Log in

Relevant bibliographies by topics / Indic Singers

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'Indic Singers'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 March 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Indic Singers.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Indic Singers"

1

Sharma, Vasudha, Srikanth Nayak, and Usha Devadas. "A survey of vocal health in church choir singers." European Archives of Oto-Rhino-Laryngology 278, no. 8 (April 10, 2021): 2907–17. http://dx.doi.org/10.1007/s00405-021-06770-0.

Full text

Abstract:

Abstract Purpose Choir singing is an important tradition of Christian worship across India. However, vocal health issues related to the church choir singers are less addressed in the literature. Hence, this study aimed to investigate the prevalence of vocal symptoms, identify the variables associated with increased risk of voice problems and knowledge of factors influencing vocal health in church choir singers. Method One hundred and forty-eight church choir singers (61 males and 85 females) between the age range of 18 and 70 years participated in the study. They completed a self-reported questionnaire addressing demographic and singing-related details, vocal symptoms, variables associated with increased risk reporting voice problems and knowledge about factors influencing vocal health. Result Eighty-four percent of the choir singers reported two or more vocal symptoms sometimes or more frequently while or after singing. More than half of the church choir singers had experienced vocal symptoms such as accessing notes in the upper range, loss of vocal endurance, pitch breaks, hoarseness, dryness in the throat, and discomfort in the throat. Among the different variables, systemic hydration found to have a significant association with reporting of voice problems in church choir singers. The overall knowledge regarding the factors influencing vocal health was found to be limited among the choir singers. Conclusion Choir singers like other professional singers experienced a higher prevalence of vocal symptoms during or after singing and exhibited limited knowledge about factors that negatively influence vocal health. Hence, there is a need to look into these singer’s vocal requirements, who usually go unnoticed.

APA, Harvard, Vancouver, ISO, and other styles

2

Dr. Shatakshi Misra. "Sarojini Naidu: The Singer of Beautiful Songs." Creative Saplings 1, no. 8 (November 25, 2022): 56–76. http://dx.doi.org/10.56062/gtrs.2022.1.8.173.

Full text

Abstract:

Sarojini Naidu was an Indian political activist, feminist, and poet, a proponent of civil rights, women’s emancipation, and anti-imperialistic ideas. Despite all these qualities, she was known as “The Singer of Beautiful Songs” she will always be remembered and recalled by her two names: “The Nightingale of India” and” Bharat Kokila” as Mahatma Gandhi ornamented her. The present paper is a genuine effort to reveal her personality as a singer of beautiful songs; she emerged as the very soul of India and was attached firmly to its soil. Despite all her western garb and literary affiliation with the English poets, her sensibility was “wholly native.” Blessed with remarkable creative talent, she adroitly composed charming songs with a striking note of native fervour. In this task, she fell into the tradition of Indian women writers since the Vedic age. In the tradition of Vishwavara and Ghosha, the singers of sonorous songs in Vedas of Gargie, Maitreyi, and Sulabha, the unchangeable Upanishadic debaters of Sumana, Shyama, Sumangala, Sangh Mitra, and Rajyashri.

APA, Harvard, Vancouver, ISO, and other styles

3

Weidman, Amanda. "Stigmas of the reality stage." Indian Theatre Journal 6, no. 1 (August 1, 2022): 11–23. http://dx.doi.org/10.1386/itj_00024_1.

Full text

Abstract:

This article focuses on the symbolic work around gender accomplished by singing reality shows in South India. Examining moments from Tamil-, Malayalam- and Telugu-language reality shows aired in the 2010s, and using ethnographic research conducted during the shooting of episodes of one of these popular reality shows, Airtel Super Singer Junior, in Chennai from the early 2010s, it shows how, through the reality shows’ staging and contest format, contestants are subjected to different and often conflicting regimes of evaluation. While the shows’ emphasis on performance and visual presentation and consumption is certainly a factor in the way the shows manage these conflicting pressures, equally as important are the different ways that talk about and around the performance functions, both to increase the cultural capital of singing film songs and to create entertainment value, producing unscripted, seemingly ‘spontaneous’ moments that catch the contestants and judges off guard. Talk functions to reduce stigma in some places while amplifying it in others. While elevating the cultural capital of a formerly ‘lowbrow’ domain, these shows simultaneously place the singer in an increasingly precarious position, producing distinctly gendered stigmatizing effects for both the female contestants and the playback singers who serve as judges.

