Relevant bibliographies by topics / Indic Romance fiction

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Academic literature on the topic 'Indic Romance fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Indic Romance fiction"

1

Parameswaran, Radhika. "Western Romance Fiction as English-Language Media in Postcolonial India." Journal of Communication 49, no. 3 (1999): 84–105. http://dx.doi.org/10.1111/j.1460-2466.1999.tb02806.x.

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Parameswaran, Radhika. "Reading Fictions of Romance: Gender, Sexuality, and Nationalism in Postcolonial India." Journal of Communication 52, no. 4 (2002): 832–51. http://dx.doi.org/10.1111/j.1460-2466.2002.tb02576.x.

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Mijares, Loretta M. "“A Romance of England and India”: Miscegenation as Metaphor in Colonial British Fiction." South Asian Review 25, no. 1 (2004): 304–26. http://dx.doi.org/10.1080/02759527.2004.11932335.

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Dr.Mohammad, Ekramul Hassan. "Unheard Story of Small Things in Roy's novel The Ministry of Utmost Happiness." Unheard Story of Small Things in Roy's novel The Ministry of Utmost Happiness 3, no. 3 (2024): 7–10. https://doi.org/10.53413/IJTELL.2022.3302.

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With The Ministry of Utmost Happiness (2017)Arundhati Roy returns to fiction after twentyyears of non-fiction and political journalism.With her long-awaited second novel, Roy alsoleaves behind the ambiguous status of the singlenovel author. Her works is certainly reflectsbitter reality of society. She does not hesitateeither to write or speak on any antisocial issue.Fantasy, fairy tale or romance is hardly found inher work rather she prefers to decipher thesuffering of mankind. She highlights mostlyabout underprivileged and deprived section ofthe society: hijras, political rebels, the deserted
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5

Dr., Vidya Patil. "RONALD MERRICK – EMBLEMATIC OF THE FAILURE OF THE BRITISH RAJ IN PAUL SCOTT'S THE RAJ QUARTET." International Journal of Applied and Advanced Scientific Research 3, no. 1 (2018): 222–25. https://doi.org/10.5281/zenodo.1214681.

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<em>The Raj Quartet</em> is monumental and a masterpiece of post-colonialism fiction, historical fiction, romance, mystery, post-modernism, and even a thriller.&nbsp;The quartet takes a panoramic view of India during the last days of the Raj, the British ruling class in India. Scott&rsquo;s most fascinating creation is the character of Ronald Merrick. Perhaps the truest test of any other character&rsquo;s personality is his or her reaction to Merrick&rsquo;s odd blend of heroism and hostility, decency and depravity.Ronald Merrick, one of the main characters, is a mixture of sadistic evil and l
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6

Rappa, Antonio L. "Magical realism and romance in Asia: Avenuesfor understanding?" BOHR International Journal of Social Science and Humanities Research 2, no. 1 (2023): 13–23. http://dx.doi.org/10.54646/bijsshr.2023.19.

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The classical Greeks believed that Eros was about erotic love. When we forsake the object of our love, it becomes relegated to the dustbin of memories, which makes it difficult to recover or retrieve. This article discusses how romantic love has been celebrated in works of magical realism in Asia that have evolved to include a range of emotions, political resistance (and questioning state authority and authoritarian personalities), fantasy, delusion, illusion, and fiction. One of the most pronouncedly celebrated works on magical realism was Gabriel GarcaMárquez’sLove in the Time of Cholera(198
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7

Peers, Douglas M. "‘Those Noble Exemplars of the True Military Tradition’; Constructions of the Indian Army in the Mid-Victorian Press." Modern Asian Studies 31, no. 1 (1997): 109–42. http://dx.doi.org/10.1017/s0026749x00016954.

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This paper is directed first at identifying where and by whom military influences or topics manifested themselves in the periodical pressʼns coverage of India in the period up to the Indian Rebellion. How such manifestations changed over time, as well as the convergence of Anglo-Indian and British newspapers and magazines on Indian topics, will form an important component of this study. Stemming from these initial enquiries, I will further suggest that the model often employed to comprehend such representations —namely ‘orientalism’ —is, as it is often configured, too simplistic and reductionis
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L. Rappa, Antonio. "Magical Realism and Romance in Asia: Avenues for Understanding?" BOHR International Journal of Social Science and Humanities Research 2, no. 1 (2023): 13–23. http://dx.doi.org/10.54646/bijsshr.019.

