal of Education 7 (December 1, 2013): 53–62. https://doi.org/10.5281/zenodo.7781114.

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The present article focuses on the similarity between the thinkings of Swami Vivekananda on language and the views of FCA. English language as used by Sw. Vivekananda in his numerous writings and speeches may be a model for the Indian people (especially the learners and teachers) to meet the present demands. English language teaching, FCA, Teaching-learning situation

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Bhat, Sami Ullah. "Indian English Fiction: Seeding to Efflorescence." International Journal of English Literature and Social Sciences 9, no. 2 (2024): 195–200. http://dx.doi.org/10.22161/ijels.92.28.

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Indian English literature began as an interesting by-product of an eventful encounter in the late eighteenth century between a vigorous and enterprising Britain and a stagnant and chaotic India. As a result of this encounter as F.W. Bain puts it ‘India a withered trunk… suddenly shot out with foreign foliage’. The first problem that confronts the historian of Indian English literature is to define its nature. The question has been made rather complicated owing to two factors: first this body of writing has, from time to time, been designated variously as ‘Indo-Anglian literature’, ‘Indian Writ

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Jabeen, Hasina. "Indian writing in English: A Brief Study of some Indian Female English Writers." International Journal of Trend in Scientific Research and Development Volume-1, Issue-1 (2016): 44–45. http://dx.doi.org/10.31142/ijtsrd5883.

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Arshitha, R., and B. Bharthi. "Schizophrenia in Khushwant Singh’s I Shall Not Hear the Nightingale." Shanlax International Journal of Arts, Science and Humanities 11, S2-March (2024): 138–41. http://dx.doi.org/10.34293/sijash.v11is2-march.7532.

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Literature serves as a mirror to society, with authors articulating societal behaviors through their works. Indian English novels provide a comprehensive platform for studying culture, cultural interactions, and cultural transformations, with a focus on Indian perspectives. A peek into the imaginative realm of the masters of Indian English novels reveals a cosmopolitan ensemble representing diverse religions, communities, professions, and viewpoints. The Indian milieu is eloquently portrayed through the lens of human psychology. Indian authors such as Mulk Raj Anand, Arundhathi Roy, Shashi Tha

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Mangal, Astha. "Feminism in the Novels of Shobha De." NOTIONS 9, no. 2 (2018): 13–17. http://dx.doi.org/10.31995/notions.2018v09n2.03.

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Feminism, Self-realization, Indian Women, New Women, Indian literature in English has journeyed a long way to achieve its present glory and grandeur present a good number of women writers offering through their writings the penetrative insight into the complex issues of life. The novels of these women writers analyze the world of women, their sufferings as victims of male hegemony, they also express social, economic and political upheavals in Indian society.

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Simran Punia. "Marginalisation and Portrayal of Women Characters in Indian Diasporic Writings: A Study of Jhumpa Lahiri and Bharati Mukherjee." Journal of Advances and Scholarly Researches in Allied Education 21, no. 1 (2024): 83–86. http://dx.doi.org/10.29070/4bchc158.

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Most authors of post-colonial diasporic origin tend to write in a formulaic fashion. Inviting readers from all over the world, they use methods as varied as stream of consciousness, immigration, magic realism, alienation, and the capacity to adjust to a new area and culture. The literary world has taken notice of Indian literature in English because of the depth and relevance of its subject matter. The contemporary trend in Indian writing in English is unparalleled, despite the fact that outstanding literary works written in English were discovered a century ago. Numerous authors have gained w

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Saikia, Prerana. "What are They Reading: Readership Discrepancy and Literature in India." International Journal of Science and Social Science Research 2, no. 4 (2025): 194–99. https://doi.org/10.5281/zenodo.14975268.

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The emergence of the post-Nehruvian independent India saw the rise of Indian writings in English, especially the Diasporic narratives have continued to attempt an authentic picture of India abroad. With the tendency to portray <em>Indianhood</em> through sensationalist, exoticizing lens; these narratives have curiously garnered an international appeal for its self-consciously righteous and culturally self-deprecative textuality; qualities that have been notoriously attributed to the marketable nature of IWE narratives. While significant concerns have been raised about the disparity of the port

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Sharma, Dr Shreeja, and Prof Shubhra Tripathi. "Unshackling the tribal women in Indian English Literature: dreams and visions." SMART MOVES JOURNAL IJELLH 5, no. 7 (2017): 9. http://dx.doi.org/10.24113/ijellh.v5i7.2136.