APA, Harvard, Vancouver, ISO, and other styles

4

KUMAR, RAJESH, SHAILESH PANDEY, RAJA R. RISHI, and KRISHNA GIRI. "Macrolepiota procera (Scop.) Singer (Agaricomycetes) – a new generic record of edible mushroom for Nagaland, Northeast India." Asian Journal of Agriculture 1, no. 01 (May 15, 2017): 6–8. http://dx.doi.org/10.13057/asianjagric/g010102.

Full text

Abstract:

Kumar R, Pandey S, Rishi RR, Giri K. 2017. Macrolepiota procera (Scop.) Singer (Agaricomycetes) - a new generic record of edible mushroom for Nagaland, Northeast India. Asian J Agric 1: 6-8. In August 2013, an interesting mushroom was collected from the Puliebzie forest range in Kohima District of Nagaland state of India. The mushroom was identified as Macrolepiota procera (Scop.) Singer based on the macroscopic and microscopic characters.

APA, Harvard, Vancouver, ISO, and other styles

5

Veda, Andrew, and Luke Gerard Christie. "Nation Building Media Narratives and its Anti-Ecological Roots: An Eco-Aesthetic Analysis of Khushwant Singh’s Train to Pakistan." Studies in Media and Communication 11, no. 2 (February 22, 2023): 22. http://dx.doi.org/10.11114/smc.v11i2.5936.

Full text

Abstract:

Khushwant Singh’s Train To Pakistan documents the horrors of the partition of India and Pakistan in the year 1947 by presenting a story set in a fictional village, Mano Majra which is an ecological synecdoche as the village stands for the two nations, India and Pakistan. The nation building narrative of Singh, as well as Gandhi - "the future of India lies in villages", though highly ecological as its focus is only on maintaining the "self-sufficiency" of every village, is paradoxical as it is concerned only with the microcosm of the villages and not with the macrocosm of the nation. The spiritual connection that Mano Majrans have with their land and river, which is the basis of their identity, cannot be limited by narratives of nation building revolving around political boundaries. The post-partition anxiety of the two countries, at the level of the microcosm, is the trauma of the loss of their ecological home. Khushwant Singh's novel provides a powerful insight into the deep roots of this eco-aesthetic identity and the anxiety of its loss resulting in the cultural divide that continues to exist between India and Pakistan. This essay makes the argument that Khushwant Singh highlights the anti-ecological nature of nation building narratives in his novel, Train to Pakistan.

APA, Harvard, Vancouver, ISO, and other styles

6

Landauer, Carl. "Passage from India: Nagendra Singh’s India and international law." Indian Journal of International Law 56, no. 3-4 (December 2016): 265–305. http://dx.doi.org/10.1007/s40901-017-0057-4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Ardiyono, Yoppy. "Perkembangan Motif Sineas Film Indie dalam Menghadapi Industri Film Mainstream." Jurnal The Messenger 7, no. 1 (March 24, 2016): 9. http://dx.doi.org/10.26623/themessenger.v7i1.284.