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The classical Greeks believed that Eros was about erotic love. When we forsake the object of our love, it becomes relegated to the dustbin of memories, which makes it difficult to recover or retrieve. This article discusses how romantic love has been celebrated in works of magical realism in Asia that have evolved to include a range of emotions, political resistance (and questioning state authority and authoritarian personalities), fantasy, delusion, illusion, and fiction. One of the most pronouncedly celebrated works on magical realism was Gabriel Garca Márquez’s Love in the Time of Cholera (
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9

Perkins, Blake. "A Fine Romance." Petit Propos Culinaires, May 1, 2017, 39–54. http://dx.doi.org/10.1558/ppc.28029.

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Rupert Croft-Cooke, prolific author of detective novels, serious fiction, criticism, travelogue, memoirs and cookbooks enlisted in the British army in 1940 and spent several years in Africa and India. This article traces his embrace of Indian cuisine and culture which is reflected in his memoirs and cookery writing.
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Hackett, Lisa J., and Jo Coghlan. "The History Bubble." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2752.

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Introduction Many people’s knowledge of history is gleaned through popular culture. As a result there is likely a blurring of history with myth. This is one of the criticisms of historical romance novels, which blur historical details with fictional representations. As a result of this the genre is often dismissed from serious academic scholarship. The other reason for its disregard may be that it is largely seen as women’s fiction. As ‘women’s fiction’ it is largely relegated to that of ‘low culture’ and considered to have little literary value. Yet the romance genre remains popular and lucra
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Books on the topic "Indic Romance fiction"

1

Sudhir, Kakar, ed. Indian love stories. Lotus Collection, Roli Books, 1999.

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2

Leone, Sunny. Sweet dreams. Juggernaut Books, 2016.

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3

Pran, Nevile, ed. Love stories from the Raj. New York, 1995.

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4

Government Museum and Art Gallery, Chandigarh., ed. Chandigarh Museum, Laur-Chanda: A study in styles. Government Museum and Art Gallery, 2006.

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5

Guanzhong, Luo. Romance of the three kingdoms. 5th ed. K. Nguyen, 2003.

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6

Guanzhong, Luo. Romance of the three kingdoms. Tuttle Pub., 2002.

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7

Tejpal, Tarun J. The alchemy of desire. Picador, 2006.

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Tejpal, Tarun J. The alchemy of desire. Ecco, 2005.

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9

Bhagat, Chetan. One night at the call centre. Windsor, 2007.

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10

Guanzhong, Luo. Romance of the three kingdoms =: San guo zhi yan yi. C.E. Tuttle Co., 2002.

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Book chapters on the topic "Indic Romance fiction"

1

McCann, Fiona. "Between Ireland and India: Affective Political Agencies in Cauvery Madhavan’s The Tainted (2020)." In Ireland in the Concert of Nations. Presses universitaires de Caen, 2025. https://doi.org/10.4000/14c7j.

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Irish-Indian author Cauvery Madhavan’s third novel, unlike the previous two, is a historical fiction which traces Irish-Indian connections in the twentieth century and which was published exactly a hundred years after the events which inspire part of the novel. The Tainted has two diegetical strands, one set in 1920 and the other in the early 1980s, and it aims to highlight convergences in responses and resistance to violent British colonial rule. Madhavan rewrites the historical episode of the Connaught Rangers mutiny and, in this blending of fact and fiction, raises a series of uncomfortable
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2

Horst, Lauren. "The Romance Novel." In The Oxford History of the Novel in English. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192844729.003.0041.

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Abstract This chapter investigates the growth and diversification of the romance genre since the mass-market romance first hit supermarket shelves in the 1970s. In the decades since, the more than billion-dollar-a-year industry has remained the most commercially successful and widely read genre of popular fiction. With the advent of indie publishing, self-publishing, and diversification of lines that even mainstream publishers like Harlequin or Avon offer, “Romance-landia” has become one of genre fiction’s most diverse categories. The chapter investigates such subgenres as historical romance,
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3

Connor, John T. "Migrations of the Communist Historical Novel." In Mid-Century Romance. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780191953057.003.0003.

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Abstract This chapter tracks the rise of the historical novel in Hitler’s Germany, and in the literature, forged in response, of the communist anti-fascist movement. It explains how the promotion of Bolshevik nationalism inside the Soviet Union and of the Popular Front among national sections of the Communist International established the ideological framework for a fiction that would celebrate national traditions of popular struggle and contest fascist claims to narrate the same. From Bahia, Brazil, to Bihar in Eastern India, communist-aligned writers rallied to the call to reclaim the people
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