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The marginalised tribal women comprise the weakest section of the Indian society. It is a sad reality that their identity remains weak, unvoiced and largely unexplored. Invigorating them would enhance the collective national capability as it will carry justice, equity and development to the most vulnerable segment of the nation, thereby reinforcing and the frailest of its stalk. The portrayal of tribal women in literature can go a long way in spreading awareness about the cause, not only on the national, but also on an international scale. Writing on these marginalised, poor, and socially excl

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Mishra, Sushant Kumar, and Anuradha Deepak. "European Parallel Traditions on Textual Studies apropos Translation Act in Indian Contexts: Charles Bally and Successors of Saussure." Translation Today 17, no. 2 (2023): 88–104. http://dx.doi.org/10.46623/tt/2023.17.2.ar5.

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Comparative language studies have yielded various interesting results towards the end of the 19th century and the beginning of the 20th century. European thinkers have worked a lot on areas which have provided the basis for later frameworks for textual analysis and critical study. This kind of textual study has impacted the frameworks of Translation Studies for comparative analysis of parallel texts between a pair of languages. The translation processes and training have been designed on the basis of the categories drawn from the comparative stylistic studies between the language pairs. By ‘tr

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Шарма Сушіл Кумар. "Indo-Anglian: Connotations and Denotations." East European Journal of Psycholinguistics 5, no. 1 (2018): 45–69. http://dx.doi.org/10.29038/eejpl.2018.5.1.sha.

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A different name than English literature, ‘Anglo-Indian Literature’, was given to the body of literature in English that emerged on account of the British interaction with India unlike the case with their interaction with America or Australia or New Zealand. Even the Indians’ contributions (translations as well as creative pieces in English) were classed under the caption ‘Anglo-Indian’ initially but later a different name, ‘Indo-Anglian’, was conceived for the growing variety and volume of writings in English by the Indians. However, unlike the former the latter has not found a favour with th

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Bhutani, Diksha, Priya Sharma, Aashima Walia, Charu Mukherjee, Aditya Saini, and Dr Shweta Chaudhary. "Decolonising Environmental Thought in Indian English Poetry." International Journal of Environmental Sciences 11, no. 6s (2025): 280–88. https://doi.org/10.64252/g5b9gk72.

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This paper examines the enduring impact of colonialism on environmental degradation and the neglect of natural resources in India, using the works of A.K. Ramanujan, Rabindranath Tagore, Jayanta Mahapatra and Nissim Ezekiel as critical lenses. The poetry of Ramanujan serves as a poignant critique of apathy towards ecological crises, reflecting the systemic disregard for the environment perpetuated during and after colonial rule. The poem’s portrayal of a river – ignored in both its abundance and destruction – symbolises the exploitation and neglect of natural resources in the name of progress

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Dr., A. M. Jansi. "Social Activism in the Writings of Mahasweta Devi and Arundhati Roy." Social Activism in the Writings of Mahasweta Devi and Arundhati Roy 7, Sp 1 (2019): 1–5. https://doi.org/10.5281/zenodo.2588174.

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Mahasweta Devi and Arundhati Roy are the well-known Indian women writers of  post-colonial era. They are not only the  ction writers but also development critics as well as social activist writers. They have represented the marginalized section of the society in their writings. These two writers have been living their lives with the oppressed class to understand their problems and feel their dif culties and  ght for the fundamental rights of the oppressed community through their writings and social movements. The present research paper attempts to explore the social activism of the two

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Alam, Fakrul. "Karl Marx on India:." Crossings: A Journal of English Studies 11 (March 1, 2020): 9–22. http://dx.doi.org/10.59817/cjes.v11i.66.

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This paper focuses on some of the writings of Karl Marx on India in English toindicate something of the extent of his astonishing knowledge of the subcontinent’spolitical and socioeconomic history, and to highlight the incisiveness of his critiqueof British rule in India. In the process, it attempts to show Marx’s (and FriedrichEngels’) sensitivity as well as understanding of the plight of Indians under theEast India Company’s rule, and his quite overt and powerful denunciation ofBritish excesses during the Sepoy Mutiny. In addition, the paper underscores theimportance of these writings for us

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Sankar, G., J. Prabhavathi, and S. Sankarakumar. "A cross-cultural analysis of female protagonist on selecting novel of chitra banarjee divakaruni and bharati mukherjee." International journal of linguistics, literature and culture 5, no. 5 (2019): 1–6. http://dx.doi.org/10.21744/ijllc.v5n5.719.