Full text

Abstract:

<em>The research aims to review to review determine the effect and its impact raised by motive - a motive the ada in the hearts period travel time history of film short against cinematographer-filmmaker as principal especially filmmakers left path (indie). The used platform theory research hearts singer adopts from theory commodification media vincent mosco. Singer helped shift theory understanding the motive filmmakers working hearts differences fundamental basis of political pressure economic happens under with demands regime. The method used is descriptive qualitative research methods. Data collection techniques through observation of the environment of an independent film live and in-depth interviews with speakers including mr. Yang prayer orangutan direct contact 'with realm of research. Coupled with study to review the literature references adding insight research. And that was concluded change appears motif among indie film cinematographer it is true the situation is closely linked to the mainstream industry, konstilasi politics, and the orientation of capitalism. Necessary their one thing is clear and systematic regulation from the government to the future movement of currents sidestream (indie) more with good operates professionally arranged, the air so that the contribution of indie cinema film land for progress can feels good to yourself indie filmmakers as well as those of its main industries.</em>

APA, Harvard, Vancouver, ISO, and other styles

8

Latif, Amer. "Ẕahīn Shāh Tājī’s (d. 1978) Signs of Beauty (Āyāt-i Jamāl)." Journal of Sufi Studies 10, no. 1-2 (December 14, 2021): 215–33. http://dx.doi.org/10.1163/22105956-bja10018.

Full text

Abstract:

Abstract Bābā Ẕahīn Shāh Tājī (d. 1978) is a well-known Sufi poet in Pakistan. He belonged to the Chishtī Sufi order and his mausoleum in Karachi is a center of pilgrimage known for its weekly Qawwali (devotional singing) gatherings. This article presents an overview of Tājī’s experience and articulation of the Sufi path through selected English translations from his collection of Urdu ghazals, Signs of Beauty (Āyāt-i jamāl), which are performed by Qawwals and ghazal singers both in India and in Pakistan to this day.

APA, Harvard, Vancouver, ISO, and other styles

9

Sachdeva Jha, Shweta. "Eurasian Women as Tawa'if Singers and Recording Artists: Entertainment and Identity-making in Colonial India." African and Asian Studies 8, no. 3 (2009): 268–87. http://dx.doi.org/10.1163/156921009x458118.

Full text

Abstract:

Abstract Scholarship on Eurasians has often addressed issues of migration, collective identity and debates around home. Women performers however do not find themselves discussed in these histories of Eurasian peoples in India. This paper aims to account for individual agency in shaping one's identity within the meta-narratives of collective identity of migrant peoples. I focus on two Eurasian women entertainers in the colonial cities of Benares and Calcutta who chose to forget their mixed-race past to fashion successful careers using new identities as tawa'if singers and actors in the late nineteenth and early twentieth centuries. This, I shall argue, was possible within the wider context of emergent colonial modernities in colonial India. By choosing micro-level case histories of these celebrity entertainers, I want to argue for including popular culture as an arena of identity-making within histories of migration and gender. To engage with popular culture, I shall extend our perception of historical 'archive' to include a varied set of materials such as biographical anecdotes, discographies, songbooks, and address the fields of poetry, music and history. Through this project I hope to rethink ideas of gender, culture and agency within wider debates of migration and identity-making.

APA, Harvard, Vancouver, ISO, and other styles

10

Khan, Dominique-Sila. "The Kāmaḍ of Rajasthan — Priests of a Forgotten Tradition." Journal of the Royal Asiatic Society 6, no. 1 (April 1996): 29–56. http://dx.doi.org/10.1017/s1356186300014759.

Full text

Abstract:

In Rajasthan, one of the north-western states of India, whoever has heard of the Kāmaḍ (or Kāmaḍiyā) would define them as wandering minstrels or jugglers, singing hymns in praise of Bābā Rāmdeo, a famous saint from Mārwāṛ, whose footprints they worship. Most people could not say much more about this community of religious singers who, since Independence, have been listed among the “scheduled castes”. In any case, everybody seems to be aware of their connection with Rāmdeo, a famous folk deity, also popular in Gujarat and Madhya Pradesh, now venerated by devotees of all castes and creeds, but mostly by Hindus, as an avatār of Vishnu-Krishna.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Indic Singers"

1

Hadj, Tahar Abdallah. "Effets d'un traitement subchronique au KW-6002, un nouvel antagoniste des recepteurs, adénosinergiques A¦2[indice]A, administré à des singes MPTP dyskinetiques à la levodopa." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq25604.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Huang, Andrew, and 黃執虔. "Taiwan Indie Music in the Social Media Era: an Empirical Investigation of How Taiwan Indie Singers Balance Creating, Entrepreneurship and Self-Promotion." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/27qpn6.

