Academic literature on the topic 'Indigenous art'

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Journal articles on the topic "Indigenous art"

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Caton, Steven C. "Possessions: Indigenous Art/Colonial Culture:Possessions: Indigenous Art/Colonial Culture." American Anthropologist 103, no. 4 (2001): 1211–13. http://dx.doi.org/10.1525/aa.2001.103.4.1211.

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Baudemann, Kristina. "Indigenous Futurisms in North American Indigenous Art." Extrapolation 57, no. 1-2 (2016): 117–50. http://dx.doi.org/10.3828/extr.2016.8.

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Cameron, Liz. "Celebrating Australian Indigenous Art." International Journal of the Arts in Society: Annual Review 6, no. 1 (2011): 185–92. http://dx.doi.org/10.18848/1833-1866/cgp/v06i01/35968.

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Smith, Sarah E. K. "Sakahàn: International Indigenous Art." Journal of Modern Craft 7, no. 2 (2014): 219–22. http://dx.doi.org/10.2752/174967814x13990281228567.

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Butler, Sally. "Inalienable Signs and Invited Guests: Australian Indigenous Art and Cultural Tourism." Arts 8, no. 4 (2019): 161. http://dx.doi.org/10.3390/arts8040161.

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Australian Indigenous people promote their culture and country in the context of tourism in a variety of ways but the specific impact of Indigenous fine art in tourism is seldom examined. Indigenous people in Australia run tourism businesses, act as cultural guides, and publish literature that help disseminate Indigenous perspectives of place, homeland, and cultural knowledge. Governments and public and private arts organisations support these perspectives through exposure of Indigenous fine art events and activities. This exposure simultaneously advances Australia’s international cultural dip
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Grishin, Alexander. "A New History of Australian Art: Dialectic between Indigenous and Non-Indigenous Art." International Journal of the Humanities: Annual Review 6, no. 7 (2008): 97–104. http://dx.doi.org/10.18848/1447-9508/cgp/v06i07/42490.

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Thimm, Tatjana. "‘Indigenous Art and Indigenous Tourism in Western Australia – a model of interrelations'." Journal of Australian, Canadian, and Aotearoa New Zealand Studies 4 (August 1, 2024): 96–129. http://dx.doi.org/10.52230/msso3601.

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This article argues that Indigenous art and Indigenous tourism have become important drivers for Indigenous businesses in Australia and are interrelated to varying degrees. The article focuses on Western Australia where Indigenous art and Indigenous tourism businesses are widespread in both rural and urban areas. Indigenous art and tourism have a long history in Western Australia. Art is predominantly displayed in art centres in rural areas, and galleries and museums in urban settings. The term ‘urban’ in Western Australia is often synonymous with the city of Perth, the capital of the federal
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Uzel, Jean-Philippe. "Déni et ignorance de l’historicité autochtone dans l’histoire de l’art occidentale." RACAR : Revue d'art canadienne 42, no. 2 (2018): 30–41. http://dx.doi.org/10.7202/1042944ar.

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Western art history long refused to recognize the historicity of Indigenous art, seeing it instead as a “primitive” mode of human expression. While the dynamism of Indigenous creation since the 1960s has made such an assertion impossible, the institutional recognition given contemporary Indigenous art in the art world is paradoxically accompanied by a lack of critical and theoretical analysis. Today, there is a genuine ignorance concerning Indigenous conceptions of history — their “regime of historicity”— on the part of Western art historians. This is all the more surprising given the recent “
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Bähr, Elisabeth. "Political Iconography in Indigenous Art." Zeitschrift für Australienstudien / Australian Studies Journal 27 (2013): 49–66. http://dx.doi.org/10.35515/zfa/asj.27/2013.05.

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Hewitt, Pat. "Viewpoint: resources for indigenous art." Art Libraries Journal 33, no. 2 (2008): 3–4. http://dx.doi.org/10.1017/s0307472200015261.

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Dissertations / Theses on the topic "Indigenous art"

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Souliere, Rolande. "Towards an Indigenous History: Indigenous Art Practices from Contemporary Australia and Canada." Phd thesis, University of Sydney, 2019. http://hdl.handle.net/2123/21193.

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The debate of Indigenous art as contemporary art in Western art discourse has been ongoing since the acceptance of Indigenous art as contemporary art in the early 1990s. This has resulted in a collision of four diverse fields; Western art history, Western art criticism, anthropology and Indigenous cultural material. The debate stems from the problematised way the term contemporary is defined by globalised Euro-Western art and its institutions. This thesis considers the value of applying the concept of the contemporary to Indigenous art practices and art, in particular as a mode for cultural se
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Mengler, Sarah Elizabeth. "Collecting indigenous Australian art, 1863-1922 : rethinking art historical approaches." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709014.