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In the 21st century, women's writing in English has been considered as a powerful medium of modernism and feminist proclamation in the contemporary society of patriarchy life. The last two decades have witnessed extraordinary success in feminist writings of Indian English literature even Today is the generation of those women writers who are rich and have been educated in the West. Hence, this paper examines to analysis the cross-cultural values and divulgences of female protagonist’s of the great diasporic writers Chitra Banarjee Divakaruni and Bharati Mukherjee select novels. It also discuss

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Dr., Rajeev Kumar Sharma. "Chetan Bhagat's Vision of Life and His Youth Calling Approach." Criterion: An International Journal in English 15, no. 2 (2024): 73–80. https://doi.org/10.5281/zenodo.11103434.

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Chetan Bhagat is one of the most celebrated fiction writers in   Indian   Writing in   English.   His writings are considered as representative of issues disturbing   young generation.    He highlights the confusion, troubles and dilemmas that the youth is facing in modern society. Chetan Bhagat has merged both highbrow and lowbrow genres into one, which is now accepted as the best-seller genre of Indian English literature.  He takes the people from the real-life metropolis. His novels go around the lives of the youth. Bhaga

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Maya P.R, Dr Latha Velavan,. "THE IMAGE OF INDIAN WOMEN AND THEIR CONTRIBUTION TO LITERATURE." Psychology and Education Journal 58, no. 1 (2021): 5418–21. http://dx.doi.org/10.17762/pae.v58i1.2155.

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The paper deals with the ancient Indian women and their contribution to literature during the British period. The role of ordinary women and aristocrat ladies were the same in that period. Both were utilized to fulfill their household duties and to act as a consummate hostess to their men at the table. They were portrayed as a secondary character to men in most of the writings. Women were in general unaware of their fundamental rights due to illiteracy. Cruel rites like Sati and Infanticide were imposed on women by the society and more or less they were just treated as a supporting character t

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Reddy, Divya Bhavani, and Katikathala Dr.Rajamanikyam. "The Pragmatics of the Female Self: Exploring the Making of the Female Psyche in Namita Gokhale's The Book of Shadows." Pragmatics of the Female Self: Exploring the Making of the Female Psyche in Namita Gokhale's The Book of Shadows 3, no. 2 (2024): 63–67. https://doi.org/10.53413/IJTELL.2022.03210.

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The contemporary writings concerning the portrayal ofwomen's positions in the literary circle have shownquite an encouraging picture. Different writers havemade strenuous efforts to depict a kind of equalemancipatory position for both the male and the femalecharacters in literary fiction. When it comes toascertaining the position of a female, it is, more oftenthan not, a dominated by the males. However, presentday writings in general and Indian English writing, inparticular, have portrayed the females on par withtheir counterparts. Namita Gokhale is a significantmodern Indian English fiction w

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Dr., (Mrs) S. Kesavan, and D. Maheswari Dr. "An Introduction to Indian Writing in English." Literary Druid 5, no. 3 (2023): 1–5. https://doi.org/10.5281/zenodo.8243100.

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<em>Indian Writing in English (IWE) refers to the body of literary works written by Indian authors in the English language. Indian Writing in English emerged during the period of British colonization in India and has since developed into a rich and diverse tradition. This essay explores the origins, themes, and significant contributions of Indian Writing in English. It delves into the challenges faced by Indian authors in adopting a foreign language for creative expression, examines the cultural and social contexts in which these works are situated, and highlights the impact of IWE on the glob

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Tadié, Alexis. "Bibliography of Indian Writing in English." Études anglaises 62, no. 3 (2009): 379. http://dx.doi.org/10.3917/etan.623.0379.

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Nazareth, Peter, and P. Bayapa Reddy. "Studies in Indian Writing in English." World Literature Today 65, no. 4 (1991): 776. http://dx.doi.org/10.2307/40147834.

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Kokane, Dr Kalyan Shidram. "Indian Writing in English: A Survey." International Journal of Emerging Knowledge Studies 03, no. 10 (2024): 759–60. https://doi.org/10.70333/ijeks-03-10-020.

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The present research work highlights a woman’s rebellion against the conventional ideologies, breaking the shackles of exploitation and oppression, awakening with a sense of identity, to assert their humanity and common sensibility in religious diversity, in the different phases or time of the social system. It has been seen that the status of woman has not much changed in the era of Premchand and in the era of Manju Kapur. This hypothesis is validated with the analysis, observation and interpretation of the selected novels of both the writers who belong to two different eras, languages, cultu

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