Full text

Abstract:

碩士
國立政治大學
國際傳播英語碩士學位學程(IMICS)
106
This thesis investigates the mechanism of Taiwan's independent music sector and how Taiwanese independent musicians operate in the era of social media. Departing from an interest in the nature of independent music and the interactions between artist, audience and the market, I conduct in-depth interviews with 20 music professionals from the industry (including singers and behind-the-scene personnel) to derive multi-perspective observation about the various stages of production chain of Taiwan’s independent music. The data is analyzed and discussed in details with the following themes: artist segmentation and positioning, music release and distribution, Facebook music promotion, live performance, storytelling, creating versus self-promotion, what they perceive as the “indie music spirit,” and finally what is the typical indie music career pattern. This research concludes that, in the realm of independent music publishing, veritable talent is the prerequisite to establishing a career. While digital music production and social media democratized the cost of music making and provides publicity access to everyone, the amount of time and expertise required for managing social media constraint indie singers so that only very few reach mainstream recognition through self-promotion in social media. However, many indie singers perceive their career goals as sharing stories through music rather than using music as means to reach fame and fortune.

APA, Harvard, Vancouver, ISO, and other styles

3

Layton, Myrna June. "Illusion and reality : playback singers of Bollywood and Hollywood." Thesis, 2014. http://hdl.handle.net/10500/13240.

Full text

Abstract:

Text in English
India’s film production industry, referred to commonly as Bollywood, and the film production industry of America, referred to as Hollywood, have created a large number of musical films since sound was introduced into motion pictures. Both create fictional stories—illusions, if you will—through the use of prerecorded sound and playback technology coupled with lip-synching interpolated onto filmed images. While studies exist that treat the music of both production centres, there is very little research that compares both, and very little research on playback singers. Playback singers in both Bollywood and Hollywood may or may not be the actors who are seen on the screen; however, people in the Bollywood system—its directors, producers, creators, as well as the journalists who write about it—are very open about this practice, and playback singing is a highly respected career. Conversely, in the Hollywood system, playback singing that is done by an individual other than the on-screen actor remains uncredited or under-credited, and those who do the work are just hired workers; they are not respected as artists in the same way that their Bollywood counterparts are. I believe this difference has a cultural basis, shaped by variation in the way that illusion and reality are expressed by film production staff and interpreted by audiences in the two cultures. Through primary and secondary research, this project seeks to discover the differences and to understand how cultural implications of illusion and reality affect the playback singers in both film centres.
Art History, Visual Arts & Musicology
D. Litt et Phil. (Musicology)

APA, Harvard, Vancouver, ISO, and other styles

4

Wu, Chia-Ching, and 吳家慶. "A study of the influences of the intersection set characteristics across brand communities on human brand loyalty --The examples of indie music singers." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/27993776108893882699.

Full text

Abstract:

碩士
淡江大學
國際貿易學系國際企業學碩士班
97
The independent record companies in the number of award-winning has increased year by year since 2003. It shows that the rise of independent music has been a growing wave. The various loyal fans become the most valuable assets of independent singer. What are their considerations when they support their own favorite independent singer. Whether the helps of other fans will strengthen the loyalty of fans as the theory is said, it needs to be clarified. In this paper, we adopted the qualitative research in in-depth interview to collect the text information on relevant experience of independent music fans, and selected Hermeneutics to interpret the exploratory study. Research finding is that presence or absence of oppositional loyalty mainly from the characteristics of singer and music type. In a similar belief system, derived from the characteristics of singer higher than that derived from the music type; in contrast; belief in the non-similar system, the oppositional loyalty derived from the type of music more than derived from the characteristics of singer. By the difference level between two groups, Independent music artists can improve oppositional loyalty with providing different information by their brand community. At beginning, we only consider the social interaction among fans. With Hermeneutics, we find the dimensions of interaction not only horizontal interaction among fans but also vertical interaction. Interactions Include among fans and among celebrities, it will affect the perceptions of fans to other independent singer indirectly. Fans will strengthen the level of the preference for other singers. Such interpretation of the result can be used as a point of view of the future theory building.