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Foster, Susanne. "Contemporary indigenous art reflecting the place of prison experiences in indigenous life /." Title page, table of contents and abstract only, 2005. http://web4.library.adelaide.edu.au/theses/09ARAHM/09arahmf7541.pdf.

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Thesis (M.A.(St.Art.Hist.)) -- University of Adelaide, Master of Arts (Studies in Art History), School of History and Politics, Discipline of History, 2005.<br>Coursework. "March 2005" Bibliography: leaves 179-190.
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Gigler, Elisabeth. "Indigenous Australian art photography an intercultural perspective." Aachen Shaker, 2007. http://d-nb.info/990542270/04.

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Dunham, Amy. "Towards Collaboration: Partnership Between Indigenous and Non-Indigenous Australians in Art from 1970 to the Present." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1306498911.

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Davhula, Mudzunga Junniah. "Malombo Musical Art in VhaVenda Indigenous Healing Practices." Thesis, University of Pretoria, 2016. http://hdl.handle.net/2263/64353.

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The traditional healing practices of the Vhavenda people include one very important component, the malombo ritual healing practice. This healing practice has been conducted for centuries. It involves the use of music (including singing and the use of drums and shakers for rhythm), dance and elements of theatre performed by the person to be healed, the healer, invited malombe (community members who have been through the same ritual), as well as family members and supporters. The importance of this ritual as a healing process has long been acknowledged. Of interest in this study, however
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Kuizon, Jaclyn. "Fine Art and Clandestine Identity: American Indian Artists in the Contemporary Art Market." W&M ScholarWorks, 2011. https://scholarworks.wm.edu/etd/1539626648.

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Ndlovu, Ndukuyakhe. "Incorporating indigenous management in rock art sites in KwaZulu -Natal /." Thesis, Rhodes University, 2005. http://eprints.ru.ac.za/1380/.

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Dickenson, Rachelle. "The stories told : indigenous art collections, museums, and national identities." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98919.

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The history of collection at the National Gallery of Canada, the Art Gallery of Ontario and the Montreal Museum of Fine Arts, illustrates concepts of race in the development of museums in Canada from before Confederation to today. Located at intersections of Art History, Museology, Postcolonial Studies and Native Studies, this thesis uses discourse theory to trouble definitions of nation and problematize them as inherently racial constructs wherein 'Canadianness' is institutionalized as a dominant white, Euro-Canadian discourse that mediates belonging. The recent reinstallations of the permane
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Adsit, Melanie Hope. "Caught between worlds: urban aboriginal artists." Thesis, Boston University, 1997. https://hdl.handle.net/2144/27694.

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Books on the topic "Indigenous art"

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1964-, Croft Brenda L., ed. Indigenous art: Art Gallery of Western Australia. Art Gallery of Western Australia, 2001.

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Hætta, Susanne. Mázejoavku: Indigenous collectivity and art. DAT, 2020.

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Ken, Watson, Jones Jonathan, and Perkins Hetti 1965-, eds. Tradition today: Indigenous art in Australia. Art Gallery of New South Wales, 2004.

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1964-, Croft Brenda L., National Gallery of Australia, Art Gallery of South Australia., Art Gallery of Western Australia., Queensland Art Gallery, and National Indigenous Art Triennial (1st : 2007 ; Canberra, A.C.T.), eds. Culture warriors: National Indigenous art triennial. National Gallery of Australia, 2007.

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Chubb, Claudette. Indigenous art at the Australian National University. Macmillan, 2009.

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1947-, Winkel Dos, and Geoffroy-Schneiter Bérénice, eds. Vanishing beauty: Indigenous body art and decoration. Prestel, 2006.

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Claudette, Chubb, and Sever Nancy, eds. Indigenous art at the Australian National University. Macmillan, 2009.

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A.C.T.) National Indigenous Art Triennial (3rd 2017 Canberra. Defying emipire: 3rd National Indigenous Art Triennial. National Gallery of Australia, 2017.

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Gigler, Elisabeth. Indigenous Australian art photography: An intercultural perspective. Shaker Verlag, 2008.

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Spahan, Rose M. Smash: International indigenous weaving. Edited by Wherry Cathi Charles 1958- and Art Gallery of Greater Victoria. Art Gallery of Greater Victoria, 2010.