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Indic Singers"

1

Subramanian, Lakshmi. Veena Dhanammal: The making of a legend. New Delhi: Rotledge, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

The music room: A memoir. St. Martin's Press: Thomas Dunne Books, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

The music room. New Delhi: Random House India, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Mītajyū: Nārāyaṇa Gopāla ra Gopāla Yoñjanako anusandhānātmaka jīvanī. Bhojapura: Triveṇī Sāhitya Pratishṭhāna, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Lata Mangeshkar: A biography. New Delhi: UBS Publishers' Distributors, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Bharatan, Raju. Latā Maṅgeshakara: Ika jīwanī. Chandigarh: Lokgeet Parkashan, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

1946-, Gold Ann Grodzins, ed. A carnival of parting: The tales of King Bharthari and King Gopi Chand as sung and told by Madhu Natisar Nath of Ghatiyali, Rajasthan. Berkeley: University of California Press, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Nevile, Pran. Nautch girls of India: Dancers, singers, playmates. Paris: Ravi Kumar Publisher, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Veena Dhanammal: The making of a legend. New Delhi: Rotledge, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Khushwant Singh's joke book. New Delhi: Orient Paperbacks, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Indic Singers"

1

"Indice." In Monte Singar, edited by Samuele Giamil, 3–4. Piscataway, NJ, USA: Gorgias Press, 2012. http://dx.doi.org/10.31826/9781463225315-toc.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Das, Samir Kumar. "Singur." In India Migration Report 2017, 29–45. Routledge India, 2018. http://dx.doi.org/10.4324/9781351188753-3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Coleman, Claire. "Indie folk’s bowerbirds: Nostalgia and contemporary singer-songwriters." In The Singer-Songwriter Handbook. Bloomsbury Academic, 2017. http://dx.doi.org/10.5040/9781501396595.ch-016.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Stahl, Matt. "Accounting for Injustice." In The Oxford Handbook of Music Law and Policy. Oxford University Press, 2021. http://dx.doi.org/10.1093/oxfordhb/9780190872243.013.28.

Full text

Abstract:

Abstract Despite their incalculable musical contributions and the continuing profitability of their hit recordings, R&B singers of the 1960s often have reached and passed retirement age in conditions of profound economic insecurity. This tragic irony is well known, but the long-standing institutional practices that have essentially ensured this typical outcome have remained obscure. At the center of the problem is individual royalty income associated with the sale and licensing of recordings. Record companies’ royalty accounting processes are notoriously complex and secret, and companies have strong incentives to overreport expenses and underreport earnings in their maintenance of individual artist royalty accounts. Hitherto unstudied documents from the archive of the National Office of the American Federation of Television and Radio Artists (AFTRA) shed light on the accounting practices of the major and indie record companies to whom artists like Mary Wells, Ruth Brown, and Sam Moore were signed. After 1959, singers recording for signatory companies were included in the employer-sponsored AFTRA Health and Retirement Funds. As a fiduciary, the Funds were obligated to monitor and enforce employer contributions based on singers’ annual earnings, including contractual royalty payments. Newly discovered archival evidence helps explain how the Funds’ lax enforcement led to healthcare ineligibility and chronically underfunded pensions for many R&B performers. The interaction of companies’ nefarious contractual royalty accounting practices and the AFTRA Funds’ at-best inconsistent monitoring and enforcement of companies’ obligations hindered singers’ prospects for financial stability and comfortable retirement after long careers and the contribution of enduring recordings to contemporary culture.

APA, Harvard, Vancouver, ISO, and other styles

5

McHugh, Kathleen A. "Miranda July and the New Twenty-first-century Indie." In Indie Reframed. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474403924.003.0015.

Full text

Abstract:

This chapter singles out the brilliant, idiosyncratic multi-mediary work of Miranda July as exemplary of American independent cinema as it currently stands. Defining the latter in terms of the emerging indie culture of the twenty-first century’s second decade, McHugh argues that July’s oeuvre reframes the masculinist rhetoric that has dominated the discussion until now. Manifesting itself communally, through informal networks rather than through self-stylisation, July’s creative work is collaborative, improvisational, and distributed across a broad range of platforms including, besides film and video, writing, acting, performance and conceptual art, all of which are represented in her two feature films Me and You and Everyone We Know (2005) and The Future (2011).

APA, Harvard, Vancouver, ISO, and other styles

6

Bannister, Matthew. "The singer or the song? Homosociality, genre and gender." In White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock, 91–110. Routledge, 2017. http://dx.doi.org/10.4324/9781351218023-4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Ren, Xuefei. "Land Grabs and Protests From Wukan to Singur." In Governing the Urban in China and India, 35–55. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691203393.003.0003.

Full text

Abstract:

This chapter examines the territorial and associational forms of governance through the case of land acquisition and citizens' protests. It talks about the rural protesters at Wukan in China that targeted the bottom-level village authorities and made strong claims of land ownership. It also looks at the case in India where rural protesters at Singur targeted the regional state government and investigates the success of their resistance that depended not on land ownership claims but on the intervention of political parties. The chapter discusses rural collective land ownership that lent a strong territorial logic to the residents' mobilization in Wukan. It also analyzes the involvement of political parties that marked the associational character of mobilizations in Singur.

APA, Harvard, Vancouver, ISO, and other styles

8

"Land Grabs and Protests from Wukan to Singur." In Governing the Urban in China and India, 35–55. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctvtxw2r1.9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

"3. Land Grabs and Protests from Wukan to Singur." In Governing the Urban in China and India, 35–55. Princeton University Press, 2020. http://dx.doi.org/10.1515/9780691203416-005.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

"Beyond Clientelism: Digvijay Singh’s Participatory, Pro-Poor Strategy in Madhya Pradesh: James Manor." In Power and Influence in India, 224–44. Routledge India, 2012. http://dx.doi.org/10.4324/9780203085417-16.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Indic Singers"

1

Ali, Syed Abbas, Aisha Siddiqui, Tahura Fatima, and Javeria Barkat. "Comparative analysis of melodic pattern matching techniques for performance evaluation of singer." In 2014 IEEE 17th International Multi-Topic Conference (INMIC). IEEE, 2014. http://dx.doi.org/10.1109/inmic.2014.7097337.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Dawn, Sucheta, Monidipa Das, and Sanghamitra Bandyopadhyay. "SInGER: A Recommendation System based on Social-Influence-aware Graph Embedding Approach." In 2021 IEEE 18th India Council International Conference (INDICON). IEEE, 2021. http://dx.doi.org/10.1109/indicon52576.2021.9691733.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Gonçalves, Luan Serafim Mendes, and Bernardo Arantes do Nascimento Teixeira. "Identificação de publicações sobre dispositivos de drenagem urbana sustentáveis e chuvas de projeto." In III SIMPÓSIO NACIONAL DE GESTÃO E ENGENHARIA URBANA [SINGEURB 2021]. Antac, 2021. http://dx.doi.org/10.46421/singeurb.v3i00.1105.