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Book chapters on the topic "Indigenous art"

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Phillips, Ruth B. "Indigenous art." In Global Art in Local Art Worlds. Routledge, 2023. http://dx.doi.org/10.4324/9781003128908-26.

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Smith, Hinekura. "Theorising Indigenous art practice, practicing Indigenous art theories." In Encountering Craft. Routledge, 2023. http://dx.doi.org/10.4324/9781003026136-7.

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Obiokor, Paul. "Art Education." In African Indigenous Knowledge and the Disciplines. SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-770-4_10.

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Butler, Sally. "Australian Indigenous Art and Literature." In FILLM Studies in Languages and Literatures. John Benjamins Publishing Company, 2017. http://dx.doi.org/10.1075/fillm.5.09but.

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Flores, Tatiana. "Art, Revolution, and Indigenous Subjects." In The Routledge History of Latin American Culture. Routledge, 2017. http://dx.doi.org/10.4324/9781315697253-9.

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Jhaveri, Krupa. "Healing Roots of Indigenous Crafts." In Craft in Art Therapy. Routledge, 2020. http://dx.doi.org/10.4324/9781003050513-10.

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Monani, Salma, Renata Ryan Burchfield, Danika Medak-Saltzman, and William Lempert. "Indigenous Media." In The Routledge Companion to Contemporary Art, Visual Culture, and Climate Change. Routledge, 2021. http://dx.doi.org/10.4324/9780429321108-21.

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Baerg, Jason. "Indigenous Abstraction." In The Routledge Companion to Indigenous Art Histories in the United States and Canada. Routledge, 2022. http://dx.doi.org/10.4324/9781003014256-40.

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Santone, Jessica, and Jen Rae. "Indigenous Pedagogies in Portage." In Pedagogical Art in Activist and Curatorial Practices. Routledge, 2025. https://doi.org/10.4324/9781003473800-17.

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Chow, Ai Ming. "The Many Faces of Indigenous Art." In Marketing the Arts, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003021766-15.

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Conference papers on the topic "Indigenous art"

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Osasona, C. O. "Indigenous art and Nigerian contemporary residential architecture." In STREMAH 2007. WIT Press, 2007. http://dx.doi.org/10.2495/str070131.

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Michnowska, Paulina, and Tariq Zaman. "Revitalising Indigenous Heritage Through Art Participatory Practices." In PDC '24: Participatory Design Conference 2024. ACM, 2024. http://dx.doi.org/10.1145/3661455.3669863.

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Wright, Rewa, and Simon Howden. "Nga manawataki o te koiora: biological rhythms, posthuman design and decolonial thought." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-35-short-wright-et-al-nga-manawataki-o-te-koiora.

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SHORT PAPER. Western science, in fields such as computational ecology, has grown to accept the truths that Indigenous culture have long known: that computational ecology accepts that ecological models are too complex to be summarised in computational form. Since this complexity evades the codification of mere indexing, how then, should we work with computational companions (code, algorithms, programs, platforms). What new ways of intra-acting can we develop alongside computational frameworks, which bring us one more step closer to sentient machines? Most importantly, how can ethical ways of th
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Netto, Marinilse, Ana Maria Duarte, and Ketlin Hass Tibes. "Signification and resignification of kaingang indigenous art in contemporaneity: cultural resistance and survival." In III SEVEN INTERNATIONAL MULTIDISCIPLINARY CONGRESS. Seven Congress, 2023. http://dx.doi.org/10.56238/seveniiimulti2023-192.

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The present research has as its theme the Kaingang indigenous handicrafts in contemporary times, evidencing how the meaning and resignification of cultural elements occurs in processes involving trade for income generation and survival. The work presents a brief history of the Kaingang indigenous cultural universe with a focus on handicrafts, in order to understand its original context of production, including the materials commonly used, as well as the representation of symbolic elements. It records the perception of an indigenous Kaingang in the process of signification and resignification o
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Kadek, Kasiyan, Kadek Hariana, and Kasiyan Kasiyan. "Eco Art Education through the Indigenous Wisdom Concept of Tri Hita Karana." In Proceedings of the International Conference on Art and Arts Education (ICAAE 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/icaae-18.2019.19.

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da Rocha Montanari, Matheus. "Ecologies of Thought: Generative Art as a Collaborative Research Methodology with Guarani and Kaiowá Indigenous Communities." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-18-short-da-rocha-montanari-ecologies-of-thought.