Full text

Abstract:

A recente urbanização brasileira seguiu um modelo de limitado planejamento urbano com grande densidade habitacional, pressionando a infraestrutura urbana. Desde a década de 80, a gestão das águas urbanas tem evoluído do sistema tradicional higienista para abordagens mais sustentáveis, cumprindo imperativos hidrológicos, ecológicos, sociais e econômicos. Este trabalho identificou qual metodologia é mais frequente na determinação de chuvas de projeto e quais dispositivos de controle da água da chuva são mais estudados na área de drenagem sustentável, através de busca na base de dados Scopus. De um total de 7216 documentos avaliados, os poços de infiltração só foram mencionados em 3 trabalhos, e as bacias de detenção e infiltração foram citadas em 53 e 26 artigos, respectivamente. Já quanto as chuvas de projeto, os trabalhos científicos raramente fazem menção ao método utilizado, havendo um total de apenas 264 resultados positivos para todos os termos pesquisados, o que denota atribuição de baixa relevância para este importante parâmetro de dimensionamento e simulação. O baixo índice de pesquisas de dispositivos de drenagem comumente utilizados no Brasil indica a necessidade de intensificação dos estudos nacionais nesta área para melhoria da gestão dos riscos ambientais urbanos.

APA, Harvard, Vancouver, ISO, and other styles

4

Assalve, Layla Cristina de Freitas, and Denise Balestrero Menezes. "Análise das Modificações nos Planos Diretores Recentes de Araraquara e sua Influência na Proteção dos Corpos Hídricos Urbanos." In III SIMPÓSIO NACIONAL DE GESTÃO E ENGENHARIA URBANA [SINGEURB 2021]. Antac, 2021. http://dx.doi.org/10.46421/singeurb.v3i00.922.

Full text

Abstract:

Uma das formas como a sociedade tenta gerir os problemas que surgiram da relação entre aglomerações humanas e meio natural é a implantação do planejamento e da gestão urbana, em que procura se precaver contra problemas e dificuldades, cuja determinações refletem diretamente na vida urbana. Considera-se que o planejamento e gestão urbano, dentro das efetivas políticas de proteção ambiental ampla e integrada, encontram-se no plano diretor as diretrizes legais para a proteção ambiental dos recursos naturais que estão inseridos no espaço urbano. O presente trabalho tem como objetivo a realização de uma análise crítica das políticas de proteção ambiental que se encontram nos planos diretores dos anos de 2005 e 2014 do município de Araraquara - SP, e leis complementares, das suas modificações no zoneamento urbano e influência na proteção ambiental dos corpos hídricos. O estudo apresentado refere-se a pesquisa que está sendo desenvolvida no mestrado e tem como metodologia uma investigação teórica pelo meio de análise e revisão bibliográfica sobre o assunto. O resultado apresentado indica que as alterações ocorridas da primeira edição do plano para o plano atual efetuaram modificações significativas nos mecanismos de controle ambiental, na garantia da qualidade da água e na degradação ambiental.

APA, Harvard, Vancouver, ISO, and other styles

5

Kamal, Abhishek, Gagan Chandra Das, Vinayak Kulkarni, and Niranjan Sahoo. "Comparative Study of Force Prediction Techniques Using Multi Component Accelerometer Force Balance for High Enthalpy Ground Testing." In ASME 2019 Gas Turbine India Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/gtindia2019-2666.

Full text

Abstract:

Abstract Large wave drag and high surface heating are the major concerns of hypersonic flows. Hence, development of force measurement technique or prediction of force has always remained a promising research topic in this field. Present studies also deal with force prediction techniques and force balance calibration methodology for ground testing in an impulse test facility. A blunt double cone model is fabricated along with a three component accelerometer force balance. Impulse hammer hits are made on different locations of this test model. In these calibration experiments, the applied impulse and acceleration responses from three accelerometers are recorded. These calibration tests are repeated multiple times to apply hammer hits of different magnitude. All the input and corresponding output singles are then processed first to arrive at the impulse response function or correlation between input and outputs. Then the force recovery techniques are applied to recover the axial and normal forces generated during application of one of the calibration forces. The experimentally recovered force signals from different techniques are compared and then the accuracy of these predictions is estimated using different error estimation techniques. Such studies are found essential not only in defining the most accurate force prediction technique but also in understanding the time required for prediction by a particular technique. Additionally, such studies essentially helps to improve a force prediction algorithm.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!