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SHORT PAPER. The Ecologies of Thought project aimed to reconceptualize the relationships between ecological and technical knowledge, seeking an epistemological understanding that pushed beyond nature vs. culture divides. More than a conceptual and theoretical proposal, which was based on the technodiverse notion of cosmotechnics, the project developed practical and experimental methodologies in collaboration with the Guarani and Kaiowá Indigenous communities of Brazil to further this investigation. With an international and interdisciplinary partnership, we researched relationships between sou
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Tatevosyan, Ashot Henrikovich. "DECORATIVE AND APPLIED ART OF THE INDIGENOUS PEOPLES OF THE RUSSIAN ARCTIC." In Themed collection of papers from Foreign international scientific conference «Joint innovation - joint development». Part 1. Ьу НNRI «National development» in cooperation with PS ofUA. June 2023. Crossref, 2023. http://dx.doi.org/10.37539/230629.2023.28.34.027.

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This article is dedicated to the decorative and applied art of the indigenous peoples of the Russian Arctic, particularly the Saami people who reside on the Kola Peninsula and in the Murmansk region. The article provides a detailed description of Saami dwellings, including typical forms such as the tupa, vee, and log cabins, as well as structures of auxiliary and economic significance, such as barns and cellars. Special attention is given to the decorative and applied art of the Saami, including wood carving, embroidery, folk clothing, metal and leather adornments. The article is of interest t
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Botes, Maria Wilhelmina, and Arianna Rossi. "Visualisation Techniques for Consent: Finding Common Ground in Comic Art with Indigenous Populations." In 2021 IEEE European Symposium on Security and Privacy Workshops (EuroS&PW). IEEE, 2021. http://dx.doi.org/10.1109/eurospw54576.2021.00037.

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Nunez, Idalia. "Transnational and Indigenous Latinx Children's Art-Based Bilingual Writings: A Placemaking-Justice Pedagogy." In 2024 AERA Annual Meeting. AERA, 2024. http://dx.doi.org/10.3102/2093013.

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Wall, Karen. "THE INDIGENOUS EXPERIENCE: REPRESENTATIONAL SOVEREIGNTY AND RECONCILIATION IN CANADIAN URBAN SPACE." In Budapest – International Conference on Social Science & Humanities, 24-25 September 2024. Global Research & Development Services Publishing, 2025. https://doi.org/10.20319/icssh.2025.108109.

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Urban indigenous spaces may be characterized by tangible and intangible cultural phenomena including art and architecture. Following Canada’s Truth and Reconciliation Report in 2015, Canadian municipalities have pursued various paths toward inclusion of Indigenous voices in city planning. This paper examines manifestations of Indigenous cultural presence in the city of Edmonton, home to the second largest and growing urban Indigenous population in the country. In the development of a mature postcolonial civic identity, both formal and informal interventions into public space can support transf
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Reports on the topic "Indigenous art"

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Ramkumar, Bharath, and Rebecca Dias. Sustaining Indigenous Textile Artisans and Their Art in the North Eastern Region of India. Iowa State University. Library, 2019. http://dx.doi.org/10.31274/itaa.8330.

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Youdelis, Megan, Kim Tran, and Elizabeth Lunstrum. Indigenous-Led Conservation Reading List. Boise State University, Albertsons Library, 2021. http://dx.doi.org/10.18122/environ.8.boisestate.

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This list compiles literature relevant to the bourgeoning Indigenous-led conservation movement, be that through Indigenous Protected and Conserved Areas (IPCAs, Canada), Indigenous and Community Conserved Areas (ICCAs, global), or various other forms of Indigenous-led governance or co-governance mechanisms that elevate Indigenous rights, responsibilities, and legal traditions. The introductory Colonial Conservation section is not exhaustive, but rather provides context for the main import of the collection, which is to highlight the possibilities, successes, and challenges associated with deco
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Plant, Roger, and Soren Hvalkof. Land Titling and Indigenous Peoples. Inter-American Development Bank, 2001. http://dx.doi.org/10.18235/0008860.

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This paper has the following main objectives: to review the actual or potential impact of land titling and cadastre programs on indigenous populations; to recommend actions that would minimize risk and ensure that land projects are tailored to the aspirations and needs of indigenous peoples; to outline a typology of indigenous landholding systems and to identify any areas requiring further research. The research done by the consultants draws from country and site visits, a review of Bank projects as well as those of other international agencies, and meetings with government authorities, repres
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Renshaw, Jonathan. Guyana: Technical Note on Indigenous Peoples. Inter-American Development Bank, 2007. http://dx.doi.org/10.18235/0009127.

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The aim of this note is to provide an overview of the situation of the Indigenous Peoples of Guyana. The note covers a range of issues, including land regularisation, environment - especially mining, logging and the establishment of protected areas - economic development, education, health care and local infrastructure. In line with the Bank's Policy on Indigenous Peoples, it stresses the need to ensure Indigenous Peoples are given the opportunity to participate in the discussions and decisions relating to all Bank operations that may affect them.
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Plant, Roger. Issues in Indigenous Poverty and Development. Inter-American Development Bank, 1998. http://dx.doi.org/10.18235/0006795.

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The first part of this discussion paper attempts, within the inevitable data limitations, to present some picture of patterns of indigenous poverty over time. In addition, the first section examines some of the historical determinants that can explain the disproportionate poverty confronting Latin America's indigenous peoples today and provides an overview of diverse economic and survival strategies of indigenous peoples in Latin America today. The second section of the paper is concerned with measures to combat indigenous poverty through the policies and programs of governments and internatio
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Einbinder, Nathan. Moving forward, looking back: Indigenous agriculture in Guatemala. TABLE, 2025. https://doi.org/10.56661/cf0704b0.

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Growing crops in the mountainous rural areas of Guatemala presents unique challenges, and farmers there rely on a mix of Indigenous practice and new experimental treatments of bio-inputs, infused with micro-organisms. Nathan Einbinder writes about the farmers he met in Guatemala who are innovating collaboratively within their communities to instil resilience and sustainability on their farms. Nathan Einbinder is a lecturer and researcher specializing in agroecology and food systems. Since 2009, he has worked with Indigenous farmers and organizations in the Maya-Achí territory of Guatemala, on
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Bustelo, Monserrat, Verónica Frisancho, and Mariana Viollaz. Unequal Opportunities for Indigenous Peoples and African Descendants. Inter-American Development Bank, 2023. http://dx.doi.org/10.18235/0005340.

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The indigenous peoples and African descendants in Latin America and the Caribbean are far behind the rest of the population in terms of access to education, health services, and financial services, something that is reflected in poor labor outcomes and high poverty rates. Indigenous peoples and African descendants achieve lower levels of education in their lifetime. In recent decades, the region has narrowed the years-of-education gap between the indigenous peoples and the non-indigenous population, but the differences are still large. The gaps in access to health services are clear in the mat
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Domingo, Sonny, and Arvie Joy Manejar. Review of Indigenous Peoples Policy and Institutional Grounding. Philippine Institute for Development Studies, 2020. https://doi.org/10.62986/dp2020.20.

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Around 300 million indigenous peoples (IPs) have been identified across 70 countries. Fourteen million of them are located in the Philippines, with their cultural zones taking up as much as 44 percent of the countrys land area. There has been much confusion regarding their identity and rights, resulting in a lengthy policy and institutional evolution in the sector. This, eventually, resulted in the passage of the Indigenous Peoples Rights Act (IPRA) in 1997 and the establishment of the National Commission of Indigenous Peoples (NCIP). It took almost a decade for the institution to issue salien
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Fryer, Michelle, Ursula Quijano, Patricia Sadeghi, Carla Calero, Salomon Garcia Villegas, and Sebastián Vargas. Implementation of the Strategy for Indigenous Development (GN-2387-5): Lessons from the Portfolio Review. Inter-American Development Bank, 2012. http://dx.doi.org/10.18235/0010431.

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Analysis of the portfolio related to indigenous peoples in the context of the Indigenous Development Strategy (IDS) approved in 2006, shows that: (i) indigenous issues are less prevalent in Country Strategies from 2006 onward; (ii) the instrument most used to address indigenous issues is technical cooperation, followed by loan operations; (iii) there is limited evidence of a mainstreaming approach to the integration of indigenous issues in IDB operations; (iv) the number of loans with a proactive approach declined after approval of IDS; (v) the evaluability of operations related to indigenous
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Rogers, Jessa, Kate E. Williams, Kristin R. Laurens, et al. Footprints in Time: Longitudinal Study of Indigenous Children. Queensland University of Technology, 2022. http://dx.doi.org/10.5204/rep.eprints.235509.

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The Longitudinal Study of Indigenous Children (LSIC; also called Footprints in Time) is the only longitudinal study of developmental outcomes for Aboriginal and Torres Strait Islander children globally. Footprints in Time follows the development of Australian Aboriginal and Torres Strait Islander children to understand what Indigenous children need to grow up strong. LSIC involves annual waves of data collection (commenced in 2008) and follows approximately 1,700 Aboriginal and Torres Strait Islander children living in urban, regional, and remote locations. This LSIC Primary School report has
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